Robert Murray, 1852-1855 (taken) 1854-1856 (print), The Memnonium or Rameseiom, Thebes, Albumen silver print, from waxed paper negative, Metropolitan Museum of Art, LL/103794

Giovanni Brampton Philpot, 1853-1855 (taken), Firenze - Ponte alla Carraia e i lungarni [Firenze - Il ponte alla Carraia e il lungarno Corsini], Calotype, Soprintendenza Speciale per il Patrimonio Storico Artistico ed Etnoantropologico e per il Polo Museale della citta' di Firenze, LL/124211

Guillaume-Amant Duchenne de Boulogne, 1854-1855 (taken), Fright, [Mécanisme de la physionomie humaine (The Mechanism of Human Facial Expression) (1862)], Albumen print, National Gallery of Art, LL/78334

1855, Pictures of the Photographic Exchange Club, Title card, Private collection of David McGreevy, LL/63814

1855, Exhibitors Pass, Exposition Universelle de 1855, Letterpress, Archive Farms, LL/127210

1855, Advert for "The Panotype", Advertisement, Google Books, LL/75029

Choiselat & Ratel, 1855, Provins, Daguerreotype, 1/4 plate, Sotheby's - Paris, LL/50888

Clouzard & Soulier, 1855, Interior de l'Exposition (vue du transept), Albumen on glass stereoview, Archive Farms, LL/127209

Maull & Polyblank, 1855, Charles Gordon-Lennox, 5th Duke of Richmond and Lennox, Albumen print, Archive Farms, LL/116741

Robertson, J. & Beato, F., 1855, Jerusalem - Garden of Gethsemane, Klotz / Sirmon Gallery (CLOSED), LL/3353

Southworth & Hawes, 1855, [View Down Brattle Street from the Southworth & Hawes Studio at 5 1/2 Tremont Row, Boston], Daguerreotype, Metropolitan Museum of Art, LL/40614

Southworth & Hawes, 1855, Nancy Southworth Hawes and Marion Augusta Hawes, Daguerreotype, Museum of Fine Arts, Boston, LL/67465

Southworth & Hawes, 1855, Josiah Johnson Hawes, Daguerreotype, Museum of Fine Arts, Boston, LL/66922

A. Mille (active 1855), 1855, Itineraire et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855, Watercolour, with gilding, The Royal Collection, LL/93038

A.H. Boyce (American, born 1830), 1855, Self-Portrait with Cameras, Daguerreotype, 1/6 plate, Nelson-Atkins Museum of Art, LL/94480

A.H. Boyce (American, born 1830), 1855, Self-Portrait with Cameras, Daguerreotype, 1/6 plate, Nelson-Atkins Museum of Art, LL/94481

A.H. Boyce (American, born 1830), 1855, Self-Portrait with Cameras, Daguerreotype, 1/6 plate, Nelson-Atkins Museum of Art, LL/80708

Adolphe Bertsch, 1855, Antennes du Moucheron Volucelle (gross 4000 fois), Salt print, Bassenge Photography Auctions, LL/25209

Adolphe Braun, 1855, Vieux Port, Marseilles, Stereoview, Archive Farms, LL/116081

Alfred Backhouse, 1855, Pots and Pans at Nice, Albumen print, Metropolitan Museum of Art, LL/25992

Alfred Rosling, 1855, Harbour, Swansea, Wales, Albumen print, from wax paper negative, Cleveland Museum of Art, LL/40889

Alois Auer, 1855, Gutenberg, Magazine, front cover, Archive Farms, LL/123506

Alphonse-Louis Poitevin, 1855, [Man with Garden Implements], Photolithograph, J. Paul Getty Museum, LL/119924

André Giroux, 1855, The Ponds at Obtevoz, Rhône, Salt print, J. Paul Getty Museum, LL/7437

André Adolphe-Eugène Disdéri, 1855, Armor, Albumen print, from wet plate negative, Bassenge Photography Auctions, LL/59743

André Adolphe-Eugène Disdéri, 1855, Gallery view of the Exposition universelle des Beaux-Arts. 1855, Albumen print, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/84930

André Adolphe-Eugène Disdéri, 1855, Palais de l'Industrie, Exposition universelle de 1855, Champs-Elysées, actuel 9ème arrondissement, Paris., Daguerreotype, stereo, half, Musée Carnavalet, LL/95835

André Adolphe-Eugène Disdéri, 1855, Man in Kiosk at the Universal Exhibition, Paris, Salted paper print, from a collodion negative, Archive Farms, LL/126704

André Adolphe-Eugène Disdéri, 1855, View of the Center Aisle of the Palace of Industry, Exposition Universelle of 1855, Albumen print, Nelson-Atkins Museum of Art, LL/80792

André Adolphe-Eugène Disdéri, 1855, Gallery view of the Exposition universelle des Beaux-Arts. 1855, Albumen print, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/84929

André Adolphe-Eugène Disdéri, 1855, Palais de l'Industrie, Exposition universelle de 1855, Champs-Elysées, actuel 9ème arrondissement, Paris., Daguerreotype, stereo, Musée Carnavalet, LL/86913

André Adolphe-Eugène Disdéri, 1855, Palais de Versailles, Galerie des bustes, Daguerreotype, stereo, Ader Nordmann, LL/67312

Auguste Bevalet, 1855, Charles Louis Morel, Pannotype on oil cloth, , LL/124236

Auguste Bevalet, 1855, Studio label for Auguste Bevalet, Studio label, , LL/124237

Auguste Salzmann, 1855, Temple Wall: Triple Roman Portal, Salted paper print, George Eastman Museum, LL/57109

B. Leba (Brussels, Belgium), 1855, Portrait of a mother and child, Daguerreotype, 1/4 plate, Bazar Nadar / Wouter Lambrechts, LL/86895

Beato and Robertson, 1855, Temple of Athena Nike, Athens, Albumen print, Private collection of Andy Stephen, LL/129028

Blaise Bonnevide, 1855, Self portrait of Blaise Bonnevide, Madrid, Panotype, Private collection of Serge Kakou, LL/104761

Blandin (Reims), 1855, Label for Blandin, Rue Large, 18., Label on reverse of Daguerreotype, Collectie Driesen, LL/41499

Carl Ferdinand Stelzner, 1855, Carl Ferdinand Stelzner (1805-1894), Daguerreotype, Museum für Kunst und Gewerbe / MKG, LL/65250

Carl Ferdinand Stelzner, 1855, Porträt einer Schauspielerin, Daguerreotype, Museum für Kunst und Gewerbe / MKG, LL/65256

Carl Ferdinand Stelzner, 1855, Porträt einer Frau, Daguerreotype, Museum für Kunst und Gewerbe / MKG, LL/65261

Carol Szathmari, 1855, Sinaia, Romania, [Romania. Album Alu M.S. Domnitoriulu Carolu I], Photograph, Creative Commons - Wikipedia, LL/65134

Charles Conway (British, active 1850s), 1855, Winter, Albumen print, Metropolitan Museum of Art, LL/45901

Charles Meryon, 1855, San Francisco--1855, Etching, Oakland Museum of California, LL/91285

Charles Nègre, 1855, Negre's Assistant Checking a Heliogravure of Yvon's "Battle of Malakoff" in the Studio Courtyard at 21 Quai Bourbon, Paris, Collodion glass plate negative, Contemporary Works / Vintage Works, LL/77062

Charles Nègre, 1855, [Plaster Casts of Bishops' Miters, South Porch, Chartres], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/40491

Charles Nègre, 1855, Construction du pont d'Arcole et pompe Notre-Dame. Paris, Calotype negative, Rijksmuseum, LL/67056

Charles Nègre, 1855, Construction du pont d'Arcole et pompe Notre-Dame. Paris, Salt print, from calotype negative, Rijksmuseum, LL/67055

Charles Nègre, 1855, [Plaster Casts of Books and Hands, South Porch, Chartres], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/40492

Charles Nègre, 1855, Untitled, Albumen print, Galerie Priska Pasquer, LL/1714

Charles Thurston Thompson, 1855, Interior, Palais de l'Industrie, Exposition Universalle, Paris, Albumen print, Archive Farms, LL/127208

Charles Thurston Thompson, 1855, Pavillon de l'Inde et archipel indien., [Paris World's Fair, 1855.], Albumen print, from glass negative, Ader, LL/120735

Donald McDonnell (America, 19th century), 1855, Untitled (Indian Chief Maungwudaus, Upper Canada), Daguerreotype, Art Institute of Chicago, LL/114527

E Langlumé (fl.1822-55, illustrator), 1855, Chemin de Fer du Nord ligue de Paris a Boulogue. 1ere Partie de Paris a Amiens, Watercolour with gilding and salted paper print, The Royal Collection, LL/91103

E. Langlumé (fl. 1822-55), 1855, Chemin de Fer du Nord ligue de Paris a Boulogue. 1ere Partie de Paris a Amiens, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Watercolour, with gilding and salted paper print, The Royal Collection, LL/93039

Édouard Baldus, 1855, Ruines du Chateau de Boves, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93028

Édouard Baldus, 1855, Gare de Longueau, Salted paper print, National Gallery of Art, LL/117729

Édouard Baldus, 1855, Gare de Clermont, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93027

Édouard Baldus, 1855, [Entrance to the Port of Boulogne], Salted paper print from paper negative, Metropolitan Museum of Art, LL/6317

Édouard Baldus, 1855, No. 28 Eglise de St. Wulfran a Abbeville, Salt print, Lee Gallery, LL/22085

Édouard Baldus, 1855, Montataire, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93026

Édouard Baldus, 1855, Eglise d'Auvers, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93025

Édouard Baldus, 1855, Sainte Chapelle, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93024

Édouard Baldus, 1855, Tuileries, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93023

Édouard Baldus, 1855, Gare de Paris (Est), [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93022

Édouard Baldus, 1855, L'entrée du port de Boulogne, [Les chemins de fer du Nord. Ligne de Paris à Boulogne. Vues photographiques], Salt paper print, from glass negative, Musée français de la Photographie, LL/42378

Édouard Baldus, 1855, Church of Saint-Pierre, Caen, Albumen print, from collodion negative, National Gallery of Art, LL/92650

Édouard Baldus, 1855, Église d'Auvers, [Les chemins de fer du Nord. Ligne de Paris à Boulogne. Vues photographiques], Salt print, George Eastman Museum, LL/76049

Édouard Baldus, 1855, Church at Auvers (Eglise d'Auvers), Salted paper print from waxed paper negative, Cleveland Museum of Art, LL/7944

Édouard Baldus, 1855, Portal, Amiens Cathedral, Salt print, Nelson-Atkins Museum of Art, LL/81643

Édouard Baldus, 1855, View of Creil, France, [Chemins de fer du Nord], Salt print, Nelson-Atkins Museum of Art, LL/81644

Édouard Baldus, 1855, Cathedrale d'Amiens, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93030

Édouard Baldus, 1855, Amiens (Vue Générale), [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93029

Édouard Baldus, 1855, Church at Auvers, Salted paper print from waxed paper negative, Cleveland Museum of Art, LL/40872

Édouard Baldus, 1855, Palais de l'Industrie, Exposition Universalle, Paris, Salted paper print, Archive Farms, LL/127207

Édouard Baldus, 1855, L' Isle Adam, [Chemins de Fer de Paris à Lyon et à la Méditerranée], Salted paper print, National Gallery of Art, LL/117730

Édouard Baldus, 1855, Saint-Riquier, Salt print, George Eastman Museum, LL/76047

Édouard Baldus, 1855, Vue de Port de Boulogne, [Les chemins de fer du Nord. Ligne de Paris à Boulogne. Vues photographiques, no. 45], Lightly coated salt print, from waxed paper negative, Contemporary Works / Vintage Works, LL/76045

Édouard Baldus, 1855, Amiens, Albumen print, from wet collodion negative, Cleveland Museum of Art, LL/40841

Édouard Baldus, 1855, Boulogne (Yacht Royal), [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93037

Édouard Baldus, 1855, Cathedrale d'Abbeville, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93035

Édouard Baldus, 1855, Cathedrale d'Abbeville, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93034

Édouard Baldus, 1855, Gare de Longueau, Salt print, George Eastman Museum, LL/76048

Édouard Baldus, 1855, Abbaye du Gard, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93033

Édouard Baldus, 1855, Cathedrale d'Amiens, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93032

Édouard Baldus, 1855, Cathedrale d'Amiens, [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93031

Édouard Baldus, 1855, Boulogne (Vue du Port), [Itineraires et Vues du Chemin de fer du nord - Visite de sa Majeste la Reine Victoria et de son Altesse Royale le Prince Albert 18-27 Aout 1855], Salted paper print, The Royal Collection, LL/93036

Edward A. Goodall, 1855, A wood engraving after an original drawing by Edward A. Goodall showing the Hospital in Sebastopol with Dr. Durgan attending to the wounded. (published in the Illustrated London News - 6 Oct 1855 - p.404), Engraving, Source requested, LL/173

Felice Beato, 1855, General view of Sevastopol, Albumen print, CCA: Canadian Centre for Architecture, LL/40670

Francis Bedford, 1855, Baptistry, Canterbury Cathedral, [Gems of Photographic Art, Selections from the Universal Series of Cabinet Photographs, Frith & Co, ca 1862], Albumen print, Archive Farms, LL/114677

Francis Bedford, 1855, The Baptistery, Canterbury Cathedral, Albumen print, from a collodion glass negative, Victoria and Albert Museum, LL/6780

Franz Hanfstaengl, 1855, Portrait of the German painter Johann Friedrich Overbeck, Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25771

Frederick DeBourg Richards, 1855, Southwest Corner of Chestnut and Second Streets, Salted paper print, from a paper negative, Philadelphia Museum of Art, LL/72132

G.B. Gething, 1855, River scene in the Vale of Neath, Albumen print, from wet collodion negative, Charles Isaacs Photographs, Inc, LL/4160

George Berwick & Thomas Annan, 1855, HMS Floating Battery Erebus, Salted paper print, Archive Farms, LL/128379

George Washington Colton (publisher), 1855, Hindostan or British India, Map, Creative Commons - Wikipedia, LL/46335

George Washington Colton (publisher), 1855, Australia, Map, Creative Commons - Wikipedia, LL/46334

George Shaw Lefevre, 1855, Panorama of the Redan Malakhov mound territory, that British troops won 8 September 1855, [Photographic Views of Sebastopol taken immediately after The Retreat of the Russians, September 8, 1855], Albumen prints, panorama, Internet - Original source ill-defined, LL/61181

Gustave Courbet, 1855, The Artist's Studio (L'Atelier), Oil painting, Musée d'Orsay, LL/7948

Gustave Le Gray, 1855, [Etude de troncs], Albumen print, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/88458

Gustave de Beaucorps, 1855, Maltese Falcon, Duomo of Ravello, Albumen print, from paper negative, The Romantic Agony Book & Print Auctions, LL/60193

H. Whittemore, 1855, View of St. Georges [Bermuda], Daguerreotype, Museum of Bermuda Art, LL/63933

Hermann Krone, 1855, Three Pifferari, Dresden, Salted paper print, Museum Ludwig, LL/47568

Hermann Krone, 1855, The Newspaper Man, Dresden, Salted paper print, Museum Ludwig, LL/47570

Hermann Krone, 1855, Gate at the World's Fair in Paris 1855, Daguerreotype, in paper passe-partout, Rijksmuseum, LL/113758

Hippolyte Bayard, 1855, Composition with bas-reliefs, Albumen print, Hans P. Kraus, Jr., Inc., LL/96226

Hippolyte Bayard, 1855, Portrait of Hippolyte Bayard, Photograph, Internet - Original source ill-defined, LL/74229

Hugh Welch Diamond, 1855, Mental patient, Royal Photographic Society, LL/33151

Isaac A. Rehn, 1855, Family Group, Ambrotype, 1/2 plate, mounted by Rehn's special process, George Eastman Museum, LL/6916

J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535

Jacques Moulin, 1855, [Peasant Woman and Children], Albumen silver print, J. Paul Getty Museum, LL/122361

James Anderson, 1855, Spanish Steps [Rome], Salt paper print, The Romantic Agony Book & Print Auctions, LL/60192

James Graham, 1855, The Jordon, Albumen print, Israel Museum, Jerusalem, LL/40706

James Robertson, 1855, Turkish Barber, Salted paper print, with applied color, George Eastman Museum, LL/70083

James Robertson, 1855, Man and Woman in Turkish Costumes by Fountain, Salted paper print, with applied color, George Eastman Museum, LL/70082

James Robertson, 1855, Man in Turkish Costume, Salted paper print, with applied color, George Eastman Museum, LL/70084

James Robertson, 1855, Balaklava Harbour, Albumen print, National Army Museum, LL/41362

James Robertson, 1855, Guerre de Crimée, Bomb proof hut in the Redan, Albumen print, Ader Nordmann, LL/59946

James Robertson, 1855, The Barracks Battery, Salted paper print, George Eastman Museum, LL/57166

James Robertson, 1855, Balaklava Harbor, Salted paper print, George Eastman Museum, LL/70086

James Robertson, 1855, French Trenches facing the Malakoff, Salted paper print, George Eastman Museum, LL/75416

James Robertson, 1855, Gun Emplacements outside Sebastopol, Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/63186

James Robertson, 1855, Three men in Turkish Costumes, Salted paper print, with applied color, George Eastman Museum, LL/70085

James Robertson, 1855, The Harbour, Salt print, Sotheby's - London, LL/82728

James Robertson, 1855, Interior of the Malakoff Fortress, Salt print, Pennsylvania State University Library, LL/41964

James Robertson, 1855, Mosque of Soliman the Magnificent (Solimanyah, Constantinople), Albumen print, Bassenge Photography Auctions, LL/25257

James Robertson, 1855, Port de Balaklava pendant la guerre de Crimée (View of Balaklava Harbour during the Crimean War) [Title incorrect: View of Kamiesch], Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25782

James Robertson, 1855, Part of the French attack Sevastopol, Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25783

James Robertson, 1855, Sebastopol, from the Malakoff, Salted paper print, George Eastman Museum, LL/75394

James Robertson, 1855, The Leander in the Port of Balaclava, Salt print, Bloomsbury Auctions - Rome, LL/31181

James Robertson, 1855, Sebastopol dockyard before demolition, Salted paper print, George Eastman Museum, LL/75395

James Robertson, 1855, Imperial Gate of the Seraglio, view of the entrance of the Serail, Constantinople, Albumenized salt print, Bassenge Photography Auctions, LL/32471

James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864

James Robertson, 1855, Interior of the Redan, Sevastopol, Albumen print, National Army Museum, LL/41364

James Robertson, 1855, Kadokeo, Salted paper print, George Eastman Museum, LL/70091

James Robertson, 1855, Fort Constantine, Salted paper print, George Eastman Museum, LL/70090

James Robertson, 1855, Part of the Redan after 8th Sept 1855, Salt print, Sotheby's - London, LL/82730

James Robertson, 1855, Part of the Camp, & two of the Huts. Sebastopol, Salt print, Sotheby's - London, LL/82729

James Robertson, 1855, The Vorontsov Ravine: 'The Valley of Death', Albumen print, National Army Museum, LL/41363

Jean Baptiste Corot, 1855, [Les jardins d'Horace], Cliché-verre, NYPL - New York Public Library, LL/42452

Jean-Charles Langlois, 1855, The Malakoff Tower, Albumen salted paper print, from paper negative, retouched, Musée d'Orsay, LL/37325

Jean-Charles Langlois, 1855, Tour Malakoff Guerre de Crimée, Albuminized salt print, from paper negative, Pierre Bergé & Associés, LL/58189

Jean-Charles Langlois, 1855, View of the Malakoff Barricks (Vue des Casernes de Malakoff), Salted paper print, J. Paul Getty Museum, LL/66491

Jean-Charles Langlois, 1855, Gervais Battery (Batterie Gervais), Salted paper print, J. Paul Getty Museum, LL/66492

Jean-Charles Langlois, 1855, The Crossways House (La Maison en Croix), Salted paper print, J. Paul Getty Museum, LL/66493

Jean-Charles Langlois, 1855, House of General de Salles (Maison du General de Salles), Salted paper print, J. Paul Getty Museum, LL/66494

Jean-Charles Langlois, 1855, Sevastopol, Albumen print, from waxed paper negative, Bassenge Photography Auctions, LL/25240

Jean-Baptiste Frenet, 1855, Horse and Groom, Salt print, Wilson Center for Photography (WCP), LL/55095

Jean-Jacques Heilmann, 1855, Pyrénées landscape with group, Salt print, Nelson-Atkins Museum of Art, LL/81668

Jenks Bros (Patterson, NJ), 1855, Portrait of a handsome young man, Daguerreotype, Private collection of Nigel Maister, LL/15134

Jesse Harrison Whitehurst, 1855, Untitled (Portrait of a Standing Circus Performer), Daguerreotype, Art Institute of Chicago, LL/114486

Johannes Schäfer, 1855, Crystal Still Life, Albumen print, Archive Farms, LL/124812

John Steck, 1855, Abolitionist Passmore Williamson in his prison cell in Moyamensing Prison in Philadelphia, Pennsylvania, Daguerreotype, Chester County Historical Society, LL/105108

John Adamson, 1855, Potato Head, Albumen print, St. Andrews University Library, Special Collections / The Photographic Collection, LL/80280

John Adamson, 1855, Sir David Brewster, Calotype, Albumen print, from a wet collodion negative, National Museums Scotland, LL/68388

John Kirk, 1855, View Near the South Pier, B.H. Renkioi, Albumen print, J. Paul Getty Museum, LL/97967

John Kirk, 1855, Limestone Cliffs above the Hospital 2000 feet above the sea, Albumen print, J. Paul Getty Museum, LL/97983

John Kirk, 1855, Turkish Fountain, behind B.H. Renkioi, Albumen print, J. Paul Getty Museum, LL/97963

John Kirk, 1855, Officers' Quarters, B.H. Renkioi, Albumen print, J. Paul Getty Museum, LL/97980

John Kirk, 1855, Palamoud ahagi or Valonea, Quercus aegilops. B.H. Renkioi, Albumen print, J. Paul Getty Museum, LL/97966

John Kirk, 1855, Iron Kitchen, B.H. Dardanelles 1855, Albumen print, J. Paul Getty Museum, LL/97970

John Kirk, 1855, Greek Village of Renkioi, Albumen print, J. Paul Getty Museum, LL/97964

John Kirk, 1855, Cliffs above B.H. Renkioi, Albumen print, J. Paul Getty Museum, LL/97969

John Dillwyn Llewelyn, 1855, St Catherine's Chapel, Abbotsbury, Salted paper print, Archive Farms, LL/129686

John Murray, 1855, View of the Taj Mahal, Salt print, Nelson-Atkins Museum of Art, LL/81741

John Beasly Greene, 1855, Grand Temple, Medinet Habu, Thebes, Salt print, Nelson-Atkins Museum of Art, LL/81700

John Beasly Greene, 1855, Constantine, Algeria, Salted paper print, from paper negative, Swann Galleries - New York, LL/53798

John Richardson Major Jr., 1855, Gateway to Borwick Hall, Lancashire, Salted paper print, from calotype negative, Cleveland Museum of Art, LL/70421

Joseph Cundall, 1855, Construction of the Great Eastern, Albumen print, George Eastman Museum, LL/74999

Joseph Mayrhofer, 1855, Király Street in Gyor from doctor Charles Schemitz [Hungary], Salt print, Internet - Original source ill-defined, LL/78370

Joseph James Forrester, 1855, Près de la Bourse. Paris. 1855 [View of the Bourse in Paris], Salted paper print, from wet collodion on glass negative, Universiteit Leiden, Prentenkabinet, LL/48901

L.B. Howard, 1855, Untitled (Commercial Building, Bridgewater, MA), Daguerreotype, Art Institute of Chicago, LL/114482

Léon Eugène Méhédin, 1855, Battery, Malakoff, Varnished salt or Albumen print, from waxed paper negative, Cleveland Museum of Art, LL/40904

Léon Eugène Méhédin, 1855, Pièce Russe, Albuminized salt print, from paper negative, Pierre Bergé & Associés, LL/58213

Léon Eugène Méhédin, 1855, The Church of Saint Peter & Saint Paul, Sebastopol, Salted paper print, Archive Farms, LL/126174

Léon Eugène Méhédin, 1855, Destroyed Church, Crimean War, Salted paper print, Archive Farms, LL/126173

Léon Eugène Méhédin, 1855, Mosquée et quartier de Constantinople, Albumen print, from paper negative, on original mount, CEROS - Jean-Mathieu Martini / Serge Plantureux, LL/41095

Léon Eugène Méhédin, 1855, Views of the Docks (Vue des Docks), Salted paper print, J. Paul Getty Museum, LL/66496

Léon Eugène Méhédin, 1855, View Towards the Barracks, Sebastopol, Crimea, Albumen print, Archive Farms, LL/55179

Léon Eugène Méhédin, 1855, Fragment of the Great Curtain Wall, Sebastopol, Albumen silver print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/38974

Léon Eugène Méhédin, 1855, Pièces brisées dans la Redoute Korniloff, Albuminized salt print, from paper negative, Pierre Bergé & Associés, LL/58174

Léon Eugène Méhédin, 1855, Fragment de la Grande Courtine, Albuminized salt print, from paper negative, Pierre Bergé & Associés, LL/58175

Léon Eugène Méhédin, 1855, View of the Monastery of St. George (Vue du Monastere St. Georges), Salted paper print, J. Paul Getty Museum, LL/66495

Léon Eugène Méhédin, 1855, Un logement dans Malakoff, Albuminized salt print, from paper negative, Pierre Bergé & Associés, LL/58188

Linnaeus Tripe, 1855, "Amerapoora. A Street leading to the Palace", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96324

Linnaeus Tripe, 1855, "Amerapoora. South East Corner of the City Wall", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96323

Linnaeus Tripe, 1855, "Amerapoora. Pyathat on E. of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung]", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96322

Linnaeus Tripe, 1855, "Rangoon. Natural Bridge", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96325

Linnaeus Tripe, 1855, "Amerapoora. Aracan Pagoda", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96326

Linnaeus Tripe, 1855, "Rangoon. South Entrance of Shwe Dagon Pagoda", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96327

Linnaeus Tripe, 1855, "Mengoon. Small bell in front of Pagoda", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96321

Linnaeus Tripe, 1855, "Amerapoora. Front of the W. part of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung]", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96328

Linnaeus Tripe, 1855, "Amerapoora. Mosque", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96320

Linnaeus Tripe, 1855, No. 67. Amerapoora. Ouk Kyoung, Salt print, waxed paper negative, Charles Isaacs Photographs, Inc, LL/4216

Linnaeus Tripe, 1855, "Ava. Tower of the Palace", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96330

Linnaeus Tripe, 1855, No. 107. Rangoon. Shwe Dagon Pagoda, Salted paper print, J. Paul Getty Museum, LL/73317

Linnaeus Tripe, 1855, "Amerapoora. View on the Lake", Coated salt print, from a waxed paper negative, Hans P. Kraus, Jr., Inc., LL/96331

Linnaeus Tripe, 1855, No. 64. Amerapoora. Mohdee Kyoung, Salt print, from a waxed paper negative, Bassenge Photography Auctions, LL/123970

Linnaeus Tripe, 1855, No. 120. Rangoon. Tiger Alley, Salted paper print, J. Paul Getty Museum, LL/73321

Linnaeus Tripe, 1855, Amerapoora. Entrance of a Kyoung. In the same enclosure as Kyoung No. 86, Salt print, from waxed paper negative, Bassenge Photography Auctions, LL/25262

Linnaeus Tripe, 1855, No. 19. Pugahm Myo. Ananda Pagoda, Salted paper print, J. Paul Getty Museum, LL/73320

Linnaeus Tripe, 1855, No. 77. Amerapoora. The King's Water Palace, Salted paper print, J. Paul Getty Museum, LL/73319

Linnaeus Tripe, 1855, Amerapoora, Pyee-dyk Kyoung (Burma), Salted paper print, from a calotype paper negative, Swann Galleries - New York, LL/87150

Linnaeus Tripe, 1855, No. 78. Amerapoora. Entrance of the Aracan Pagoda, Salted paper print, J. Paul Getty Museum, LL/73318

Linnaeus Tripe, 1855, Rangoon. View near the lake. Shwe Dagon in the distance (Burma), Salted paper print, from a calotype paper negative, Swann Galleries - New York, LL/87149

Linnaeus Tripe, 1855, No. 70. Amerapoora. Guardhouse, at the Ooh-nein Gate, Salted paper print, from a waxed paper negative, J. Paul Getty Museum, LL/73316

Linnaeus Tripe, 1855, Ye-nan Gyaung, Kyoung (#8), Salt print, Nelson-Atkins Museum of Art, LL/81660

Linnaeus Tripe, 1855, No. 98. Mengoon (Mingun). Pagoda from South East., Salt print, Nelson-Atkins Museum of Art, LL/81659

Linnaeus Tripe, 1855, The Thapinyu Pagoda, Pagan, Burma, Albumen print, from a waxed paper negative, British Library, LL/6486

Louis-Camille d'Olivier, 1855, Etude d'apres nature, Salted paper print, George Eastman Museum, LL/70073

Louis-Camille d'Olivier, 1855, Etude d'apres nature, Salted paper print, George Eastman Museum, LL/70074

Louis-Camille d'Olivier, 1855, Etude d'apres nature, Salted paper print, George Eastman Museum, LL/70071

Louis-Camille d'Olivier, 1855, Etude d'apres nature, Salted paper print, George Eastman Museum, LL/70072

Louis-Rémy Robert, 1855, Verreries et Céramiques de Sèvres, Exposition Universelle, Salt print, from paper negative, The Romantic Agony Book & Print Auctions, LL/60163

Louis-Rémy Robert, 1855, Céramique de Sèvres : vase à quatre lobes forme J. Peyre, vase style arabe forme Léon Feuchère, coupe Henri II No 114.1855, Photographic print, Musée Condé, LL/33767

Louis-Rémy Robert, 1855, Vase de la Guerre (Vase Mansart), Sèvres, Coated salt print, from a collodion negative, Hans P. Kraus, Jr., Inc., LL/96289

Louis-Rémy Robert, 1855, Composition avec trois vases de Sèvres et une figure couchée de Klagmann modèle 1853.1855, Photographic print, Musée Condé, LL/33766

Louis-Rémy Robert, 1855, Vase Mansard, Albumenized salted paper print, Princeton University Art Museum, LL/44658

Marcus Selmer, 1855, Portrait of a Sami man from Finnmark, in Norway [Finn fra Senjen i Finmarken], Daguerreotype, University Museum of Bergen, LL/54537

Marcus Selmer, 1855, Bride in national costume and with a bridal crown [Brud fra Birkeland], Daguerreotype, University Museum of Bergen, LL/54534

Marcus Sparling, 1855, Zouave 2nd Division, Portrait of Roger Fenton, Salted paper print from a collodion glass negative, Musée d'Orsay, LL/37324

Marcus Aurelius Root, 1855, Mrs. Marcus Aurelius Root, Daguerreotype, 1/4 plate, George Eastman Museum, LL/74485

Maxime Du Camp, 1855, Abu Simbel: Entrance to the Speos of Hathor, Salt print, Nelson-Atkins Museum of Art, LL/81728

McDonell & Co. (American, 19th century), 1855, Untitled (Group Portrait of Surveyors), Daguerreotype, Art Institute of Chicago, LL/114476

Nadar, 1855, Pierrot laughing, Salt print, Internet - Original source ill-defined, LL/119671

Nadar, 1855, Charles Baudelaire in an armchair, Single print on salted paper from a destroyed negative, Musée d'Orsay, LL/7952

Nadar, 1855, Alexandre Dumas pere (1802-1870), Salted paper print from wet collodion negative, Cleveland Museum of Art, LL/7943

Nadar, 1855, Theophile Gautier, Salt print, J. Paul Getty Museum, LL/43664

Nadar, 1855, Pierrot Laughing, Gelatin-coated salted paper print (vernis-cuir), Metropolitan Museum of Art, LL/6318

Nevil Story-Maskelyne, 1855, Charlton House, Albumen silver print, Philadelphia Museum of Art, LL/40657

Oscar Gustave Rejlander, 1855, 'Smooth Water', Albumen print, The Royal Collection, LL/91081

Oscar Gustave Rejlander, 1855, A "Set-to", Albumen print, The Royal Collection, LL/91087

Oscar Gustave Rejlander, 1855, Fortune-telling, Albumen print, Moderna Museet, LL/85559

Oscar Gustave Rejlander, 1855, Mr Coleman as Belphegor, Platinum print, National Science and Media Museum, LL/41774

Philip Henry Delamotte, 1855, Dinner-Time at the Crystal Palace, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40182

Philip Henry Delamotte, 1855, Corridor at the back of the Greek Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40179

Philip Henry Delamotte, 1855, Workshop of the Egyptian Court, Restoration of Monuments, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40227

Philip Henry Delamotte, 1855, Head from one of the Colossi of Monte Cavallo, Rome, By Phidias, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40196

Philip Henry Delamotte, 1855, Group of Antique Sculpture in the Nave, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40195

Philip Henry Delamotte, 1855, General view of the Building from the Park, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40194

Philip Henry Delamotte, 1855, First rib of the nave, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40193

Philip Henry Delamotte, 1855, First column of the building, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40192

Philip Henry Delamotte, 1855, First arrival of plants, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40191

Philip Henry Delamotte, 1855, Exterior of the Nineveh Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40189

Philip Henry Delamotte, 1855, Exterior of the Italian Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40188

Philip Henry Delamotte, 1855, Erection of the Orchestra for the Opening Ceremony, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40187

Philip Henry Delamotte, 1855, Entrance to Tomb of Beni Hassan, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40186

Philip Henry Delamotte, 1855, Entrance to the Court of the Lions, in the Alhambra, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40185

Philip Henry Delamotte, 1855, Interior of the Egyptian Museum, with the Philae Portico, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40197

Philip Henry Delamotte, 1855, Commencement of the Terraces, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40178

Philip Henry Delamotte, 1855, Colossal Vase from the Public Garden at Berlin, by Professor Drake, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40177

Philip Henry Delamotte, 1855, Colossal Head of Aboo Simbel, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40176

Philip Henry Delamotte, 1855, Casting The Sphinx At The South Transept, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40174

Philip Henry Delamotte, 1855, Candelabrum of the Salle De La Paix, and other Objects in Nave, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40171

Philip Henry Delamotte, 1855, Breakfast Time at the Crystal Palace, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40170

Philip Henry Delamotte, 1855, Frontispiece and title page for Philip H. Delamotte, 1855, The Practice of Photography: A Manual for Students and Amateurs, (London: Photographic Institute) [2nd edition], Frontispiece and title page, Rijksmuseum, LL/79293

Philip Henry Delamotte, 1855, Upper Gallery of the Crystal Palace, Sydenham, London, Salted paper print, Rijksmuseum, LL/79294

Philip Henry Delamotte, 1855, The Nave From The North End, Commencement Of Monti's Fountain, Print, British Library, LL/33469

Philip Henry Delamotte, 1855, Stuffed Animals and Ethnographic Figures, Corning Museum of Glass, LL/33158

Philip Henry Delamotte, 1855, Building Up the Colossi of Aboo Simbel (London, 1855)., [Photographic Views of the Progress of the Crystal Palace, Sydenham, Volume II, Plate 95], Salted paper print from a calotype negative, Corning Museum of Glass, LL/33094

Philip Henry Delamotte, 1855, The Nave of Crystal Palace, views from the South End, Albumen print, British Library, LL/99120

Philip Henry Delamotte, 1855, South Transept looking towards Penge, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40211

Philip Henry Delamotte, 1855, Workshop of the Egyptian Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40226

Philip Henry Delamotte, 1855, The Yak, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40225

Philip Henry Delamotte, 1855, The Upper Gallery, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40224

Philip Henry Delamotte, 1855, The Upper Gallery, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40223

Philip Henry Delamotte, 1855, The Triclinium, Fauces, and Ala, of the Pompeian Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40222

Philip Henry Delamotte, 1855, The Toro Farnese and other Sculpture in the Greek Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40221

Philip Henry Delamotte, 1855, The Terrace Front, with Mortar Machine, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40220

Philip Henry Delamotte, 1855, The Terrace and the South Water Tower, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40219

Philip Henry Delamotte, 1855, The South Wing seen from the Palace, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40218

Philip Henry Delamotte, 1855, The South Transept, from the Second Terrace, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40217

Philip Henry Delamotte, 1855, The Building from the Terrace, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40216

Philip Henry Delamotte, 1855, Steam Engine near the Great Transept, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40212

Philip Henry Delamotte, 1855, Interior of the South Wing, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40198

Philip Henry Delamotte, 1855, South End of the Nave, Interior, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40210

Philip Henry Delamotte, 1855, Restoration of the Great Sphinx from the Louvre, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40209

Philip Henry Delamotte, 1855, Preparing Case for Marine Objects, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40208

Philip Henry Delamotte, 1855, Preparations for the erection of the Colossi of Aboo Simbel, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40207

Philip Henry Delamotte, 1855, Osler's Crystal Fountain, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40206

Philip Henry Delamotte, 1855, Ornamental Sculpture at the back of the Roman Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40205

Philip Henry Delamotte, 1855, North-West Angle of the Byzantine Court, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40204

Philip Henry Delamotte, 1855, Monument to Giuliano De Medici, with figures of Night and Day, by Michael Angelo, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40202

Philip Henry Delamotte, 1855, Models of Extinct Animals, the Iguanodon, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40201

Philip Henry Delamotte, 1855, Models of Extinct Animals, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40200

Philip Henry Delamotte, 1855, Lower part of the scaffolding for the erection of the Great Transept Ribs, [Rebuilding the Crystal Palace], Photographic print, British Library, LL/40199

Philippos Margaritis, 1855, Stratigos Christodoulis Chatzipetros, Photograph, albumen print / salt print (?), hand-painted, Source requested, LL/57525

Philippos Margaritis, 1855, Costume of Amalias [Greek], Photograph, albumen print / salt print (?), Source requested, LL/57526

Platt D. Babbitt, 1855, Tourists Viewing Niagara Falls from Prospect Point, Daguerreotype, National Galleries of Scotland, LL/6821

Robert Burrows, 1855, Nature morte, Albumen print, Sotheby's - Paris, LL/50898

Robert Howlett, 1855, In the Valley of the Mole, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/91905

Robert H. Vance, 1855, [Horatio G. Finch (b. 1819)], Daguerreotype, Bancroft Library, University of California Berkeley, LL/84738

Roger Fenton, 1855, Captain Charles Augustus Drake Halford (1831-1907), Salted paper print, The Royal Collection, LL/91015

Roger Fenton, 1855, Brigadier-General Henry Frederick Lockyer (1797-1860), Salted paper print, The Royal Collection, LL/91003

Roger Fenton, 1855, Prince Napoleon Bonaparte (1822-1891), Salted paper print, The Royal Collection, LL/91007

Roger Fenton, 1855, General Labousiniére and General Beuret, Salted paper print, The Royal Collection, LL/91008

Roger Fenton, 1855, General Cissé and an aide-de-camp, Salted paper print, The Royal Collection, LL/91009

Roger Fenton, 1855, Colonel Jean Pierre Vico, Salted paper print, The Royal Collection, LL/91010

Roger Fenton, 1855, Men of the 77th Regiment in winter costume, Salted paper print, The Royal Collection, LL/91011

Roger Fenton, 1855, Colonel Low and a servant, Salted paper print, The Royal Collection, LL/91012

Roger Fenton, 1855, Major Daniels and officers, Salted paper print, The Royal Collection, LL/91013

Roger Fenton, 1855, Officers of the 71st Highlanders, Salted paper print, The Royal Collection, LL/91027

Roger Fenton, 1855, Major Brandling's troop of Horse Artillery, Salted paper print, The Royal Collection, LL/91014

Roger Fenton, 1855, Dr Benjamin William Marlow (1820-1894), Salted paper print, The Royal Collection, LL/91025

Roger Fenton, 1855, Captain Lilley, Salted paper print, The Royal Collection, LL/91016

Roger Fenton, 1855, Officers of the 14th Regiment with a gun, Salted paper print, The Royal Collection, LL/91026

Roger Fenton, 1855, Captain William Pretyman, Salted paper print, The Royal Collection, LL/91017

Roger Fenton, 1855, Sir John Campbell and the remains of the Light Company of the 38th Regiment, Salted paper print, The Royal Collection, LL/91018

Roger Fenton, 1855, Artillery waggons, view looking towards Balaklava, Salted paper print, The Royal Collection, LL/91019

Roger Fenton, 1855, Captain Edward Henry Chawner, Salted paper print, The Royal Collection, LL/91020

Roger Fenton, 1855, Captain Gerald Littlehales Goodlake (1832-1890), Salted paper print, The Royal Collection, LL/91021

Roger Fenton, 1855, Lieutenant Shadwell Morley Grylls (1831-1895), Salted paper print, The Royal Collection, LL/91022

Roger Fenton, 1855, Major Chapman, Salted paper print, The Royal Collection, LL/91023

Roger Fenton, 1855, Commander Ballan, Salted paper print, The Royal Collection, LL/91024

Roger Fenton, 1855, Camp of the 5th Dragoon Guards, Salt print, Moderna Museet, LL/85496

Roger Fenton, 1855, Cooking house, 8th Hussars, Salted paper print, Library of Congress, Prints and Photographs Division, LL/36820

Roger Fenton, 1855, The Mamelon & Malakoff, from the Mortar Battery, Salted paper print, George Eastman Museum, LL/35651

Roger Fenton, 1855, Lt. Gen.l Sir George Brown, G.C.B., Salted paper print, George Eastman Museum, LL/35650

Roger Fenton, 1855, Major Genl Lord George Paget, Salt print, Nelson-Atkins Museum of Art, LL/81648

Roger Fenton, 1855, The Town of Balaklava, Salt print, Nelson-Atkins Museum of Art, LL/81653

Roger Fenton, 1855, The artist's van [The photographic van with Sparling on the box], Salt paper print, Library of Congress, Prints and Photographs Division, LL/8175

Roger Fenton, 1855, William H. Russell, Esqr., the Times special correspondent, Salt paper print, Library of Congress, Prints and Photographs Division, LL/8176

Roger Fenton, 1855, Chasseurs d'Afrique, Salt print, Dominic Winter Book Auctions, LL/82057

Roger Fenton, 1855, Tartar Labourers, Salt print, Dominic Winter Book Auctions, LL/82058

Roger Fenton, 1855, Encampment of Horse Artillery, Salt print, Moderna Museet, LL/85495

Roger Fenton, 1855, Colonel Francis Seymour (1813-1890), Salted paper print, The Royal Collection, LL/91006

Roger Fenton, 1855, Officers and Men of the 8th Husars, Salt print, Moderna Museet, LL/85502

Roger Fenton, 1855, Lieutenant, General. The Hon.ble Sir J. Y. Scarlett KCB, Salt print, Moderna Museet, LL/85508

Roger Fenton, 1855, Le maréchal Bosquet (Crimée).1855, Photographic print, Musée Condé, LL/33775

Roger Fenton, 1855, Colonel Doherty, officers and men of the 13th Light Dragoons, British Army, Crimea, Salted paper print, Creative Commons - Wikipedia, LL/33102

Roger Fenton, 1855, Harbour of Balaklava, the Cattle Pier, Salt print, Lee Gallery, LL/3208

Roger Fenton, 1855, Captain Lord Balgonie, Grenadier Guards, Salted paper, Library of Congress, Prints and Photographs Division, LL/89878

Roger Fenton, 1855, Captain Lord Balgonie, Grenadier Guards, Salted paper, Library of Congress, Prints and Photographs Division, LL/89879

Roger Fenton, 1855, Lieutenant-General John Burgoyne (1782-1871), Salted paper print, The Royal Collection, LL/90999

Roger Fenton, 1855, General James Bucknall Estcourt (1802-1855), Salted paper print, The Royal Collection, LL/91002

Roger Fenton, 1855, View of Picquet House on Cathcart's Hill, from General Bosquet's Quarters, Salted paper print, The Royal Collection, LL/91030

Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Lee Gallery, LL/14126

Roger Fenton, 1855, Lieut. Genl. Sir Harry Jones, K.C.B., Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25786

Roger Fenton, 1855, Maréchal Pélissier, Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25785

Roger Fenton, 1855, Landing Place, Ordnance Wharf, Balaklava, Salted paper print from wet collodion on glass negative, Mounted on paper, Rijksmuseum, LL/25784

Roger Fenton, 1855, Discussion Between Two Croats, Salted paper print, Claremont Colleges Library, LL/92113

Roger Fenton, 1855, Officers of the 89th Regt. at Cathcart's Hill, Salt print, from wet collodion glass negative, Bassenge Photography Auctions, LL/25220

Roger Fenton, 1855, Valley of the Shadow of Death, Salt print, Harry Ransom Humanities Research Center at the University of Texas at Austin, LL/23470

Roger Fenton, 1855, Valley of the Shadow of Death, Salt print, Harry Ransom Humanities Research Center at the University of Texas at Austin, LL/23469

Roger Fenton, 1855, Sebastopol from Cathcart's Hill, Salt print, Lee Gallery, LL/14130

Roger Fenton, 1855, Mamelon and Malakoff from the Mortar Battery, Salt print, Lee Gallery, LL/14129

Roger Fenton, 1855, General Bousquet's Quarters, Salt print, Lee Gallery, LL/14128

Roger Fenton, 1855, Kadikoi from Camp of Horse Artillery, Salt print, Lee Gallery, LL/14127

Roger Fenton, 1855, Balaclava Harbour, Crimea, Salt print, from wet collodion negative, Private collection of John Hannavy, LL/31331

Roger Fenton, 1855, Major Hume, Salt print, Private collection of Jeff Nolte, LL/128807

Roger Fenton, 1855, General Bosquet, Salted paper print, from a wet collodion negative, Archive Farms, LL/128795

Roger Fenton, 1855, Algerian Zouaves and French officers, Albumen print, Paul Frecker, LL/12060

Roger Fenton, 1855, Lieutenant-colonel Shadforth at his hut & officers of the 57th Regiment, Salted paper print, DeGolyer Library, South Methodist University - SMU, LL/119206

Roger Fenton, 1855, Officers of the 4th Light Dragoons, Salted paper print, Archive Farms, LL/112596

Roger Fenton, 1855, Ismail Pacha and attendants, Salt print, from a glass negative, Internet - Original source ill-defined, LL/111751

Roger Fenton, 1855, Officers on the Lookout at Cathcart's Hill, Salted paper print, from a glass negative, MoMA - Museum of Modern Art, New York, LL/103613

Roger Fenton, 1855, A Quiet Day in the Mortar Battery, Salted paper print, from a wet-collodion glass negative, MoMA - Museum of Modern Art, New York, LL/103611

Roger Fenton, 1855, General Bosquet and Staff, Salted paper print, from a wet-collodion glass negative, MoMA - Museum of Modern Art, New York, LL/103610

Roger Fenton, 1855, Brigadier General Van Straubenzee and Officers of the Buffs, Salted paper print, MoMA - Museum of Modern Art, New York, LL/103609

Roger Fenton, 1855, The Pipe of Peace, Salted paper print, The Royal Collection, LL/91041

Roger Fenton, 1855, The Old Post Office, Balaklava, Salt print, Lee Gallery, LL/3211

Roger Fenton, 1855, Captain Mortimer Adye, Salted paper print, The Royal Collection, LL/91031

Roger Fenton, 1855, Lieutenant Montagu O'Reilly (1822-1888), Salted paper print, The Royal Collection, LL/91032

Roger Fenton, 1855, Captain Hughes, Salted paper print, The Royal Collection, LL/91033

Roger Fenton, 1855, Captain George Thorne George, Salted paper print, The Royal Collection, LL/91034

Roger Fenton, 1855, Omar Pacha and Colonel John Lintorn Arabin Simmons, Salted paper print, The Royal Collection, LL/91035

Roger Fenton, 1855, Major Brandling's hu, Salted paper print, The Royal Collection, LL/91036

Roger Fenton, 1855, Captain Webb's Hut, Salted paper print, The Royal Collection, LL/91037

Roger Fenton, 1855, Colonel Cunynghame and officers, Salted paper print, The Royal Collection, LL/91039

Roger Fenton, 1855, Field piece, Salted paper print, The Royal Collection, LL/91040

Roger Fenton, 1855, Colonel Clark, Scot's Greys, with the horse wounded at Balaklava, Salted paper print, The Royal Collection, LL/91029

Roger Fenton, 1855, Captain Portal, 4th Light Dragoons, equipped for Balaklav, Salted paper print, The Royal Collection, LL/91042

Roger Fenton, 1855, Cavalry Camp, looking towards the Plateau of Sevastopol, Salted paper print, The Royal Collection, LL/91043

Roger Fenton, 1855, View of the lines of Balaklava from Guard's Hill, Canrobert's Hill in the distance, Salted paper print, The Royal Collection, LL/91044

Roger Fenton, 1855, Cavalry camp, church parade, Salted paper print, The Royal Collection, LL/91045

Roger Fenton, 1855, Cemetery on Cathcart's Hill - officers on the lookout, Salted paper print, The Royal Collection, LL/91046

Roger Fenton, 1855, Commissary General William Filder (1789-1861), Salted paper print, The Royal Collection, LL/91047

Roger Fenton, 1855, Dr John Sutherland (1808-1891), Salted paper print, The Royal Collection, LL/91048

Roger Fenton, 1855, Major Hussey Fane Keane (1822-1895), Salted paper print, The Royal Collection, LL/91049

Roger Fenton, 1855, Major Brandling's hut, Salted paper print, The Royal Collection, LL/91051

Roger Fenton, 1855, Men of the 68th Regiment in winter dress, Salted paper print, The Royal Collection, LL/91052

Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852

Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869

Roger Fenton, 1855, Captain Graham and Captain MacLeod, 42nd Regiment, Salted paper print, from collodion negative, National Gallery of Art, LL/54889

Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859

Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858

Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857

Roger Fenton, 1855, Mortar Batteries in front of Picquet House, Light Division, Salt print, Art Institute of Chicago, LL/45856

Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855

Roger Fenton, 1855, Lieutenant General Sir de Lacy Evans, G.C.B., Salt print, Art Institute of Chicago, LL/45854

Roger Fenton, 1855, Col. Doherty, Officers & Men, 13th Light Dragoons, Salted paper print, George Eastman Museum, LL/70075

Roger Fenton, 1855, Cooking House of the 8th (The King's Royal Irish) Light Dragoons (Hussars), Albumen print, National Army Museum, LL/41338

Roger Fenton, 1855, Lieutenant General Sir Colin Campbell, G.C.B., Salt print, Art Institute of Chicago, LL/45853

Roger Fenton, 1855, The Princess Royal and Princess Alice, Albumen print, National Science and Media Museum, LL/41695

Roger Fenton, 1855, Omar Pacha, Salted paper print, from collodion glass negative, National Gallery of Art, LL/54890

Roger Fenton, 1855, The Railway Yard, Balaklava, Crimea, Salt print, National Science and Media Museum, LL/53602

Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847

Roger Fenton, 1855, Officers on the Lookout at Cathcart's Hill, Salted paper print, from wet collodion negative, Cleveland Museum of Art, LL/70217

Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846

Roger Fenton, 1855, General Bosquet, Salted paper print, George Eastman Museum, LL/75316

Roger Fenton, 1855, Two Men in Uniforms, Standing, Albumen silver print, Philadelphia Museum of Art, LL/71731

Roger Fenton, 1855, Major General Estcourt, Salted paper print, George Eastman Museum, LL/75315

Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845

Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843

Roger Fenton, 1855, Admiral Lord Lyons, Taken in the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45842

Roger Fenton, 1855, Valley of the Shadow of Death, Salt print, J. Paul Getty Museum, LL/7333

Roger Fenton, 1855, Captain Mottram Andrews, 28th Regiment (1st Staffordshire) Regiment of Foot, Salt print, Wilson Center for Photography (WCP), LL/56737

Roger Fenton, 1855, Portrait of Lieutenant R.A. Archey during the Crimean War, Salted paper print, Rijksmuseum, LL/78910

Roger Fenton, 1855, Balaklava from Guard's Hill, Crimea, Salt print, National Science and Media Museum, LL/53599

Roger Fenton, 1855, Ismail Pasha & Attendants, Albumen print, Leonard Joel, LL/52374

Roger Fenton, 1855, Plains of Balaklava, Salted paper print, George Eastman Museum, LL/57164

Roger Fenton, 1855, Major General Sir George Buller, K.C.B., Albumen silver print, J. Paul Getty Museum, LL/66484

Roger Fenton, 1855, Colin Campbell, 1st Baron Clyde, 1792 - 1863. Field-Marshal, Salt print, from collodion negative, National Galleries of Scotland, LL/56742

Roger Fenton, 1855, General Bosquet and Staff during the Crimean War, Albumen print, Rijksmuseum, LL/78711

Roger Fenton, 1855, Cooking house, 8th Hussars, Salted paper print, Library of Congress, Prints and Photographs Division, LL/36821

Roger Fenton, 1855, Officers on the Staff of Lt. General Sir G. Brown, Albumen silver print, J. Paul Getty Museum, LL/66486

Roger Fenton, 1855, Sebastopol from Cathcart's Hill, Salted paper print from glass negative, Metropolitan Museum of Art, LL/40559

Roger Fenton, 1855, General Sir George Brown and Staff, [Incidents of Camp Life, Photographed in the Crimea during the Spring and Summer of 1855], Salt print, Source requested, LL/6258

Roger Fenton, 1855, Lt. Colonel Prince Edward of Saxe Weimar, Albumen silver print, J. Paul Getty Museum, LL/66487

Roger Fenton, 1855, Lt. General Sir De Lacy Evans, G.C.B., Albumen silver print, J. Paul Getty Museum, LL/66488

Roger Fenton, 1855, Officers on the lookout at Cathcart's Hill, Crimea, Salt print, National Science and Media Museum, LL/53600

Roger Fenton, 1855, Lt. Col. Munro & Officers of the 39th Regiment, Albumen silver print, J. Paul Getty Museum, LL/66489

Roger Fenton, 1855, Self-Portrait in Zouave Uniform, Albumen silver print, J. Paul Getty Museum, LL/50654

Roger Fenton, 1855, The Genoese Castle, Salt print, National Science and Media Museum, LL/53601

Roger Fenton, 1855, Lieutenant General Sir Colin Campbell, G.C.B., Salted paper print, from collodion glass negative, National Gallery of Art, LL/54891

Roger Fenton, 1855, Colonel Wood & Major Stuart Wortley on the staff of Sir Richard England, Salted paper print, Library of Congress, Prints and Photographs Division, LL/45981

Roger Fenton, 1855, Landing Place, Ordnance Wharf, Balaklava, Salted paper print, from glass negative, Metropolitan Museum of Art, LL/40413

Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870