Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762

Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757

Gustave Le Gray, 1856 (ca), Tree, Forest of Fontainebleau, Albumen print, from wet collodion negative, Art Institute of Chicago, LL/45756

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030

Alfred Stieglitz, 1922, Music - A Sequence of Ten Cloud Photographs, No. II, Gelatin silver print, Art Institute of Chicago, LL/68098

Gustave Le Gray, 1857, Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112759

Unidentified photographer (USA, 19th century), 1851, Untitled (Portrait of Sleeping Baby), Daguerreotype, Art Institute of Chicago, LL/114495

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071

Edward Steichen, 1901 (taken) 1903 (print), Portrait of George Frederick Watts, Gum bichromate print, Art Institute of Chicago, LL/68131

Julia Margaret Cameron, 1875 (ca), Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/45835

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784

Unidentified photographer (USA, 19th century), 1850, Untitled (Two Boys Holding a Deceased Baby), Daguerreotype, Art Institute of Chicago, LL/114536

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68111

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68112

J. Craig Annan, 1903 (ca), Stirling Castle, Photogravure, Art Institute of Chicago, LL/68044

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68074

Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058

David Octavius Hill, 1843-1847, Dr. David Irving, Carbon print, Art Institute of Chicago, LL/114574

Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070

Roger Fenton, 1855 (taken), Hardships in the Camp, Salt print, Art Institute of Chicago, LL/45849

Hill & Adamson, 1845 (ca), The Misses Grierson, Salted paper print, Art Institute of Chicago, LL/114559

Gustave Le Gray, 1857, The Port and City of Sete-Mediterranean, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45760

Robert Frank, 1951-1952, London, Gelatin silver print, Art Institute of Chicago, LL/130069

Gustave Caillebotte, 1877, Rue de Paris, temps de pluie [Strasse in Paris, an einem Regentag], Oil painting, Art Institute of Chicago, LL/40744

J. Craig Annan, 1894 (ca), Venice from Lido, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68039

Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168

Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68113

Jeremiah Gurney, 1856, Untitled (Portrait of Man with Painting), Daguerreotype, Art Institute of Chicago, LL/114500

Julia Margaret Cameron, 1864-1865, Charles Hay Cameron, Albumen print, Art Institute of Chicago, LL/80017

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 8), Gelatin silver print, Art Institute of Chicago, LL/68127

Giraudon's Artist, 1870, Male Peasant with Wheelbarrow, Albumen print, Art Institute of Chicago, LL/117192

Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861

Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489

Southworth & Hawes, 1850, Untitled (Portrait of a Woman), Daguerreotype, Art Institute of Chicago, LL/114504

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112789

Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467

Edward Steichen, 1902 (ca), Young Tycoon (Self-Portrait), Gum bichromate print, Art Institute of Chicago, LL/68151

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112781

Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764

Alfred Stieglitz, 1935, Car 2F-77-77, Gelatin silver print, Art Institute of Chicago, LL/68092

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122

Hill & Adamson, 1844, Portrait of Mrs. Rigby, Salted paper print, Art Institute of Chicago, LL/68026

T.R. Williams, 1859, Untitled (Memento Mori Still Life), Daguerreotype, stereo, Art Institute of Chicago, LL/114485

Henry Fox Talbot, 1843, 2 May, Nicolaas Henneman, Salted paper print, from a calotype negative, Art Institute of Chicago, LL/82483

Giraudon's Artist, 1870, Female Peasant Riding Donkey, Albumen print, Art Institute of Chicago, LL/117193

Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148

Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, In Château Thierry Sector showing seven bridges destroyed by retreating enemy forces, September 7, 1918, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62119

Hill & Adamson, 1846-1847, Lord Cockburn at Bonaly, Salted paper print, Art Institute of Chicago, LL/68025

Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98104

Heinrich Kühn, 1900-1910, Portrait of Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68149

Alfred Stieglitz, 1924, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68105

Eugène Atget, 1923, Saint-Cloud, Albumen print, Art Institute of Chicago, LL/114575

Alfred Stieglitz, 1927, The Dying Chestnut Tree-My Teacher, Gelatin silver print, Art Institute of Chicago, LL/68099

Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847

Francis Frith, 1857, The Statues of Memnon, Plain of Thebes, Albumen print, Art Institute of Chicago, LL/57765

Unidentified photographer (American), 1852, Untitled (Portrait of Man with Two Oxen), Daguerreotype, Art Institute of Chicago, LL/128403

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62123

Heinrich Kühn, 1910, Still Life with Fruit, Photogravure, Art Institute of Chicago, LL/68147

Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524

Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027

Unidentified photographer (USA, 19th century), 1848, Untitled (Postmortem Portait of a Man), Daguerreotype, Art Institute of Chicago, LL/114487

Alfred Stieglitz, 1920-1922, Georgia O'Keeffe-Hands, Palladium print, Art Institute of Chicago, LL/68089

Allen (American), 1875-1900 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98101

Mario Giacomelli, 1957-1958, Lourdes, France, Gelatin silver print, Art Institute of Chicago, LL/116882

Julia Margaret Cameron, 1866-1867, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80037

Félix Thiollier, 1865-1875, Landscape with Ruin, Albumen print, from glass negative, Art Institute of Chicago, LL/95082

Julia Margaret Cameron, 1868 (taken) 1875 (print), Herr Joseph Joachim, Carbon print, Art Institute of Chicago, LL/68160

Alfred Stieglitz, 1923, First Snow and the Little House, Gelatin silver print, Art Institute of Chicago, LL/68094

Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021

Alfred Stieglitz, 1923, Spiritual America: Songs of the Sky A1, Gelatin silver print, Art Institute of Chicago, LL/68185

Alfred Stieglitz, 1907, Child with Striped Dress (Younger Raab Child), Autochrome, Art Institute of Chicago, LL/68177

Eugène Atget, 1907, Porte de Gentilly, Bd Kellermann, [Fortifications], Albumen print, Art Institute of Chicago, LL/114580

Alfred Stieglitz, 1927, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68116

Lucien Clergue, 1965, Beach, Gelatin silver print, Art Institute of Chicago, LL/111983

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112788

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 3), Gelatin silver print, Art Institute of Chicago, LL/68123

Henry Fox Talbot, 1843 (ca), Ancient Door, Magdalen College, Oxford, Salted paper print, Art Institute of Chicago, LL/95483

Hill & Adamson, 1843-1846, Two Friars, Salted paper print, Art Institute of Chicago, LL/114571

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68079

Julia Margaret Cameron, 1864, Mrs. Herbert Fisher, Albumen print, Art Institute of Chicago, LL/80029

Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791

Alfred Stieglitz, 1894 (taken) 1897 (print), Reflections-Venice, Photogravure, Art Institute of Chicago, LL/68165

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68115

Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135

Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), Alfred, Lord Tennyson (Dirty Monk), Photogravure, Art Institute of Chicago, LL/45836

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127

George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68106

Julia Margaret Cameron, 1868 (ca), Clinton Parry, Albumen print, Art Institute of Chicago, LL/80027

Unidentified photographer, 1855 (or earlier), [View of San Francisco], Albumen printss (x5), Art Institute of Chicago, LL/91284

Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128

Lucien Clergue, 1965, El Cordobés, Gelatin silver print, Art Institute of Chicago, LL/111981

Julia Margaret Cameron, 1864-1865, The Neopolitan, Albumen print, Art Institute of Chicago, LL/80012

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491

Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112776

Gustave Le Gray, 1856, The Steamboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112766

Roger Fenton, 1855 (taken), Camp of the 4th Dragoon Guards, convivial party, French & English, Salt print, Art Institute of Chicago, LL/45844

Frank Eugene, 1900 (ca), Portrait of a Woman, Platinum print, Art Institute of Chicago, LL/68061

Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492

Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761

Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134

Julia Margaret Cameron, 1868, Marie Spartali, Albumen silver print, from wet collodion glass negative, Art Institute of Chicago, LL/43882

Frank Eugene, 1900 (ca), Portrait of Goetz, Platinum print, Art Institute of Chicago, LL/68058

Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859

Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), The Very Reverend Dr. Jowett (Master of Balliol, Oxford), Photogravure, Art Institute of Chicago, LL/80042

Etienne Carjat, 1876-1884 (ca), Daudet, [La Galerie Contemporaine], Woodburytype, Art Institute of Chicago, LL/51579

Giraudon's Artist, 1870, Shepherdess Leaning Against a Tree, with Two Sheep, Albumen print, Art Institute of Chicago, LL/117190

Gustave Le Gray, 1857, The Jetty at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45759

Alfred Stieglitz, 1922, Georgia O'Keeffe, Palladium print, Art Institute of Chicago, LL/68091

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68117

Alfred Stieglitz, 1929, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68119

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126

Unidentified photographer (USA, 19th century), 1846, Untitled (Portrait of a Girl Holding Stick and Hoop), Daguerreotype, Art Institute of Chicago, LL/114516

Gustave Le Gray, 1857, Ships in the Harbor at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45757

Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68114

Eugène Atget, 1921, Montmartre, 2 Rue de Calvaire, Albumen print, Art Institute of Chicago, LL/114577

Julia Margaret Cameron, 1864, William Holman Hunt, Albumen print, Art Institute of Chicago, LL/45840

Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150

Unidentified photographer (USA, 19th century), 1852, Untitled (Brass Band), Daguerreotype, Art Institute of Chicago, LL/114490

Unidentified photographer (USA, 19th century), 1854, Untitled (Grave), Daguerreotype, Art Institute of Chicago, LL/114530

Lewis Carroll, 1864 (taken) 1866 (ca., print), Margaret Frances Langton Clarke, Albumen print, Art Institute of Chicago, LL/45762

Jan Lauschmann, 1927 (taken) -1929 (print), Under My Window, Gelatin silver print, Art Institute of Chicago, LL/121558

Julia Margaret Cameron, 1864-1865, St. Agnes, Albumen print, Art Institute of Chicago, LL/80030

Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68082

John Plumbe Jr., 1845, Untitled (Portrait of a Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114496

Gustave Le Gray, 1850-1859, The Tugboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112769

Frederick H. Evans, 1905 (ca), Piscina in Chancel of Little Snoring Church, Norfolk, England, Platinum print, Art Institute of Chicago, LL/68034

Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136

J. Craig Annan, 1894 (ca), Pipa, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68040

Julia Margaret Cameron, 1868, Variant of "Too late! Too late!", Albumen print, Art Institute of Chicago, LL/45838

Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863

Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68081

Edward Steichen, 1907, Rodin, Paris, Platinum print, Art Institute of Chicago, LL/68133

Rufus P. Anson, 1858, Untitled (Portrait of Masked Person), Daguerreotype, Art Institute of Chicago, LL/114470

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68064

Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118

Samuel J. Miller (American, 1822-1888), 1847-1852, Frederick Douglass, Daguerreotype, Art Institute of Chicago, LL/114466

Eugène Atget, 1925, Parc de Sceaux (Stairs, Pavillon de l'Aurore, May, 8am), Albumen print, Art Institute of Chicago, LL/114583

Francis Frith, 1857, Assoun, Albumen print, Art Institute of Chicago, LL/57764

Julia Margaret Cameron, 1875-1879, Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/80011

Clarence H. White, 1901-1905, Untitled, Platinum print, Art Institute of Chicago, LL/68140

Roger Fenton, 1855, Mortar Batteries in front of Picquet House, Light Division, Salt print, Art Institute of Chicago, LL/45856

Alfred Stieglitz, 1922, Georgia O'Keeffe, Gelatin silver print, Art Institute of Chicago, LL/68088

J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038

Hill & Adamson, 1844, Master Miller, Salted paper print, from calotype negative, Art Institute of Chicago, LL/45867

Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758

Hill & Adamson, 1843-1847, Dr. David Irving, Salted paper print, Art Institute of Chicago, LL/114573

Julia Margaret Cameron, 1867 (ca), Julia Jackson, Albumen print, Art Institute of Chicago, LL/80040

Francis Frith, 1857, Banias, The Ancient Caesaria, Phillippi, Albumen print, Art Institute of Chicago, LL/57761

Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036

Eugène Atget, 1902, Versailles, Trianon, (Coin de Parc), Albumen print, Art Institute of Chicago, LL/114584

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68110

J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125

David Octavius Hill, 1822-1870 (Artist's working dates), Departure, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114567

Alfred Stieglitz, 1922, The Dancing Trees, Palladium print, Art Institute of Chicago, LL/68096

Edward Steichen, 1904, Midnight Lake George, Gum bichromate over platinum print, Art Institute of Chicago, LL/68031

Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846

Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852

Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079

Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112785

Julia Margaret Cameron, 1864-1865, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80046

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80019

Unidentified photographer (USA, 19th century), 1853, Untitled (Lynn News), Daguerreotype, Art Institute of Chicago, LL/114513

Gustave Le Gray, 1856-1857, The Beach at Saint-Adresse, with the Dumont Baths, Albumen print, Art Institute of Chicago, LL/45758

Hill & Adamson, 1845, 29 March, Dumbarton Presbytery, Salted paper print, Art Institute of Chicago, LL/114558

László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911

Julia Margaret Cameron, 1867 (taken) 1875 (print), Sir John Herschel, Carbon print, Art Institute of Chicago, LL/68161

Unidentified photographer (USA, 19th century), 1850, Untitled (Gold Miners in Front of a Pond), Daguerreotype, Art Institute of Chicago, LL/114508

Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468

Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112767

Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085

Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869

Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472

David Octavius Hill, 1822-1870 (Artist's working dates), In Ayrshire Dairy, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114566

Unidentified photographer (American), 1855, Untitled [Carpentering & Long-Tom Making], Daguerreotype, Art Institute of Chicago, LL/98077

Gustave Le Gray, 1856-1857, The Beach at Sainte-Adresse, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112760

Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534

William L. Zuber (American, active California 1850s and 1860s), 1852, Untitled (Daguerreotype Studio and Russel & Co Livery Stable, Mokelumne Hill, California), Daguerreotype, Art Institute of Chicago, LL/114474

Southworth & Hawes, 1850, Untitled (Boston Customs House), Daguerreotype, Art Institute of Chicago, LL/114502

Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751

Hill & Adamson, 1844 (ca, taken) 1890-1900 (print), Portrait of James Nasmyth, Carbon print, Art Institute of Chicago, LL/68028

Julia Margaret Cameron, 1875-1879, Woman, Ceylon, Albumen print, Art Institute of Chicago, LL/80041

Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112775

Alfred Stieglitz, 1919, Dorothy True, Gelatin silver print, Art Institute of Chicago, LL/68076

J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535

Edward Steichen, 1902, Rodin, Le Penseur, Gum bichromate print, Art Institute of Chicago, LL/68132

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121

Benjamin Mulock (English, 1829-1863), 1858 (ca), Mrs. Craik Holding Cat, Salted paper print, Art Institute of Chicago, LL/45865

Roger Fenton, 1855 (taken), Group of Croat Chiefs, Salt print, Art Institute of Chicago, LL/45848

James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864