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Photo outlets
Art Institute of Chicago
 
111 South Michigan Avenue
Chicago, IL 60603-6404
USA

www.artic.edu
Tel: 312 443 3600

 
Some random images from this collection.
 
Lightbox > Examples
   
Francis Frith, 1857, Nablous, The Ancient Shechem, Albumen print, Art Institute of Chicago, LL/57756
Allen (American), 1875-1900 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98101
Unidentified photographer (American), 1852, Untitled (Portrait of Man with Two Oxen), Daguerreotype, Art Institute of Chicago, LL/128403
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62123
Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), The Very Reverend Dr. Jowett (Master of Balliol, Oxford), Photogravure, Art Institute of Chicago, LL/80042
Francis Frith, 1857, The Town and Lake of Tiberius, from the South, Albumen print, Art Institute of Chicago, LL/57760
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120
Gustave Le Gray, 1857, Officers Seated at a Tent, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112773
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071
Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857
Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 6), Gelatin silver print, Art Institute of Chicago, LL/68128
Hill & Adamson, 1843-1847, Dr. David Irving, Salted paper print, Art Institute of Chicago, LL/114573
Roger Fenton, 1855, Admiral Lord Lyons, Taken in the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45842
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Town of Vaux after German retreat, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62122
David Octavius Hill, 1845, Mr. Brodie, RSA, August 25, 1845, Sculptor, Lived in Cornwell St., Salted paper print, Art Institute of Chicago, LL/114569
Unidentified photographer (USA, 19th century), 1848, Untitled (Postmortem Portait of a Man), Daguerreotype, Art Institute of Chicago, LL/114487
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122
Unidentified photographer, 1850-1900, St. Pauls Cathedral, Albumen print, Art Institute of Chicago, LL/115236
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112782
Frederick H. Evans, 1905 (ca), Piscina in Chancel of Little Snoring Church, Norfolk, England, Platinum print, Art Institute of Chicago, LL/68034
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of Seated Man, Wearing a Hat with a Feather), Daguerreotype, Art Institute of Chicago, LL/114531
Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579
Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859
Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159
Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477
Edward Anthony, 1845, Untitled (Portrait of a Man), Daguerreotype, Art Institute of Chicago, LL/114520
Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135
Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), Alfred, Lord Tennyson (Dirty Monk), Photogravure, Art Institute of Chicago, LL/45836
Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112780
Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68074
Gustave Le Gray, 1856-1857, Seascape, Normandy, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112765
Henry Fox Talbot, 1843 (ca), Ancient Door, Magdalen College, Oxford, Salted paper print, Art Institute of Chicago, LL/95483
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68176
Julia Margaret Cameron, 1867 (taken) 1875 (print), Sir John Herschel, Carbon print, Art Institute of Chicago, LL/68161
Hill & Adamson, 1844, Mrs. Anna Brownell Jameson, Salted paper print, Art Institute of Chicago, LL/45866
Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528
J. Craig Annan, 1903 (ca), Stirling Castle, Photogravure, Art Institute of Chicago, LL/68044
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Gustave Le Gray, 1857, Zouave Storyteller (Le recit), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112768
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129
Edward Steichen, 1907, Still Life with Rodin Statue, Autochrome, Art Institute of Chicago, LL/68167
Alfred Stieglitz, 1923, Equivalent, from Set E (Print 2), 1923, Gelatin silver print, Art Institute of Chicago, LL/68107
Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118
Francis Frith, 1857, The New English Church from the Tower of Hippicus, Jerusalem, Albumen print, Art Institute of Chicago, LL/57755
Alfred Stieglitz, 1894 (taken) 1897 (print), Scurrying Home, [Picturesque Bits of New York and Other Studies], Photogravure, Art Institute of Chicago, LL/68166
Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158
Frank Eugene, 1900 (ca), Portrait of Goetz, Platinum print, Art Institute of Chicago, LL/68058
Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031
Julia Margaret Cameron, 1867 (taken) 1875 (print), Thomas Carlyle, Carbon print, Art Institute of Chicago, LL/68156
Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174
Kenneth Josephson, 1970, Postcard Visit, Buffalo, Collage (color postcard collage), Art Institute of Chicago, LL/33347
Eugène Atget, 1908, 38 Quai de Bourbon, Albumen print, Art Institute of Chicago, LL/114578
Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and ‘Mr. Cowan', Calotype negative, Art Institute of Chicago, LL/114560
Southworth & Hawes, 1850, Untitled (Portrait of a Woman), Daguerreotype, Art Institute of Chicago, LL/114504
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112787
Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044
Carleton E. Watkins, 1853, Untitled (Mining Town), Daguerreotype, Art Institute of Chicago, LL/114499
Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472
Frank Eugene, 1908, Small Boy Dressed as a Faun, Platinum print, Art Institute of Chicago, LL/68060
Mathew B. Brady, 1846, Untitled (Portrait of Man), Daguerreotype, Art Institute of Chicago, LL/114523
Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112789
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
Julia Margaret Cameron, 1868, Variant of "Too late! Too late!", Albumen print, Art Institute of Chicago, LL/45838
Alfred Stieglitz, 1894 (taken) 1897 (ca, print), A Wet Day on the Boulevard, Paris, Photogravure, Art Institute of Chicago, LL/68164
Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Alexander Rutherford, William Ramsay, and John Liston, Newhaven, Carbon print, Art Institute of Chicago, LL/114561
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778
Julia Margaret Cameron, 1870 (taken) 1893 (ca, print), Mrs. Thackeray Ritchie, Photogravure, Art Institute of Chicago, LL/80043
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762
Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112767
Alfred Stieglitz, 1927, The Dying Chestnut Tree-My Teacher, Gelatin silver print, Art Institute of Chicago, LL/68099
Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68075
Roger Fenton, 1855, Lieutenant General Sir Colin Campbell, G.C.B., Salt print, Art Institute of Chicago, LL/45853
Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850
T.R. Williams, 1850, Untitled (Portrait of a Woman Sewing), Daguerreotype, Art Institute of Chicago, LL/114512
Frank Eugene, 1900 (ca), Portrait of a Woman, Platinum print, Art Institute of Chicago, LL/68061
Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112781
Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855
Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085
Robert H. Vance, 1853, Untitled (Portsmouth Square, San Francisco), Daguerreotype, stereo, Art Institute of Chicago, LL/114497
Julia Margaret Cameron, 1872, August, Mrs. Herbert Duckworth with Florence Fisher, George Duckworth, and Herbert Fisher, Albumen print, Art Institute of Chicago, LL/80045
Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843
Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112785
Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Unidentified photographer (USA), 1850, Untitled (Portrait of Woman Holding a Child), Daguerreotype, Art Institute of Chicago, LL/114475
Giraudon's Artist, 1870, Shepherdess Leaning Against a Tree, with Two Sheep, Albumen print, Art Institute of Chicago, LL/117190
George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481
Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851
Eugène Atget, 1910 (ca), Fontaine Rue de Sevres, Albumen print, Art Institute of Chicago, LL/114582
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489
Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036
Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846
Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557
Francis Frith, 1857, The Temple of Maharaka, Nubia, Albumen print, Art Institute of Chicago, LL/57767
Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863
Roger Fenton, 1855 (taken), Camp of the 4th Dragoon Guards, convivial party, French & English, Salt print, Art Institute of Chicago, LL/45844
Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761
Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762
Charles DeForest Fredricks, 1858, Untitled (Portrait of a Woman holding a Child), Daguerreotype, Art Institute of Chicago, LL/114493
Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Dr. Chalmers, Carbon print, Art Institute of Chicago, LL/68024
Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758
Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509
1918, 17 September, Lines of Overlaps to Secure Mosaic Photographs, Illustration, Art Institute of Chicago, LL/62271
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784
Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861
Gustave Le Gray, 1857, The Raised Flag of the Zouave Regiment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112770
Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027
Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756
Hill & Adamson, 1844 (ca, taken) 1890-1900 (print), Portrait of James Nasmyth, Carbon print, Art Institute of Chicago, LL/68028
Roger Fenton, 1855 (taken), Group of Croat Chiefs, Salt print, Art Institute of Chicago, LL/45848
Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105
Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98103
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68154
Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136
David Octavius Hill, 1843-1847, Dr. David Irving, Carbon print, Art Institute of Chicago, LL/114574
Unidentified photographer (USA, 19th century), 1847, Untitled (Portrait of Bull), Daguerreotype, Art Institute of Chicago, LL/114510
Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142
J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041
Francis Frith, 1857, The Great Pillars and Smaller Temple, Baalbec, Albumen print, Art Institute of Chicago, LL/57759
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112786
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121
Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148
Gertrude Käsebier, 1902 (taken) 1906 (print), Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68144
Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141
L.B. Howard, 1855, Untitled (Commercial Building, Bridgewater, MA), Daguerreotype, Art Institute of Chicago, LL/114482
Benjamin Mulock (English, 1829-1863), 1858 (ca), Mrs. Craik Holding Cat, Salted paper print, Art Institute of Chicago, LL/45865
Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Mrs. Logan and Two Unknown Women, Newhaven, Carbon print, Art Institute of Chicago, LL/114565
Giraudon's Artist, 1870, Female Peasant Riding Donkey, Albumen print, Art Institute of Chicago, LL/117193
Carleton E. Watkins, 1850-1855, Untitled (Warehouse on Wharf), Daguerreotype, Art Institute of Chicago, LL/114526
Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), My Father, Gelatin silver print, Art Institute of Chicago, LL/68067
Platt D. Babbitt, 1853, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114481
László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911
Josiah Johnson Hawes, 1842-1901 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98102
Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870
Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 8), Gelatin silver print, Art Institute of Chicago, LL/68127
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 4), Gelatin silver print, Art Institute of Chicago, LL/68125
J. Craig Annan, 1894 (ca), Venice from Lido, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68039
Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070
Alfred Stieglitz, 1919, Georgia O'Keeffe-Hands and Thimble, Palladium print, Art Institute of Chicago, LL/68033
Hill & Adamson, 1844, Portrait of Mrs. Rigby, Salted paper print, Art Institute of Chicago, LL/68026
Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079
   

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