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| 1. |  | Ellwood Garrett 1850 (ca) Exterior of church with graveyard Daguerreotype, 1/2 plate Historical Society of Pennsylvania Record Number: 5940, Collection: Cased Photographs Collection [3139] |
| 2. |  | Louis-Joseph Deflubé 1845 (ca) Portaile de l'Eglise Collégiale de Saint-Sulpice, Pierrefonds (Portal of the Collegial Church of Saint-Sulpice, Pierrefonds) Daguerreotype, whole plate image: 16 x 21.3 cm (6 5/16 x 8 3/8 ins) frame: 24.8 x 30.2 cm (9 3/4 x 11 7/8 ins) Princeton University Art Museum Museum purchase, gift of John and Louise Steffens, Object Number: 1997-443 |
| 3. |  | Choiselat & Ratel 1845 La Cathedrale de Rodez Daguerreotype, full plate Sotheby's - Paris Photographies , 29 May 2013, Auction: PF1310, Lot: 11 Rodez is a town and commune in southern France, in the Aveyron department, of which it is the capital. |
| 4. |  | Henry Fox Talbot 1843 Cathédrale d'Orleans Salt print, from calotype negative 16.3 x 20.2 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 5 |
| 5. |  | Alinari 1854 (ca) Orvieto Cathedral, frontal view Salt print 43.5 x 31.5 cm Bassenge Photography Auctions Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4003) With photographer's blindstamp Fratelli Alinari, Fotografi Firenze, Presso Luigi Bardo below the image on the mount. |
| 6. |  | Unidentified photographer 1845 (ca) St. Paul‘s Cathedral Daguerreotype 14.4 x 9.9cm (visible) Royal Photographic Society © Royal Photographic Society, 1999 |
| 7. |  | Noël Marie Paymal Lerebours 1840 (ca) View of Notre Dame, Paris Daguerreotype 8.5 x 6.5 ins Museum of the History of Science |
| 8. |  | Henry Fox Talbot 1844 (published) Westminster Abbey [The Pencil of Nature, Part 6, pl. 22] Calotype Hans P. Kraus, Jr., Inc. Taken from the reproductions in Larry J. Schaaf, H. Fox Talbot's The Pencil of Nature; Anniversary Facsimile (New York: Hans P. Kraus, Jr. Inc., 1989). The originals selected for this publication were the best single examples available for each plate. Not to be reproduced without permission of H.P. Kraus, Jr. The stately edifices of the British Metropolis too frequently assume from the influence of our smoky atmosphere such a swarthy hue as wholly to obliterate the natural appearance of the stone of which they are constructed. This sooty covering destroys all harmony of colour, and leaves only the grandeur of form and proportions. This picture of Westminster Abbey is an instance of it; the facade of the building being strongly and somewhat capriciously darkened by the atmospheric influence. H. Fox Talbot, The Pencil of Nature, (London: Longman, Brown, Green and Longmans, 1844) |
| 9. |  | Francis Frith 1865 (ca) Cathédrale de Notre Dame Albumen print 38 x 49 cm Photo Verdeau |
| 10. |  | Édouard Baldus 1852-1853 Notre Dame, Paris Salted paper print from wet collodion negative 29.50 x 44.70 cm (11 9/16 x 17 9/16 ins) (image) Cleveland Museum of Art Edwin R. and Harriet Pelton Perkins Memorial Fund, Accession No.: 1991.35 |
| 11. |  | Frederick H. Evans 1883 (ca) Winchester Cathedral: The Nave, West Glass lantern slide J. Paul Getty Museum © Mrs. Janet M. Stenner, sole granddaughter of Frederick H. Evans, The J. Paul Getty Museum, 84.XH.1616.2 |
| 12. |  | Frederick H. Evans 1903 (ca) A Sea of Steps, Wells Cathedral Platinum print 9 1/4 x 7 5/8 in Lee Gallery Courtesy of Lee Gallery (T1503) Artist's monogram on lower right corner of mount under print. For an analysis of this photograph: Juliet Hacking (ed.), 2012, Photography: The Whole Story, (Prestel), pp. 200-201 |
| 13. |  | Frederick H. Evans 1898 Lincoln Cathedral: From the Castle Platinum print 9 1/2 x 7 1/4 ins (24.1 x 18.4 cm) SFMOMA - San Francisco Museum of Modern Art Purchase, 2623.1967 |
| 14. |  | Roger Fenton 1858 Lincoln Cathedral, part of the West Front Albumen print 44 x 36.5 cm Dominic Winter Book Auctions Printed Books,& Maps, Vintage Photography (17 June 2009, Lot: 70) Arch top albumen print mounted on card, with Architectural Photographic Association embossed label to lower mount and exhibit number 134 inserted in manuscript. |
| 15. |  | Roger Fenton 1857 (ca) Lincoln Cathedral: The Galilee Porch Albumen print, from wet collodion negative 41.30 x 34.80 cm (16 1/4 x 13 11/16 ins) (image) Cleveland Museum of Art John L. Severance Fund, Accession No.: 1988.85 |
| 16. |  | Roger Fenton 1857 South Transept and Tower - York Cathedral Albumen print, from wet collodion glass plate negative 35.5 x 42.5 cm (image) 51 x 71 cm (mount) Private Collection of Robert G. Hill, Toronto, Ont. www.hillcollection.com - Acc: 679 Signed in the lower margin in black ink "Fenton Phot.", circular blind-stamp on the mount "Architectural Photographic Association" and numbered in ink "136" Literature: reproduced as Plate 47 in Gordon Baldwin et al, All the Mighty World: The Photographs of Roger Fenton 1852-1860, pub. Metropolitan Museum of Art, New York, 2004 |
| 17. |  | Roger Fenton 1854 Rievaulx Abbey, the High Altar Albumen silver print, from glass negative 29.5 x 36.5 cm (11 5/8 x 14 3/8 ins) (image) 48 x 61.5 cm (18 7/8 x 24 3/16 ins (mount) Metropolitan Museum of Art Gilman Collection, Purchase, William Talbott Hillman Foundation Gift, 2005, Accession Number: 2005.100.275 |
| 18. |  | Roger Fenton 1856 Roslin Chapel, South Porch [Rosslyn Chapel, South Porch] Salted paper print from glass negative 35.8 x 43.3 cm (14 1/8 x 17 1/16 ins) (image) 41 x 48.2 cm (16 1/8 x 19 ins) (mount) Metropolitan Museum of Art Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.6 |
| 19. |  | Roger Fenton 1857 Ely Cathedral from the Grammar School Albumen print National Science and Media Museum The Royal Photographic Society, Ref number: 2003-5001/2/20129 |
| 20. |  | Roger Fenton 1860 (ca) Lichfield Cathedral West Front Albumen print 17 x 21 cm Dominic Winter Book Auctions Printed Books,& Maps, Vintage Photography (17 June 2009, Lot: 69) Reprinted by Francis Bedford, c. 1860, arched top on paper mount. |
| 21. |  | Alfred Fauvarque-Omez 1932 Soir sur Saint-Nicolas à Gand Pigment print (bromoil) 37.5 x 28 cm (with border) Piasa Photographies, 28 October 2011, Lot 35 Signée et titrée a la mine de plomb dans la marge sous l'image. Cachet "A. Fauvarque-Omez - 13, rue Daubenton - Roubaix" et mentions de la main du photographe au dos. Cette épreuve fut exposée en 1932 au 27e Salon international d'Art photographique de Paris organisé par la S.F.P. (no 161 du catalogue) Photographe pictorialiste, ami de Léonard Misonne, Alfred Fauvarque-Omez fut Président de la Société photographique de Roubaix a partir de 1928. Dans les années 1920-1940, ses £uvres furent trÞs fréquemment présentées dans des expositions (en France comme a l'étranger) et reproduites dans des revues photographiques. Manque dans la marge (angle supérieur droit). |
| 22. |  | Alphonse Bernoud 1865, 14 May Florence, Inauguration of the monument to Dante in place Santa Croce, 14 May 1865 Albumen print 20.5 x 25.5 cm Private collection From a private collection, courtesy of Giovanni Fanelli. Published in G. Fanelli, Alphonse Bernoud (1820-1889) (Firenze, Napoli, Livorno, series 'Contributi a una storia della fotografia', IV, private edition, Paris 2011). Published on the website www.historyphotography.org |
| 23. |  | Alphonse Bernoud 1862 (ca) Lucca, "560", San Martino Cathedral Albumen print Private collection of Giovanni Fanelli Published in G. Fanelli, Alphonse Bernoud (1820-1889) (Firenze, Napoli, Livorno, series 'Contributi a una storia della fotografia', IV, private edition, Paris 2011). Published on the website www.historyphotography.org |
| 24. |  | Charles Clifford 1853 Burgos Cathedral, Facade Albumen print, from waxed paper negative 41.9 x 30.5 cm Princeton University Art Museum Museum purchase, Fowler McCormick, Class of 1921, Fund (2010-125) |
| 25. |  | Charles Nègre 1850-1854 View of the south-side apsis and the new sacristy of the Notre-Dame, Paris. Dry waxed paper negative Universiteit Leiden, Prentenkabinet Copyright © Prentenkabinet Universiteit Leiden (61.933) |
| 26. |  | Édouard Baldus 1855 Church at Auvers Salted paper print from waxed paper negative 33.40 x 43.70 cm (13 1/8 x 17 3/16 ins) (image) Cleveland Museum of Art Andrew R. and Martha Holden Jennings Fund, Accession No.: 1992.120 |
| 27. |  | Terris & Vitigliano 1854-1855 Construction works at the south transept of Saint Vincent de Paul Church, Marseille [Saint Vincent de Paul Church, Marseille] Albumen print, from wet collodion on glass negative Rijksmuseum RP-F-1999-70, © Rijksmuseum Amsterdam |
| 28. |  | Roger Fenton 1852, September-October Domes of the Cathedral of the Assumption, Moscow Salt print, from waxed paper negative Private collection of John Hannavy For further copies of this print: Metropolitan Museum of Art, "Moscow, Domes of Churches in the Kremlin", Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.66 The Gernsheim Collection at the Harry Ransom Humanities Research Center at the University of Texas at Austin. |
| 29. |  | Edwin Smith 1958 (taken) 2010 (print) Ely Cathedral, The West Tower and Southwest Transept with Two Turret Towers Gelatin silver print 20 x 24 ins Chris Beetles © Edwin Smith / RIBA British Architectural Library Photographs Collection Stamped with the Artist's Estate Stamp, supervised, signed and number 1/50 by Chris Beetles on reverse. |
| 30. |  | J. Kuhn 1890 (ca) La Cathédrale St-Paul de Londres, Angleterre Albumen print 18,5 x 27 cm Photo Verdeau |
| 31. |  | Gustave Le Gray 1851 (taken) Cathedral of Notre-Dame, Detail of the Cloister Arcade, Le Puy Albumen print 12 3/4 x 9 3/8 in (32.4 x 23.8 cm) Saint Louis Art Museum Courtesy of Saint Louis Art Museum, Museum Purchase, Accession Number: 194:1977 Alternate Title(s): Le Puy, cathédrale Notre-Dame: detail d'une arcade Vue d'un Cloître Roman du Sud Ouest de la France |
| 32. |  | Gustave Le Gray 1851 [Central Portal of the Church of Saint-Jacques, Aubeterre] Salted paper print from paper negative 9 3/16 x 11 1/16 in (23.3 x 28.1 cm) Metropolitan Museum of Art Edward Pearce Casey Fund, 1991, Accession Number: 1991.1058 Made during the summer of 1851 when Le Gray was traveling with Auguste Mestral. |
| 33. |  | Robert Henry Cheney 1853 (ca) Lindisfarne Albumen print, from calotype 17.80 x 22.00 cm (7 x 8 5/8 ins) (image) Cleveland Museum of Art Gift of Russ Anderson, Accession No.: 1991.289 |
| 34. |  | Robert Rive 1875 (ca) Cloister of the Benedictine Monastery at Monreale Cathedral, Palermo, Italy Albumen print, from a glass plate negative 19.5 x 26 cm (image) 29.5 x 30 cm (mount) Private Collection of Robert G. Hill, Toronto, Ont. www.hillcollection.com - Acc:193 With number and title in the negative "1680 Palermo. Monreal. Interno del Chiostro", with partial oval blind stamp on the mount "Robert Rive" |
| 35. |  | Le Gray & Mestral 1851 Moissac (Tarn-et-Garonne) Interior of a Cloister, St Peter's Church Salted paper print from a dry waxed negative 23.2 x 34.5 cm Musée d'Orsay © photo RMN, Hervé Lewandowski, DO 1979 20 négatif |
| 36. |  | Édouard Baldus 1861 (ca) Arles, Cloitre St. Trophime [Cloister of Saint-Trophîme, Arles] [Chemins de fer de Paris à Lyon et à la Méditerranée] Albumen silver print, from glass negative 33.2 x 42.5 cm (13 1/16 x 16 3/4 ins) Metropolitan Museum of Art Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.364.46 |
| 37. |  | Robert Rive 1860-1865 (ca) No. 8 Chiostro del convento di S. Martino. Napoli Carte de visite Private collection of Giovanni Fanelli Published in Giovanni Fanelli, con la collaborazione di Barbara Mazza, Robert Rive (Firenze: Mauro Pagliai Editore, 2010) [ISBN: 978-88-564-0123-3] |
| 38. |  | Giorgio Sommer 1875-1900 (ca) 9121 9084 Monreale Chiostro Photographic print 19 x 25.4 cm (image) 24.1 x 31.9 cm (mount) Musée Condé © direction des musées de France, © musée Condé, 1999, Inventory No: PH No 778, Joconde: 00000105835 Signé en bas a droite : Sommer Napoli |