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| 1. |  | Henry Fox Talbot 1844 (published) Articles of China [The Pencil of Nature, Part 1, pl. 3] Calotype Hans P. Kraus, Jr., Inc. Taken from the reproductions in Larry J. Schaaf, H. Fox Talbot's The Pencil of Nature; Anniversary Facsimile (New York: Hans P. Kraus, Jr. Inc., 1989). The originals selected for this publication were the best single examples available for each plate. Not to be reproduced without permission of H.P. Kraus, Jr. From the specimen here given it is sufficiently manifest, that the whole cabinet of a Virtuoso and collector of old China might be depicted on paper in little more time than it would take him to make a written inventory describing it in the usual way. The more strange and fantastic the forms of his old teapots, the more advantage in having their pictures given instead of their descriptions. And should a thief afterwards purloin the treasures if the mute testimony of the picture were to be produced against him in court it would certainly be evidence of a novel kind; but what the judge and jury might say to it, is a matter which I leave to the speculation of those who possess legal acumen. The articles represented on this plate are numerous: but, however numerous the objects however complicated the arrangement the Camera depicts them all at once. It may be said to make a picture of whatever it sees. The object glass is the eye of the instrument the sensitive paper may be compared to the retina. And, the eye should not have too large a pupil: that is to say, the glass should be diminished by placing a screen or diaphragm before it, having a small circular hole, through which alone the rays of light may pass. When the eye of the instrument is made to look at the objects through this contracted aperture, the resulting image is much more sharp and correct. But it takes a longer time to impress itself upon the paper, because, in proportion as the aperture is contracted, fewer rays enter the instrument from the surrounding objects, and consequently fewer fall upon each part of the paper. H. Fox Talbot, The Pencil of Nature, (London: Longman, Brown, Green and Longmans, 1844) |
| 2. |  | Stadler Photographing Company 1900 (ca) Babies Lawn Caps Silver print 24.8 x 30.5 cm (9 3/4 x 12 in) American Art Museum, Smithsonian Institution Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment |
| 3. |  | De Torbéchet, Allain et Cie 1863 Le Jeu Tirage sur papier albuminé d'après négatif sur verre au collodion. Format carte de visite Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. D.L. Eo2 Torbéchet. D.L. 1863 |
| 4. |  | London Stereoscopic Company 1862 No. 123, Centre piece, etc., the property of the Duke of Barbant. [The International Exhibition of 1862] Stereocard Stereographica - Antique Photographica Courtesy of Bryan and Page Ginns (#14 / 386) London Stereoscopic and Photographic Company |
| 5. |  | Unidentified photographer / artist 1862 #81 Glass, by Messrs, Naylor & Co. [The International Exhibition of 1862] Stereocard, detail Jefferson Stereoptics Courtesy of John Saddy (Auction, Oct 15, 2008 # 8-03, Lot 36) |
| 6. |  | Gilles, Photo. n.d. Monde. Heure exacte de ses principales villes lorsqu'il est midi juste a Paris Carte de visite Private collection of Thomas Weynants Shows the clocks of A. Bertrand of Namur in Belgium. We are looking for further information on the purpose of this CDV. |
| 7. |  | George Brown 1899, June-July Arrangement of stone-headed war clubs on wooden crates, British New Guinea [Fourth voyage to New Guinea] Albumen print 15.5 x 11.2 cm Oceania-Ethnographica |
| 8. |  | Edward S. Curtis 1912 Plate 309 - Puget Sound Baskets [The North American Indian - Portfolio IX - (1967 - Deli Sacilotto)] Photogravure 17 7/8 x 22 1/4 in (Sheet) Photoseed Photograph courtesy PhotoSeed.com "Basketry continues to be an important industry of many Puget Sound tribes, the bulk of the product passing into the hands of dealers. Women of the Skokomish band of Twana are especially skilful in weaving soft, flexible baskets." Reprinted in 1967 from the original Curtis copper photogravure plates by master printer Deli Sacilotto for the Boston bookseller Charles Lauriat. Each sheet of wove paper is watermarked "Tweedweave" - and the edition was limited to 17 copies. |
| 9. |  | Unidentified photographer 1874, March Kentucky, Salt Cave. Rope and Twine. F. W. Putnam march 1874 8236. Peabody Museum Cambridge Albumen print Peabody Museum of Archaeology and Ethnology Peabody Number: 2004.29.860 |
| 10. |  | Knud Knudsen 1863 Utentittel Black and white image University of Bergen Library / Universitetsbiblioteket I Bergen Knudsensamlingen UBB-KK-NSX-0020 |
| 11. |  | Unidentified photographer 1908 (published) Objects of different colours, photographed from above Book illustration Internet Archive Alfred Hildebrandt, 1908, Airships past and present, together with chapters on the use of balloons in connection with meteorology, photography and the carrier pigeon, (London, A. Constable & Co. Ltd.), p. 330, fig. 209 |
| 12. |  | Unidentified photographer 1908 (published) Objects of different colours, photographed from the side Book illustration Internet Archive Alfred Hildebrandt, 1908, Airships past and present, together with chapters on the use of balloons in connection with meteorology, photography and the carrier pigeon, (London, A. Constable & Co. Ltd.), p. 331, fig. 210 |
| 13. |  | Vasco Ascolini 2000 Parigi, ENSBA [Noir Lumière] Gelatin silver print Provided by the artist - Vasco Ascolini © Vasco Ascolini |
| 14. |  | Philippe Pottier 1944 [Parapluies] Tirage argentique 19.5 x 17.2 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Oz 138 Pet. fol. DL 1944-09292 |
| 15. |  | Mimmo Jodice 1980 Naples [Napoli] Gelatin silver print 24 x 16,5 cm Bloomsbury Auctions - Rome Bloomsbury, Rome (Nov 10, 2008, Sale 17, Lot 349) Timbro dell'autore sul verso. Copia per servizio stampa. Pubblicato in Roberta Valtorta, Mimmo Jodice, Federico Motta, 2003, pag.120. |
| 16. |  | Alfons Himmelreich 1944 Cooking pots Palalum (Palestine Aluminium Company) Digital print made from negative Silver Print Gallery and Archive |
| 17. |  | Unidentified photographer n.d. Series of primate hands, Lantern slide American Museum of Natural History Identifier: LS-262-11 |
| 18. |  | Thane L. Bierwert 1948, August The Face from Fish to Man, exhibit, Biology Hall Film negative 8 x 10 ins American Museum of Natural History Identifier: 320564 |
| 19. |  | Jonathan Clark 1988 (taken) 1991-2007 (print) Aspect of Love [Prospects of Florence] Photogravure on tissue paper mounted on handmade paper 10 x 8 in Provided by the artist - Jonathan Clark This photogravure is included in the album of poetry and photographs "Prospects of Florence". |
| 20. |  | Dorothy Dennison 1924 (ca) Sprouting Bulbs in Bowl (Normal; Soft; Contrasty; Brown Tone) Platinum print 11 5/16 x 14 1/4 in (sheet) Library of Congress, Prints and Photographs Division Warren and Margot Coville Collection, Prints & Photographs Division, Library of Congress [LC-USZC4-9767] Clarence H. White School of Photography |
| 21. |  | Bernd & Hilla Becher 1971 Hochöfen (Blast Furnaces) Collotype 45 x 32 cm Bassenge Photography Auctions (88 / 4119) |
| 22. |  | Unidentified photographer / artist n.d. Components of Hudson Brothers chaff cutter Glass plate negative Powerhouse Museum Gift of Clyde Engineering Pty Ltd, 1988 |
| 23. |  | Sam Hood 1915-1939 (ca) Victoria China dinnerware Photoprint Mitchell Library, State Library of New South Wales Hood Collection part II: [Advertisements, catalogs, products, shows & exhibitions, etc.] |
| 24. |  | Unidentified photographer 1925 The Russian Crown Jewels [Russia's Treasure of Diamonds and Precious Stones (1925), Plate I] Portfolio plate Heritage Auctions BEVERLY HILLS, CA - An extraordinarily rare English language copy of Russia's Treasure of Diamonds and Precious Stones, edited by Aleksander Evgenevich Fersman and published to 1925, will highlight the offerings in Heritage Auction Galleries Beverly Hills' Oct. 14, 2010 Signature« Rare Books Auction. Only a handful of these books have surfaced at auction in the last 80 years. "It's an understatement to say that this is a rare volume," said James Gannon, Director of Rare Books at Heritage. "In fact, it's downright astounding that any of these books survived, especially in English, given where and when it was produced, in the early part of the Russian Communist regime, by a government that made a specific practice of vilifying its czarist history. There are a lot of collectors out there that will be keeping a very close eye on this amazing book." The monumental task of listing and photographing the Russian crown jewels, the symbols of the recently deposed Russian royal family, began in 1922, with this epic work being the result. Compiled with the help of S. N. Troinitsky, then-director of the Hermitage Museum, and a committee of expert jewelers, Russia's Treasure of Diamonds and Precious Stones was published in 1925 in English, French and Russian, and stands as the only complete record of the treasures of the Romanov Dynasty before their mysterious dispersal through private sale and a subsequent auction in 1927. "The book is nothing short of awe-inspiring," said Gannon. "The 100 unbound phototype plates in the book, all with descriptive text, show the scope and the vision of the jewelers that created these monumental treasures. " True to form, Stalin's repressive government quickly made an about face on its decision to produce the book, and even it's the very existence of the volume - perhaps the fact that it contained proof of the feudal age before the Revolution was too cognitively dissonant for the tyrannical Politburo - and swiftly recalled all copies of the book. The Soviet government quickly destroyed the copies it received or bought back. As such, it is an exceedingly rare work in any of the three languages, and much desired by gemologists, jewelers, and historians. "The collection of Romanoff Crown Jewels dates back to the Sixteenth Century, when the early Czars, proud of their power, were fascinated by the splendor of parading about in jeweled robes wearing diamond-studded crowns," wrote Armand Hammer in The Quest of the Romanoff Treasure. "However, it was not until the reign of Catherine the Great that the Russian collection of jewels reached its greatest proportion. Catherine sent her agents abroad to purchase the largest and finest diamonds and emeralds in the world… Soon after the beginning of the War in 1914, the Imperial Cabinet decided it was safer to remove the Crown Jewels to Moscow, which is much farther inland than St. Petersburg. Nine huge strong boxes, crammed full of these priceless gems, were stored in a special vault in the 'Armory Hall of the Kremlin.'" The jewels were safe-guarded during the Bolshevik Revolution, and until 1922, were kept under guard by a detachment of Red soldiers. The Soviet government turned its attentions to the decadent treasures in April 1922 and an inventory was subsequently commissioned. A committee of prominent citizens, including A. Fabergé, son of the former world famous court jeweler Carl Fabergé, soon produced the survey, which gave Russia's new ruling class an idea of the fabulous wealth of the recently deposed aristocracy, including 25,300 carats worth of diamonds, 6,000 pearls, 3,200 emeralds, 2,600 sapphires and 1,500 carats worth of rubies, which is but a small portion of the extraordinary collection. |
| 25. |  | Coll. Couzins/Powney 1890 (ca) Zulu-Bride's outfit Tirage citrate d'époque tamponné 20,4 x 13,3 cm Photo Verdeau |
| 26. |  | Auguste Salzmann 1854 Jérusalem : enceinte du temple. Détail de l'appareil de la piscine probatique Papier salé d'après négatif papier 22.5 x 32 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Don de l'auteur 1859 |
| 27. |  | Félix Teynard 1852 Assouan. Cimetithre arabe. Inscriptions funéraires Tirage sur papier salé d'après négatif sur papier ciré 24 x 31 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Réserve Ub 203 folio, tome 2. Don de l'auteur en juin 1865 |
| 28. |  | Jacques Moulin 1856 Pierres tumulaires et inscriptions trouvées à Cherchell Tirage sur papier albuminé d'après négatif sur verre au collodion 19 x 25.5 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Réserve Oz 110 folio, tome 2. Provient de la bibliothÞque du chÔteau de Fontainebleau |
| 29. |  | S. Bettoney 1880 (or later) Roman Antiquities found by Mr. J. Robinson and others in 1880 Carte de visite Paul Frecker A printed paper label neatly glued to the back of one of the cartes informs the reader that these are:
ROMAN ANTIQUITIES The pieces of the Urn - thirty-two in number- have been skilfully affixed by MR. WILLIAM BERRY GRAHAM, who has thus restored the Urn to the original form which the Potter gave it some 1,500 years ago." Photographed by S. Bettoney of Crosby Street, Maryport [Cumbria]. |
| 30. |  | Giorgio Sommer n.d. 1119 Napoli Museo Nazionale Albumen print 7.8 x 10.1 in (198 mm x 257 mm) Paul Frecker Identified on a strip below the image (not shown in scan). The strip also gives the number and title of the image, 1119, Napoli Museo Nazionale. A pencilled inscription in a period hand on the back of the print reads Olearii [Oil jars]. |
| 31. |  | Bisson frères 1854-1857 (ca) Chapiteaux romans Varnished salt or Albumen print, from paper negative on original mount 28.4 x 25 cm Galerie Daniel Blau |
| 32. |  | Délié & Béchard 1871-1872 Planche 4 - Panthéon [Album du Musée Boulaq] Carbon print 7.5 x 9.75 in (19 x 25 cm) Christopher Wahren Fine Photographs Initial European archeological activity in Egypt was largely a land-grab in which westerners armed with licenses from the Egyptian government carried off whatever discoveries they could lay their hands on. Items not dispersed in this way were often given away by Egypt's rulers to foreign dignitaries. This process finally met with change in the form of the quasi-expatriate Frenchman Auguste Mariette, who in the 1850s became director of the Antiquities Service for the Egyptian government and founded the Musée Boulaq as a locus for retaining the material produced by his numerous digs throughout Egypt, later to evolve into the Cairo Museum. In 1871-2 this burgeoning collection was documented by the photographers Hippolyte Délié and Emile Béchard in a series of photographs, published with an overview by Mariette as the Album du Musée Boulaq. These inspired prints, largely taken in the crisp direct light of the Egyptian sun, are among the first photographs ever taken of their recently-unearthed objects. [Courtesy of Christopher Wahren] |
| 33. |  | Unidentified photographer 1898 Têtes (Tamerlan) Tirage argentique 22.5 x 16 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Dc293a+ grand folio, tome 13. Don de Mme Gérôme en 1905 |
| 34. |  | Giorgio Sommer 1880 (ca) Strumenti di Chirurgia [Surgical instruments] Albumen print 7.5 x 9.5 ins Private collection of Steven Evans |
| 35. |  | Louis-Emile Durandelle 1875-1881 Le Nouvel Opera de Paris. Sculpture Ornementale Albumen print 10 3/4 x 14 11/16 Lee Gallery (T1259) Series title, editor's and photographer's credits printed on mount on recto. |
| 36. |  | Louis-Emile Durandelle 1867 Modeles en plâtre destinés au décor du théâtre du Vaudeville Tirage sur papier albuminé d'après négatif sur verre au collodion 38 x 27 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Eo 98 folio, tome 2. Don Paul Blondel |
| 37. |  | Juan Laurent n.d. Pistols and Swords Albumen print 13.5 x 10 in (34x25 cm) Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (ia272) Showing pistols and swords from the Madrid Armory. Titled in the negative "Armeria de Madrid. 337. Trophée formé de diverses armes, oeuvres de Mr. E. de Zuloaga. J. Laurent Madrid." On sheet 21 x 17 inches (52x43 cm) with Laurent's Madrid and Paris studio copyright imprints. |
| 38. |  | Juan Laurent n.d. Swords and Hatchets Albumen print 13.5 x 10 in (34x25 cm) Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (ia273) Showing swords and hachets from the Madrid Armory. Titled in the negative "89" followed by descriptions of the weapons shown. On sheet 21 x 17 inches (52x43 cm) with Laurent's Madrid and Paris studio copyright imprints. |
| 39. |  | Alfred Saint-Ange Briquet 1862 Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Ustensiles pour les hôpitaux Tirage sur papier albuminé d'après négatif sur verre au collodion, 23.5 x 17.5 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot |
| 40. |  | Alfred Saint-Ange Briquet 1862 Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Equipement pour la cavalerie Tirage sur papier albuminé d'après négatif sur verre au collodion, 24 x 18 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot |
| 41. |  | Alfred Saint-Ange Briquet 1862 Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française. [Page de titre] Tirage sur papier albuminé d'après négatif sur verre au collodion, 23.5 x 17.5 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot |
| 42. |  | Photographie Schneider et Cie (42 rue d‘Anjou) 1916, July Etablissements Schneider. Usine du Creusot. Projectiles divers fabriqués au Creusot. Juillet 1916 Tirage argentique 17.5 x 21.5 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Id mat 4a bo¯te 4o. Don de C. Dreyfus en 1930 |
| 43. |  | Photo Design Co. 1919, 1 August Insignia of 1st artillary division, Grenzhausen, Germany Gelatin silver print 9 x 13 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (48 / 186) This is the first division, Grenzhausen, Germany, Aug. 1, 1919. There are 20 soldiers in the front row, hundreds in the back row. This allows the photographed image to form a rectangle, because the much wider back rows would recede before the camera according to perspective. |
| 44. |  | Olive Edis 1915 (ca) Display of Medals Autochrome 21.5 x 17 cm Dominic Winter Book Auctions Courtesy of Dominic Winter Book Auctions (sale: Thursday 6th March 2009, Lot: 852) |
| 45. |  | Unidentified photographer 1915 The Great War. First World War: English soldiers kit, a survey of the clothing. Gelatin silver print Nationaal Archief of the Netherlands / National Archive of the Netherlands Spaarnestad Photo, SFA022801761 |
| 46. |  | Anna Atkins 1853 Equisetum sylvaticum [collaboration between Anna Atkins and Anne Dixon] [In her book "Cyanotypes of British and Foreign Ferns" (ca. 1860)] Cyanotype 10 x 7 7/8 J. Paul Getty Museum © J. Paul Getty Trust (84.XO.227.45) |
| 47. |  | Isaac A. Rehn 1895 (ca) Lygodium Icandeus Albumen print, photogram 35.5 x 43.8 cm (14 x 17 1/4 in) American Art Museum, Smithsonian Institution Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment |
| 48. |  | Robert Ritter v. Stockert 1894, May Blumenstraufs [Wiener Photographische Blätter: Herausgegeben Vom Camera-Club In Wien] Photogravure 16.6 x 13 cm Photoseed Photograph courtesy PhotoSeed.com Included in: "Wiener Photographische Blätter: Herausgegeben Vom Camera-Club In Wien: 1894" Kupferdruck v. J.B. Obernetter Munchen. J.B. Obernetter (1840-87) was a Bavarian photochemist who, according to Josef Maria Eder (1945 "History of Photography" Columbia University Press, p.536) à"applied his inventive genius to numerous branches of photographic reproduction technique, was not only the first to manufacture collodio-chloride papers on a commercial scale but also the first to use it in printing large editions for the illustration of German photographic technical journals." His son, Emil Obernetter, of Munich, who took control of his father's firm after his death, had been manufacturing gelatino-chloride paper on a large scale from 1884 and "thereby laid the foundation for the later commercial production of these papers in England and France." (ibid. p.536). As evidenced by this plate, the firm was also still producting copper-plate photogravures in 1894. |
| 49. |  | Irving Pobboravsky 2000 Black hickory pods Daguerreotype (Contemporary) 5 x 7 ins Provided by the artist - Irving Pobboravsky © Irving Pobboravsky |
| 50. |  | Jerry N. Uelsmann 1992 Untitled [Trees] Gelatin silver print 11 x 14 in Provided by the artist - Jerry Uelsmann Courtesy of the artist |
| 51. |  | Hajicek & Panaro-Smith 2007 Botanical collection 07-03 [Botanicals] Photogram 24 x 36 in Watermark Fine Art Photographs & Books (CLOSED) |
| 52. |  | Caroline Hyman 2006 February - 2007 April Narcissus [Botanical] Monochrome film, hand-coloured 7 x 6 in (approx) Provided by the artist - Caroline Hyman |
| 53. |  | Karl Blossfeldt 1929 (2nd edition) Abutilon. Lime-Mallow. Seminal-capsules enlarged 6 times. [Urformen der Kunst / Art Forms in Nature, Pl. 103] Gravure Christopher Wahren Fine Photographs The gravures measure roughly 10.25 x 7.5 inches (26x19 cm) and are printed on sheets 12.25 x 9.5 inches (31x24 cm) with plate number printed in the lower right corner. Images illustrated in horizontal format have been rotated 90 degrees clockwise. Plate descriptions are transcribed from the American printing (E. Weythe, New York, 1929). |
| 54. |  | Frederick William Bond (1887-1942) 1930 Contents of an Ostrich's Stomach Gelatin silver print National Science and Media Museum The Royal Photographic Society, Ref Number: 2003-5001/2/20566 |
| 55. |  | Fritz Schmidt (Editor) 1912/1913 Elsõsser-wild [Farbenphotographie] Printed from an autochrome original Private collection of Mark Jacobs Collection Mark Jacobs Published in "Farbenphotographie: Eine Sammlung von Aufnahmen in natuerlichen Farben" by Fritz Schmidt (Leipzig: E.A. Seemann, 1912-1913) |
| 56. |  | Unidentified photographer / artist 1862 148 Case of Game Birds of Nova Scotia (Detail) [The International Exhibition of 1862] Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 667) |
| 57. |  | Terry Evans 2001 Field Museum, Drawer of Cardinals, various dates [Prairie Specimens] C-print Provided by the artist - Terry Evans |
| 58. |  | John Dillwyn Llewelyn 1854 (ca) Two Dead Gamebirds - Woodcock Collodion negative 16.51 cm x 21.59 cm Swansea Museum, Library Swansea Museum, Library (SWASM:SM1987.840.37) |
| 59. |  | C.B. Brubaker n.d. Trout from Lake Superior [Gems of Lake Superior Scenery] Stereoview, detail Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. August 29th & Thurs. August 31st, 2006, # 06-3, Lot 675) No mention of Childs, but likely his negative. |
| 60. |  | Frank Hurley 1911-1914 Examples of crustaceans caught in dredging operations [Antarctica] [Series 01: Photographs of the Australasian Antarctic Expedition, 1911-14] Photograph Mitchell Library, State Library of New South Wales Digital Order No. aae_36875 |
| 61. |  | Alfred Capel Cure 1852, 1 February My Beasts Paper negative 7 3/4 x 6 1/4 in (19.7 x 15.9 cm) Metropolitan Museum of Art The Museum of Modern Art, New York. Gift of Paul F. Walter, 1986 This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007) |
| 62. |  | Unidentified photographer 1900 (ca) Catalogue card Albumen print 4 in (10.16 cm) x 5.5 in (13.97 cm) Robert Tat Gallery Courtesy of Robert Tat Fine Photographs (www.roberttat.com - #746) |
| 63. |  | Unidentified photographer / artist 1914 (before) Butterflies under glass (Papillons sous-verre) Autochrome 11.9 x 8.9 cm Artcurial courtesy of Artcurial (Sale 1170, Lot 196) |
| 64. |  | Unidentified photographer n.d. Portraits of twelve women Daguerreotype, 1/4 plate Stereographica - Antique Photographica Courtesy of Bryan and Page Ginns (#20 / 87) Housed in a thermo-plastic Union Case, "The Dance", refer Berg, page 86, no. 1-39. This is an intriguing Image one can only speculate that it might be a finishing or secretarial school of some kind. One thing seems apparent is that most of them seem to go to the same hairdresser! |
| 65. |  | André Adolphe-Eugène Disdéri 1865 (ca) Studies of a Woman with Piano Carte de visite, uncut sheet 7.75 x 9 in (20x 23 cm) Christopher Wahren Fine Photographs |
| 66. |  | J.P. Doremus n.d. Advertising card for N. Jersey Photographer Cabinet card Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (48 / 95) Shows arrangement of examples of photographs of various sizes, subjects, with advertising copy on verso. |
| 67. |  | D.G. Andre (Aurora, ILL) n.d. Advertising cabinet card for Andre, the New Photographer Cabinet card Private collection of Laurie Minor Please accept… Compliments of ANDRE, the New Photographer. We are ready for business. Our Gallery has been re-fitted and re-furnished with all the latest novelties, at great expense, and ranks equal to the finest in the State. Keep this sample Photo in the back leaf of your album, for it shows you the style of finish of our CHEAPEST grade of work. Call at our Studio and see our Embossed Enameled grade which are the finest Photos you ever saw. Don't forget, that we will give you 15 Cabinets for a Dozen - finished in Two Styles, and different positions if desired. Ladies, the elevator will take your baby carriages right up to the Studio - no trouble. Next time you have Photos taken give us a trial. Not open Sundays. Andre, Fashionable Photographer, Mercantile Blick, AURORA, ILL. |
| 68. |  | Unidentified photographer / artist n.d. Booth and his associates Carte de visite Private collection of Stuart Schneider |
| 69. |  | Weatherup (Westfield, NY) n.d. Photographer's advertising cabinet card with a montage of 15 self-portraits Cabinet card Capitol Gallery Courtesy of Capitol Gallery (Fall 2007 Auction, #54) if the small gem sized image affixed to the bottom left photo is included, the count is actually 16. A number of the comical poses have titles such as Ah! by jove! We'r Unglish ya naw, (top left), and Ould man Mulcathy, (bottom left). The serious pose in the center of the second row reads, Very Truly Yours, Weatherup, Westfielf, NY. |
| 70. |  | Unidentified photographer / artist 1890 (ca) Showing Back Style [Geisha Kimono's and Hairstyle's] Albumen print, tinted 202 x 270 mm Old Japan Images and text courtesy of Terry Bennett (Old Japan - www.old-japan.co.uk - EB-30002) Captioned 'B1094' in the negative. |
| 71. |  | Eadweard Muybridge 1880s (ca) Plate 300: Foot-ball drop kick [Animal Locomotion] Collotype 13 x 8.75 in Lee Gallery Courtesy of Lee Gallery (Y1188) Animal Locomotion Plate 300. Copyright, 1887, by Eadweard Muybridge. All rights reserved. printed on sheet in margin. |
| 72. |  | 1940s (ca) Photomontage of photobooth images Photobooth image, photomontage Select Vernacular Photographs / Norman Kulkin |
| 73. |  | Unidentified photographer / artist 1934 Page layout from the book "Portugal 1934" (Lisbon, Edited by S.P.N. - Secretariado Nacional de Propaganda, 1934) Page layout P4 Photography (formerly Potássio Quatro) "Portugal 1934". Lisbon, Edited by S.P.N. (Secretariado Nacional de Propaganda), 1934, in-folio max., 40 pp., 44.5x32cm. Official propaganda book for the Estado Novo, the regime inaugurated by Salazar in 1933. Black cover. Fully illustrated with almost 200 photographs. This large format edition was published with three different covers (orange, green and black). The book includes several half-size pages, full double-pages bleeds and fold-outs. Photographs by the most famous photographers of the time: AlvÒo, A. Rasteiro, JoÒo Martins, Diniz Salgado, Ferreira da Cunha, Francisco Santos, Horßcio Novais, J. Benoliel, José Mesquita, Luis Teixeira; Pinheiro Correia, Mßrio de Novais, Octßvio Bobone, Raimundo Vaissier, Ra·l Reis, Salazar Diniz, Serra Ribeiro, V. Rodrigues. |
| 74. |  | Unidentified photographer n.d. Mugshot Chas. Allen Reed and Mugshot Warren Eugene Westerfield Gelatin silver print, mugshot 3 x 5 3/4 in (each series) Steven Kasher Gallery This photograph was included in the exhibition Least Wanted: A Century of American Mugshots at the Steven Kasher Gallery, New York (September 14, 2006 - October 28, 2006). A book of American mugshots was also published Least Wanted: A Century of American Mugshots edited by Steven Kasher and Mark Michaelson, essay by Bob Nickas, texts by Mark Michaelson and Kio Stark (Steidl/Steven Kasher Gallery, 2006, Hardcover, 8.5 x 11 in. / 304 pages / 330 color plates) |
| 75. |  | Helmut Newton 1981 Sie Kommen (Naked and Dressed), Paris [Sie Kommen] Gelatin silver print 14 1/2 x 14 1/2 in Christie's - New York Illustration courtesy: Christie's Images Ltd., 2008 Auction sale (Two prints in the series) pre-sale est.: $140,000-$180,000 price realized: $241,000 CHRISTIE'S, "Photographs From The Collection of Gert Elfering", April 10, 2008, Lot #120 |
| 76. |  | Carol Golemboski 2005 Genealogy [Psychometry] Gelatin silver print, toned 17.5 x 17.5 in Watermark Fine Art Photographs & Books (CLOSED) |
| 77. |  | Helmut Newton 1981 Sie Kommen (Naked and Dressed), Paris [Sie Kommen] Gelatin silver print 14 1/2 x 14 1/2 in Christie's - New York Illustration courtesy: Christie's Images Ltd., 2008 Auction sale (Two prints in the series) pre-sale est.: $140,000-$180,000 price realized: $241,000 CHRISTIE'S, "Photographs From The Collection of Gert Elfering", April 10, 2008, Lot #120 |
| 78. |  | Drew Tal n.d. Faith Point of View Gallery |
| 79. |  | Annu Palakunnathu Matthew 2001-2007 American Indian with War Paint / Indian with War Paint [An Indian from India] Digital collage print, on concorde rag, diptych 12 x 16 in Provided by the artist - Annu Palakunnathu Matthew A diptych showing a 19th century portrait of a Native American on the left accompanied by a contemporary self-portrait of the photographer Annu Palakunnathu Matthew on the right. |
| 80. |  | Karl Baden 2007, 23 February Grid showing the face of Karl Baden taken on 23rd February 1987 - 2007 [Every Day] Digital image Provided by the artist - Karl Baden |
| 81. |  | Frank Rodick 2004 La pucelle (the maid) [Arena] Gelatin silver print, toned (Polyptych) Appro x 72 x 56 in, 182.9 x 142.2 cm Provided by the artist - Frank Rodick © Frank Rodick, 2004 Each print 17 x 13 in, 43.2 x 33 cm. |
| 82. |  | Anton Solomoukha n.d. Untitled [Petit Chaperon Rouge visite le Grand Louvre.] Galerie 208 From the series "Little Red Riding Hood visits the Louvre". Famous actors, singers , poets and personalities from the cultural community play roles within these tableau. |
| 83. |  | Lauren Greenfield 1995-2002 May Day at Girls Preparatory School, Chattanooga, Tennessee [Girl Culture] Cibachrome print (smaller) / silver dye bleach print (larger) 16 x 20 in / 20 x 30 in OMC Gallery for Contemporary Art |
| 84. |  | Ernst Sonntag 1896 Graphic effects caused by x-rays X-ray Source requested [Further information sought] |
| 85. |  | Albert Peignot 1896, July Radiographie de divers modeles de tubes de Crookes et de Geisler Aristotype 23 x 17 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Eo 313b bo¯te folio. Don du liquidateur de l'Association du musée des photographies documentaires, 1907 |
| 86. |  | Luigi Veronesi 1978 Photogram [Fotogramma] Gelatin silver print 30,4 x 40,3 cm Bloomsbury Auctions - Rome Bloomsbury, Rome (Nov 10, 2008, Sale 17, Lot 416) Firma dell'autore e data sul recto. Un'opera simile Þ presente nel catalogo Luigi Veronesi -Lo spazio sensibile, Electa, collana Belvedere, 2007, pag. 80. |
| 87. |  | Bruno Braquehais 1873 Modeles de pendules Tirage sur papier albuminé d'après négatif sur verre au collodion 15 x 20 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Le mat 1a bo¯te 4o. Dépôt légal 1873 |
| 88. |  | Pierre Jahan 1950 (ca) Publicité pour des chaussures Tirage argentique 20.7 x 27.5 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Ep 12 (5) Fol. Don de Pierre Jahan, 1958 |
| 89. |  | Williams Studio 1924 (ca) A Group of Chairs, Haverhill, Massachusetts Silver print 15.9 x 20.6 cm (6 1/4 x 8 1/18 in) American Art Museum, Smithsonian Institution Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment |
| 90. |  | Nickolas Muray 1942 McCall's Style & Beauty Cover: Shoes Color print, assembly (Carbro) process 37.9 x 31.7 cm George Eastman Museum © Nickolas Muray Photo Archives, Courtesy of George Eastman House, Gift of Mrs. Nickolas Muray (71:0034:0005) |
| 91. |  | Unidentified photographer 1954 (ca) Présentation de biscuits Photographie couleur, procédé 301 Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Li 99 (3) pet. Fol.. Dépôt Légal 1954 |
| 92. |  | Unidentified photographer 1930 (ca) Coquillettes, coudes et pâtes en sifflet Photographie couleur, procédé 301 Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Li 99 (2) pet. fol. Dépôt légal 1930 |
| 93. |  | Oliviero Toscani 1996 (ca) Hearts [1996 Benetton campaign] Color print United Colors of Benetton, Benetton Group Spa. Courtesy of United Colors of Benetton (Benetton Group Spa.) |