Hippolyte Bayard, 1840, Self-Portrait as a Drowned Man, Direct positive on paper, Société Française de Photographie, LL/5538

Hill & Adamson, 1843-1848, A medieval group [D.O. Hill on the right], Salted paper print, George Eastman Museum, LL/7429

Hill & Adamson, 1843-1847, William Leighton Leitch, the Drawing Master to Queen Victoria and a Landscape Painter and Watercolorist (1804-1883), Calotype, Charles Schwartz Ltd, LL/9506

Hill & Adamson, 1845 (ca), The Artist and the Gravedigger, Salted paper print, George Eastman Museum, LL/35609

Marcus Sparling, 1855, Zouave 2nd Division, Portrait of Roger Fenton, Salted paper print from a collodion glass negative, Musée d'Orsay, LL/37324

Gabriel Harrison, 1850 (ca), The Infant Saviour Bearing the Cross [The Cost of Democracy], Daguerreotype, full plate, George Eastman Museum, LL/7428

William Lake Price, 1855, Don Quixote in his Study, Print, Victoria and Albert Museum, LL/36315

William Lake Price, 1857 (ca), Robinson Crusoe, Albumen print, Princeton University Art Museum, LL/37351

Lady Clementina Hawarden, 1863-1864 (ca), Isabella Grace and Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17241

Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude and Isabella Grace, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17240

Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude and Florence Elizabeth, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17246

Ludwig Angerer, 1860s, Tableau Vivant - Marie Antoinette in Prison, Albumen print, Bassenge Photography Auctions, LL/25207

Julia Margaret Cameron, 1867, Study No. 2 [the Minstrel Group], Albumen print, George Eastman Museum, LL/6412

Julia Margaret Cameron, 1874, Vivien and Merlin, [Illustrations to Tennyson's Idylls of the King and Other Poems (1859-88)], Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/36330

Julia Margaret Cameron, 1874, The parting of Sir Lancelot and Queen Guinevere, Albumen print, from a collodion glass negative, glued on card, Musée d'Orsay, LL/37318

Julia Margaret Cameron, 1875, So like a shatter'd Column lay the King, [Illustrations to Tennyson's Idylls of the King and other poems - II, Tome 2, folio 12], Albumen print, from collodion glass negative, Musée d'Orsay, LL/37333

Julia Margaret Cameron, 1875, King Cophetua and the beggar Maid, [Illustrations to Tennyson's Idylls of the King and other poems - II, Tome 2, folio 9], Albumen print, from collodion glass negative, Musée d'Orsay, LL/37334

Julia Margaret Cameron, 1875, Tears from the depth of some divine despair, [Illustrations to Tennyson's Idylls of the King and other poems - II, Tome 2, folio 6], Albumen print, from collodion glass negative, Musée d'Orsay, LL/37335

Julia Margaret Cameron, 1874, Sir Galahad and the Pale Nun, [Illustrations to Tennyson's Idylls of the King and other poems - I, Tome I, folio 9], Albumen print, from collodion glass negative, Musée d'Orsay, LL/37336

Julia Margaret Cameron, 1865, La Madonna Esaltata; Fervent in prayer, Albumen print, from wet collodion glass plate negative, Victoria and Albert Museum, LL/37359

Lewis Carroll, 1875, St. George and the Dragon, Harry Ransom Humanities Research Center at the University of Texas at Austin, LL/7874

Lewis Carroll, 1865, Elisabeth "Kate" Terry as "Andromede", Glass negative wet plate collodion, Musée d'Orsay, LL/37342

Lewis Carroll, 1880 (ca), Xie Kitchin as a Tea Merchant [Xie Kitchin en marchand de thé], Aristotype, Musée d'Orsay, LL/37343

Lewis Carroll, 1858, Twiss in "The Country Fair", Albumen print, from a glass negative, Musée d'Orsay, LL/37344

David Wilkie Wynfield, 1860s, Portrait of George Frederick Watts, RA, in fancy dress, Albumen print, from wet collodion glass plate negative, Victoria and Albert Museum, LL/37357

David Wilkie Wynfield, 1860s, Portrait of Frederick Walker, ARA, in fancy dress, Albumen print, from wet collodion glass plate negative, Victoria and Albert Museum, LL/37358

Henry Peach Robinson, 1877, When the Day's Work Is Done, Albumen print, Princeton University Art Museum, LL/7275

Henry Peach Robinson, n.d., Fading Away, Albumen print, combination, National Science and Media Museum, LL/30003

Henry Peach Robinson, 1858, Little Red Riding Hood Arrives at the Door of Her Grandmother's House, Albumen print, Saint Louis Art Museum, LL/37259

Henry Peach Robinson, 1859, Elaine watching the shield of Lancelot, Albumen print, NGV - National Gallery of Victoria, LL/37352

Henry Peach Robinson, 1880 (ca), A Trespass Notice, Photogravure, Archive Farms, LL/38901

Oscar Gustave Rejlander, 1860 (ca), Homeless, Albumen print, George Eastman Museum, LL/37360

Achille Bonnuit, 1870 (ca), Orientalist scene, a guard giving a drink to a prisoner (Tableau orientaliste, garde donnant à boire au prisonnier), Albumen print, from wet plate collodion glass negative, Musée d'Orsay, LL/37346

Achille Bonnuit, 1870 (ca), Orientalist tableau vivant with a man smoking a pipe and a child [Tableau vivant orientaliste, homme fumant la pipe et enfant], Albumen print, from wet plate collodion glass negative, Musée d'Orsay, LL/37338

Achille Bonnuit, 1870 (ca), Tableau vivant in a garden, Albumen print, from wet plate collodion glass negative, Musée d'Orsay, LL/37339

James Elliott, n.d., Crowning of Henry the Seventh on Bosworth Field, [English History Series], Stereocard, detail, Jefferson Stereoptics, LL/15803

Alfred Silvester, n.d., Freemasonry. the Initiate! The Ordeal! The Obligation!, Stereocard, detail, Jefferson Stereoptics, LL/15804

Alfred Silvester, n.d., Look before you Leap! Lodge 9581. No.1 the Initiate!, No.2 The Ordeal!, No.3 The Obligation!!, Stereocard, detail, Jefferson Stereoptics, LL/15805

Keystone View Company, n.d., 642 - "By the Holy St. Patrick ! There‘s Brannigan‘s ghost." (detail), Stereocard, half, Private collection of Kevin Yee, LL/31307

Unidentified photographer / artist, n.d., [Genre view], Stereocard, detail, Jefferson Stereoptics, LL/31418

Keystone View Company, 1900-1910 (ca), #12339 - (b) Pa, Don‘t You Know Your Own Daughter?, Stereocard, detail, Stereoviews: Stereoviews and Fine 19th & 20th Century Antique Photographs, LL/29545

Le Roy's Gem Gallery (Newburgh, N.Y.), 1860s (ca), Three ladies reading a letter, Tintype, carte de visite mount, Christopher Wahren Fine Photographs, LL/30950

Le Roy's Gem Gallery (Newburgh, N.Y.), 1860s (ca), Three ladies reading a letter, Tintype, carte de visite mount, Christopher Wahren Fine Photographs, LL/30951

Atelier Adele, 1869, March, Seated, Treumann, left to right, Countess A. Huniady, Count D. Hardezg, Countess Almad , Baron fo Bourgoing, Countess Bure, Countess Larish, Baron Perura?, [Viennese Charity Play], Cabinet card, Past to Present: Vintage Photo Gallery, LL/30508

Walter Barnes, 1885, The Apotheosis of Degas [Apothéose de Degas], Silver print from a silver gelatine glass negative, pasted on card, Musée d'Orsay, LL/37316

F. Holland Day, 1898, Beauty is truth, truth beauty, that is all Ye know on earth and all ye need to Know, [Die Kunst in der Photographie (p.7)], Halftone, Photoseed, LL/16415

F. Holland Day, 1898, [Crucifixion frontal, with Mary, Mary Magdalene, Joseph and St. John(?)], Platinum print, Library of Congress, Prints and Photographs Division, LL/8468

Unidentified photographer, 1902, Life of Jesus Christ, Gelatin silver print, Israel Museum, Jerusalem, LL/40716

Unidentified photographer, 1902, Life of Jesus Christ, Gelatin silver print, Israel Museum, Jerusalem, LL/40717

Guido Rey, 1908, The Letter, Platinum print, J. Paul Getty Museum, LL/7515

Unidentified photographer, 1910 (ca), [La blague des opérateurs], Gelatin silver print, Un Livre Une Image, LL/15623

Josef Jindrich Sechtl and Ignac Sechtl, 1911, Live statue "music", Glass plate negative, Sechtl & Vosecek Museum of Photography, LL/32839