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| 1. |  | Charles Marville 1852 (ca) La Tour de Bois à Mayence (13th Century) Blanquart-Evrard salt print from waxed paper negative 9 1/4 x 7 1/2 Charles Isaacs Photographs, Inc |
| 2. |  | Charles Marville 1860 (ca) Courtyard with Tables [City Hall, Angouleme, France] Albumen print 10.75 x 14.75 in (28x38 cm) Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (eo101a) Large-format architectural study by Charles Marville, Paris on period mount 17x25 inches ( 44x63 cm) with blindstamp "Ch. Marville Photographe Du Musee Imperial Du Louvre". Additional information provided by Robert Hill [pers. comm. 20 June 2010]. The photographer Charles Marville had a good working relationship with the prominent Paris architect Paul Abadie (1812-1884). Abadie was commissioned to create a new City Hall in Angouleme around the remnants of a 12th C. castle in the centre of the city. He started the project in 1858 and finished it in 1867. When it was finished, he asked Marville to photograph both exteriors and interiors. Comparisons with contemporary photographs confirm the location. |
| 3. |  | Charles Marville 1865 Chateau de St. Germain en Laye Albumen print 37 x 26,4 cm Bassenge Photography Auctions Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4095, Dec 5, 2007) Flush-mounted to original card, photographer's blindstamp below the image as well as titled and dated in pencil in lower right corner on the mount. |
| 4. |  | Charles Marville 1865 (ca) Facade A - City Hall at Angouleme, France Albumen print, from glass plate negative 27 x 37 cm (image) 44 x 63 cm (mount) Private Collection of Robert G. Hill, Toronto, Ont. www.hillcollection.com - Acc: 764 Photographer's blind-stamp on the mount "Ch. Marville/ Photographe /Du Musee Imperial/du Louvre" Additional information provided by Robert Hill [pers. comm. 20 June 2010]. The photographer Charles Marville had a good working relationship with the prominent Paris architect Paul Abadie (1812-1884). Abadie was commissioned to create a new City Hall in Angouleme around the remnants of a 12th C. castle in the centre of the city. He started the project in 1858 and finished it in 1867. When it was finished, he asked Marville to photograph both exteriors and interiors. Comparisons with contemporary photographs confirm the location. |
| 5. |  | Charles Marville 1865-1869 Rue de la Harpe, partie nord Albumen print, from wet collodion negative 12 5/16 x 10 9/16 Charles Isaacs Photographs, Inc |
| 6. |  | Linnaeus Tripe 1855 Amerapoora. Entrance of a Kyoung. In the same enclosure as Kyoung No. 86 Salt print, from waxed paper negative 27,4 x 34,5 cm Bassenge Photography Auctions Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4145, Dec 5, 2007) Signed by the photographer in ink in lower left corner, flush-mounted to original album page (small tear in left edge), printed paper label with title and number below the image on the mount. |
| 7. |  | Linnaeus Tripe 1855, August-November (taken) 1857 (print) Ruined Tazoung, Tsagain Myo (Sagain) Salted paper print from a waxed paper (calotype) negative Victoria and Albert Museum Museum number: 1511-1909 |
| 8. |  | Linnaeus Tripe 1855, August-November (taken) 1857 (print) Near View of the Shwe-Dagon pagoda, Rangoon (Yangon) Salted paper print from waxed paper (calotype) negative Victoria and Albert Museum Museum number: 1596-1909 |
| 9. |  | Linnaeus Tripe 1858, June (ca) Pillars in the central corridor of the Pudu or Vasanta Mantapam, Also known as 'Tirumalai's Chaultri' in the Minakshi Sundareshvara Temple, Madurai Albumen print, from dry collodion negative 230 x 311 mm (9 x 12 in) Bernard J. Shapero Rare Books Courtesy of Bernard J Shapero Rare Books Pasted on original leaf, title in English in manuscript 'Madura - View of the Nave from the Simhasanum at the West end. 13. III. The Pudu Mantapam (the 'New Mandapa') sits outside the main enclosure of the Minakshi Sundareshvara Temple, to the east of the complex. The pillars inside are decorated with scuptures of several Nayaka rulers and ministers as well as Yalis, mythical beasts. The Pudu Mantapam was constructed during the reign of Tirumalai Nayaka. This is plate 3 from Photographic Views of Madura, Part II. |
| 10. |  | Linnaeus Tripe 1859 Western side of the Great Central Tower of the Great Pagoda at Madura Albumen print 280 x 380 mm. Bonhams - London Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 326 - 26 Oct 2007) |
| 11. |  | Thomas Annan 1868 1 High Street from the Cross [The Old Closes & Streets of Glasgow (1900 edition)] Photogravure 23.2 x 18.0 cm Photoseed Photograph courtesy PhotoSeed.com This plate was included in: The Old Closes & Streets of Glasgow. Engraved by Annan from photographs taken for the City of Glasgow Improvement Trust. With an introduction by William Young. It was published in 1900 from an edition of 100 by the Glasgow firm of James MacLehose & Sons. |
| 12. |  | Thomas Annan 1868 14 Bell Street from High Street [The Old Closes & Streets of Glasgow (1900 edition)] Photogravure 18.5 x 23.6 cm Photoseed Photograph courtesy PhotoSeed.com This plate was included in: The Old Closes & Streets of Glasgow. Engraved by Annan from photographs taken for the City of Glasgow Improvement Trust. With an introduction by William Young. It was published in 1900 from an edition of 100 by the Glasgow firm of James MacLehose & Sons. |
| 13. |  | Thomas Annan 1868 16 Old buildings in High Street, Nos. 17-27 [The Old Closes & Streets of Glasgow (1900 edition)] Photogravure 18.6 x 23.8 cm Photoseed Photograph courtesy PhotoSeed.com This plate was included in: The Old Closes & Streets of Glasgow. Engraved by Annan from photographs taken for the City of Glasgow Improvement Trust. With an introduction by William Young. It was published in 1900 from an edition of 100 by the Glasgow firm of James MacLehose & Sons. |
| 14. |  | Thomas Annan 1868 36 Main Street, Gorbals, Looking South [The Old Closes & Streets of Glasgow (1900 edition)] Photogravure 18.4 x 23.7 cm Photoseed Photograph courtesy PhotoSeed.com This plate was included in: The Old Closes & Streets of Glasgow. Engraved by Annan from photographs taken for the City of Glasgow Improvement Trust. With an introduction by William Young. It was published in 1900 from an edition of 100 by the Glasgow firm of James MacLehose & Sons. |
| 15. |  | Thomas Annan 1868 25 Close No. 28 Saltmarket [The Old Closes & Streets of Glasgow (1900 edition)] Photogravure 22.6 x 18.4 cm Photoseed Photograph courtesy PhotoSeed.com This plate was included in: The Old Closes & Streets of Glasgow. Engraved by Annan from photographs taken for the City of Glasgow Improvement Trust. With an introduction by William Young. It was published in 1900 from an edition of 100 by the Glasgow firm of James MacLehose & Sons. |
| 16. |  | Juan Laurent 1867 (ca) Logrono. Tudela to Bilbao. Exterior of the Logrono Railway Station Albumen paper 254 x 340 mm Biblioteca Nacional de Espańa Sig. 17-003-008 |
| 17. |  | Juan Laurent 1870 (ca) The Royal Palace, Madrid Albumen print 9.25 x 13.5 in (24x34 cm) Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (ia207l34b) Titled in the negative "Madrid - 34bis - El Palacio real por la plaza de Oriente. J. Laurent y Cia. Madrid…" On period album page. |
| 18. |  | Juan Laurent 1875 (ca) Salamanca 1861 Albumen print 13 1/4 x 9 3/4 Charles Nes Photography LLC New York - Paris |
| 19. |  | Juan Laurent 1875 (ca) Burgos - La plaza Mayor Albumen print, from glass plate negative 25 x 33 cm (image) 36 x 51 cm (mount) Private Collection of Robert G. Hill, Toronto, Ont. www.hillcollection.com - Acc: 870 Titled in the negative "Burgos_1560_La Plaza Mayor - J. Laurent y Cia Madrid" Literature: reproduced in Lee Fontanella, La Historia de la Fotografia en Espana desde sus origenes hasta 1900, 1981 |
| 20. |  | Juan Laurent 1877 (ca) Granada. 2182 Catedral. Vista general esterior de la Capilla Real, parte superior. Albumen print 13 x 9 7/8 in / 333 x 250 mm (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (sp10-04) |
| 21. |  | Alinari 1854 (ca) Orvieto Cathedral, frontal view Salt print 43.5 x 31.5 cm Bassenge Photography Auctions Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4003) With photographer's blindstamp Fratelli Alinari, Fotografi Firenze, Presso Luigi Bardo below the image on the mount. |
| 22. |  | Alinari 1870 (ca) Firenze. Palazzo Pitti dal giardino di Boboli (15202) Albumen print 57.7 x 41.7 Private collection of Marco C. Antonetto |
| 23. |  | Alinari 1880 (ca) Firenze: Palazio Vecchio, interior Albumen print 7.5 x 10 in Past to Present: Vintage Photo Gallery Vintage Alinari Studio Photo, n¦1951 |
| 24. |  | Alinari 1880s The Old Market, Florence Albumen print British Library |
| 25. |  | Alinari 1855 (ca) Leaning Tower, Pisa Albumen print, from wet collodion glass plate negative 34 x 25.5 cm (image) 58 x 34 cm (mount) Private Collection of Robert G. Hill, Toronto, Ont. www.hillcollection.com - Acc: 078 With the photographer's oval blind stamp on the mount "FRATELLI ALINARI/FIRENZE" and numbered in the negative "86". Titled in ink on the mount "Campanile or 'Leaning Tower'/Pisa" |
| 26. |  | Henry Dixon 1879 London - Old Houses in Aldersgate Street [The Society for photographing relics of old London (No. 31)] Carbon print 7 x 9 in (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (gb21-02) |
| 27. |  | Henry Dixon 1883 London - Old House, Palace Yard, Lambeth [The Society for photographing relics of old London (No. 76)] Carbon print 9 x 7 1/8 in (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (gb22-02) |
| 28. |  | Henry Dixon 1885 London - Inner Temple - Churchyard Court [The Society for photographing relics of old London (No. 98)] Carbon print 7 x 9 in (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (gb19-02) |
| 29. |  | Henry Dixon 1885 London - Middle Temple - Hall [The Society for photographing relics of old London (No. 102)] Carbon print 9 x 7 in (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (gb18-02) |
| 30. |  | Henry Dixon 1886 London - Queen Anne's Gate [The Society for photographing relics of old London (No.114)] Carbon print 9 x 7 in (ca) Eastern Window (Jan van der Wal) Courtesy of Jan van der Wal (gb16-02) |
| 31. |  | Eugène Atget 1898 (ca) Hôtel de Châlons de Luxembourg, Nr. 3528 Albumen print 8 3/4 x 7 Charles Nes Photography LLC New York - Paris |
| 32. |  | Eugène Atget 1898 (ca) St. Julien Le Pauvre, Nr. 3537 Albumen print 7 7/8 x 6 5/8 Charles Nes Photography LLC New York - Paris |
| 33. |  | Eugène Atget 1900 (ca) Hotel d'Argenson, rue de Grenelle 101. No 5469 Albumen print 8 3/8 x 6 7/8 in Lee Gallery Courtesy of Lee Gallery (U1171) |
| 34. |  | Eugène Atget 1902 Pontoise, Eglise Saint-Maclou Printing out paper print 6 1/2 x 8 1/2 in (16.5 x 21.5 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, May 22, 2007, #2115, Lot 245) With Atget's hand stamp, his handwritten title and inventory number, and penciled notations "MOMA Dupe, 2002" in an unidentified hand on verso. This print was originally in the collection of the Museum of Modern Art, New York. |
| 35. |  | Eugène Atget 1925, 8 June A Corner of the boulevard de la Madeleine Albumen silver print J. Paul Getty Museum © J. Paul Getty Trust [2002.37.2] |
| 36. |  | Frances Benjamin Johnston 1926-1944 Sturges-Roberts House, 27 Abercorn Street, Savannah, Chatham County, Georgia Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-00637 (digital file from original negative) Published in: Nichols, Frederick Doveton, The Early Architecture of Georgia (Chapel Hill: Univ. of North Carolina Press, 1957) |
| 37. |  | Frances Benjamin Johnston 1935 Little England, Bena vic., Gloucester County, Virginia Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-04794 (digital file from original negative) |
| 38. |  | Frances Benjamin Johnston 1936-1937 Long Lane Farm, Hermanville vic., St. Mary's County, Maryland Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-01968 (digital file from original negative) |
| 39. |  | Frances Benjamin Johnston 1935 Sweet Hall, Sweet Hall, King William County, Virginia Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-04992 (digital file from original negative) |
| 40. |  | Frances Benjamin Johnston 1938 Mt. Airy, St. John the Baptist Parish, Louisiana Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-01500 (digital file from original negative) |
| 41. |  | Berenice Abbott 1930-1939 (ca) Cityscape, New York Gelatin silver print 7 5/8 x 9 5/8 in J. Paul Getty Museum The J. Paul Getty Trust (84.XM.222.3) |
| 42. |  | Berenice Abbott 1936 Brooklyn Facade: Columbia Heights, Brooklyn, NY, [Changing New York] Gelatin silver print 7 1/2 x 9 1/2 in (19.1 x 24.1 cm) Phillips de Pury - New York Phillips de Pury & Company, NY (Photographs, Oct 17, 2007, #31) Signed, titled, dated in pencil and '50 commerce st.' credit stamp on the verso. Yochelson, Berenice Abbott: Changing New York, pl. 18 |
| 43. |  | Berenice Abbott 1936, 16 July Canyon, Broadway and Exchange Place, Manhattan, New York Gelatin silver print 9.9 x 7.9 Galerie Zur Stockeregg |
| 44. |  | Berenice Abbott 1936 (ca) Starrett Lehigh Bldg, 601 West 26th St. Manhattan, New York Gelatin silver print 7 3/4 x 9 3/4 in Lee Gallery Courtesy of Lee Gallery (M396) |
| 45. |  | Berenice Abbott 1936 Fifth Avenue, Nos. 4, 6, 8 Gelatin silver print 19.2 x 24.4 cm (7 9/16 x 9 5/8 in) Metropolitan Museum of Art Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.384) © Berenice Abbott / Commerce Graphics Inc., Ltd. |
| 46. |  | August Sander 1930s St. Gereon, St. Andreas and Cathedral Gelatin silver print, mounted on cardboard 22.6 x 16.9 cm Galerie Priska Pasquer © Stadt Köln; Rheinisches Bildarchiv, © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 47. |  | August Sander 1935-1937 University building Gelatin silver print, mounted on cardboard 16.7 x 23.2 cm / 16.9 x 23.4 cm Galerie Priska Pasquer © Stadt Köln; Rheinisches Bildarchiv, © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 48. |  | August Sander 1936 (ca) Allianz (yard view) Gelatin silver print, photocollage 16.7 x 22.8 cm Galerie Priska Pasquer © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 49. |  | August Sander 1936 (ca) Allianz Gelatin silver print 16.2 x 21.9 cm Galerie Priska Pasquer © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 50. |  | August Sander 1930-1934 (ca) St. Kolumba and Dischhouse Gelatin silver print, mounted on cardboard 22.2 x 16.4 cm / 22.4 x 16.7 cm Galerie Priska Pasquer © Stadt Köln; Rheinisches Bildarchiv, © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 51. |  | Bernd & Hilla Becher 1967-1980 Water Towers Gelatin silver print Fraenkel Gallery |
| 52. |  | Bernd & Hilla Becher 1971 Hochöfen (Blast Furnaces) Collotype 45 x 32 cm Bassenge Photography Auctions (88 / 4119) |
| 53. |  | Bernd & Hilla Becher 1960s (taken, later print) Water tower Gelatin silver print 27 x 20.7 cm Bassenge Photography Auctions Auction (17 June 2009, Sale 93, Lot 4310) Signed and numbered 12/50 by the photographers in ink in lower margin. With copyright/studio stamp Copyright by Bernd und Hilla Becher, 4 Dusseldorf/Wittl'r, Am Muhlenkamp 16 on the verso. Bernd and Hilla Becher. Water Towers. Cambridge 1988. |
| 54. |  | Bernd & Hilla Becher 1969 (taken, later print) Cooling Tower, Hagen-Haspe, Germany Gelatin silver print 15 7/8 x 13 in (40.3 x 33 cm) Phillips de Pury - New York Courtesy of Phillips De Pury - NY (31 Jan 2008, Lot 232) Signed and numbered 31/60 in pencil in the margin. |
| 55. |  | Bernd & Hilla Becher 1983 Blast Furnace: Lubeck-Herrenwyk Gelatin silver print 23 x 19 1/2 in (58.4 x 49.5 cm). Phillips de Pury - New York Phillips de Pury & Company, NY (Photographs, Oct 17, 2007, #134) Signed, titled and dated in pencil on the verso. One from an edition of 5. |
| 56. |  | Lewis Baltz 1974 Construction detail, East Wall, Xerox, 1821 Dyer Road, Santa Ana [New Industrial Parks] Gelatin silver print 15.1 x 22.8 cm George Eastman Museum © Lewis Baltz |
| 57. |  | Lewis Baltz 1974 Southwest Wall, Ware, Marlcolm, and Garner, 16722 Hale, Irvine [New Industrial Parks] Gelatin silver print 5 3/4 x 9 Barry Singer Gallery |
| 58. |  | Lewis Baltz 1974 West Wall, Tolo, 2401 South Pullman, Santa Ana Gelatin silver print 10 x 8 Silverstein Photography |
| 59. |  | Lewis Baltz 1974 West Wall, the Ted Pella Company, Space W 109, The Esplande V, 3001 Redhill, Costa Mesa [New Industrial Parks] Gelatin silver print 6 x 9 Barry Singer Gallery |
| 60. |  | Lewis Baltz 1974 West Wall, Unoccupied Industrial Structure, 20 Airway Drive, Costa Mesa LACMA: Los Angeles County Museum of Art © Lewis Baltz; Courtesy Los Angeles County Museum of Art Photo Synthesis Colin Westerbeck This picture by Lewis Baltz is just one example of the hidden treasures in the Photography Department collection at the Los Angeles County Museum of Art. Baltz is a seminal figure in the recent history of photography, not just in California but in general. He was one of several photographers working in the West who were included in a 1975 exhibition titled "New Topographics." This term stuck because the icy objectivity it suggested was the essential quality that the photographs shared. Almost all cast a cold eye on a landscape being transformed by human incursion. Baltz's photographs are minimal in every way. They adapt, eerily, the aesthetic of Minimalism then being created by painters and sculptors. But they also confront, as if in silent protest, the minimal modern architecture of tract housing and industrial parks. Their mix of cool scrutiny and irrepressible complaint is intended to disconcert. It affected viewers that way 30 years ago, and it continues to do so today when such feelings are more common partly because of Baltz's own images. I said treasures like this are hidden at LACMA because the Photography Department has had scant opportunity to show its permanent collection. Since 2001, just one exhibition has been organized as a showcase for the museum's holdings in photography, which the department has been able to exhibit on a regular basis in only a short corridor. Perhaps the museum expansion now underway will make new space possible. Since the department was founded more than 20 years ago, with an acquisition policy focused primarily on work done after 1940, a collection of more than 8,000 photographs has been assembled. Certainly the public could benefit from more frequent access to this accumulated wealth of art. [Originally published in West Magazine : May 7, 2006, p.15] |
| 61. |  | Julius Shulman n.d. Case Study House #22 Gelatin silver print h: 16 x w: 20 in / h: 40.6 x w: 50.8 cm Craig Krull Gallery |
| 62. |  | Julius Shulman 1947 Von Sternberg Residence, Northridge Source requested © J. Paul Getty Trust; Courtesy Charles E. Young Research Library Photo Synthesis Colin Westerbeck "The Other Hollywood: Modernist Architecture and the Los Angeles Film Community" will be at UCLA's Charles E. Young Research Library through Oct. 15. (2006) It's the photograph that's 1947; the house had been designed by Richard Neutra 12 years earlier and built for film director Josef von Sternberg. We can see from this perspective why the house looked like an aircraft carrier to Army Air Corps pilots who flew over it on mock bombing runs during the war. This was part of the reason Von Sternberg had sold it by the time architect Neutra's official photographer made this picture. That's Neutra seated on the left, and standing on the far right was the new owner, writer Ayn Rand. (Their relative positions reflect their politics a private joke Shulman must have enjoyed.) "I don't know where Miss Rand got her political ideas," Neutra would tell people later, "but she used me as the model for Howard Roark's sex appeal." Roark, an architect, is the central character in Rand's bestseller "The Fountainhead," which the author was adapting to the screen. But it wasn't Neutra on whom she supposedly based her hero; it was Neutra's mentor, Frank Lloyd Wright. [Originally published in West Magazine : August 20, 2006 p.11] |
| 63. |  | Julius Shulman 1958 (taken) 2008 (print) C. Buff / C. Straub / D. Hensman, Case Study House #20, Altadena, California Lightjet print on Fujichrome paper 29 3/4 x 24 in (75.6 x 61 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction May 20, 2010, Sale 2215 Lot 369) With Shulman's signature and date, in ink, on recto. |
| 64. |  | Julius Shulman 1961 (taken) 1990s (print) John Lautner, Malin Residence ('Chemosphere' House), Los Angeles, California Silver print 23 3/4 x 29 3/4 in (60.3 x 75.6 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction May 20, 2010, Sale 2215 Lot 368) Flush mounted to acrylic, with Shulman's signature and date, in silver ink, on recto. |
| 65. |  | Julius Shulman 1960 (ca) Miramar Chapel, Miramar Naval Air Station, San Diego (designed by Richard Neutra) Silver print 11 x 8 3/4 in (27.9 x 22.2 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Feb 7, 2008, #2135, Lot 86) Flush-monted, with Shulman's hand stamp and notations on mount verso. |
| 66. |  | Christian Patterson 2003, July Memphis, TN, July 2003 (Bill's Twilight) [Sound Affects] C-print 24 x 36 in Provided by the artist - Christian Patterson © Christian Patterson The edition includes 24 x 36-inch c-prints, in an edition of 10 with two artist proofs; AND 50 x 60-inch c-prints, in an edition of 5 with one artist proof. |
| 67. |  | Christian Patterson 2003, July Memphis, TN, July 2003 (Graffiti clouds) [Sound Affects] C-print 24 x 36 in Provided by the artist - Christian Patterson © Christian Patterson The edition includes 24 x 36-inch c-prints, in an edition of 10 with two artist proofs; AND 50 x 60-inch c-prints, in an edition of 5 with one artist proof. |
| 68. |  | Christian Patterson 2003, July Memphis, TN, July 2003 (Skateland) [Sound Affects] C-print 24 x 36 in Provided by the artist - Christian Patterson © Christian Patterson The edition includes 24 x 36-inch c-prints, in an edition of 10 with two artist proofs; AND 50 x 60-inch c-prints, in an edition of 5 with one artist proof. |
| 69. |  | Christian Patterson 2005, February Memphis, TN, February 2005 (Cloud wall) [Sound Affects] C-print 24 x 36 in Provided by the artist - Christian Patterson © Christian Patterson The edition includes 24 x 36-inch c-prints, in an edition of 10 with two artist proofs; AND 50 x 60-inch c-prints, in an edition of 5 with one artist proof. |
| 70. |  | Christian Patterson 2005, March Memphis, TN, March 2005 (Budget Liquor) [Sound Affects] C-print 24 x 36 in Provided by the artist - Christian Patterson © Christian Patterson The edition includes 24 x 36-inch c-prints, in an edition of 10 with two artist proofs; AND 50 x 60-inch c-prints, in an edition of 5 with one artist proof. |