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Photo outlets
Victoria and Albert Museum
 
V&A South Kensington, Cromwell Road
London, England SW7 2RL
UK

www.vam.ac.uk
vanda@vam.ac.uk
Tel: +44 (0) 20 7942 2000

 
Some random images from this collection.
 
Lightbox > Examples
   
William Carrick, 1860s (ca), Six views (portraits) of a man, possibly William Carrick, Carte de visite, Victoria and Albert Museum, LL/109184
Image: LL/109184
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), House, 25 Rue St Laurent, Beauvais, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90176
Image: LL/90176
Lots of additional options for subscribers.
R.P. Napper, 1862, General View of the city [Granada], Albumen print, Victoria and Albert Museum, LL/106048
Image: LL/106048
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120128
Image: LL/120128
Lots of additional options for subscribers.
Paul Martin, 1895, Wimbledon Common, Platinum print, Victoria and Albert Museum, LL/40811
Image: LL/40811
Lots of additional options for subscribers.
Julia Margaret Cameron, 1875 (ca, taken), So like a shatter'd Column lay the King, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/76902
Image: LL/76902
Lots of additional options for subscribers.
Alexander Keighley, 1946, Gorge de Cian, Carbon print, Victoria and Albert Museum, LL/125493
Image: LL/125493
Lots of additional options for subscribers.
John Nicolas Laverty, 1854 (taken), Sketches made during the Campaign of 1854-55 in the Crimea, Circassia and Constantinople, Albumen print, Victoria and Albert Museum, LL/92778
Image: LL/92778
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, View of the Mosque at Mecca: the prayer around the Ka'ba, Albumen print, Victoria and Albert Museum, LL/46206
Image: LL/46206
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Bredicot Church, Worcestershire, Unwaxed paper negative, Victoria and Albert Museum, LL/49712
Image: LL/49712
Lots of additional options for subscribers.
Howard Grey, 1981 (created), Untitled [Photograph of a seated woman holding hazel twigs], Salted paper print, from film negative 1981, Victoria and Albert Museum, LL/104648
Image: LL/104648
Lots of additional options for subscribers.
Gustave Le Gray, 1856 (made), The Tugboat, Albumen print, from collodion-on-glass negative, Victoria and Albert Museum, LL/40961
Image: LL/40961
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doors, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90164
Image: LL/90164
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120124
Image: LL/120124
Lots of additional options for subscribers.
Fred Zinnemann, 1932, Grand Central Station, Gelatin silver print, Victoria and Albert Museum, LL/45022
Image: LL/45022
Lots of additional options for subscribers.
Gustave Le Gray, 1856 (made), The Sun at its Zenith - Ocean, Albumen print, from a collodion-on-glass negative, Victoria and Albert Museum, LL/40952
Image: LL/40952
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel du Chateaubriand, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90169
Image: LL/90169
Lots of additional options for subscribers.
Felice Beato, 1868, Views of Japan; Japanese shop, Albumen print, hand-tinted, Victoria and Albert Museum, LL/36251
Image: LL/36251
Lots of additional options for subscribers.
Bedford Lemere & Co., 1872 (ca), Album No. 1, Photographs taken from Specimens in Royal Architectural Museum [Ludlow and other Churches. Poppy-heads], Albumen print, Victoria and Albert Museum, LL/119359
Image: LL/119359
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Modelled decoration, Hôtel Gouthière, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90149
Image: LL/90149
Lots of additional options for subscribers.
Gustave Le Gray, n.d., Vue de Mer, Le Brick, Albumen print, Victoria and Albert Museum, LL/40963
Image: LL/40963
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), Near View of the Shwe-Dagon pagoda, Rangoon (Yangon), Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36245
Image: LL/36245
Lots of additional options for subscribers.
Gustave Le Gray, 1856 (made), Solar Effect in the Clouds - Ocean; Vue de Mer, le Soleil, Albumen print, from collodion on glass negative, Victoria and Albert Museum, LL/40955
Image: LL/40955
Lots of additional options for subscribers.
Alexander Keighley, 1941, Service Time, Carbon print, Victoria and Albert Museum, LL/125446
Image: LL/125446
Lots of additional options for subscribers.
Roger Fenton, 1854 (taken), The Wharfe, Salted paper print, from collodion on glass negative, Victoria and Albert Museum, LL/116655
Image: LL/116655
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Sign of a Shop, rue Monmartre, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90196
Image: LL/90196
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120397
Image: LL/120397
Lots of additional options for subscribers.
Edouard Riou (1833-1900), 1869, Inauguration du Canal de Suez [Cérémonie Religieuse Sur La Plage De Port Said], Lithograph, hand-coloured, Victoria and Albert Museum, LL/88248
Image: LL/88248
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude and Florence Elizabeth, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17246
Image: LL/17246
Lots of additional options for subscribers.
Alexander Keighley, 1936, The Shepherdess, Carbon print, Victoria and Albert Museum, LL/125420
Image: LL/125420
Lots of additional options for subscribers.
Julia Margaret Cameron, 1866, Beatrice, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47119
Image: LL/47119
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Interior view, St Gervais, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90138
Image: LL/90138
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90171
Image: LL/90171
Lots of additional options for subscribers.
Paul Martin, 1895, Boat pier encrusted with ice, Platinum print, Victoria and Albert Museum, LL/40810
Image: LL/40810
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), West Entrance to the Shwe-San-dau pagoda, Prome; West entrance to the Shwesandaw, Pyay, Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36246
Image: LL/36246
Lots of additional options for subscribers.
Alexander Keighley, 1924, Past and Present, Carbon print, Victoria and Albert Museum, LL/125444
Image: LL/125444
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s, St. Paul's Cath'l. Choir Aisle, Albumen print, whole-plate , from wet collodion glass negative, Victoria and Albert Museum, LL/115250
Image: LL/115250
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861 (ca), Clementina Maude and Cornwallis Hawarden, Dundrum; Photographic Study, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/66250
Image: LL/66250
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90186
Image: LL/90186
Lots of additional options for subscribers.
Julia Margaret Cameron, 1868, Spear or spare, Báshá Félíka, Albumen print, Victoria and Albert Museum, LL/47108
Image: LL/47108
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Painting of Spring, c. A.D. 250(?), or 523(?), in a Cubiculum, Albumen print, Victoria and Albert Museum, LL/97808
Image: LL/97808
Lots of additional options for subscribers.
R.P. Napper, 1862, Distant view of the city [Granada], Albumen print, Victoria and Albert Museum, LL/106049
Image: LL/106049
Lots of additional options for subscribers.
Julia Margaret Cameron, 1873, May, Three King's Daughters Fair, Albumen print, Victoria and Albert Museum, LL/102879
Image: LL/102879
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1857 (taken), Drat the East Wind, Albumen print, mounted onto cream card, Victoria and Albert Museum, LL/91436
Image: LL/91436
Lots of additional options for subscribers.
Julia Margaret Cameron, 1867 (taken, later print), Call, I follow, I follow, let me die, Carbon print, from copy negative, Victoria and Albert Museum, LL/47124
Image: LL/47124
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-1854 (taken), Hedgerow Trees, Clerkenleap, Worcestershire, Albumen print, from calotype negative, Victoria and Albert Museum, LL/36241
Image: LL/36241
Lots of additional options for subscribers.
Charles Thurston Thompson, 1853, Venetian Mirror c. 1700 from the Collection of John Webb, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/36307
Image: LL/36307
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Doorway at the Entrance, c. A.D. 100, Albumen print, Victoria and Albert Museum, LL/97795
Image: LL/97795
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17242
Image: LL/17242
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Flying Buttresses, St Severin, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90136
Image: LL/90136
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Fruit and flowers, Albumen print, Victoria and Albert Museum, LL/116672
Image: LL/116672
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1876 (ca), Brussel's Bobbin Lace, Albumen print, Victoria and Albert Museum, LL/120112
Image: LL/120112
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1857 (ca, taken), Artist's Study: Nude Female, Glass negative, Victoria and Albert Museum, LL/91430
Image: LL/91430
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Henry Taylor, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47116
Image: LL/47116
Lots of additional options for subscribers.
Nermine Hammam, 2011, The Break, [Upekha], Inkjet print, Victoria and Albert Museum, LL/57798
Image: LL/57798
Lots of additional options for subscribers.
Kate E. Gough, 1858 (ca), Cut-out portraits of two women, Mixed media collage - albumen prints and watercolour, Victoria and Albert Museum, LL/36282
Image: LL/36282
Lots of additional options for subscribers.
Unidentified photographer, 1850s (ca), Bullock cart, Photographic print, Victoria and Albert Museum, LL/36281
Image: LL/36281
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1857 (ca), Cast of the head of Michelangelo's David in the Accademia di Belle Arte, Florence, Albumen print, Victoria and Albert Museum, LL/120119
Image: LL/120119
Lots of additional options for subscribers.
Anna Atkins, 1854 (ca), Taraxacum Officinale [Dandelion], [Cyanotypes of British and Foreign Flowering Plants and Ferns], Cyanotype, Victoria and Albert Museum, LL/39619
Image: LL/39619
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Still life with fruits, vegetables, flowers and a vase, Albumen print, Victoria and Albert Museum, LL/116687
Image: LL/116687
Lots of additional options for subscribers.
Paul Martin, 1892 (taken), On Yarmouth Sands, Platinum print / Platinotype, Victoria and Albert Museum, LL/44621
Image: LL/44621
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120408
Image: LL/120408
Lots of additional options for subscribers.
John Henry Parker, 1867-1870, Arch of Constantine - Details, A.D. 320., Albumen print, Victoria and Albert Museum, LL/97859
Image: LL/97859
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1850 (ca), Portrait of Mark Anthony, photographer, Albumen print, from paper negative, Victoria and Albert Museum, LL/49710
Image: LL/49710
Lots of additional options for subscribers.
Baron Adolph de Meyer, 1908 (ca), Ballet Dancer Tamara Karsavina (1885-1978), Autochrome, Victoria and Albert Museum, LL/127361
Image: LL/127361
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Shop Front, rue St Louis, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90206
Image: LL/90206
Lots of additional options for subscribers.
Alexander Keighley, 1932, Stokesay Castle, Carbon print, Victoria and Albert Museum, LL/125486
Image: LL/125486
Lots of additional options for subscribers.
Roger Fenton, 1858 (ca, taken), Lichfield Cathedral, West Porch, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/116641
Image: LL/116641
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Church of SS Gervais et Protais, Miserere Seat (Pig), XVI Century', Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90161
Image: LL/90161
Lots of additional options for subscribers.
Rosalind Maingot, 1937, Sun Sisters, Silver bromide print, Victoria and Albert Museum, LL/128123
Image: LL/128123
Lots of additional options for subscribers.
Alexander Keighley, 1942, The Gipsy Camp, Carbon print, Victoria and Albert Museum, LL/125479
Image: LL/125479
Lots of additional options for subscribers.
Alexander Keighley, 1931, The Wuthering Heights of Emily Bronte's Novel, Carbon print, Victoria and Albert Museum, LL/125489
Image: LL/125489
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Fragment of a Sarcophagus with Bas-relief, c. A.D. 200, Albumen print, Victoria and Albert Museum, LL/97791
Image: LL/97791
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90145
Image: LL/90145
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Fruit, Albumen print, Victoria and Albert Museum, LL/116667
Image: LL/116667
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction of the Wall of the Latins (?) on the Aventine, B.C. 683., Albumen print, Victoria and Albert Museum, LL/97849
Image: LL/97849
Lots of additional options for subscribers.
Robert Howlett, 1855 (ca), Valley of the Mole, Surrey, Albumen print, from collodion negative, Victoria and Albert Museum, LL/36327
Image: LL/36327
Lots of additional options for subscribers.
Roger Fenton, 1859 (ca, taken), Oxford College, Albumen print, Victoria and Albert Museum, LL/116643
Image: LL/116643
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Rue de Regard, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90144
Image: LL/90144
Lots of additional options for subscribers.
John Dillwyn Llewelyn, 1853 (ca), Sea trout, Sewin, Salted paper print from glass negative, Victoria and Albert Museum, LL/36280
Image: LL/36280
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Grille of a shop window, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90205
Image: LL/90205
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861-1862 (ca, taken), Isabella Grace Maude and Clementina Maude, 5 Princes Gardens, Photograph, stereo, Victoria and Albert Museum, LL/91440
Image: LL/91440
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861, Untitled, Photograph, Victoria and Albert Museum, LL/91444
Image: LL/91444
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, 18 Ave Montaigne, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90189
Image: LL/90189
Lots of additional options for subscribers.
Alexander Keighley, 1929, Road to Baalbec, Carbon print, Victoria and Albert Museum, LL/125462
Image: LL/125462
Lots of additional options for subscribers.
Paul Martin, 1895 (ca), 'Hackenschmidt', The Russian Champion Wrestler, Platinum print, Victoria and Albert Museum, LL/130120
Image: LL/130120
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Opus Reticulatum in the Muro Torto, Albumen print, Victoria and Albert Museum, LL/97852
Image: LL/97852
Lots of additional options for subscribers.
Anna Atkins, 1852-1854, Papaver Orientale [Poppy], [Cyanotypes of British and Foreign Flowering Plants and Ferns], Cyanotype, Victoria and Albert Museum, LL/39618
Image: LL/39618
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Minerva, Albumen print, Victoria and Albert Museum, LL/116665
Image: LL/116665
Lots of additional options for subscribers.
Julia Margaret Cameron, 1867, Study after the Elgin Marbles (second version), Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47123
Image: LL/47123
Lots of additional options for subscribers.
Alexander Keighley, 1904, A Spring Idyll, Carbon print, Victoria and Albert Museum, LL/125433
Image: LL/125433
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Richmond from the Bridge (Looking Down), [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84350
Image: LL/84350
Lots of additional options for subscribers.
Francis Bedford, 1855, The Baptistery, Canterbury Cathedral, Albumen print, from a collodion glass negative, Victoria and Albert Museum, LL/6780
Image: LL/6780
Lots of additional options for subscribers.
Walker Evans, 1935, Polychrome mask, Ivory Coast, Gelatin silver print, Victoria and Albert Museum, LL/52695
Image: LL/52695
Lots of additional options for subscribers.
James Craddock, 1860s (taken), Gateway leading to Gulabi Bagh, Lahore, Albumen print, Victoria and Albert Museum, LL/96086
Image: LL/96086
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1860 (ca), Turkish Bath Scene, Ambrotype, Victoria and Albert Museum, LL/90537
Image: LL/90537
Lots of additional options for subscribers.
Hector Horeau (1801-1872, artist) Sigismond Himely (1801-1872, engraver), 1841 (published), Abu Simbel [Temple D'Ibsambou], Acquatint, Victoria and Albert Museum, LL/73173
Image: LL/73173
Lots of additional options for subscribers.
Gustave Le Gray, 1852, Bas-Breau, Forest of Fontainebleau, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/36319
Image: LL/36319
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90148
Image: LL/90148
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s (taken), Curious formations in the Spiti River-bed, Albumen print, Victoria and Albert Museum, LL/114222
Image: LL/114222
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Brickwork at the Original Entrance, c. A.D. 100, Albumen print, Victoria and Albert Museum, LL/97798
Image: LL/97798
Lots of additional options for subscribers.
John Henry Parker, 1864-1868, Mosaic Pavement, or Opus Alexandrinum, c. A.D. 1220, in the Church of S. Maria in Cosmedin, Albumen print, Victoria and Albert Museum, LL/97847
Image: LL/97847
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Detail of door ornament, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90143
Image: LL/90143
Lots of additional options for subscribers.
Unidentified photographer / artist, 1880-1900 (ca), Skull, Photogravure, Victoria and Albert Museum, LL/36279
Image: LL/36279
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864 (ca), Iolande and Floss, Albumen print, Victoria and Albert Museum, LL/63437
Image: LL/63437
Lots of additional options for subscribers.
Samuel Bourne, 1866 (ca), View of the Zojji-La-Pass, Albumen print, Victoria and Albert Museum, LL/36283
Image: LL/36283
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Flying Buttresses, St Severin, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90204
Image: LL/90204
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1862-1863 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17258
Image: LL/17258
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Rue du Cherche-Midi, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90177
Image: LL/90177
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doors, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90163
Image: LL/90163
Lots of additional options for subscribers.
Charles Thurston Thompson, 1858, Exhibition of the Photographic Society of London and the Société Française de photographie at the South Kensington Museum - Fenton's 'Head of Homer' situated in the 1858 Exhibition (close-up), Albumen print, detail, Victoria and Albert Museum, LL/33793
Image: LL/33793
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacombs - Inscriptions in the Jews' Catacomb, with Emblems, in the Vigna Randanini., Albumen print, Victoria and Albert Museum, LL/97792
Image: LL/97792
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified man, Panotype, Victoria and Albert Museum, LL/75048
Image: LL/75048
Lots of additional options for subscribers.
Julia Margaret Cameron, 1865, August, The Shadow of the Cross, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/62721
Image: LL/62721
Lots of additional options for subscribers.
Calvert Richard Jones, 1844-1846, View of an Unidentified Harbour, Calotype, Victoria and Albert Museum, LL/36261
Image: LL/36261
Lots of additional options for subscribers.
Alexander Keighley, 1922, The Hillside Path, Carbon print, Victoria and Albert Museum, LL/125454
Image: LL/125454
Lots of additional options for subscribers.
Netta Peacock, 1905 (ca), Snow sweeper, St. Petersburg, Gelatin silver print, Victoria and Albert Museum, LL/45011
Image: LL/45011
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), Nagayoung Pagoda, Amerapoora; Nagayon pagoda, Amarapura, Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36247
Image: LL/36247
Lots of additional options for subscribers.
Felice Beato, 1858 (ca), British Army group at Lucknow, Albumen print, Victoria and Albert Museum, LL/36252
Image: LL/36252
Lots of additional options for subscribers.
Victor Albert Prout, 1862, The Thames London to Oxford, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84348
Image: LL/84348
Lots of additional options for subscribers.
Roger Fenton, 1856 (taken), Roslyn Chapel, Salt paper print, from wet collodion negative, Victoria and Albert Museum, LL/116638
Image: LL/116638
Lots of additional options for subscribers.
Robert Howlett, 1857, Isambard Kingdom Brunel and the Launching Chains of the Great Eastern, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/113837
Image: LL/113837
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Windsor Lock, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84356
Image: LL/84356
Lots of additional options for subscribers.
William Lake Price, 1855 (taken), The First of September, Photograph, Victoria and Albert Museum, LL/92913
Image: LL/92913
Lots of additional options for subscribers.
Julia Margaret Cameron, 1871, Charles Hay Cameron, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/36331
Image: LL/36331
Lots of additional options for subscribers.
Alexander Keighley, n.d., Wash house scene, Carbon print, Victoria and Albert Museum, LL/125436
Image: LL/125436
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Maidenhead Railway Bridge, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84362
Image: LL/84362
Lots of additional options for subscribers.
John Henry Parker, 1870 (ca), [Untitled, Rome], Albumen print, Victoria and Albert Museum, LL/97867
Image: LL/97867
Lots of additional options for subscribers.
Louis-Emile Durandelle, 1867, Threshold of the Main Entrance; Construction of the Paris Opéra, Albumen print, from a collodion on glass negative, Victoria and Albert Museum, LL/36341
Image: LL/36341
Lots of additional options for subscribers.
Rosalind Maingot, 1910 (ca), Portrait of a woman in blue, Autochrome, Victoria and Albert Museum, LL/128129
Image: LL/128129
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel de Cluny, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90146
Image: LL/90146
Lots of additional options for subscribers.
William Edward Kilburn, 1850s (early), Portrait of a lady, Daguerreotype, hand-coloured, Victoria and Albert Museum, LL/82004
Image: LL/82004
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Observatory (Storm Effect), Château (1695), Meudon, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90159
Image: LL/90159
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, Central Criminal Court, Newgate Prison, interior, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119390
Image: LL/119390
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1850 (ca) - 1860s, Turkish Bath Scene, Ambrotype, collodion positive, Victoria and Albert Museum, LL/66245
Image: LL/66245
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Windsor, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84358
Image: LL/84358
Lots of additional options for subscribers.
John Henry Parker, 1867-1870, Gates of Rome - Arco di Pantano, in the Forum of Augustus, with the street leading to the Forum Romanum, Albumen print, Victoria and Albert Museum, LL/97863
Image: LL/97863
Lots of additional options for subscribers.
Alexander Keighley, 1946, The Yoke, Carbon print, Victoria and Albert Museum, LL/125440
Image: LL/125440
Lots of additional options for subscribers.
Bedford Lemere & Co., 1890s (ca), Interior with print and picture displays, Photograph, Victoria and Albert Museum, LL/119391
Image: LL/119391
Lots of additional options for subscribers.
Linnaeus Tripe, 1860 (published), Cover for Captain L. Tripe "Photographic Views of Seringham", Card, printed, Victoria and Albert Museum, LL/36298
Image: LL/36298
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, Wych St., Strand, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119386
Image: LL/119386
Lots of additional options for subscribers.
Julia Margaret Cameron, 1865, Hosanna, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/62718
Image: LL/62718
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Flowers and fruit, Albumen print, Victoria and Albert Museum, LL/116673
Image: LL/116673
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Diogenes, Albumen print, Victoria and Albert Museum, LL/116658
Image: LL/116658
Lots of additional options for subscribers.
John Henry Parker, 1867-1870 (taken), Sculptures - Details of Sculpture from the Column of Trajan, Albumen print, Victoria and Albert Museum, LL/119758
Image: LL/119758
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Still life, Albumen print, Victoria and Albert Museum, LL/116670
Image: LL/116670
Lots of additional options for subscribers.
Unidentified photographer, Late 19th century (ca), The Greek Slave sculpted by Hiram Powers, Stereoview, Victoria and Albert Museum, LL/121596
Image: LL/121596
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified woman, Panotype, Victoria and Albert Museum, LL/75042
Image: LL/75042
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Chateau de la Belle Gabrielle, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90142
Image: LL/90142
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Windsor Lock and Eton College, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84363
Image: LL/84363
Lots of additional options for subscribers.
Waheeda Malullah, 2006, Untitled, [Light], Inkjet print, Victoria and Albert Museum, LL/57797
Image: LL/57797
Lots of additional options for subscribers.
Alexander Keighley, 1923, Three Boats (back), Carbon print, back, exhibition labels, Victoria and Albert Museum, LL/125512
Image: LL/125512
Lots of additional options for subscribers.
Alexander Keighley, 1934, The River Bed, Carbon print, Victoria and Albert Museum, LL/125473
Image: LL/125473
Lots of additional options for subscribers.
Paul Martin, 1895 (ca, taken), On Yarmouth Sands, Platinum print / Platinotype, Victoria and Albert Museum, LL/44622
Image: LL/44622
Lots of additional options for subscribers.
Alexander Keighley, 1903, Peace, Carbon print, Victoria and Albert Museum, LL/125432
Image: LL/125432
Lots of additional options for subscribers.
Skeen & Co., 1880 (ca), Exotic still life, Albumen-silver print and watercolour with collaged postage stamps, Victoria and Albert Museum, LL/36278
Image: LL/36278
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Staircase rail, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90182
Image: LL/90182
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Agnes - Painting of the Blessed Virgin and Child, A.D. 772-775, Albumen print, Victoria and Albert Museum, LL/97807
Image: LL/97807
Lots of additional options for subscribers.
Édouard Baldus, 1855 (ca), Notre Dame, Albumen print, Victoria and Albert Museum, LL/6775
Image: LL/6775
Lots of additional options for subscribers.
John McCosh, n.d., Untitled [Palm trees in Burma], Salt print, Victoria and Albert Museum, LL/96084
Image: LL/96084
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Opus Reticulatum and Brickwork, from the Wall of a Tomb on the Via Appia, of the time of Trajan, A.D. 100., Albumen print, Victoria and Albert Museum, LL/119761
Image: LL/119761
Lots of additional options for subscribers.
Julia Margaret Cameron, 1878, A Group of Kalutara Peasants, Albumen print, Victoria and Albert Museum, LL/130688
Image: LL/130688
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1856 (ca, taken), Artist's Study: Rejlander As His Own Model, Glass negative, Victoria and Albert Museum, LL/91429
Image: LL/91429
Lots of additional options for subscribers.
Calvert Richard Jones, 1845 (ca), Groups in front of Margam Castle, Salted paper print from calotype negative, Victoria and Albert Museum, LL/36256
Image: LL/36256
Lots of additional options for subscribers.
Nicolaas Henneman, 1849, 18 November, Portrait of Sir David Brewster, Salted Paper Print, Victoria and Albert Museum, LL/82206
Image: LL/82206
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s, St. Paul's Cathedral. S.W., Albumen print, whole-plate , from wet collodion glass negative, Victoria and Albert Museum, LL/115247
Image: LL/115247
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90199
Image: LL/90199
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861-1862 (ca), Photographic Study / Study from Life, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17256
Image: LL/17256
Lots of additional options for subscribers.
Helen Messinger Murdoch, 1914 (ca), [Visitors to the Pyramids, Egypt], Autochrome, Victoria and Albert Museum, LL/115457
Image: LL/115457
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s, St. Paul's Cathedral West Front, Albumen print, whole-plate , from wet collodion glass negative, Victoria and Albert Museum, LL/115243
Image: LL/115243
Lots of additional options for subscribers.
J.E. Mayall, 19th century, Portrait of Mr. William Farren as Romeo and Mr. Hoskins as Mercutio in 'Romeo and Juliet', Act 2, Scene 4., Etching, engraved from a daguerreotype, Victoria and Albert Museum, LL/36255
Image: LL/36255
Lots of additional options for subscribers.
Julia Margaret Cameron, 1865 (ca), Lord Elcho, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/36303
Image: LL/36303
Lots of additional options for subscribers.
Louis-Emile Durandelle, 1867, View of the East Side; Construction of the Paris Opéra, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/40946
Image: LL/40946
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Cottage, Bredicot Common, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/49716
Image: LL/49716
Lots of additional options for subscribers.
Gustav Seiden, 1933, Studio interior, Gelatin silver print, Victoria and Albert Museum, LL/45013
Image: LL/45013
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Church of SS Gervais et Protais, Miserere Seat (Man in boat), XVI Century, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90194
Image: LL/90194
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, The facade of the 'Old Bell Tavern & Hotel', Holborn, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119389
Image: LL/119389
Lots of additional options for subscribers.
James Barnor, 1953 (ca), Everything In My Hand I Bring, Black and white photograph, Victoria and Albert Museum, LL/84773
Image: LL/84773
Lots of additional options for subscribers.
Alexander Keighley, 1933, To the Sacred Isle (Lake Orta), Carbon print, Victoria and Albert Museum, LL/125502
Image: LL/125502
Lots of additional options for subscribers.
Julia Margaret Cameron, 1873, May, Three King's Daughters Fair, Albumen print, Victoria and Albert Museum, LL/102880
Image: LL/102880
Lots of additional options for subscribers.
John Henry Parker, 1867-1870, Forum Romanum - Temples of Vespasian and the Dei Consenti in the Clivus Capitolinus., Albumen print, Victoria and Albert Museum, LL/97858
Image: LL/97858
Lots of additional options for subscribers.
T.R. Williams, 1855 (ca), Nature Mort, Daguerreotype, stereo, Victoria and Albert Museum, LL/84985
Image: LL/84985
Lots of additional options for subscribers.
R.P. Napper, 1862, Granada, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/106046
Image: LL/106046
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Eashing Bridge, Surrey, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/49717
Image: LL/49717
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1850s, Portrait of Robert Howlett, Albumen print, from a calotype negative, Victoria and Albert Museum, LL/113839
Image: LL/113839
Lots of additional options for subscribers.
Stephen Ayling, 1867, Henry VII Chapel & Clock Tower, Westminster, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/36322
Image: LL/36322
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Still life with fruits and flowers, Albumen print, Victoria and Albert Museum, LL/116683
Image: LL/116683
Lots of additional options for subscribers.
R.P. Napper, 1863, Loja, from the west, Albumen print, Victoria and Albert Museum, LL/106050
Image: LL/106050
Lots of additional options for subscribers.
Eugene Clutterbuck Impey, 1860-1865, The Kootub - Part of the Temple-mosque and its Mahometan Facade; Part of the Qutb Minar Complex, Delhi, India., Albumen print, Victoria and Albert Museum, LL/36321
Image: LL/36321
Lots of additional options for subscribers.
Unidentified photographer, 1840-1860 (ca), Untitled (portrait of a lady in a domestic interior), Daguerreotype / Ambrotype, Victoria and Albert Museum, LL/36259
Image: LL/36259
Lots of additional options for subscribers.
Alexander Keighley, 1935, The Vesper Bell, Carbon print, Victoria and Albert Museum, LL/125450
Image: LL/125450
Lots of additional options for subscribers.
Helen Messinger Murdoch, 1914, Great Wall of China, Autochrome, Victoria and Albert Museum, LL/115459
Image: LL/115459
Lots of additional options for subscribers.
Emma Schenson (1827-1913), 1864, The Bedroom of Linnaeus, [Memorials of Linnaeus], Albumen print, from glass negative, Victoria and Albert Museum, LL/46069
Image: LL/46069
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1860s (ca, taken) 1893 (ca, print), Lazy Jack, Platinum print, Victoria and Albert Museum, LL/91443
Image: LL/91443
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Eton College, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84359
Image: LL/84359
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Interior view, Church of Nieul sur Mer, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90140
Image: LL/90140
Lots of additional options for subscribers.
Alexander Keighley, 1939, Washing the Salad, Carbon print, Victoria and Albert Museum, LL/125448
Image: LL/125448
Lots of additional options for subscribers.
Robert Howlett, 1857, The Great Eastern, Albumen print, Victoria and Albert Museum, LL/33792
Image: LL/33792
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, The Mosque: the ceremonies and the Ka'ba, Albumen print, Victoria and Albert Museum, LL/46208
Image: LL/46208
Lots of additional options for subscribers.
Julia Margaret Cameron, 1869, Alfred Tennyson, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47115
Image: LL/47115
Lots of additional options for subscribers.
   
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