LoginRegister
Photographers:
Connections:
Getting around...
| Home > Contents > Photo outlets > Victoria and Albert Museum
Photo outlets
Victoria and Albert Museum
 
V&A South Kensington, Cromwell Road
London, England SW7 2RL
UK

www.vam.ac.uk
vanda@vam.ac.uk
Tel: +44 (0) 20 7942 2000

 
Some random images from this collection.
 
Lightbox > Examples
   
Gavin Turk, 1997, Portrait of Something that I'll Never Really See, Colour print, Victoria and Albert Museum, LL/45019
Image: LL/45019
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Caracalla, Albumen print, Victoria and Albert Museum, LL/116648
Image: LL/116648
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Church of SS Gervais et Protais, Miserere Seat (Parchment maker), XVI Century, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90160
Image: LL/90160
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861 (ca), Florence Elizabeth, Lord Hawarden, Clementina Maude and an unidentified young man, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17244
Image: LL/17244
Lots of additional options for subscribers.
Anna Atkins, 1854 (ca), Taraxacum Officinale [Dandelion], [Cyanotypes of British and Foreign Flowering Plants and Ferns], Cyanotype, Victoria and Albert Museum, LL/39619
Image: LL/39619
Lots of additional options for subscribers.
Samuel Bourne, 1866 (ca), View of the Zojji-La-Pass, Albumen print, Victoria and Albert Museum, LL/36283
Image: LL/36283
Lots of additional options for subscribers.
Alexander Keighley, 1922, The Hillside Path, Carbon print, Victoria and Albert Museum, LL/125454
Image: LL/125454
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, [Untitled, Rome], Albumen print, Victoria and Albert Museum, LL/97865
Image: LL/97865
Lots of additional options for subscribers.
Gustave Le Gray, 1856 (made), The Tugboat, Albumen print, from collodion-on-glass negative, Victoria and Albert Museum, LL/40961
Image: LL/40961
Lots of additional options for subscribers.
Henri Cartier-Bresson, 1854 (taken), London suburbs, Silver bromide print, Victoria and Albert Museum, LL/112031
Image: LL/112031
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door knocker, 18 Ave Montaigne, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90190
Image: LL/90190
Lots of additional options for subscribers.
T.R. Williams, 1855 (ca), Nature Mort, Daguerreotype, stereo, Victoria and Albert Museum, LL/84985
Image: LL/84985
Lots of additional options for subscribers.
Julia Margaret Cameron, 1878, A Group of Kalutara Peasants, Albumen print, Victoria and Albert Museum, LL/130688
Image: LL/130688
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Detail of Staircase Rail, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90168
Image: LL/90168
Lots of additional options for subscribers.
Paul Martin, 1895 (ca, taken), Punch and Judy at Ilfracomb, Platinum print / Platinotype, Victoria and Albert Museum, LL/44627
Image: LL/44627
Lots of additional options for subscribers.
Charles Clifford, 1860 (ca), Alcantara, View of the Bridge, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/36311
Image: LL/36311
Lots of additional options for subscribers.
Roger Fenton, 1854 (taken), St Hubert's cup, Albumen print, Victoria and Albert Museum, LL/116679
Image: LL/116679
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Ornamental panel, Hôtel de Lauzun, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90152
Image: LL/90152
Lots of additional options for subscribers.
Cecil Beaton, 1930 (ca), Self portrait, Gelatin silver print, Victoria and Albert Museum, LL/6776
Image: LL/6776
Lots of additional options for subscribers.
John Robert Parsons, 1865, Jane Morris, posed by Rossetti, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/45006
Image: LL/45006
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-1854, Hedgerow Trees, Clerkenleap, Worcestershire, Albumen print, from calotype negative, Victoria and Albert Museum, LL/16812
Image: LL/16812
Lots of additional options for subscribers.
Alexander Keighley, 1936, The Shepherdess, Carbon print, Victoria and Albert Museum, LL/125420
Image: LL/125420
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), West Entrance to the Shwe-San-dau pagoda, Prome; West entrance to the Shwesandaw, Pyay, Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36246
Image: LL/36246
Lots of additional options for subscribers.
Hassan Hajjaj, 2000, Saida in Green, Digital C-print, tyre frame, Victoria and Albert Museum, LL/57796
Image: LL/57796
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, Newgate Prison, interior, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119385
Image: LL/119385
Lots of additional options for subscribers.
Roger Fenton, 1858 (ca, taken), Lichfield Cathedral, West Porch, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/116641
Image: LL/116641
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified woman, Panotype, Victoria and Albert Museum, LL/75043
Image: LL/75043
Lots of additional options for subscribers.
Unidentified photographer, n.d., [The base of Trajan's Column in the Forum of Trajan, Rome], Albumen print, Victoria and Albert Museum, LL/119769
Image: LL/119769
Lots of additional options for subscribers.
Helen Messinger Murdoch, n.d., [Dome of the Rock and the Dome of the Chain, Jerusalem], Autochrome, Victoria and Albert Museum, LL/115456
Image: LL/115456
Lots of additional options for subscribers.
John Thomson, 1876-1878, Dustmen, Woodburytype, Victoria and Albert Museum, LL/45017
Image: LL/45017
Lots of additional options for subscribers.
Alexander Keighley, 1940, The Bent Olive, Carbon print, Victoria and Albert Museum, LL/125461
Image: LL/125461
Lots of additional options for subscribers.
Gustave Le Gray, 1856 (made), Solar Effect in the Clouds - Ocean; Vue de Mer, le Soleil, Albumen print, from collodion on glass negative, Victoria and Albert Museum, LL/40955
Image: LL/40955
Lots of additional options for subscribers.
Robert Howlett, 1855 (ca), Valley of the Mole, Surrey, Albumen print, from collodion negative, Victoria and Albert Museum, LL/36327
Image: LL/36327
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Painting of Spring, c. A.D. 250(?), or 523(?), in a Cubiculum, Albumen print, Victoria and Albert Museum, LL/97808
Image: LL/97808
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Windsor, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84358
Image: LL/84358
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120131
Image: LL/120131
Lots of additional options for subscribers.
Skeen & Co., 1880 (ca), Exotic still life, Albumen-silver print and watercolour with collaged postage stamps, Victoria and Albert Museum, LL/36278
Image: LL/36278
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1862 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17250
Image: LL/17250
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doors, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90134
Image: LL/90134
Lots of additional options for subscribers.
Julia Margaret Cameron, 1872, Florence Fisher, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47127
Image: LL/47127
Lots of additional options for subscribers.
Hill & Adamson, 1843-1847, Mr Lane in Indian Dress, Calotype, Victoria and Albert Museum, LL/36292
Image: LL/36292
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Wall of Tarquinius in the Circus Maximus, B.C. 604., Albumen print, Victoria and Albert Museum, LL/97848
Image: LL/97848
Lots of additional options for subscribers.
Samuel Bourne, 1866, Curious formations on the Spiti river at Kioto, Spiti, Albumen print, Victoria and Albert Museum, LL/114223
Image: LL/114223
Lots of additional options for subscribers.
Alexander Keighley, 1944, The Church Vestibule, Carbon print, Victoria and Albert Museum, LL/125447
Image: LL/125447
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1860s (taken), Thoughts, Carbon print, Victoria and Albert Museum, LL/91442
Image: LL/91442
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Staircase rail, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90182
Image: LL/90182
Lots of additional options for subscribers.
Alexander Keighley, 1941, A Street, Morocco, Carbon print, Victoria and Albert Museum, LL/125458
Image: LL/125458
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s (taken), Village of Kibber. Spiti, Albumen print, Victoria and Albert Museum, LL/114220
Image: LL/114220
Lots of additional options for subscribers.
Paul Martin, 1892, The Crowd Waiting to see a Policeman's Funeral, Photograph, Victoria and Albert Museum, LL/130119
Image: LL/130119
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Grille of a shop window, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90205
Image: LL/90205
Lots of additional options for subscribers.
Alexander Keighley, 1935, Steeton Gill, Carbon print, Victoria and Albert Museum, LL/125419
Image: LL/125419
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852 (taken), Crystal Palace transept, Hyde Park, Albumen print, from calotype (waxed paper) negative, Victoria and Albert Museum, LL/36242
Image: LL/36242
Lots of additional options for subscribers.
Alexander Keighley, 1944, The Haystack, Carbon print, Victoria and Albert Museum, LL/125425
Image: LL/125425
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, Wych St., Strand, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119386
Image: LL/119386
Lots of additional options for subscribers.
Roger Fenton, 1859 (ca, taken), Oxford College, Albumen print, Victoria and Albert Museum, LL/116643
Image: LL/116643
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Duke of Buccleuch's Mansion, Richmond, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84349
Image: LL/84349
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90183
Image: LL/90183
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Modelled decoration, Hôtel Gouthière, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90149
Image: LL/90149
Lots of additional options for subscribers.
Alexander Keighley, 1931, The Canal Bridge at Kildwick, Carbon print, Victoria and Albert Museum, LL/125490
Image: LL/125490
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Hawkhurst Church, Kent, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/49719
Image: LL/49719
Lots of additional options for subscribers.
John Henry Parker, 1867-1870 (taken), Sculptures - Details of Sculpture from the Column of Trajan, Albumen print, Victoria and Albert Museum, LL/119759
Image: LL/119759
Lots of additional options for subscribers.
Alexander Keighley, 1927, Bridge in Montenegro, Carbon print, Victoria and Albert Museum, LL/125467
Image: LL/125467
Lots of additional options for subscribers.
Paul Martin, 1895 (ca, taken), On Yarmouth Sands, Platinum print / Platinotype, Victoria and Albert Museum, LL/44623
Image: LL/44623
Lots of additional options for subscribers.
Rosalind Maingot, 1938, Lucretia, Silver bromide print, Victoria and Albert Museum, LL/128124
Image: LL/128124
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861 (ca), Clementina Maude and Isabella, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17243
Image: LL/17243
Lots of additional options for subscribers.
Alexander Keighley, 1939, Oxen at the Gate, Carbon print, Victoria and Albert Museum, LL/125453
Image: LL/125453
Lots of additional options for subscribers.
John Henry Parker, 1864-1868, Construction - Details of the Construction of the Tabularium, with Doorway bearing Inscription, B.C. 35., Albumen print, Victoria and Albert Museum, LL/97854
Image: LL/97854
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Wall of Opus Quadratum, of Travertine, on the Esquiline, near S. Pietro in Vincoli., Albumen print, Victoria and Albert Museum, LL/97853
Image: LL/97853
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Pontianus - Painting of a Jewelled Cross, A.D. 858-867, Albumen print, Victoria and Albert Museum, LL/97817
Image: LL/97817
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120400
Image: LL/120400
Lots of additional options for subscribers.
Walker Evans, 1935, Head, 'Bieri'., Gelatin silver print, Victoria and Albert Museum, LL/52696
Image: LL/52696
Lots of additional options for subscribers.
Felice Beato, 1858 (ca), British Army group at Lucknow, Albumen print, Victoria and Albert Museum, LL/36252
Image: LL/36252
Lots of additional options for subscribers.
Calvert Richard Jones, 1844-1846, View of an Unidentified Harbour, Calotype, Victoria and Albert Museum, LL/36261
Image: LL/36261
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864-1865 (ca), Christiana Fraser-Tytler, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/62717
Image: LL/62717
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1860 (ca), Turkish Bath Scene, Ambrotype, Victoria and Albert Museum, LL/90537
Image: LL/90537
Lots of additional options for subscribers.
Alexander Keighley, 1942, Peillon, Carbon print, Victoria and Albert Museum, LL/125500
Image: LL/125500
Lots of additional options for subscribers.
Baron Adolph de Meyer, 1908 (ca), Ballet Dancer Tamara Karsavina (1885-1978), Autochrome, Victoria and Albert Museum, LL/127361
Image: LL/127361
Lots of additional options for subscribers.
Alexander Keighley, 1931, Witch Wood, Carbon print, Victoria and Albert Museum, LL/125475
Image: LL/125475
Lots of additional options for subscribers.
Frederick Berger (taken) / Isabel Agnes Cowper (copied), 1853 (taken) 1891 (copied), Cape York Islander, Albumen print, Victoria and Albert Museum, LL/120122
Image: LL/120122
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s, St. Paul's Cathedral. Nave East, Albumen print, whole-plate , from wet collodion glass negative, Victoria and Albert Museum, LL/115246
Image: LL/115246
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Decanter and fruit, Albumen print, Victoria and Albert Museum, LL/116675
Image: LL/116675
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified woman, Panotype, Victoria and Albert Museum, LL/75040
Image: LL/75040
Lots of additional options for subscribers.
Horatio Ross, 1847, Hoddy and John Munro Fishing at Flaipool, Daguerreotype, Victoria and Albert Museum, LL/6769
Image: LL/6769
Lots of additional options for subscribers.
Julia Margaret Cameron, 1873, May, Three King's Daughters Fair, Albumen print, Victoria and Albert Museum, LL/102879
Image: LL/102879
Lots of additional options for subscribers.
James Barnor, 1953 (ca), Everything In My Hand I Bring, Black and white photograph, Victoria and Albert Museum, LL/84773
Image: LL/84773
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction of the Wall of the Latins (?) on the Aventine, B.C. 683., Albumen print, Victoria and Albert Museum, LL/97849
Image: LL/97849
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17247
Image: LL/17247
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1850s, Portrait of Robert Howlett, Albumen print, from a calotype negative, Victoria and Albert Museum, LL/113839
Image: LL/113839
Lots of additional options for subscribers.
Rosalind Maingot, 1942 (taken), The Palmist, Silver bromide print, Victoria and Albert Museum, LL/128122
Image: LL/128122
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Ivory cup, fruit and mirror, Albumen print, Victoria and Albert Museum, LL/116685
Image: LL/116685
Lots of additional options for subscribers.
Alexander Keighley, 1941, Service Time, Carbon print, Victoria and Albert Museum, LL/125446
Image: LL/125446
Lots of additional options for subscribers.
Department of Science and Art of the Committee of Council on Education (commissioned by), 1873, South Kensington Museum, Cast court showing construction of Trajan's column, Albumen print, Victoria and Albert Museum, LL/119757
Image: LL/119757
Lots of additional options for subscribers.
Alexander Keighley, 1944, The City of Beautiful Towers, Carbon print, Victoria and Albert Museum, LL/125488
Image: LL/125488
Lots of additional options for subscribers.
Paul Martin, 1895, Wimbledon Common, Platinum print, Victoria and Albert Museum, LL/40811
Image: LL/40811
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Dione, Albumen print, Victoria and Albert Museum, LL/116661
Image: LL/116661
Lots of additional options for subscribers.
Edmund David Lyon, 1867-1868, Portion of the west face of the Hoysaleshvara Temple, Albumen Print, Victoria and Albert Museum, LL/36309
Image: LL/36309
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1871 (taken before), Ginx's Baby, Wet collodion glass negative, Victoria and Albert Museum, LL/95463
Image: LL/95463
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1860s (taken) 1900 (ca, print), The Matchseller, Carbon print, Victoria and Albert Museum, LL/91441
Image: LL/91441
Lots of additional options for subscribers.
Walker Evans, 1935, Head Rest, Urua. Congo, Gelatin silver print, Victoria and Albert Museum, LL/52697
Image: LL/52697
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Ornamental panel, Hôtel de Lauzun, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90151
Image: LL/90151
Lots of additional options for subscribers.
Richard Avedon, 1948, Elise Daniels with Street performers, suit by Balenciaga, Le Marais, Paris, Gelatin silver print, Victoria and Albert Museum, LL/6771
Image: LL/6771
Lots of additional options for subscribers.
Alexander Keighley, 1935, A Castle in Spain, Carbon print, Victoria and Albert Museum, LL/125501
Image: LL/125501
Lots of additional options for subscribers.
Maud Sulter, 1989, Terpsichore, Dye destruction print, Victoria and Albert Museum, LL/45016
Image: LL/45016
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Painting of Autumn, c. A.D. 250(?), or 523(?), in a Cubiculum, Albumen print, Victoria and Albert Museum, LL/97801
Image: LL/97801
Lots of additional options for subscribers.
Alexander Keighley, 1909, The Rest is Silence, Carbon print, Victoria and Albert Museum, LL/125480
Image: LL/125480
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1858-1861 (ca), Photographic Study; Study from Life [South Kensington, England ], Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/66251
Image: LL/66251
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Fortified church, near La Rochelle, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90139
Image: LL/90139
Lots of additional options for subscribers.
John Benjamin Stone, 1901, Girls of the Royal School, Windsor Great Park, [National Photographic Record and Survey], Platinum print mounted on card with hand written ink notation, Victoria and Albert Museum, LL/36289
Image: LL/36289
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel Chalons-Luxembourg, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90179
Image: LL/90179
Lots of additional options for subscribers.
Youssef Nabil, 2006, Untitled, [The Yemeni Sailors of South Shields], Gelatin silver print, hand-coloured, Victoria and Albert Museum, LL/57795
Image: LL/57795
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861 (ca), Clementina Maude and Cornwallis Hawarden, Dundrum; Photographic Study, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/66250
Image: LL/66250
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Urn, Albumen print, Victoria and Albert Museum, LL/116653
Image: LL/116653
Lots of additional options for subscribers.
Alexander Keighley, 1934, Guiseborough Abbey, Carbon print, Victoria and Albert Museum, LL/125495
Image: LL/125495
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel de Cheniseau, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90201
Image: LL/90201
Lots of additional options for subscribers.
Kate E. Gough, 1870s (late), Untitled Page From the Gough Album, Collage of watercolor and albumen silver prints, Victoria and Albert Museum, LL/35062
Image: LL/35062
Lots of additional options for subscribers.
Alexander Keighley, 1937, Shadow and Sunshine, Carbon print, Victoria and Albert Museum, LL/125478
Image: LL/125478
Lots of additional options for subscribers.
Horst, 1939, From Paris Corset with Back Lacing, Gelatin silver print, Victoria and Albert Museum, LL/33279
Image: LL/33279
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Fruit and flowers, Albumen print, Victoria and Albert Museum, LL/116676
Image: LL/116676
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacombs - Painting of a Peacock in the Jews' Catacomb, A.D. 150, in the Vigna Randanini, Albumen print, Victoria and Albert Museum, LL/97818
Image: LL/97818
Lots of additional options for subscribers.
Julia Margaret Cameron, 1874, Vivien and Merlin, [Illustrations to Tennyson's Idylls of the King and Other Poems (1859-88)], Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/36330
Image: LL/36330
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Clytie, Albumen print, Victoria and Albert Museum, LL/116647
Image: LL/116647
Lots of additional options for subscribers.
Edward Steichen, 1898 (taken), Self Portrait, Milwaukee, Platinum print, Victoria and Albert Museum, LL/95211
Image: LL/95211
Lots of additional options for subscribers.
Roger Fenton, 1953, Still Life with Parian Vase, Grapes and Silver, Albumen print, Victoria and Albert Museum, LL/116634
Image: LL/116634
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, The facade of the 'Old Bell Tavern & Hotel', Holborn, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119389
Image: LL/119389
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, Central Criminal Court, Newgate Prison, interior, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119390
Image: LL/119390
Lots of additional options for subscribers.
Rosalind Maingot, 1935-1945 (ca), Spring Sprung, Silver bromide print, Victoria and Albert Museum, LL/128128
Image: LL/128128
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1860 (ca, taken), Play, Platinum print, Victoria and Albert Museum, LL/91434
Image: LL/91434
Lots of additional options for subscribers.
James Craddock, 1860-1870 (ca, taken), The Badashahi Masjid gateway, Albumen print, Victoria and Albert Museum, LL/96085
Image: LL/96085
Lots of additional options for subscribers.
Gustave Le Gray, n.d., Vue de Mer, Le Brick, Albumen print, Victoria and Albert Museum, LL/40963
Image: LL/40963
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864-1866, Mary Hillier, Albumen print, Victoria and Albert Museum, LL/63438
Image: LL/63438
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1860 (ca), Turkish Bath Scene, Ambrotype, collodion positive, Victoria and Albert Museum, LL/66248
Image: LL/66248
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17242
Image: LL/17242
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1857 (photographed), The Two Ways of Life, Albumen print, Victoria and Albert Museum, LL/90538
Image: LL/90538
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Interior view, Church of Nieul sur Mer, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90140
Image: LL/90140
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1876 (ca), Brussel's Bobbin Lace, Albumen print, Victoria and Albert Museum, LL/120112
Image: LL/120112
Lots of additional options for subscribers.
Mehraneh Atashi, 2004, Bodiless I, [Zourkhaneh Project (House of Strength)], Digital C-print, Victoria and Albert Museum, LL/57792
Image: LL/57792
Lots of additional options for subscribers.
Julia Margaret Cameron, 1866, Beatrice, Albumen print, Victoria and Albert Museum, LL/63439
Image: LL/63439
Lots of additional options for subscribers.
Alexander Keighley, 1924, Past and Present, Carbon print, Victoria and Albert Museum, LL/125444
Image: LL/125444
Lots of additional options for subscribers.
Nicolaas Henneman, 1849, 18 November, Portrait of Sir David Brewster, Salted Paper Print, Victoria and Albert Museum, LL/82206
Image: LL/82206
Lots of additional options for subscribers.
Charles Knight (26 Queen's Road, Aldershot), 1887, 21 June, Her Majesty's Gracious Smile, Cabinet card, Victoria and Albert Museum, LL/130289
Image: LL/130289
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Heroic Head, Albumen print, Victoria and Albert Museum, LL/116666
Image: LL/116666
Lots of additional options for subscribers.
Alexander Keighley, 1921, The Castle Hill, Carbon print, Victoria and Albert Museum, LL/125460
Image: LL/125460
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1862 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17253
Image: LL/17253
Lots of additional options for subscribers.
Julia Margaret Cameron, 1869, Alfred Tennyson, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47115
Image: LL/47115
Lots of additional options for subscribers.
Unidentified photographer, 1861-1872, [Francis Skidmore - Product photograph], Albumen print, Victoria and Albert Museum, LL/58905
Image: LL/58905
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doorway, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90174
Image: LL/90174
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Moulsey, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84353
Image: LL/84353
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Muse, Albumen print, Victoria and Albert Museum, LL/116656
Image: LL/116656
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1880, Still life, Albumen print, Victoria and Albert Museum, LL/120108
Image: LL/120108
Lots of additional options for subscribers.
William Lake Price, 1855 (taken), The First of September, Photograph, Victoria and Albert Museum, LL/92913
Image: LL/92913
Lots of additional options for subscribers.
David Wilkie Wynfield, 1860s, Portrait of George Frederick Watts, RA, in fancy dress, Albumen print, from wet collodion glass plate negative, Victoria and Albert Museum, LL/37357
Image: LL/37357
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861 (ca), Isabella Grace [Digitally reversed], Albumen print, from wet collodion-on-glass negative, stereoview (digitally swapped 5 July 2022 ), Victoria and Albert Museum, LL/121092
Image: LL/121092
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90148
Image: LL/90148
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Temperance, [The Fruits of the Spirit], Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47122
Image: LL/47122
Lots of additional options for subscribers.
Netta Peacock, 1905 (ca), View of the church of Constantine and Helen, The Kremlin, Moscow, Gelatin silver print, Victoria and Albert Museum, LL/45009
Image: LL/45009
Lots of additional options for subscribers.
Antoine Claudet, 1843, 18 July, Quarter-length portrait of Andrew Pritchard, Daguerreotype, Victoria and Albert Museum, LL/76981
Image: LL/76981
Lots of additional options for subscribers.
Alexander Keighley, 1942, Photograph, Carbon print, Victoria and Albert Museum, LL/125434
Image: LL/125434
Lots of additional options for subscribers.
John Henry Parker, 1864-1868, Theatre of Marcellus, B.C. 14 (Inscription Aneyrina), with the Palace of the Orsini made in it, c. A.D. 1200., Albumen print, Victoria and Albert Museum, LL/97855
Image: LL/97855
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Stair Rail, Grand Trianon, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90167
Image: LL/90167
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, The Old Bell Inn, Holborn, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119388
Image: LL/119388
Lots of additional options for subscribers.
Victor Albert Prout, 1862, The Thames London to Oxford, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84348
Image: LL/84348
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, The Mosque: the ceremonies and the Ka'ba, Albumen print, Victoria and Albert Museum, LL/46208
Image: LL/46208
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861 (ca), Dog balancing on two chairs, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17255
Image: LL/17255
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), Near View of the Shwe-Dagon pagoda, Rangoon (Yangon), Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36245
Image: LL/36245
Lots of additional options for subscribers.
Emma Schenson (1827-1913), 1864, Memorials of Linnaeus, [Memorials of Linnaeus], Albumen print, from glass negative, Victoria and Albert Museum, LL/46068
Image: LL/46068
Lots of additional options for subscribers.
Maud Sulter, 1989, Clio (Portrait of Dorothea Smart), Dye destruction print, Victoria and Albert Museum, LL/45015
Image: LL/45015
Lots of additional options for subscribers.
Ballin (artist) / unknown daguerreotypist, 1840 (daguerreotype) 1910 (lithograph), North West View of the Sans Souci Theatre Calcutta / Taken by the Daguerreotype. Wellesley Place, Lithograph, Victoria and Albert Museum, LL/95749
Image: LL/95749
Lots of additional options for subscribers.
Joana Hadjithomas and Khalil Joreige, 1997-2006, Wonder Beirut #13, Modern Beirut, International Centre of Water-Skiing, [Wonder Beirut], C-print, Victoria and Albert Museum, LL/57791
Image: LL/57791
Lots of additional options for subscribers.
Jowhara AlSaud, 2008, Airmail, [Out of line], C-type print, Victoria and Albert Museum, LL/57793
Image: LL/57793
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, College des Ecossais, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90191
Image: LL/90191
Lots of additional options for subscribers.
Rosalind Maingot, 1941, Sweet Seventeen, Silver bromide print, Victoria and Albert Museum, LL/128132
Image: LL/128132
Lots of additional options for subscribers.
Helen Messinger Murdoch, 1910s (ca), Portrait of J. C. Warburg, Autochrome, Victoria and Albert Museum, LL/115465
Image: LL/115465
Lots of additional options for subscribers.
Alexander Keighley, 1940, Shearing Time, Carbon print, Victoria and Albert Museum, LL/125464
Image: LL/125464
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1850 (ca) - 1860s, Turkish Bath Scene, Ambrotype, collodion positive, Victoria and Albert Museum, LL/66245
Image: LL/66245
Lots of additional options for subscribers.
Robert Howlett, 1857, Isambard Kingdom Brunel and the Launching Chains of the Great Eastern, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/113837
Image: LL/113837
Lots of additional options for subscribers.
Netta Peacock, 1905 (ca), Landscape in the snow, Russia, Gelatin silver print, Victoria and Albert Museum, LL/45010
Image: LL/45010
Lots of additional options for subscribers.
Roger Fenton, 1854 (taken), Parian vase, grapes and silver cup, Albumen print, Victoria and Albert Museum, LL/116684
Image: LL/116684
Lots of additional options for subscribers.
W.H. Mason, Late 19th century (ca), An antique statue of Augustus at the Villa Albani, Rome, Stereoview, Victoria and Albert Museum, LL/100225
Image: LL/100225
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Detail of a Fountain Head, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90175
Image: LL/90175
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Paul and Virginia, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47126
Image: LL/47126
Lots of additional options for subscribers.
Calvert Richard Jones, 1845 (ca), Groups in front of Margam Castle, Salted paper print from calotype negative, Victoria and Albert Museum, LL/36257
Image: LL/36257
Lots of additional options for subscribers.
Paul Martin, 1895, Boat pier encrusted with ice, Platinum print, Victoria and Albert Museum, LL/40810
Image: LL/40810
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doors, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90180
Image: LL/90180
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Brickwork, c. A.D. 100, with a Well and a Vase(?) or Font(?), called a Baptistery, at the entrance, Albumen print, Victoria and Albert Museum, LL/97806
Image: LL/97806
Lots of additional options for subscribers.
Eugène Atget, 1926-1927, Coiffeur, Palais Royal, Gold-toned albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90184
Image: LL/90184
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Isabella Grace and Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17241
Image: LL/17241
Lots of additional options for subscribers.
Louis-Emile Durandelle, 1867, General View Taken from the Small Staircase; Construction of the Paris Opéra, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/40945
Image: LL/40945
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel du Marechal, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90202
Image: LL/90202
Lots of additional options for subscribers.
Peter Henry Emerson, 1887, Water babies, Photogravure, Victoria and Albert Museum, LL/36291
Image: LL/36291
Lots of additional options for subscribers.
Alexander Keighley, 1923, Gordale Scar, Malham, Carbon print, Victoria and Albert Museum, LL/125487
Image: LL/125487
Lots of additional options for subscribers.
Linnaeus Tripe, 1860 (published), Cover for Captain L. Tripe "Photographic Views of Seringham", Card, printed, Victoria and Albert Museum, LL/36298
Image: LL/36298
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, View of the Mosque at Mecca: the prayer around the Ka'ba, Albumen print, Victoria and Albert Museum, LL/46206
Image: LL/46206
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Painted Vault of Chapel, c. A.D. 150, Albumen print, Victoria and Albert Museum, LL/97802
Image: LL/97802
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Hadrian, Albumen print, Victoria and Albert Museum, LL/116645
Image: LL/116645
Lots of additional options for subscribers.
Roger Fenton, 1858 (ca, taken), Ecce Homo. Cave Thomas, Albumen print, Victoria and Albert Museum, LL/116681
Image: LL/116681
Lots of additional options for subscribers.
Linnaeus Tripe, 1860 (published), Cover for Captain L. Tripe "Photographic Views in Tanjore and Trivady", Card, printed, Victoria and Albert Museum, LL/36295
Image: LL/36295
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1857-1860 (ca), West Wing of Dundrum House with unidentified man with camera on tripod; Photographic Study, Stereocard, albumen print, from wet collodion negative, Victoria and Albert Museum, LL/66252
Image: LL/66252
Lots of additional options for subscribers.
Alexander Keighley, 1946, Five Rise Locks, Bingley, Carbon print, Victoria and Albert Museum, LL/125503
Image: LL/125503
Lots of additional options for subscribers.
John Robert Parsons, 1865 (ca), Jane Morris, posed by Rossetti, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/36286
Image: LL/36286
Lots of additional options for subscribers.
Linnaeus Tripe, 1858, The East Gopuram of the Great Pagoda, Albumen print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/84746
Image: LL/84746
Lots of additional options for subscribers.
   
Terms and conditions • Copyright • Privacy • Contact me
Contributors retain copyright over their submissions
In using this website you agree to the Terms and Conditions
© Alan Griffiths - Luminous-Lint 2025