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| 1. |  | J.C. Moulton 1860s (ca) A bird delivers the card of J.C. Moulton, Photographic Artist, 368 Main Street, Fitchburg, Mass. Carte de visite Private collection of Laddy Kite J.C. Moulton (Fitchburg, Mass.) |
| 2. |  | Charles DeForest Fredricks 1861 (or later) King of Clubs Carte de visite Creative Commons - Wikipedia A carte de visite of Sim D. Kehoe, who helped bring Indian-club exercising to the United States. Store web page states: "In 1861, Sim. D. Kehoe, an American fitness enthusiast and businessman, traveled to England where he observed the art of Indian-club swinging. Believing he had found the perfect exercise apparatus, he began to manufacture and sell clubs to the American public in 1862. This is a fascinating image! In the center is Simon Kehoe, "King of Clubs." On top are photos of people who use the clubs (one looks like General McClellan), as well as a list of people to the left, which includes J.C. Heenan, Joe Coburn, Frank Queen, Con Fitzgerald, Sandy Spencer, Charles Pierce, Professor Dermody, Harry Hill, Joe Foote or Foore, James Hamill, Josh Ward, etc. To the right, it gives other that use the clubs: Dudley Kavanagh, Ed Russell, and Neil Bryant. The photo states that these War clubs & dumbells are the best medicine in the world. Interesting caricature! Photographer backmark imprint: C.D. Fredrick's, New York." |
| 3. |  | McDonald (South Bend, Ind.) n.d. Advertising Cabinet Card for Storm Sign Co., South Bend, Ind. Hardware Cabinet card Jeffrey Kraus Antique Photographics Courtesy of Jeffrey Kraus (OCAB9) |
| 4. |  | Centennial Photographic Co. 1876? Model of crucible machine Albumen print 20 x 12 cm Free Library of Philadelphia Collection: Centennial Exhibition, Item No: c011810 Model of a crucible machine consisting of a wooden frame, two wheels, and the crucible and melting pot. |
| 5. |  | Otto Muller (Oelsnitz, Germany) 1900 Meat Grinder Cabinet card Private collection of Brad Feuerhelm |
| 6. |  | Lloyd (Troy, NY) n.d. Chair [Possibly a sample] Cabinet card Jeffrey Kraus Antique Photographics Courtesy of Jeffrey Kraus |
| 7. |  | Centennial Photographic Co. 1876? United States Wind Engine and Pump Albumen print 20 x 12 cm Free Library of Philadelphia Collection: Centennial Exhibition, Item No: c010257 Exhibit title: U.S. Wind Engine & Pump Co., Batavia, Ill., Exhibit #677, Agricultural Hall, Bldg. #152. |
| 8. |  | Buel's Gallery (Pittsfield) 1870 (ca) Top Hat Albumen print carte de visite 9.3 x 5.5 cm George Eastman Museum Courtesy of George Eastman House (GEH NEG:13657) (Alan Griffiths, 25 March 2021) Probably Pittsfield, MA, USA. |
| 9. |  | Abraham Bogardus 1885 (ca) Keep this as your guide to get Fine Photographs Albumen print cabinet card 10.8 x 8.0 cm George Eastman Museum Courtesy of George Eastman House (GEH NEG:16064 ) |
| 10. |  | R. B. Wilson's Gallery n.d. Novia Scotia photographer (Advertising CDV) - Front Carte de visite Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (45 / 56) CDV made for and by R. B. Wilson's Gallery, Halifax, Nova Scotia. The central image is a ship, and all around are portraits of sailors and naval officers. |
| 11. |  | Buber (Meverron, Iowa) n.d. Banner lady for the "New Process Laundry" Cabinet card Private collection |
| 12. |  | Barrow's (Sturgis, Mich.) n.d. E.A. Jones - Arm Lock - Bed Spring Cabinet card Private collection of Laddy Kite An example of a "banner lady." These women were hired by retailers to cover themselves with the items sold by their employers. They were then photographed for advertising purposes. Many would march in "merchants parades," carrying their banners, and sporting their wares. |
| 13. |  | Oliver Sarony 1863, 26 June (after) Advertising Carte de Visite by Sarony, Scarborough, England Carte de visite, front Stereographica - Antique Photographica Courtesy of Bryan and Page Ginns (26 September 2009, #22 / 125) |
| 14. |  | Thomas Houseworth n.d. Page 29. Houseworth's illustrated catalogue of celebrities, 121 Montgomery Street, San Francisco, Cal. Photographic copy print 16.5 x 11.2 cm Yale University, Beinecke Rare Book and Manuscript Library Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call Number: Uncat WA MSS 429, Image ID Number: 1078684 |
| 15. |  | André Adolphe-Eugène Disdéri 1870 (ca) Les Jambes de l'opera Albumen print carte de visite 8.8 x 5.1 cm George Eastman Museum Courtesy of George Eastman House, Gift of Eastman Kodak Company: ex-collection Gabriel Cromer, (GEH NEG:26032 13371) |
| 16. |  | Richard E. Walzl n.d. Advertising card for photographic supplies from Richard Walzl, Baltimore Carte de visite Archives of Modern Conflict OR National Gallery of Canada |
| 17. |  | Selleck (San Francisco) 1865-1875 Cosmopolitan Gallery - Selleck Photographer - 415 Montgomery St, San Francisco, Cal. Carte de visite Private collection of Bill Lee |
| 18. |  | I.W. Taber 1880 (published) Col. John P. Jackson [President Post Publishing Company, and Managing Editor] [The Taber photographic album of principal business houses, residences & persons] Directory page, with tipped in albumen print 26.7 x 18.3 cm (image) 43.9 x 29.5 cm (mount) Yale University, Beinecke Rare Book and Manuscript Library Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call number: WA Photos 266, Image ID Number: 1131397 Taber photographs mounted on pages of advertisements for San Francisco businesses. Most of the photographs depict the outside of the business building. I. West Taber The Taber photographic album of principal business houses, residences & persons (San Francisco : I. W. Taber, 1880) |
| 19. |  | I.W. Taber 1880 (published) Nicoll the Tailor [The Taber photographic album of principal business houses, residences & persons] Directory page, with tipped in albumen print 16.6 x 22.1 cm (image) 43.9 x 29.5 cm (mount) Yale University, Beinecke Rare Book and Manuscript Library Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call number: WA Photos 266, Image ID Number: 1131399 Taber photographs mounted on pages of advertisements for San Francisco businesses. Most of the photographs depict the outside of the business building. I. West Taber The Taber photographic album of principal business houses, residences & persons (San Francisco : I. W. Taber, 1880) |
| 20. |  | I.W. Taber 1880 (published) Mrs. W.P. Rutherford & Co., Harding Supporters and Bandages [The Taber photographic album of principal business houses, residences & persons] Directory page, with tipped in albumen print 21.6 x 16.9 cm (image) 43.9 x 29.5 cm (mount) Yale University, Beinecke Rare Book and Manuscript Library Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call number: WA Photos 266, Image ID Number: 1131398 Taber photographs mounted on pages of advertisements for San Francisco businesses. Most of the photographs depict the outside of the business building. I. West Taber The Taber photographic album of principal business houses, residences & persons (San Francisco : I. W. Taber, 1880) |
| 21. |  | I.W. Taber 1880 (published) Mrs. W.P. Rutherford & Co., Harding Supporters and Bandages [The Taber photographic album of principal business houses, residences & persons] Directory page, with tipped in albumen print 21.6 x 16.9 cm (image) 43.9 x 29.5 cm (mount) Yale University, Beinecke Rare Book and Manuscript Library Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call number: WA Photos 266, Image ID Number: 1131398 Taber photographs mounted on pages of advertisements for San Francisco businesses. Most of the photographs depict the outside of the business building. I. West Taber The Taber photographic album of principal business houses, residences & persons (San Francisco : I. W. Taber, 1880) |
| 22. |  | Samuel McMullin n.d. Geo. W. Metz & Sons, Manufacturers of Brushes and Blacksmiths' Bellows, No. 909 Market Street, above Ninth, Philadelphia Albumen print, tipped-in, framed Private collection of Dan Weinstock Possibly from an Advertising Album. |
| 23. |  | Samuel McMullin n.d. Geo. W. Metz & Sons, Manufacturers of Brushes and Blacksmiths' Bellows, No. 909 Market Street, above Ninth, Philadelphia Albumen print, tipped-in Private collection of Dan Weinstock |
| 24. |  | Centennial Photographic Co. 1876? Telephone - for "Art and industry" - Koenig's Telephone Albumen print 20 x 12 cm Free Library of Philadelphia Collection: Centennial Exhibition, Item No: c011530 Exhibit title: Koenig, Rudolph, Paris, Exhibit #148, Main Exhibition Building, Bldg. #1. |
| 25. |  | T.H. M'Bride n.d. Advertising card for T.H. M'Bride, Photographic Artist Advertising card Archives of Modern Conflict OR National Gallery of Canada Note the range of services offered: Pictures from Minature to Life Size. Photographs Colored in Oil. Visiting Card Pictures, Stereoscopes, &c. |
| 26. |  | George Anderson n.d. Hilton's Corn Exterminator Carte de visite Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (Skylight Gallery Catalog 27, October, 23, 2008 #64) Geo. Anderson (Norwich, Conn.) An older man wearing advertising signboards which read "Keep Thy Foot / Internal Remedy That Cures Corns and Bunions / Dr. Hiltons Corn Exterminator / For Sale By B. A. Herrick Wauregan House Pharmacy." With reverse imprint for "Geo. Anderson, Bill's Block, 35 Shetucket St., Norwich, Conn." |
| 27. |  | John Thomson 1877 The London boardmen [Street Life in London] Woodburytype 4.25 x 3.25 in (image) Pierre Spake Fine Art Pierre Spake Fine Art [7794] |
| 28. |  | Unidentified photographer / artist n.d. Parts of the Columbus Watch Cabinet card Capitol Gallery Courtesy of Capitol Gallery (Fall 2008 Auction, #59) Spectacular cabinet card showing the parts of the Columbus Watch. In this image all the parts are meticulously arranged in an extremely artistic manner. The face of the watch reads Columbus Railway King with an illustration of an engine just below the twelve. The hands have been set to 8:05 with the second hand on the 5. At the bottom it reads that the hands indicate the No. of pieces, 185. Below the logo for the Columbus Watch Company, in small print on the bottom left, is the photographer's name, Baker's Art Gallery. The back of the card has a list of 7 items why the Columbus Watch is the Best. |
| 29. |  | Unidentified photographer / artist n.d. Parts of the Columbus Watch (reverse) Cabinet card, back Capitol Gallery Courtesy of Capitol Gallery (Fall 2008 Auction, #59) Spectacular cabinet card showing the parts of the Columbus Watch. In this image all the parts are meticulously arranged in an extremely artistic manner. The face of the watch reads Columbus Railway King with an illustration of an engine just below the twelve. The hands have been set to 8:05 with the second hand on the 5. At the bottom it reads that the hands indicate the No. of pieces, 185. Below the logo for the Columbus Watch Company, in small print on the bottom left, is the photographer's name, Baker's Art Gallery. The back of the card has a list of 7 items why the Columbus Watch is the Best. |
| 30. |  | Benziger Brothers n.d. Father Damien, Leper colony Cabinet card Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (47 / 156) Priest who worked at a leper colony and contracted leprosy from which he died in 1873. He was considered a paradigm of humane self-sacrifice. Cabinet card by Benziger Brothers, sold for the benefit of the Leper Mission. |
| 31. |  | L.A. Sawyer 1880s (ca) University Singers of New Orleans; In aid of Colored Orphans' Home of Louisiana. Cabinet card NYPL - New York Public Library Courtesy of The New York Public Library www.nypl.org, Image ID: 02SCCAB |
| 32. |  | n.d. French photographer's advertising photograph showing a montage of identified actors and actresses on the front. Advert 3 1/8 in x 5 in Capitol Gallery Courtesy of Capitol Gallery (Spring 2007 Auction, #82) The back illustrates a list of recommended photographers among them Nadar, along with other advertisement for perfumes, essences and extracts. |
| 33. |  | A.H. Hemple n.d. A.H. Hemple (Advertising CDV) Carte de visite Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (45 / 55) For A. H. Hemple, Philadelphia. A collage of images and stereo views of railroad and engineering subjects. Red-bordered CDV is slightly light. |
| 34. |  | F.L. Mitchell (St. Joseph, MO.) n.d. Business card for the Saint Joseph Art Gallery, No.16 Fourth Street, St. Joseph, MO. Business card Archives of Modern Conflict OR National Gallery of Canada |
| 35. |  | Unidentified photographer 1860s Union Hotel, Gordon, Penn'a. T.M. Bolich, Prop. Tintype, in cardboard mount Private collection of Andrew Daneman |
| 36. |  | Unidentified photographer n.d. An advertising premium from the Carmen Manufacturing Co,, Madera, PA Cabinet card Private collection |
| 37. |  | Unidentified photographer / artist n.d. With the Compliments of Him Who Sells Goods Cheap at East Mason, Warren Co., Ohio Carte de visite size, photographic business card Jeffrey Kraus Antique Photographics |
| 38. |  | Alphonse (28 Rue du Faubourg-St.-Honoré) 1855 (ca) Advertisement for Alphonse Albumen print, embedded on a journal page 3.25 x 2.5 ins (83 x 64 mm) Charles Schwartz Ltd This rare and striking advertisement gives us what may be one of earliest--and most unique--uses of photography in a commercial setting: a page from a journal made by mechanical reproduction (complete with illustrations drawn from engravings), in which an advertiser has embedded an actual, carte-de-visite-sized, albumen print. Readers would not only have a sense of one-to-one scale from this image, but they would also experience, first-hand, the difference in type between the sepia-toned likeness they might commission from the photographer, vs. the broadside-like, b & w engravings pictured above--and with which they'd be most familiar. A fascinating document (of interest to both enthusiasts of early photography, and print media) of the meeting of nascent and existing technologies. In brief translation, the Photographer, one "Alphonse" of Number 28 Rue du Faubourg-St.-Honoré boasts his diverse offerings to the potential client: studio props (paintings, machines, furniture, statues and other objects d'art); his ability to teach any amateur the collodion process; his ability to speak foreign languages, et al. Alphonse keeps studio hours of 10AM-5PM, every day of the week. (Charles Schwartz) |
| 39. |  | Unidentified photographer / artist n.d. The Tremont Watch Company (Advertising CDV) - Front Carte de visite Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (45 / 53) Carte de visite with full advertising back. The building has a large sign for their office at 331 Washington Street in Boston, but this may be their factory in Melrose (the agents listed on the back have their offices at 12 West Street.) |
| 40. |  | Williams Studio 1924 (ca) A Group of Chairs, Haverhill, Massachusetts Silver print 15.9 x 20.6 cm (6 1/4 x 8 1/18 in) American Art Museum, Smithsonian Institution Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment |
| 41. |  | Thomas Houseworth n.d. An "Old Soldier" left by Gen. U.S. Grant at Houseworth's Photographic Studio." Cabinet card Jeffrey Kraus Antique Photographics |
| 42. |  | Prestel (Porte St Denis, Paris) 1860 (ca) A monkey in tails and a cat in a dress Carte de visite 19th century photography A very rare carte de visite of a posed tableau of a stuffed monkey in tails and a stuffed cat in a dress, advertising the products (collars & cravates) of Maison Daniel, Aux Deux Tetes, Passage du Saumon, Paris. |
| 43. |  | Unidentified photographer 1881 Baldwin Locomotive Works Albumen print, tipped in Linda Hall Library of Science, Engineering and Technology Identifier : rr025003, Call Number : TJ625.B2 B363 ESL Baldwin locomotive works, 187-, Illustrated catalogue of locomotives (Philadelphia, J.B. Lippincott & Co.), Page 56. |
| 44. |  | Centennial Photographic Co. 1876? Walter G. Wilson & Co. - Crackers Albumen print 44 x 54 cm Free Library of Philadelphia Collection: Centennial Exhibition, Item No: c042466 "None such crackers at retail."--Display sign. Display with boxes of baked products, including crackers, cookies, biscuits, wafers, macaroons, orange fingers, vanilla creams, tea biscuits, and almond rings. Exhibit titles: Wilson, Walter G., & Co., Philadelphia, Pa., Exhibit #257; Exton, Adam, & Co., Trenton, N.J., Exhibit #274, Agricultural Hall, Bldg. #152. |
| 45. |  | Unidentified photographer 1900 Raw Hide Gear Blank, 453 pounds from Holbrook Raw Hide Co. Providence R.I. Gelatin silver print Museum of Photographic Arts - MOPA Gift of Stephen White, Accession Number: 2005.024.051 |
| 46. |  | József Pécsi 1930 (published) Book cover for J. Pécsi Photo und Publizität - Photo and Advertising (Berlin: Josef Singer A.-G, 1930) Book cover Eric Chaim Kline, Bookseller Stock id: #24579 First edition. 4to. 15,[2],xxxiipp. Original photographic wrappers protected by modern mylar. Rare first edition of Pecsi's remarkably bold advertising photomontages, and one of the first books on the subject of photography in advertising. Both the leading prize in commercial photography in Hungary and the library at the House of Hungarian photography are named after this key figure of the New Objectivity and European avant-garde. Illustrated with 36 photomontages printed in red and black. Pages unopened as issued. Text in German and English. |
| 47. |  | Ed Van der Elsken 1966 (published) Book page for Ed Van der Elsken Sweet Life (Köln: M. DuMont Schauberg, 1966) Book page Eric Chaim Kline, Bookseller Stock id: #24934 First German edition. Large square quarto. [26],179pp. Black cloth with signature of artist stamped in white on front cover in original photographic dust jacket. Photographic endpapers. Fascinating pictorial account of Dutch photographer Ed Van der Elsken's 1960 trip to Asia and North America. The work is profusely illustrated with b/w reproductions of photographs focusing on the daily life of people in these countries. The artist succeeds in capturing the joy, as well as the hardship of its inhabitants. The work was published worldwide in 7 editions. "Van der Elsken hat weder sogenannte Sehenswürdigkeiten noch Landschaften fotografiert; das überläßt er anderen. Sie tauchen zwar in seinen Fotos auch auf, aber das Hauptaugenmerk des Fotografen wie seiner Kamera galt immer dem Menschen, seinem Leiden und Glück, der Vielfalt des Lebens, das er voll Verständnis und Teilnahme und gerade deshalb aufrichtig und ehrlich bis zur Brutalität notierte." Text in German. "Sweet Life is a sprawling, exuberant cornucopia, a preview of the pure stream-of-consciousness, machine-gun approach that would soon come with the Japanese Provoke photographers. And like the Provoke aesthetic, Van der Elsken's work has its dark and pessimistic undertones, although in Sweet Life bold, frantic energies predominate." (Parr/Badger, vol. I, p.255). |
| 48. |  | Edmund Kesting 1958 (published) Book cover for Edmund Kesting Ein Maler sieht durch's Objektiv (Halle: Fotokino, 1958) Book cover Eric Chaim Kline, Bookseller Stock id: #23849 First edition. 4to. 47 pages of text with some in-text b/w drawings followed by 100 pages of b/w reproductions of photographs. Gray cloth with Kesting's signature stamped in blue on cover, blue lettering on spine in original pictorial dust jacket. Dj designed by artist. Color frontispiece of the Dresdner Frauenkirche after a painting by Kesting. In the early 1920's German photographer, painter & graphic designer Edmund Kesting (1892-1970) was closely involved with the artistic avant-garde. After 1925 he became well-known for his experimental photography, especially his masterful work in photomontage of which many examples are shown in this publication. Includes contributions by Hans Havemann, Edmund Kesting and Prof. Dr. Will Grohmann. |
| 49. |  | Unidentified photographer 1945 (ca) Pharmaceutical publicity - Irgapyrine Gelatin silver print, photomontage 5.1 x 7.1 in Past to Present: Vintage Photo Gallery |
| 50. |  | Willy Kessels 1930s Advertising still life bottles of cod-liver oil Gelatin silver print, matte 24 x 18 cm Bassenge Photography Auctions (88 / 4240) |
| 51. |  | Unidentified photographer 1945 (ca) Pharmaceutical publicity - Sterosan Gelatin silver print, photomontage 5.1 x 7.1 in Past to Present: Vintage Photo Gallery |
| 52. |  | Wynn Richards 1948 Preparing Yarn for Weaving (National Cotton Council Advertisement) Gelatin silver print 37 x 26 cm Library of Congress, Prints and Photographs Division Warren and Margot Coville Collection, Prints & Photographs Division, Library of Congress [LC-USZC4-9825] Clarence H. White School of Photography Advertising photograph for National Cotton Council shows two fashion models superimposed on an image of a loom in a cotton mill. |
| 53. |  | Unidentified photographer 1940s (ca) Advertising collage Gelatin silver print 14 x 12 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (46 / 200) |
| 54. |  | Claude Tolmer 1930 (ca) Advertisement for "Suze" Gelatin silver print Feroz Gallery |
| 55. |  | Unidentified creator n.d. Advertising "Calahan AAA Whiskey" Magic lantern slide 3.25 x 4 ins Stereographica - Antique Photographica Courtesy of Bryan and Page Ginns (#21 / 75) |
| 56. |  | Unidentified creator n.d. Advertising "Coca-Cola" Magic lantern slide 3.25 x 4 ins Stereographica - Antique Photographica Courtesy of Bryan and Page Ginns (#21 / 75) |
| 57. |  | Jac. De Nijs (Anefo) 1962, 5 April A vacuum cleaner used as a hair dryer Gelatin silver print National Archive of the Netherlands / Nationaal Archief Bestanddeelnummer: 913-7320 |
| 58. |  | Unidentified photographer 1950s (early) Still life "revere" Movie Camera Advertising Gelatin silver print 14 x 10.5 in OMC Gallery for Contemporary Art |
| 59. |  | Willy Kessels 1930s Advertising still life with glass and pills Gelatin silver print, matte 24 x 18 cm Bassenge Photography Auctions (88 / 4241) |
| 60. |  | Lejaren à Hiller n.d. [CHECK TITLE: In the XVIth century Giovanni Andrea Dalla Croce performs a successful hysterectomy.] [Surgery Through the Ages] Source requested |
| 61. |  | Margaret Bourke-White 1930s Studio interior, with decorative furniture by John Vassos Silver print, warm-toned 13 x 9 1/2 in (33 x 24.1 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Dec 13, 2007, Sale 2132 Lot 391) With Bourke-White's signature, in pencil, on mount recto. |
| 62. |  | Ralph Bartholomew 1948 Kodak Advertisement Gelatin silver print 9 ¢ x 11 ¢ in (image) 15 x 12 ¢ in (paper) Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim (Auction: March 13, 2008, 51, part 2 / lot 181) Signed recto, vintage gelatin silver print, 1948. Archetypal image of the post WWII American family according to Kodak. |
| 63. |  | Unidentified photographer / artist 1937, 17 April Lamp within Lamp National Museum of American History, Smithsonian Institution © Mazda - courtesy of Smithsonian National Museum of American History (Science Service Ref: CD 1964005 E&MP25.060) |
| 64. |  | Underwood & Underwood 1940s Ruppert Beer Ad Gelatin silver print 10 x 8 in OMC Gallery for Contemporary Art Stamped on verso and stencil in left upper part of image. |
| 65. |  | Philippe Halsman 1948 Advertisement published in the magazine "Beauty Spots" Gelatin silver print 3 x 4 in Private collection of Brad Feuerhelm |
| 66. |  | Adolph B. Rice Studio (Richmond, Virginia) 1958, 21 July Continental Can Company, Fizzies tablets store display Negative, safety film 4 x 5 in (negative) Library of Virginia - State Library and Archive Rice Collection 1927B |
| 67. |  | Gordon Coster 1930s Still Life with Mask Gelatin silver print 13 5/5 x 10 1/2 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (53 / 129) This was an advertisement for Marshall Fields. 13 5/8" x 10 ¢" gelatin silver print dry mounted to board. Signed by Coster in pencil on the mount recto. A vintage 1930's print. |
| 68. |  | Adolf Lazi 1950s Porcelain tableware advertising photograph Gelatin silver print, ferrotyped 23 x 17 cm Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4282 |
| 69. |  | Philippe Halsman 1950s Campbell's Soup Company Gelatin silver print 35.5 x 27.8 cm Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4243 |
| 70. |  | Lejaren à Hiller n.d. [CHECK TITLE: In the 1500s Bartholomeo Maggi refined his amputation techniques by practicing on thieves having their hands chopped off.] [Surgery Through the Ages] Source requested |
| 71. |  | Hans Finsler 1927-1928 Most chocolate bars II Gelatin silver print, ferrotyped 22.1 x 14.4 cm Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4219 |
| 72. |  | Hans Finsler 1928-1929 Beleuchtungskörper (Light fixtures) Gelatin silver print, ferrotyped Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4220 |
| 73. |  | Adolf Lazi 1930s Advertising photograph (lace, fabric) Gelatin silver print, ferrotyped Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4280 |
| 74. |  | Max Baur 1920s (late) Advertising Photo for Stockings Gelatin silver print, ferrotyped 15.45 x 23.7 cm Bassenge Photography Auctions Bassenge 91. Auction - 19th - 21st Century Photography (June 11, 15.00, 3 PM CET), Lot: 4623 |
| 75. |  | Adolph B. Rice Studio (Richmond, Virginia) 1958, 23 July Continental Can Company, store display for cucumbers for C.J. Prettyman, Jr., produce broker, Exmore, Virginia Negative, safety film 4 x 5 in (negative) Library of Virginia - State Library and Archive Rice Collection 1932B |
| 76. |  | John Hall-Edwards (British, 1858-1926) 1897 Midland Tyre (as photographed by the Röntgen Rays) Gelatin silver print, on lettered mount image: 16.5 x 21.6 cm (6 1/2 x 8 1/2 ins) mount: 36.2 x 33 cm (14 1/4 x 13 ins) Princeton University Art Museum Museum purchase, anonymous gift in honor of Peter C. Bunnell, Object Number: 2006-90 For another copy: Rijksmuseum, Object number: RP-F-2016-108 hdl.handle.net/10934/RM0001.COLLECT.650209 |
| 77. |  | Alfons Himmelreich n.d. Kidma moveable lift Gelatin silver print 18 x 24 cm Silver Print Gallery and Archive The word Kidma in Hebrew means progress. |
| 78. |  | Alfons Himmelreich n.d. Kidma moveable lift advert Advert Silver Print Gallery and Archive The word Kidma in Hebrew means progress. |
| 79. |  | Alfons Himmelreich n.d. Kidma moveable lift advert Advert Silver Print Gallery and Archive The word Kidma in Hebrew means progress. |
| 80. |  | Alfons Himmelreich 1944 Cooking pots Palalum (Palestine Aluminium Company) Digital print made from negative Silver Print Gallery and Archive |
| 81. |  | A. Hameryckx 1950 (ca) Persil - Vixil Silver print, with pencil and gouache (photocollage) 35 x 25.8 cm AnamorFose |
| 82. |  | A. Hameryckx 1950 (ca) Persil Silver print, with pencil and gouache (photocollage) 19.7 x 16.1 cm AnamorFose |
| 83. |  | A. Hameryckx 1950 (ca) Le réseau alternatif Gelatin silver print 23.5 x 16.7 cm AnamorFose |
| 84. |  | Bruno Braquehais 1873 Modeles de pendules Tirage sur papier albuminé d'après négatif sur verre au collodion 15 x 20 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Le mat 1a bo¯te 4o. Dépôt légal 1873 |
| 85. |  | Robert Waida 1922 Colgate's Ribbon Dental Cream Gelatin silver print 6 7/8 x 8 9/16 in Library of Congress, Prints and Photographs Division Warren and Margot Coville Collection, Prints & Photographs Division, Library of Congress [LC-USZC4-9791] Clarence H. White School of Photography |
| 86. |  | Margaret Watkins 1924 Woodbury's Facial Soap (Advertisement) Palladium print 6 1/8 x 8 in Library of Congress, Prints and Photographs Division Warren and Margot Coville Collection, Prints & Photographs Division, Library of Congress [LC-USZC4-9798] Clarence H. White School of Photography |
| 87. |  | Julia Marshall 1922 (ca) or 1927 Hershey's (advertisement) Silver platinum and gum bichromate print 3 9/16 x 5 1/2 in Library of Congress, Prints and Photographs Division Warren and Margot Coville Collection, Prints & Photographs Division, Library of Congress [LC-USZC4-9785] Clarence H. White School of Photography |
| 88. |  | Peter Keetman 1950 (ca) Photography laboratory accessories Gelatin silver print 18 x 23.8 cm Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4268 |
| 89. |  | Max Baur 1930s Collar by Dornbusch Gelatin silver print, ferrotyped 8.8 x 13 cm Lempertz - Cologne Auction 1012, May 24, 2013, Lot: 30 |
| 90. |  | Helmut Gernsheim 1940 (ca) Advertisement for Frysol Products Gelatin silver print 10.2 x 12.7 cm Harry Ransom Humanities Research Center at the University of Texas at Austin HRC |
| 91. |  | Roman Advertising Photography (Chicago) 1939-1940 Pepsodent Liquid Gelatin silver print 8 x 10 in OMC Gallery for Contemporary Art Stamped. |
| 92. |  | Heinrich Koch 1929-1932 Object study with screws Gelatin silver print, ferrotyped 17 x 22.2 cm Bassenge Photography Auctions Photography 19th-21st Century (1 June 2011) Lot: 4274 |
| 93. |  | Unidentified photographer 1915 (ca) Water Proof Shoe Advertising Photo postcard Private collection of Robert Bogdan Courtesy of Robert Bogdan This photo postcard is included in the book: Bob Bogdan and Todd Weseloh Real Photo Postcard Guide: The People's Photography, Syracuse University Press, 2006. |
| 94. |  | William E. Cornelia 1964 Aluminium Company Gelatin silver print, photomontage 20 x 24.5 cm PhotoBigBang |
| 95. |  | Hans Finsler 1929, May (before) Aschenschalen II Gelatin silver print 15,5 x 23,7cm Van Ham Fine Art Auctions Auction, Photography, 9 December 2011, Sale: 307, Lot: 1541 Hans Finsler. Neue Wege der Photographie. Ed.: Staatliche Galerie Moritzburg Halle. Leipzig: Edition Leipzig, 1991. fig. plate 282 p. 143 and 234. |
| 96. |  | Hans Finsler 1928, May (before) Silk Gelatin silver print 21 x 15.6 cm Van Ham Fine Art Auctions Auction, Photography, 9 December 2011, Sale: 307, Lot: 1540 Hans Finsler. Neue Wege der Photographie. Ed.: Staatliche Galerie Moritzburg Halle. Leipzig: Edition Leipzig, 1991. fig. plate 185 p. 218. |
| 97. |  | Sam Hood 1915-1939 (ca) Victoria China dinnerware Photoprint Mitchell Library, State Library of New South Wales Hood Collection part II: [Advertisements, catalogs, products, shows & exhibitions, etc.] |
| 98. |  | Margaret Bourke-White 1933 Study for RCA Mural Gelatin silver print 13 x 9 Galerie Zur Stockeregg |
| 99. |  | Unidentified photographer 1926 (ca) Hudson's Bay Company's New Store, Winnipeg, Man. Gelatin silver print, Real photo postcard 3 1/2 x 5 1/2 ins Stephen Bulger Gallery Courtesy of Stephen Bulger Gallery This photograph was included in the exhibition "O Canada" at the Stephen Bulger Gallery (January 23 - February 27, 2010). |
| 100. |  | Josef Sudek 1928-1936 Advertising Photography, China from company Sutnar Gelatin silver print 6.5 x 9 in OMC Gallery for Contemporary Art Stamped on verso. Sudek by Anna Farova, Prague 1995 pg. 50 |
| 101. |  | Adolph B. Rice Studio (Richmond, Virginia) 1958, 8 September Thalhimers, doll Negative, safety film 4 x 5 in (negative) Library of Virginia - State Library and Archive Rice Collection 1995A |
| 102. |  | Paul Outerbridge 1920 (ca) Advertisement for Marmion Motor Co., New York Platinum print, montage 4 1/4 x 9 1/2 in (10.8 x 24.1 cm) Swann Galleries - New York Sale 2208 Lot 92 With Outerbridge's estate stamp and the number "419," in pencil, on mount verso. The Photograph and the American Dream 1840-1940, 113. Paul Outerbridge Jr.'s infallible eye for beauty and form made him an ideal advertising photographer. With an innate understanding of the relationship between glamour and pleasure, Outerbridge studied the formal aspects of the objects he photographed and transformed them, subverting familiar articles into modernist abstractions. Nowhere is that talent more evident than in the advertisement for Marmon automobiles offered here. This juxtaposition of bold silhouette and finely rendered detail conveys confidence, modernity, and power. In a seemingly simple composition, Outerbridge creates a narrative of historic tradition as well as forward-thinking technology for the high-end consumer. Though he is now known for spectacular experiments with color photography, Outerbridge had achieved fame as a commercial photographer by the early 1920s. His rise to prominence came astonishingly quickly. In 1921 he enrolled in Clarence White's School of Photography and by the next year was published in Vogue magazine. (This was his well-known "Ide Collar," which transformed common perceptions of advertising and even attracted the interest of Marcel Duchamp). Outerbridge believed that photography best exemplified the modern age and temperament. He created compositions that championed the purity of form, spatial arrangement and post-WWI modernist aesthetics. A highly skilled photographer, Outerbridge made preliminary drawings for many of his compositions and insisted on using platinum paper--a luxury good during the wartime era--because of the rich tonal quality it gave his negatives. Founded in 1902 by Howard Marmon, Marmon Motor Car Company quickly became successful in the early days of the automobile industry. The cars were characterized by ambitious mechanical engineering and stylish design. The Marmon Wasp won the Indianapolis 500 in 1911 (with the first rear view mirror), and, in 1916, a team of drivers in the Marmon 34 broke the transcontinental record by driving cross-country in less than 6 days. Only in business until 1933, Marmon cars were produced in relatively small quantities and are now prized by collectors. |
| 103. |  | Nickolas Muray 1936 Lucky Strike, Girl with Snowshoes Carbro print George Eastman Museum © Nickolas Muray Photo Archives, Courtesy of George Eastman House, Gift of Mrs. Nickolas Muray (71:0051:0009) |
| 104. |  | Nickolas Muray 1936 Lucky Strike, Girl in Red Carbro print George Eastman Museum © Nickolas Muray Photo Archives, Courtesy of George Eastman House, Gift of Mrs. Nickolas Muray (71:0034:0015) |