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| 1. |  | Jules Itier 1844, October Vue prise de Macao Daguerreotype 17 x 21 cm (mount) 9.3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.31 |
| 2. |  | Jules Itier 1844, October Vue renversée de la Praia Grande à Macao Daguerreotype 17 x 21 cm (mount) 9.3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.15 |
| 3. |  | Jules Itier 1844, October Porte de la Grande Pagode de la ville chinoise à Macao Daguerreotype 17 x 21 cm (mount) 9.3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.3 |
| 4. |  | Jules Itier 1844, November Canton Daguerreotype 17 x 21 cm (mount) 9,3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.17 |
| 5. |  | Jules Itier 1844, November Principal corps de logis de la maison de campagne de Pan Tsen Chen, grand mandarin de 1ere classe bouton rouge, plume de paon, au-dessus de Canton Daguerreotype 17 x 21 cm (mount) 9.3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.25 |
| 6. |  | Jules Itier 1844, November Groupe pris dans une rue de Canton Daguerreotype 17 x 21 cm (mount) 9.3 x 14.3 cm (image) Musée français de la Photographie Inventory no: 90.7683.4 |
| 7. |  | Giacomo Caneva 1859 Portrait of a Family Salted paper print Getty Research Institute Partial gift of The Kelton Foundation, 2007.R.10.3. |
| 8. |  | Felice Beato 1860, 13-24 October View of the northeast corner watchtower and walls of the Inner City, Peking (now Beijing), China Albumen print CCA: Canadian Centre for Architecture PH1979:0482:002 |
| 9. |  | Felice Beato 1860 Interior view of the North Fort of Taku on the Peiho River, near Tientsin (Tianjin), China, following its capture by the English and French armies on August 21st 1860. The battlements and cannons are surrounded by Chinese corpses. Albumen print Wellcome Collection Wellcome Library, London (V0037624) |
| 10. |  | Felice Beato 1860, 1 August Interior of the Pehtang Fort Showing the Magazine and Wooden Gun, August 1, 1860 Albumen print 15 3/16 x 17 11/16 ins J. Paul Getty Museum 2007.26.198.9 |
| 11. |  | Felice Beato 1860 Prince Gong Qinwang of China Albumen print National Army Museum Negative No. 37907, Accession No. NAM. 1967-09-83-7 |
| 12. |  | Felice Beato 1861 (published) Prince Kung Book illustration Google Books Robert Swinhoe, Narrative of the North China Campaign of 1860; Containing Personal Experiences of Chinese Characters, and of the Moral and Social Condition of the Country; Together with a Description of the Interior of Pekin, (London, Smith, Elder and Co., 1861), frontispiece The taking of a portrait of Prince Kung by Signor Beato is given on. p.377-378. The imperial edict confirming all that Prince Kung had signed was duly received, and large proclamations on the 6th [November 1860] were posted up all over the city, making the terms of peace patent to all the Celestials. This last performance of the great act was considered so important that the army interpreters were deputed to accompany the mandarins commissioned for the purpose of having the same placarded in all conspicuous parts of the great city; and parcels of proclamations were made up ready for posting at important places on the downward march. Much cordiality now existed between Lord Elgin and Prince Kung, and visits were frequently exchanged. The Prince threw off the nervous restraint and show of bad humour that marked his first interview. He sat with pleasure for his photograph before the camera of Signor Beato, and we are thus enabled to give a view of his far from comely visage to our readers. He is said to bear a strong resemblance to the Emperor; and, indeed, a carefully executed portrait of his Celestial Majesty, which was secured by an officer from the Summer Palace, called so forcibly to our mind the physiognomy of the Prince that we declared it could be no other, until, from the Chinese inscription on the top, it was deciphered to represent the Emperor. |
| 13. |  | Felice Beato 1875 (published) Beato photographs the signing ceremony between Prince Kung and the Allied forces in the "Hall of Ceremonies" Book page Google Books Henry Knollys, Incidents in the China War of 1860 compiled from the Private Journals of General Sir Hope Grant, (Edinburgh and London: William Blackwood and Sons, 1875), p.209-210. |
| 14. |  | Felice Beato 1860 Summer Palace, Peking Albumen print National Army Museum Negative No. 16651, Accession No. NAM. 1967-09-83-65 |
| 15. |  | W.P. Floyd 1865-1874 A portrait of a seated Comprador Albumen print 17 x 20 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 16. |  | W.P. Floyd 1870 (ca) Studio Portrait of a Japanese Moonsmi Woman, Hong Kong Albumen print 24 x 19 cm Bassenge Photography Auctions Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4120, Dec 5, 2007) Lit.: Dennis George Crow. Historic Photographs of Hong Kong & China. 2001, ill. no. 60, p. 43. Merry A. Foresta. At First Sight: Photography and the Smithsonian. Washington 2003, ill. p. 170 ("Studio Portrait of Japanese Woman with Chair" - image from the same sitting). |
| 17. |  | W.P. Floyd 1869 (ca) Queens Road, Hongkong Albumen print 24.8 x 19 cm Tonpeek Photography |
| 18. |  | William Saunders 1870-1880 Studio Portrait of a seated Cantonese woman Albumen print 15 x 19.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) Original oval printing. |
| 19. |  | William Saunders 1865-1875 Studio portrait of a chicken feather duster vendor. [Shanghai] Albumen print 21.5 x 26 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 20. |  | William Saunders 1865-1872 Studio portrait of a woman weaving [Shanghai] Albumen print 26.5 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) This photograph has often been miss-attributed to L.F. Fisler a contemporary of Saunders. |
| 21. |  | William Saunders 1865-1875 Shanghai Winter Dress in a photographic studio (Shanghai) Albumen print 21 x 24.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 22. |  | William Saunders 1865-1875 [Opium smoking, Shanghai] Albumen print 19.5 x 14.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) A rarely seen studio study of a man smoking opium and a man smoking a tabaco pipe.This photograph was printed with rounded corners. The dark boarder is part of the matt and not the photograph. |
| 23. |  | William Saunders 1865-1875 Studio portrait of a street restaurant vendor. [Shanghai] Albumen print 25.5 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 24. |  | William Saunders 1865-1875 Studio study of a street restaurant vendor. [Shanghai] Albumen print 25.5 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 25. |  | William Saunders 1865-1875 Studio portrait of two blind male musicians [Shanghai] Albumen print 20 x 24.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 26. |  | William Saunders 1865-1875 Studio study of a seated gentleman having a pedicure [Shanghai] Albumen print 26 x 19.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 27. |  | William Saunders 1865-1872 Fortune-teller with customer (Shanghai) Albumen print 26.5 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 28. |  | William Saunders 1865-1875 A Chow-chow Party in a photographic studio (Shanghai) Albumen print Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 29. |  | William Saunders 1865-1872 Cotton Spinning (Shanghai) Albumen print 26 x 21.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 30. |  | William Saunders 1865-1872 Cotton Trolling Machine (Shanghai) Albumen print 22 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 31. |  | William Saunders 1865-1875 Shanghai Musicians in a photographic studio (Shanghai) Albumen print 26 x 21 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 32. |  | William Saunders 1865-1872 Studio study of a Chinese court room [Shanghai] Albumen print 25 x 17.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 33. |  | William Saunders 1870-1880 Three women in a cangue [Shanghai] Albumen print 26 x 19.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) This photograph has often been wrongly dated in many publications as 1907. It is a well known image taken by Saunders in the 1870s. |
| 34. |  | William Saunders 1875-1876 Rattan shop in the foreign settlements (Shanghai) Albumen print 21 x 16 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) Published in "The Far East" Magazine in 1876. |
| 35. |  | Baron Raimund von Stillfried 1870s Soldat de la ligne [Line Soldier] Albumen silver print, from glass negative 23.7 x 19.2 cm (9 5/16 x 7 9/16 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (5a) |
| 36. |  | Baron Raimund von Stillfried 1870s Fille de lanxchow [Young Chinese Woman from Lanxchow] Albumen silver print, from glass negative 23.7 x 19.2 cm (9 5/16 x 7 9/16 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (6a) |
| 37. |  | Baron Raimund von Stillfried 1870s Fille de Shanghai [Young Chinese Woman from Shanghai] Albumen silver print, from glass negative 23.7 x 19.2 cm (9 5/16 x 7 9/16 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (21a) |
| 38. |  | Baron Raimund von Stillfried 1870s Filles de Shanghai [Young Chinese Women from Shanghai] Albumen silver print, from glass negative 23.7 x 19.2 cm (9 5/16 x 7 9/16 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (28a) |
| 39. |  | Baron Raimund von Stillfried 1870s [Chinese Woman Sitting with Basket] Albumen silver print, from glass negative 23.7 x 19.2 cm (9 5/16 x 7 9/16 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, Accession Number: 2005.100.505 (30a) |
| 40. |  | Baron Raimund von Stillfried 1870s [Chinese Gentleman] Albumen silver print, from glass negative 23.7 x 19.1 cm (9 5/16 x 7 1/2 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (1a) Inscribed Title: [illegible] de Shanghai |
| 41. |  | Baron Raimund von Stillfried 1870s [Young Chinese Gentleman] Albumen silver print, from glass negative 25.7 x 19.3 cm (10 1/8 x 7 5/8 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, , Accession Number: 2005.100.505 (7a) Inscribed Title: [illegible] Mandarin |
| 42. |  | Baron Raimund von Stillfried 1870s Fille de Shanghai [Young Chinese Woman from Shanghai] Albumen silver print, from glass negative 23.7 x 19.3 cm (9 5/16 x 7 5/8 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (8a) |
| 43. |  | Baron Raimund von Stillfried 1870s [Two Chinese Men in Matching Traditional Dress] Albumen silver print, from glass negative 23.6 x 19.3 cm (9 5/16 x 7 5/8 ins) Metropolitan Museum of Art Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.505 (27a) Inscribed Title: [illegible] d'un Mandarin |
| 44. |  | John Thomson 1868-1872 Two figures in a moon gate in a private garden. [Canton] Albumen print 28 x 22.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 45. |  | John Thomson 1873-1874 Book cover for John Thomson, "Illustrations of China and Its People", 4 vols, (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]) Book cover Yale University, Beinecke Rare Book and Manuscript Library John Thomson, Illustrations of China and Its People, a Series of Two Hundred Photographs with Letterpress Description of the Places and People Represented, 4 vols. (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]) |
| 46. |  | John Thomson 1873-1874 Title page for John Thomson, "Illustrations of China and Its People", 4 vols, (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]) Title page Yale University, Beinecke Rare Book and Manuscript Library John Thomson, Illustrations of China and Its People, a Series of Two Hundred Photographs with Letterpress Description of the Places and People Represented, 4 vols. (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]) |
| 47. |  | John Thomson 1869-1871 A Chinese portrait artist, Hong Kong Glass negative, stereo 10.5 x 21.5 cm (4 x 8 ins) approx. Wellcome Collection L0055677 |
| 48. |  | John Thomson 1869-1871 A Chinese portrait artist, Hong Kong Glass negative, stereo, left half, cropped 10.5 x 21.5 cm (4 x 8 ins) approx. (full) Wellcome Collection L0055677 (based on) |
| 49. |  | John Thomson 1873-1874 (Published) A Hong-Kong Artist Book illustration Yale University, Beinecke Rare Book and Manuscript Library John Thomson, Illustrations of China and Its People, a Series of Two Hundred Photographs with Letterpress Description of the Places and People Represented, 4 vols. (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]), Vol. 1 A Hong-Kong Artist Lumqua was a Chinese pupil of Chinnery, a noted foreign artist, who died at Macao in 1852. Lumqua produced a number of excellent works in oil, which are still copied by the painters in Hong-Kong and Canton. Had he lived in any other country he would have been the founder of a school of painting. In China his followers have failed to grasp the spirit of his art. They drudge with imitative servile toil, copying Lumqua's or Chinnery's pieces, or anything, no matter what, just because it has been finished and paid for within a given time, and at so much a square foot. There are a number of painters established in Hong-Kong, but they all do the same class of work, and have about the same tariff of prices, regulated according to the dimensions of the canvas. The occupation of these limners consists mainly of making enlarged copies of photographs. Each house employs a touter, who scours the shipping in the harbour with samples of the work, and finds many ready customers among the foreign sailors. These bargain to have Mary or Susan painted on as large a scale and at as small a price as possible, the work to be delivered framed and ready for sea probably within twenty-four hours. The painters divide their labour on the following plan. The apprentice confines himself to bodies and hands, while the master executes the physiognomy, and thus the work is got through with wonderful speed. Attractive colours are freely used; so that Jack's fair ideal appears at times in a sky-blue dress, over which a massive gold chain and other articles of jewellery are liberally hung. These pictures would be fair works of art were the drawing good, and the brilliant colours properly arranged; but all the distortions of the badly taken photographs are faithfully reproduced on an enlarged scale. The best works these painters do are pictures of native and foreign ships, which are wonderfully drawn. To enlarge a picture they draw squares over their canvas corresponding to the smaller squares into which they divide the picture to be copied. The miniature painters in Hong-Kong and Canton do some work on ivory that is as fine as the best ivory painting to be found among the natives of India, and fit to bear comparison with the old miniature painting of our own country, which photography has, now-a-days, in great measure superseded. |
| 50. |  | John Thomson 1876 Chinese artist, Hongkong Book illustration Google Books J. Thomson The Land and People of China. A Short Account of the Geography, History, Religion, Social Life, Arts, Industries, and Government of China and its People (London: Society for Promoting Christian Knowledge, 1876) |
| 51. |  | John Thomson 1898 (published, taken earlier) Chinese artist Photographic print 11 x 9 cm (4 x 3 1/2 in) NYPL - New York Public Library Courtesy of The New York Public Library www.nypl.org, Image ID: 834199 From John Thomson, Through China with a camera, (Westminster, Eng. : Constable, 1898) |
| 52. |  | John Thomson 1869 Peking, Pechili province, China: a travelling chiropodist. Glass plate Wellcome Collection Wellcome Library, London (L0055933) This plate was later copied for a wood engraving by Henri-Théophile Hildibrand after Etienne Antoine Eugène Ronjat which can be located at the Wellcome Library, London (V0016866, Library reference no.: ICV No 17008) |
| 53. |  | John Thomson 1869 (after) A travelling chiropodist tending to a male patient's foot, China. Wood engraving 16.4 x 11.3 cm Wellcome Collection Wellcome Library, London (V0016866, Library reference no.: ICV No 17008) Wood engraving by Henri-Théophile Hildibrand after Etienne Antoine Eugène Ronjat after J. Thomson. Pédicure ambulant. - Dessin de E. Ronjat, d'apres une photographie de M. Thomson. Hildibrand. |
| 54. |  | John Thomson 1868 The Great Wall of China, seen from a distance, Pechili Pass, China Glass plate, stereo Wellcome Collection Wellcome Library, London (V0037032) |
| 55. |  | John Thomson 1868 (ca) Hong Kong facing the harbour Glass plate Wellcome Collection Wellcome Library, London (V0036698) The street is known as the Praya or Des Voeux Road. The buildings are the office of Jardine Matheson and Co while the one next door is the office of Dent and Co., their chief rival in the opium trade. |
| 56. |  | John Thomson 1869 Hongkong facing the Harbour Albumen print 17.5 x 24 cm Source requested |
| 57. |  | John Thomson 1871 Yangtse Gorge, China Albumen print, from collodion negative Private collection After a dry summer, the water levels in the Yangtse were unusually low when Thomson took this beautiful photograph. This view disappeared forever when the Gezhou Dam was built in the 1950s, raising the river levels substantially as one of China's first hydro-electric and flood-prevention schemes. (John Hannavy, 2008) This photograph was included in the book by John Hannavy "Great Photographic Journeys - in the footsteps of Pioneer British Photographers" (Dewi Lewis Publishing, 2008 - # ISBN-10: 1904587542, # ISBN-13: 978-1904587545) This photograph was originally published in: John Thomson, Illustrations of China and Its People, a Series of Two Hundred Photographs with Letterpress Description of the Places and People Represented, 4 vols. (London: Sampson Low, Marston Low, and Searle, 1873 [vols. 1 and 2] and 1874 [vols. 3 and 4]), Vol.3, Plate XXIV. No.51. The Wu-Shan Gorge, Province of Szechuan |
| 58. |  | John Thomson 1871 (ca) The Bronze Pavilion, Summer Palace, Beijing, China Albumen print, from collodion negative Private collection "In any part of the east where I have travelled, I have generally found the early morning the best time for photographic purposes. The temperature is lower, and for an hour of two nature enjoys the most perfect repose." John Thomson 1873, in 'Illustrations of China and its People' (1873/4) Ruined by the British, the beautiful pavilion was abandoned and overgrown when Thomson visited. (John Hannavy, 2008) This photograph was included in the book by John Hannavy "Great Photographic Journeys - in the footsteps of Pioneer British Photographers" (Dewi Lewis Publishing, 2008 - # ISBN-10: 1904587542, # ISBN-13: 978-1904587545) |
| 59. |  | Lai Afong 1880-1890 Two young ladies dressed as male actors (Hong Kong) Albumen print 19 x 21.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) There has been confusion over this photographer and although photographs are frequently credited to Lai Afong this might be an error and the photographer should be Afong. (20 June 2006 - Dennis George Crow) |
| 60. |  | Lai Afong 1860s General View of Wuzhou Albumen silver print Getty Research Institute 2003.R.22.37 |
| 61. |  | Tung Hing 1860s-1870s [Untitled river view] [Album of Bohea / Wu-e Photographic Views] Albumen silver print Getty Research Institute 2003.R.23.39 |
| 62. |  | Liang Shitai 1878 Portrait of Li Hongzhang in Tianjin Albumen silver print Getty Research Institute 2006.R.1.4 Note the use of hand-brushed Chinese characters on the print. |
| 63. |  | Liang Shitai 1870s-1880s A Palace Eunuch, Beijing Albumen silver print Getty Research Institute 2007.R.10.2 |
| 64. |  | Milton Miller 1860s (ca) Mandarin Portrait of Woman and Man Albumen print 8 3/4 x 10 3/4 in Throckmorton Fine Art, Inc. |
| 65. |  | S. Yamamoto 1890-1900 Manchu woman seated in a donkey cart. [Peking] Albumen print 23 x 17 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 66. |  | S. Yamamoto 1890-1900 A street barber and street restaurant vendor. Albumen print 25 x 19 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) This photograph has been listed by some as 1870s. It was actually taken around 1900 and known to be by S. Yamamoto and was published by him. |
| 67. |  | A. Chan 1890-1900 Heavenly Peace Street [Canton] Albumen print 19 x 22.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 68. |  | Lucy Calhoun 1900-1905 Camel train outside Peking Gelatin silver print, hand-coloured, matt 15.5 x 11.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 69. |  | Lucy Calhoun 1900-1905 Fresh greens stalls in a Peking street Gelatin silver print, hand-coloured, matt 15.5 x 11.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 70. |  | Unidentified photographer 1890-1900 [Portrait, Shanghai] Albumen print 20 x 26 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) A studio portrait of a seated young women with bound feet. This is a rectangular photograph that has been matted with rounded corners. |
| 71. |  | Unidentified photographer / artist 1890-1910 A young woman reading in studio setting, holding a fan (Shanghai) Albumen print, hand-coloured 10.5 x 15.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 72. |  | Unidentified photographer 1890-1900 A studio study of a street vendor (Shanghai) Albumen print 20 x 15 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) Printed with rounded corners. |
| 73. |  | Unidentified photographer 1880-1890 A judicial court scene with Judge and a prisoner Albumen print 26.5 x 20 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 74. |  | Unidentified photographer / artist 1890-1900 Studio portrait of a rickshaw puller and client. [Hong Kong] Albumen print, hand-coloured 24 x 18 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 75. |  | Unidentified photographer 1880-1890 French Concession: From the opposite shore (Pudong), harbour with godowns (Shanghai) Albumen print 26.5 x 20 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 76. |  | Unidentified photographer 1870-1880 A junk at anchor on the Whangpoo by the International Settlement (Shanghai) Albumen print 25 x 18.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |
| 77. |  | Unidentified photographer 1880-1890 Rare view looking north down a Chinese street, just west of Central (Hong Kong) Albumen print 25.5 x 18.5 cm Dennis George Crow Courtesy of Dennis George Crow (www.dennisgeorgecrow.com) |