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Architecture: Christian
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Ellwood Garrett, 1850 (ca), Exterior of church with graveyard, Daguerreotype, 1/2 plate, Historical Society of Pennsylvania, LL/44528
Image: LL/44528
Lots of additional options for subscribers.
Louis-Joseph Deflubé, 1845 (ca), Portaile de l'Eglise Collégiale de Saint-Sulpice, Pierrefonds (Portal of the Collegial Church of Saint-Sulpice, Pierrefonds), Daguerreotype, whole plate, Princeton University Art Museum, LL/44673
Image: LL/44673
Lots of additional options for subscribers.
Choiselat & Ratel, 1845, La Cathedrale de Rodez, Daguerreotype, full plate, Sotheby's - Paris, LL/50889
Image: LL/50889
Lots of additional options for subscribers.
Henry Fox Talbot, 1843, Cathédrale d'Orleans, Salt print, from calotype negative, Sotheby's - Paris, LL/44399
Image: LL/44399
Lots of additional options for subscribers.
Alinari, 1854 (ca), Orvieto Cathedral, frontal view, Salt print, Bassenge Photography Auctions, LL/33480
Image: LL/33480
Lots of additional options for subscribers.
Unidentified photographer, 1845 (ca), St. Paul‘s Cathedral, Daguerreotype, Royal Photographic Society, LL/6810
Image: LL/6810
Lots of additional options for subscribers.
Noël Marie Paymal Lerebours, 1840 (ca), View of Notre Dame, Paris, Daguerreotype, Museum of the History of Science, LL/39602
Image: LL/39602
Lots of additional options for subscribers.
Henry Fox Talbot, 1844 (published), Westminster Abbey, [The Pencil of Nature, Part 6, pl. 22], Calotype, Hans P. Kraus, Jr., Inc., LL/18339
Image: LL/18339
Lots of additional options for subscribers.
Francis Frith, 1865 (ca), Cathédrale de Notre Dame, Albumen print, Photo Verdeau, LL/40034
Image: LL/40034
Lots of additional options for subscribers.
Édouard Baldus, 1852-1853, Notre Dame, Paris, Salted paper print from wet collodion negative, Cleveland Museum of Art, LL/40867
Image: LL/40867
Lots of additional options for subscribers.
Frederick H. Evans, 1883 (ca), Winchester Cathedral: The Nave, West, Glass lantern slide, J. Paul Getty Museum, LL/41068
Image: LL/41068
Lots of additional options for subscribers.
Frederick H. Evans, 1903 (ca), A Sea of Steps, Wells Cathedral, Platinum print, Lee Gallery, LL/12867
Image: LL/12867
Lots of additional options for subscribers.
Frederick H. Evans, 1898, Lincoln Cathedral: From the Castle, Platinum print, SFMOMA - San Francisco Museum of Modern Art, LL/41070
Image: LL/41070
Lots of additional options for subscribers.
Roger Fenton, 1858, Lincoln Cathedral, part of the West Front, Albumen print, Dominic Winter Book Auctions, LL/32389
Image: LL/32389
Lots of additional options for subscribers.
Roger Fenton, 1857 (ca), Lincoln Cathedral: The Galilee Porch, Albumen print, from wet collodion negative, Cleveland Museum of Art, LL/40856
Image: LL/40856
Lots of additional options for subscribers.
Roger Fenton, 1857, South Transept and Tower - York Cathedral, Albumen print, from wet collodion glass plate negative, Private Collection of Robert G. Hill, Toronto, Ont., LL/30616
Image: LL/30616
Lots of additional options for subscribers.
Roger Fenton, 1854, Rievaulx Abbey, the High Altar, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40408
Image: LL/40408
Lots of additional options for subscribers.
Roger Fenton, 1856, Roslin Chapel, South Porch [Rosslyn Chapel, South Porch], Salted paper print from glass negative, Metropolitan Museum of Art, LL/40570
Image: LL/40570
Lots of additional options for subscribers.
Roger Fenton, 1857, Ely Cathedral from the Grammar School, Albumen print, National Science and Media Museum, LL/41687
Image: LL/41687
Lots of additional options for subscribers.
Roger Fenton, 1860 (ca), Lichfield Cathedral West Front, Albumen print, Dominic Winter Book Auctions, LL/32388
Image: LL/32388
Lots of additional options for subscribers.
Alfred Fauvarque-Omez, 1932, Soir sur Saint-Nicolas à Gand, Pigment print (bromoil), Piasa, LL/44427
Image: LL/44427
Lots of additional options for subscribers.
Alphonse Bernoud, 1865, 14 May, Florence, Inauguration of the monument to Dante in place Santa Croce, 14 May 1865, Albumen print, Private collection, LL/44469
Image: LL/44469
Lots of additional options for subscribers.
Alphonse Bernoud, 1862 (ca), Lucca, "560", San Martino Cathedral, Albumen print, Private collection of Giovanni Fanelli, LL/44479
Image: LL/44479
Lots of additional options for subscribers.
Charles Clifford, 1853, Burgos Cathedral, Facade, Albumen print, from waxed paper negative, Princeton University Art Museum, LL/44552
Image: LL/44552
Lots of additional options for subscribers.
Charles Nègre, 1850-1854, View of the south-side apsis and the new sacristy of the Notre-Dame, Paris., Dry waxed paper negative, Universiteit Leiden, Prentenkabinet, LL/25795
Image: LL/25795
Lots of additional options for subscribers.
Édouard Baldus, 1855, Church at Auvers, Salted paper print from waxed paper negative, Cleveland Museum of Art, LL/40872
Image: LL/40872
Lots of additional options for subscribers.
Terris & Vitigliano, 1854-1855, Construction works at the south transept of Saint Vincent de Paul Church, Marseille, [Saint Vincent de Paul Church, Marseille], Albumen print, from wet collodion on glass negative, Rijksmuseum, LL/44078
Image: LL/44078
Lots of additional options for subscribers.
Roger Fenton, 1852, September-October, Domes of the Cathedral of the Assumption, Moscow, Salt print, from waxed paper negative, Private collection of John Hannavy, LL/31327
Image: LL/31327
Lots of additional options for subscribers.
Edwin Smith, 1958 (taken) 2010 (print), Ely Cathedral, The West Tower and Southwest Transept with Two Turret Towers, Gelatin silver print, Chris Beetles, LL/38582
Image: LL/38582
Lots of additional options for subscribers.
J. Kuhn, 1890 (ca), La Cathédrale St-Paul de Londres, Angleterre, Albumen print, Photo Verdeau, LL/39991
Image: LL/39991
Lots of additional options for subscribers.
Gustave Le Gray, 1851 (taken), Cathedral of Notre-Dame, Detail of the Cloister Arcade, Le Puy, Albumen print, Saint Louis Art Museum, LL/37257
Image: LL/37257
Lots of additional options for subscribers.
Gustave Le Gray, 1851, [Central Portal of the Church of Saint-Jacques, Aubeterre], Salted paper print from paper negative, Metropolitan Museum of Art, LL/37307
Image: LL/37307
Lots of additional options for subscribers.
Robert Henry Cheney, 1853 (ca), Lindisfarne, Albumen print, from calotype, Cleveland Museum of Art, LL/40864
Image: LL/40864
Lots of additional options for subscribers.
Robert Rive, 1875 (ca), Cloister of the Benedictine Monastery at Monreale Cathedral, Palermo, Italy, Albumen print, from a glass plate negative, Private Collection of Robert G. Hill, Toronto, Ont., LL/30827
Image: LL/30827
Lots of additional options for subscribers.
Le Gray & Mestral, 1851, Moissac (Tarn-et-Garonne) Interior of a Cloister, St Peter's Church, Salted paper print from a dry waxed negative, Musée d'Orsay, LL/37310
Image: LL/37310
Lots of additional options for subscribers.
Édouard Baldus, 1861 (ca), Arles, Cloitre St. Trophime [Cloister of Saint-Trophîme, Arles], [Chemins de fer de Paris à Lyon et à la Méditerranée], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40500
Image: LL/40500
Lots of additional options for subscribers.
Robert Rive, 1860-1865 (ca), No. 8 Chiostro del convento di S. Martino. Napoli, Carte de visite, Private collection of Giovanni Fanelli, LL/42049
Image: LL/42049
Lots of additional options for subscribers.
Giorgio Sommer, 1875-1900 (ca), 9121 9084 Monreale Chiostro, Photographic print, Musée Condé, LL/33765
Image: LL/33765
Lots of additional options for subscribers.
   
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