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Waxed paper negatives
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1.Henry Fox Talbot
1835-1845
Cock. Wood Engraving in the Style of Thomas Bewick

Paper negative, waxed
7 x 9.9 cm
 
National Gallery of Canada / Musée des beaux-arts du Canada
Courtesy of the National Gallery of Canada (no. 33520), Purchased 1973
 
LL/6720
2.Henry Fox Talbot
1839
Tiger. Wood Engraving by Thomas Bewick (1753-1828)

Paper negative, waxed
7.3 x 8.9 cm
 
National Gallery of Canada / Musée des beaux-arts du Canada
Courtesy of the National Gallery of Canada (no. 33525), Purchased 1973
 
LL/6722
3.Henry Fox Talbot
1841
Bust of Patroclus

Paper negative, waxed
12.7 x 8.6 cm
 
National Gallery of Canada / Musée des beaux-arts du Canada
Courtesy of the National Gallery of Canada (no. 33533), Purchased 1973
 
LL/6719
4.Alphonse de Brebisson
1849 (ca)
Father and son in doorway

Potassium fixed paper negative
6-11/16 x 4-7/8 in (170 x 125 mm)
 
Charles Isaacs Photographs, Inc
Courtesy of Charles Isaacs (N1325j)
 
LL/11507
5.Alphonse de Brebisson
1849 (ca)
Five Women Visiting by a Window

Potassium fixed paper negative
6-1/2 x 5 in (165 x 127 mm)
 
Charles Isaacs Photographs, Inc
Courtesy of Charles Isaacs (N1338j)
 
LL/11508
6.Charles Nègre
1852
Beaucaire

Paper negative, waxed
32.3 x 22.7 cm
 
National Gallery of Canada / Musée des beaux-arts du Canada
Courtesy of the National Gallery of Canada (no. 32521), Purchased 1973
 
LL/6718
7.Charles Nègre
1850-1854
View of Louis-Philippe Bridge and Saint-Gervais Church, Paris

Dry waxed paper negative
Universiteit Leiden, Prentenkabinet
Copyright © Prentenkabinet Universiteit Leiden (61.932)
 
LL/25794
8.Charles Nègre
1850-1854
View of the south-side apsis and the new sacristy of the Notre-Dame, Paris.

Dry waxed paper negative
Universiteit Leiden, Prentenkabinet
Copyright © Prentenkabinet Universiteit Leiden (61.933)
 
LL/25795
9.Charles Nègre
1849 (ca)
Hand study

Waxed paper negative
The Hyman Collection
LL/54703
10.W. & F. Langenheim
1849
Frederick Langenheim (1809-1879)

Calotype negative
7 5/8 x 5 7/8 ins
 
Cornell University Library
On loan from the Stephan and Beth Loewentheil Family Photographic Collection.
 
Curational comment from "Dawn's Early Light: The First 50 Years of American Photography", October 20, 2011 - May 4, 2012, Hirshland Exhibition Gallery in Carl A. Kroch Library, Cornell University
 
This rare portrait of Frederick Langenheim (1809-1879) bears ink annotations, "Talbotype, W. & F. Langenheim, Phila., Mar. 5, 1849. No. 235." The Langenheim brothers, who were among the first successful commercial photographers in the United States, pioneered several photographic advancements.
 
LL/44745
11.Édouard Baldus
1852 (ca)
Place de la Concorde, Paris

Waxed paper negative
The Hyman Collection
LL/54695
12.Fortune-Joseph Petiot-Groffier
1850s (ca)
Brick buildings, Chalon Sur Soane

Paper negative
10 x 13 1/2 in
 
Lee Gallery
Courtesy of Lee Gallery (Z1202)
 
LL/13230
13.Fortune-Joseph Petiot-Groffier
1850s (ca)
River Scene, Chalon Sur Soane

Paper negative
10 3/4 x 13 1/2 in
 
Lee Gallery
Courtesy of Lee Gallery (Z1203)
 
LL/13231
14.Fortune-Joseph Petiot-Groffier
1850s (ca)
Brick Buildings, Chalon Sur Soane

Paper negative
10 1/2 x 14 in
 
Lee Gallery
Courtesy of Lee Gallery (Z1204)
 
LL/13232
15.Louis-Rémy Robert
1852 (ca)
Doorway to Sèvres Factory

Waxed paper negative
32.70 x 26.20 cm (12 13/16 x 10 5/16 ins) (image)
 
Cleveland Museum of Art
Norman O. Stone and Ella A. Stone Memorial Fund, Accession No.: 1991.37
 
LL/40869
16.William Crookes
1850s
Claudet's Focimeter

Paper negative
8.7 x 6.2 cm
 
Harry Ransom Humanities Research Center at the University of Texas at Austin
HRC
 
LL/6136
17.Comte Frédéric Flachéron
1853
The Tiber, Rome (Le Tibre à Rome)

Paper negative
24.5 x 33.6 cm
 
Artcurial
courtesy of Artcurial (Sale 1170, Lot 17)
 
LL/19505
18.Thomas Keith
1856 (ca)
Trees

Paper negative
26.9 x 28.8 cm
 
Harry Ransom Humanities Research Center at the University of Texas at Austin
HRC
 
LL/6120
19.Alfred Capel Cure
1852, 1 February
My Beasts

Paper negative
7 3/4 x 6 1/4 in (19.7 x 15.9 cm)
 
Metropolitan Museum of Art
The Museum of Modern Art, New York. Gift of Paul F. Walter, 1986
 
This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007)
 
LL/25991
20.Patrick Gerald Fitzgerald
1858, January
No. 3. Alambagh House near Lucknow

Waxed paper negative
170 x 240 mm
 
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #240)
 
Fitzgerald was an Assistant Surgeon with the Madras Artillery. This and the three lots following are from a group eight negatives offered in six lots at Sotheby's 17 June, 1981.
 
The Alambagh is a walled park four miles south of the Residency, and which was the scene of fighting during the first siege of Lucknow.
 
Included in Sale 16200 - "India and Beyond in Books and Photography" at Bonhams in London (April 9, 2008)
 
LL/28269
21.Ferdinand Tillard
1855 (ca)
Portrait of Syrna Duhamel (?)

Waxed paper negative
12 11/16 x 11 1/8
 
Charles Isaacs Photographs, Inc
LL/4214
22.John Murray
1857 (before)
View of the photographer's house by John Murray

Waxed paper negative
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #44)
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28250
23.John Murray
1857 (ca)
Agra, Zenana, or Ladies' Apartment in the Palace of Shah Jahan

Waxed paper negative
360 x 450mm
 
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #49)
 
Salt print and waxed paper negative, the print mounted, printed credit and pencil caption below, the negative with 'R. Turner Patent Talbotype' watermark (2) Salt prints from this negative and vaiants were published for Murray by John Hogarth in London in November 1857, either as single mounted prints or as a set of thirty in a portfolio.
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28252
24.John Murray
1858-1862 (ca)
Agra, the courtyard of the Pearl Mosque in the Fort

Waxed paper negative
380 x 480 mm
 
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #74)
 
Waxed paper negative, 'R. Turner Patent Talbotype' watermark
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28255
25.John Murray
1858-1862 (ca)
Agra, Taj Mosque

Waxed paper negative
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #61)
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28254
26.John Murray
1858-1862 (ca)
Agra, Distant view of the Taj Mahal from the Fort

Waxed paper negative
255 x 350 mm
 
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #56)
 
Waxed paper negative, captioned, numbered and monogrammed in ink on verso
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28253
27.John Murray
1858-1862 (ca)
Agra, View of the Taj Mahal from the bank of the Jumna

Waxed paper negative
280 x 360 mm
 
Bonhams - London
Courtesy Bonhams, London (April 9, 2008, #82)
 
Waxed paper negative, numbered in ink on verso
 
Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)
 
LL/28256
28.John Murray
1858
Suttee Ghat Cawnpore ["Suttee Ghat Cawnpore," Scene of the Mutiny Massacre, Kanpur, India]

Paper negative
38 x 48 cm (14 15/16 x 18 7/8 ins)
 
Metropolitan Museum of Art
Gilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005, Accession Number: 2005.100.946
 
LL/40434
29.Linnaeus Tripe
1857, December - 1858, January
Beekinpully: Permaul's Swing at Mariammah Covil

Waxed paper negative
National Science and Media Museum
The Royal Photographic Society Collection
 
LL/59094
30.Linnaeus Tripe
1854, December
Hullabede: Suli Munduppum from the Northeast

Waxed paper negative
10 13/16 x 14 ins (27.4 x 35.6 cm)
 
National Science and Media Museum
The Royal Photographic Society Collection
 
Curatorial description (Metropolitan Museum, Accessed: 6 April 2015)
 
Tripe probably made paper negatives because the process was more forgiving in India's climate. He could also prepare his negatives in advance and develop them at his leisure, unlike the newly invented collodion process in which the glass negative had to be prepared immediately before exposure and developed immediately afterward. Tripe also used very thin paper, which he waxed in order to make his negatives more transparent and capture greater detail. He made his prints by placing the negative in contact with a sheet of light-sensitive paper. At the time, there was no practical way to make enlargements; thus, if he wanted a large print, his negative had to be of equal size.
 
LL/59096
31.Enrico Van Lint
1853, 6 July
Pisa, the Lungarni taken from the right bank of the Arno looking to the Ponte a Mare

Calotype
12 x 16 cms
 
Private collection - Estate of Van Lint
Courtesy of the heirs of Enrico Van Lint
 
In ink handwriting on the upper margin of the verso: "6 Luglio 1853 -2 Minuti - dopo 20 ore preparata".
 
LL/44257
32.Enrico Van Lint
1853, 26 October
Pisa, Campo Santo interior

Calotype
18.2 x 24.1 cms
 
Private collection - Estate of Van Lint
Courtesy of the heirs of Enrico Van Lint
 
In ink handwriting on the page of the album where it is filed away: "26 ottobre 1853 - Ore V1/4 - Minuti 6 - diaframma 2do - Camposanto di Pisa".
 
LL/44258
33.Benjamin Brecknell Turner
1852
Crystal Palace, Hyde Park, Transept

Paper negative
30.2 x 40.1 cm (11 7/8 x 15 13/16 ins)
 
Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.259
 
LL/40465
34.George Bridges
1848
Temple of Wingless Victory, Lately Restored

Paper negative
16.7 x 20.6 cm (6 9/16 x 8 1/8 ins)
 
Metropolitan Museum of Art
Gilman Collection, Purchase, William Talbott Hillman Foundation Gift, 2005, Accession Number: 2005.100.55
 
LL/40447
35.Unidentified photographer
1850s
Spreading Oak with Seated Figure

Paper negative
7 x 8 1/8 in (17.7 x 20.7 cm)
 
Metropolitan Museum of Art
Gift of Hans P. Kraus, Jr., 2007
 
This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007)
 
LL/25979
36.Unidentified calotypist (French)
1858 (ca)
The Cabin in the Woods, No Place

Waxed paper negative
17.8 x 23.6 cm
 
The Romantic Agony Book & Print Auctions
Auction 19 June 2015, Lot: 41
 
Signed “CL”.
 
LL/60166
   
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