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| 1. |  | Nadar 1894 J. Marey Heliogravure Private collection of Manuel Magalhaes Nadar Paris-Photographe , IV, No.1, 30 January 1894 |
| 2. |  | Nadar n.d. Etienne-Jules Marey Wellcome Collection Wellcome Library, London (V0026815, Library reference no.: ICV No 27272) |
| 3. |  | Étienne Jules Marey 1901, 17 January Poster for a banquet during the "Scientia" conference celebrating Etienne Jules Marey Poster Wellcome Collection Wellcome Library, London (V0003855, Library reference no.: ICV No 4056) |
| 4. |  | Étienne Jules Marey 1882 The photographic gun [Le Fusil photographique] Engraving Creative Commons - Wikipedia Le Fusil photographique, article d'Etienne-Jules Marey paru dans la Nature n¦464 du 22 avril 1882 |
| 5. |  | Étienne Jules Marey 2006 Gun of Marey [Fusil de Marey] Digital image Creative Commons - Wikipedia Copyright © 2006 David Monniaux This item is on display at the Musée des Arts et Métiers, Paris |
| 6. |  | Étienne Jules Marey 1883, 23 November Physiological Station at Paris Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part I", p.678-681, Science, Vol.II, No.42, November 23, 1883, p.680, fig.1. |
| 7. |  | Étienne Jules Marey 1883, 23 November Rolling Photographic Chamber, Physiological Station of Paris Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part I", p.678-681, Science, Vol.II, No.42, November 23, 1883, p.681, fig.2. |
| 8. |  | Étienne Jules Marey 1883, 23 November Interior of Photographic Chamber, Physiological Station of Paris Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part 1", p.678-681, Science, Vol.II, No.42, November 23, 1883, p.681, fig.3. |
| 9. |  | Étienne Jules Marey 1883, 30 November Untitled (Man walking infront of a black screen at the Physiological Station of Paris) Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part II", p.708-711, Science, Vol.II, No.42, November 30, 1883, p.709, fig.4. |
| 10. |  | Étienne Jules Marey 1883, 30 November Untitled (A runner jumping a bar at the Physiological Station of Paris) Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part II", p.708-711, Science, Vol.II, No.42, November 30, 1883, p.709, fig.5. |
| 11. |  | Étienne Jules Marey 1883, 30 November Untitled (A man running at the Physiological Station of Paris) Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part II", p.708-711, Science, Vol.II, No.42, November 30, 1883, p.710, fig.6. |
| 12. |  | Étienne Jules Marey 1883, 30 November Untitled (A man walking at the Physiological Station of Paris) Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part II", p.708-711, Science, Vol.II, No.42, November 30, 1883, p.710, fig.7. |
| 13. |  | Étienne Jules Marey 1883, 30 November Untitled (A man walking at the Physiological Station of Paris) Magazine illustration Google Books E.J. Marey, "The Physiological Station of Paris, part II", p.708-711, Science, Vol.II, No.42, November 30, 1883, p.710, fig.8. Partial photographs are also serviceable in an analysis of rapid movements, because by this means the number of attitudes represented may be many times increased. Nevertheless, when the image of a limb is moderately large, the partial photographs cannot be too much increased without confusion through superposition. We must therefore diminish the size of the image, if we desire to repeat them at very short intervals. For this purpose the walker is clothed wholly in black, and narrow bands of some bright metal are placed down his arm, thigh, and leg, following precisely the direction of the bones of these parts. This arrangement allows us to easily increase tenfold the number of images received in a given time on the same plate : hence, instead of ten photographs a second, we can obtain one hundred. For this, the rapidity of rotation of the disk is not altered; but, instead of one opening, there are ten, equally distributed on the circumference. One of these openings must have a diameter twice that of the others. The result is a much larger size for one of the images; and this renders the estimation of the time easy, and also furnishes data to compare the movements of the lower ami upper limbs. The images obtained under these circumstances are so close, that one is present, as it were, at all the successive changes of place of the limbs and body. Thus, in fig. 8, between two successive touches of the ground by the right foot, there are twenty-one different positions of the lower limb. As the foot meets the ground, the knee is bent perceptibly; then it straightens as the foot, resting on the toes, prepares to leave the ground. After the raising of the foot, the knee bends again, and the leg forms with the thigh a right angle ; then it gradually becomes straight, and the sole of the foot, which was at first in a vertical plane, is apparently parallel to the ground which it touches for some time before it rises again. The scale at the bottom of the figure shows that the total length of the step was 2.6 metres. The chronograph was not used in this experiment, but we may estimate the number of images at about sixty a second. The movements of bending and extending the fore-arm are obtained in the same manner as those of the leg. The turnings of the head are expressed by the imdulatory motion of a bright point placed on a level with the ear. In short, the diminutions and the accelerations of each part are expressed by the crowding or separation of the images. To ascertain the corresponding positions of the arm and leg at a given instant, we take for data every fifth figure, which is larger than the others. These images are formed at the moment of passage before one of the larger openings; and they correspond, therefore, to the same Instant of time. |
| 14. |  | Étienne Jules Marey 1882 A flying pelican Photograph Creative Commons - Wikipedia |
| 15. |  | Étienne Jules Marey n.d. Chronophotograph of a Flying Heron Gelatin silver print 8.30 x 9.40 cm (3 1/4 x 3 11/16 ins) (image) Cleveland Museum of Art Dudley P. Allen Fund, Accession No.: 2009.349 |
| 16. |  | Étienne Jules Marey 1890-1891 Chronophotographic study of Man Pole Vaulting Albumen silver print 2 3/4 x 4 3/16 ins George Eastman Museum Marey's picturing of the "all at oneness" of time, its flow as a progression of events, broke with the traditional Renaissance representation of a still, solidified moment. His work was indicative of how art and science were combining to change the way people saw the world. |
| 17. |  | Étienne Jules Marey 1890 (ca) Untitled (motion study) Gelatin silver print image, irregular: 19.9 x 16.2 cm (7 13/16 x 6 3/8 ins) sheet: 23.9 x 17.7 cm (9 7/16 x 6 15/16 ins) Princeton University Art Museum Gift of Patti and Frank Kolodny, in honor of Peter C. Bunnell, Object Number: 2002-394 |
| 18. |  | Charles Fremont (French, 1855-1930) 1894 Chronophotograph Gelatin silver print, from glass negative 16.3 x 20.2 cm (6 7/16 x 7 15/16 ins) Metropolitan Museum of Art Purchase, The Horace W. Goldsmith Foundation Gift through Joyce and Robert Menschel and Rogers Fund, 1987, Accession Number: 1987.1054 |
| 19. |  | William Vick 1881 (taken) 1950s (print) Eadweard Muybridge Gelatin silver print Carl Mautz Vintage Photographs Printed by Wyland Stanley. |
| 20. |  | Eadweard Muybridge 1893 Eadweard Muybridge Frontispiece University of Pennsylvania - University Archives and Records Center Fontispiece for Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) |
| 21. |  | Eadweard Muybridge 1893 Eadweard Muybridge Frontispiece University of Pennsylvania - University Archives and Records Center Fontispiece for Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) |
| 22. |  | Eadweard Muybridge 1881 General view of Palo Alto Stock Ranch Albumen print 15.4 x 23 cm Royal Academy of Arts Photo: R.A., © Copyright protected The first of six introductory illustrations from Eadweard Muybridge, The Attitudes of Animals in Motion (London, 1881). Plate A.' General view of the Palo Alto Stock Rancho'. Muybridge's description of a view of the ranch owned by Governor Leland Standford, which was the site of his investigations into animal loconotion as commissioned by Standford. |
| 23. |  | Eadweard Muybridge 1881 The 'Experiment Track' at Palo Alto Stock Ranch Albumen print 13.8 x 23.2 cm Royal Academy of Arts Photo: R.A., © Copyright protected The sixth of six introductory illustrations from Eadweard Muybridge, The Attitudes of Animals in Motion (London, 1881). Plate F. 'General view of the experiment track, background and Cameras. Threads are being stretched across the track, 12 inches apart, and at a suitable height for photographing the action of a running horse. One end of each of the threads is secured in front of the Cameras, hauled taut, and fastened to a metal spring, which is drawn almost to the point of contact with a metal plate. In its progress over the track, the animal strikes these threads in succession, and as each spring touches its metal plate, a current of electricity is sent through a connecting wire to the magnet in the shutter opposite, and exposures of the plates in the line of the Cameras is successively made, each exposure recording the position of the animal at the instant of his pressing against its corresponding thread; this accomplished, the thread immediately breaks. For horses driven in vehicles the exposure is made by steering one of the wheels over wires, slightly elevated from the ground, the successive depression of each one completing an electric circuit, and making its corresponding exposure. For recording the movements of animals not under direct control, clock-work apparatus is arranged to cause successive exposures at regular intervals of TIME instead of uniform distances. The boxes, arranged in a semi-circle contain Electro-shutters and Cameras, for obtaining simultaneous exposures of the same position of the animal from different points of view.' |
| 24. |  | Eadweard Muybridge 1881 The 'Operating Room' which housed a row of cameras facing the track Albumen print 13.8 x 23.2 cm Royal Academy of Arts Photo: R.A., © Copyright protected The fourth of six introductory illustrations from Eadweard Muybridge, The Attitudes of Animals in Motion (London, 1881). Plate D. 'Front of the operating room in which are arranged parallel with the track, 24 cameras, at a distance of twelve inches from the center of each Lens, and an electro-shutter in front of each' |
| 25. |  | Eadweard Muybridge 1886 (ca) Eadweard Muybridge's outdoor camera house, 36th and Pine Streets Photographic print University of Pennsylvania - University Archives and Records Center Digital Image Number: UARC20020829001 |
| 26. |  | Eadweard Muybridge 1881 The 'Operating Track' Albumen print 13.9 x 23.2 cm Royal Academy of Arts Photo: R.A., © Copyright protected The fifth of six introductory illustrations from Eadweard Muybridge, The Attitudes of Animals in Motion (London, 1881). Plate E. 'Operating track, covered with rubber flooring, and crossed with lines 12 inches apart, over which the animals are caused to move. On one side of the track a white background is arranged at a suitable angle. The cross lines on the track are distinguished by the upper line of figures. The particular Camera in which any negative of a series is made, is designated by the parallel direction of the vertical stake, with the horizontal line extending to the corresponding number of the Camera immediately opposite. The discriminating number of each series of exposures is recorded on each negative by the large figures [229 for example] which is changed for each movement illustrated' |
| 27. |  | Eadweard Muybridge 1881 A Photographing Camera and back of Electro-shutter Albumen print 13.8 x 23.3 cm Royal Academy of Arts Photo: R.A., © Copyright protected The second of six introductory illustrations from Eadweard Muybridge, The Attitudes of Animals in Motion (London, 1881). Plate B. 'A Photographing Camera and back of Electro-shutter. Two light panels of wood, each with an opening in the center are adjusted to move up and down, freely in their framework. These panels are arranged to exclude light from the lens and are held in position by a latch. At the proper time, a current of electricity charges a magnet attached to the shutter frame, an armature is thereby attracted and caused to strike the latch which holds the panels; they, being released, are drawn respectively upwards and downwards with great rapidity, by rubber springs, and light is admitted to the photographing plate while the openings in the panels are passing each other.' |
| 28. |  | Eadweard Muybridge 1880s (ca) Plate 300: Foot-ball drop kick [Animal Locomotion] Collotype 13 x 8.75 in Lee Gallery Courtesy of Lee Gallery (Y1188) Animal Locomotion Plate 300. Copyright, 1887, by Eadweard Muybridge. All rights reserved. printed on sheet in margin. |
| 29. |  | Eadweard Muybridge 1878-1879 Running (Galloping) [The Attitude of Animals in Motion] Iron salt process print J. Paul Getty Museum © J. Paul Getty Trust [85.XO.362.44] |
| 30. |  | Eadweard Muybridge 1878, 19 June Galloping Horse, Motion Study Collotype 9 3/16 x 12 ins George Eastman Museum Sallie Gardner, owned by Leland Stanford, running at a 1.40 gait over the Palo Alto track |
| 31. |  | Eadweard Muybridge 1887 Annie G.' Walking, Saddled (Pl.580) Collotype 7 1/2 x 15 5/16 in Lee Gallery Image courtesy of the Lee Gallery (www.leegallery.com) |
| 32. |  | Eadweard Muybridge 1887 Daisy' Cantering, Saddled (Pl.616) Collotype 8 3/4 x 13 in Lee Gallery Image courtesy of the Lee Gallery (www.leegallery.com) |
| 33. |  | Eadweard Muybridge 1887 Horseback rider [Animal Locomotion] Collotype 25.5 x 31 cm (43.5 x 53.5 cm) Bassenge Photography Auctions Auction (17 June 2009, Sale 93, Lot 4250) Plate No. 637 from Animal Locomotion. With printed copyright credit, title and plate number below the image in lower margin. |
| 34. |  | Eadweard Muybridge 1887 (ca) Plate 349 [Animal Locomotion] Collotype h: 16.8 x w: 7.2 in / h: 42.7 x w: 18.3 cm Etherton Gallery |
| 35. |  | Eadweard Muybridge 1887 (ca) Plate 491 [Animal Locomotion] Collotype h: 9.4 x w: 12 in / h: 23.9 x w: 30.5 cm Etherton Gallery |
| 36. |  | Eadweard Muybridge 1884-1887 [Dancing (Fancy)] [Animal Locomotion (Philadelphia, 1887)] Collotype 18.4 x 40.8 cm George Eastman Museum © 2004 George Eastman House |
| 37. |  | Eadweard Muybridge 1884-1887 [Walking, taking off hat] [Animal Locomotion (Philadelphia, 1887)] Collotype 20.7 x 34.4 cm George Eastman Museum © 2004 George Eastman House |
| 38. |  | Eadweard Muybridge 1885, 23 July Toilet; Stooping, throwing Wrap Around Shoulders (Miss Louise) Collotype 6 7/8 x 16 1/2 ins George Eastman Museum |
| 39. |  | Eadweard Muybridge 1887 Self-portrait of Eadweard Muybridge [Animal Locomotion] Collotype 11 1/4 x 10 in (28.6 x 25.4 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Oct 22, 2009, Photographs & Photographic Literature, Sale 2191 Lot 29) With Muybridge's printed credit, title, date and plate number "521," on the two-toned mount recto. |
| 40. |  | Eadweard Muybridge 1887 A woman sitting naked on a chair and smoking Collotype 17 x 44 cm Wellcome Collection Wellcome Library, London (V0048657) One of 781 collotypes which form Eadweard Muybridge's magnum opus, Animal locomotion: an electro-photographic investigation of consecutive phases of animal movements (Philadelphia, 1887), Plate number 247.. |
| 41. |  | Eadweard Muybridge 1893 The Zoopraxiscope: 1. Athlete, Horse-Back Somersault Book illustration University of Pennsylvania - University Archives and Records Center Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) |
| 42. |  | Eadweard Muybridge 1893 The Zoopraxiscope: 2. Athletes Boxing Book illustration University of Pennsylvania - University Archives and Records Center Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) |
| 43. |  | Eadweard Muybridge 1893 The Zoopraxiscope: 3. Athletes Running Book illustration University of Pennsylvania - University Archives and Records Center Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) |
| 44. |  | Eadweard Muybridge 1893 Book cover for Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) Book cover University of Pennsylvania - University Archives and Records Center |
| 45. |  | Eadweard Muybridge 1893 Title page for Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893) Title page University of Pennsylvania - University Archives and Records Center |
| 46. |  | Eadweard Muybridge 1893 Zoopraxographical Hall at the World's Columbian Exposition Book illustration University of Pennsylvania - University Archives and Records Center Eadweard Muybridge "Descriptive Zoopraxography or the Science of Animal Locomotion made popular" (University of Pennsylvania: Bureau of Education at the World's Columbian Exposition, in Zoopraxographical Hall, 1893), p.1 |
| 47. |  | Thomas Eakins 1884 Marey Wheel Photographs of George Reynolds Albumen print 2 7/8 x 3 13/16 in irreg. (7.2 x 9.7 cm) Smithsonian Hirshhorn Museum and Sculpture Garden Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.47 |
| 48. |  | Thomas Eakins 1884 Marey Wheel Photographs of Thomas Eakins Platinum print 1 5/8 x 2 1/2 in (4.1 x 6.3 cm) Smithsonian Hirshhorn Museum and Sculpture Garden Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.38 |
| 49. |  | Thomas Eakins 1884 Marey Wheel Photographs of Unidentified Model Albumen print 2 7/8 x 3 5/8 in (7.2 x 9.2 cm) Smithsonian Hirshhorn Museum and Sculpture Garden Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.42 |
| 50. |  | Thomas Eakins 1884 (ca) Marey Wheel Photographs of Unidentified Model Platinum print 4 3/4 x 4 5/8 in (12.0 x 11.8 cm) Smithsonian Hirshhorn Museum and Sculpture Garden Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.55 |
| 51. |  | Thomas Eakins 1884 Marey Wheel Photographs of Unidentified Model, with Eadweard Muybridge Notations Gelatin silver print 9 1/8 x 11 1/4 in (23.2 x 28.5 cm) Smithsonian Hirshhorn Museum and Sculpture Garden Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.59 |
| 52. |  | Thomas Eakins 1883 (ca) Photographs of a Standing Male Nude Model ("Joseph Smith") Albumen prints, from glass negatives 8.20 x 2.90 cm (3 3/16 x 1 1/8 ins) (image) Cleveland Museum of Art John L. Severance Fund, Accession No.: 1997.131 |
| 53. |  | Unidentified photographer / artist n.d. Ottomar Anschütz Otto Lilienthal Museum Courtesy of the Otto Lilienthal-Museum |
| 54. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 55. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 56. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 57. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 58. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 59. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 60. |  | Ottomar Anschütz 1885-1886 Horse and rider jumping over an obstacle [Cheval et cavalier sautant un obstacle] Albumen print 9.5 x 14 cm Sotheby's - Paris Photographies, 11 November 2011, Lot 23 Série de 10 tirages albuminés. Chaque tirage porte le tampon a sec du photographe 'Ottomar Anschutz Lissa i. P. 1885' ou 'Ottomar Anschutz Lissa i. P. 1886' en bas a droite et est numéroté de 1 a 10 a l'encre en haut a gauche. Chaque tirage porte au verso le tampon du photographe 'Ottomar Anschutz, Lissa (Posen). Selbstverlag' et le tampon 'Photographies J. Kuhn 220, Rue de Rivoli, Paris'. |
| 61. |  | Ottomar Anschütz 1888 Momentphotographie Book plate Google Books Published in "Jahrbuch fur Photographie und Reproduktionstechnik fur das Jahr 1888" by Dr. Josef Maria Eder (Halle a.S., Druck und Verlag von Wilhelm Knapp, 1888), Tafel V (part). |
| 62. |  | Ottomar Anschütz 1888 Momentphotographie Book plate Google Books Published in "Jahrbuch fur Photographie und Reproduktionstechnik fur das Jahr 1888" by Dr. Josef Maria Eder (Halle a.S., Druck und Verlag von Wilhelm Knapp, 1888), Tafel V (part). |
| 63. |  | Ottomar Anschütz 1887 Moving Photographs Magazine page Google Books "Moving Photographs", Cassell's Family Magazine, Volume 8, 1887, p.702 |
| 64. |  | A.M. Worthington 1894 Engravings of Instantaneous Photographs of the Splash of a Drop of Water falling 40 cm. into Milk. Scale about 6/10 of actual size. Series XIV, 1-6 Engravings Creative Commons - Wikipedia Prof. A.M. Worthington Splash of a Drop (London: Society for Promoting Christian Knowledge, 1895). Reprint of a Discourse at the Royal Institution of Great Britain, May 18, 1894. [Copied for the Microsoft Corp. Internet Archive in 2007] |
| 65. |  | A.M. Worthington 1894 Engravings of Instantaneous Photographs of the Splash of a Drop of Water falling 40 cm. into Milk. Scale about 6/10 of actual size. Series XIV, 7 -12 Engravings Creative Commons - Wikipedia Prof. A.M. Worthington Splash of a Drop (London: Society for Promoting Christian Knowledge, 1895). Reprint of a Discourse at the Royal Institution of Great Britain, May 18, 1894. [Copied for the Microsoft Corp. Internet Archive in 2007] |
| 66. |  | A.M. Worthington 1894 Engravings of Instantaneous Photographs of the Splash of a Drop of Water falling 40 cm. into Milk. Scale about 6/10 of actual size. Series XIV, 9 -12 Engravings Creative Commons - Wikipedia Prof. A.M. Worthington Splash of a Drop (London: Society for Promoting Christian Knowledge, 1895). Reprint of a Discourse at the Royal Institution of Great Britain, May 18, 1894. [Copied for the Microsoft Corp. Internet Archive in 2007] |
| 67. |  | Arthur Clive Banfield 1903, 17 October The Life-History of a Splash Magazine illustration The Courtauld Institute of Art Copyright: Illustrated London News Ltd. All rights reserved, Gale Document Number: HN3100185740 "The Life-History of a Splash: Effect of the Fall of a Rough Steel Sphere into Water and Milk." Photographed and described by Arthur C. Banfield, and by him exhibited at the Royal Photographic Society's Exhibition Illustrated London News (London, England), Saturday, October 17, 1903; pg. 578; Issue 3365 |
| 68. |  | Antonio Giulio Bragaglia 1911 Change of Position Gelatin silver print 12.8 x 17.9 cm (5 1/16 x 7 1/16 in) Metropolitan Museum of Art Gilman Collection, Purchase, 2005 (2005.100.135) |
| 69. |  | Vladimir V. Lebedev 1914 Chronophotograph, self portrait boxing, St. Petersburg Gelatin silver print, chronophotograph 14 x 88 cm CEROS - Jean-Mathieu Martini / Serge Plantureux Binoche et Giquello, épreuves choisies, 18 november 2010, lot no: 129 Dated verso. |
| 70. |  | Gilbreth & Gilbreth 1935 (ca) Photograph of inefficient work operation Gelatin silver print George Eastman Museum According to a letter written by Lillian Gilbreth to Beamont Newhall on July 9, 1957, these chronocyclegraphs were taken for the Eastman Kodak Company. |
| 71. |  | Gilbreth & Gilbreth 1935 (ca) Photograph of efficient work operation Gelatin silver print George Eastman Museum According to a letter written by Lillian Gilbreth to Beamont Newhall on July 9, 1957, these chronocyclegraphs were taken for the Eastman Kodak Company. |
| 72. |  | Gjon Mili 1949 (taken) Nude Descending Staircase Gelatin silver print 19 3/8 x 15 5/8 ins Howard Greenberg Gallery Inventory no: 0013341 Time Inc. copyright stamp on print verso. |
| 73. |  | Gjon Mili date unknown Untitled (Multiple exposure of dancer) Gelatin silver print 10 1/2 x 13 1/2 ins Howard Greenberg Gallery Inventory no: 0012833 Photographer's stamp and collection stamp on print verso. |
| 74. |  | Gjon Mili 1947 Nora Kaye, American Ballet Theatre Gelatin silver print 15 5/8 x 19 1/2 ins Howard Greenberg Gallery Inventory no: 0015305 Collection stamp on print verso. |
| 75. |  | Gjon Mili date unknown Martha Graham Gelatin silver print 20 x 16 ins Howard Greenberg Gallery Inventory no: 0067849 Gjon Mili and the Richard Checani collection label adhered to print verso. |
| 76. |  | Harold E. Edgerton n.d. Pole Vaulter Dye transfer print 15 7/8 x 12 7/8 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim (Auction: March 13, 2008, 51, part 2 / lot 185) Signed in pencil on verso. No.11 from an edition of 60. No date. |
| 77. |  | Harold E. Edgerton n.d. Two Fencers Multiflash Gelatin silver print 11 x 14 Candace Dwan Gallery |
| 78. |  | Harold E. Edgerton 1954 Swirls and Eddies of a Squash Stroke, (Jack Summer, coach) Gelatin silver print 14 x 11 Ariel Meyerowitz Gallery |
| 79. |  | Harold E. Edgerton 1949 Stiff pole vault Gelatin silver print 8 x 10 Ariel Meyerowitz Gallery |
| 80. |  | Harold E. Edgerton 1952 Moving skip rope Gelatin silver print 9 x 11 Ariel Meyerowitz Gallery |
| 81. |  | Harold E. Edgerton 1965 22, Swift through cardboard Gelatin silver print 18 x 22 Ariel Meyerowitz Gallery |
| 82. |  | Harold E. Edgerton 1939 (ca, taken) 1970s (mid-late, taken) Bouncing Ball Silver print 8 1/2 x 12 3/4 ins (21.5 x 32.3 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, "Important Photograms & Photobooks", Dec 9, 2010, #2233, Lot 161) With Edgerton's signature and title, in pencil, on verso. |
| 83. |  | Harold E. Edgerton 1950s-1960s (early, taken) 1984-1985 (print) Double drops Cibachrome print 8 x 11 1/2 ins (20.3 x 29.2 cm) (image) 11 x 14 ins (27.9 x 35.5 cm) (sheet) Swann Galleries - New York Courtesy of Swann Galleries (Auction, "Important Photograms & Photobooks", Dec 9, 2010, #2233, Lot 160) With Edgerton's signature, in ink, and the edition notation AP/3/3, in ink, in an unknown hand, on verso. |