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| 1. |  | Unidentified creator n.d. A dog jumping through a hoop Magic lantern slide National Science and Media Museum |
| 2. |  | Henry Fox Talbot 1845 (published) Sir Walter Scott's Favourite Dog, Maida [Sun Pictures in Scotland] Salt print National Science and Media Museum |
| 3. |  | Louis Auguste Bisson 1841-1849 [Dog] Daguerreotype 7.6 x 10.3 cm (3 x 4 1/16 ins) Metropolitan Museum of Art Gilman Collection, Purchase, Jennifer and Joseph Duke Gift, 2005, Accession Number: 2005.100.28 |
| 4. |  | Jesse Harrison Whitehurst n.d. Bird Hunter with his Dog Daguerreotype, 1/2 plate Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (50 / 7) ¢ plate daguerreotype by Jesse Whitehurst, with "J. Whitehurst's Light Gallery" on the deep blue velvet pad. Pinned to the pad is a newspaper notice: "Phil in his Sportsman's Dress. In two very find [sic] Daguerreotypes from Whitehurst's establishment, which lie before us, we have our friend, PHILLIP DOUGHERTY, in his complete hunting armour, with his noble pointer, given him by Dr. RIVES, crouched down at his side, obedient to his command. The pictures are very good, and we never saw Phil to better advantage. His lasses will admire these portraits of him very much, and we are not sure but they will get him a wifeà though he bears his age very well, andà fond of those sports of the field and th[ose] which try the metal of young men,à he were married." While there are newspaper accounts of the subjects of daguerreotypes, there are very few that refer to the daguerreotype itself! The suggestion is that he is showing himself in his finery in order to please his lady friends, and possibly induce one to marry him despite his age. His hunting itself is meant to be seen as a sign of virility. Whitehurst had galleries in several cities, but perhaps the "Light Gallery" or other details can provide a clue as to where this was taken. It would appear to be Southern, likely Virginia.[MARK WHITE, WHO WITH HIS WIFE LYNN IS A SPECIALIST IN WHITEHURST, PROVIDED THIS INFORMATION: "You are correct that this Whitehurst image is Southern because Whitehurst did not open any galleries outside of Virginia until 1849 and this is an earlier image. The Richmond studio is the only one that we know of that was referred to as the "Skylight Gallery". We believe that this velvet pad was used exclusively at the Richmond studio in the 1840s."] Sticking up from Phil's breast pocket is a leather-covered drinking flask. Horizontally above his waist is a double shot shake. The powder flask with its adjustable throw spout has been pricked to show its surface. His hunting bag, covered with netting is on his lap. |
| 5. |  | Jesse Harrison Whitehurst n.d. Bird Hunter with his Dog Daguerreotype, 1/2 plate Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (50 / 7) ¢ plate daguerreotype by Jesse Whitehurst, with "J. Whitehurst's Light Gallery" on the deep blue velvet pad. Pinned to the pad is a newspaper notice: "Phil in his Sportsman's Dress. In two very find [sic] Daguerreotypes from Whitehurst's establishment, which lie before us, we have our friend, PHILLIP DOUGHERTY, in his complete hunting armour, with his noble pointer, given him by Dr. RIVES, crouched down at his side, obedient to his command. The pictures are very good, and we never saw Phil to better advantage. His lasses will admire these portraits of him very much, and we are not sure but they will get him a wifeà though he bears his age very well, andà fond of those sports of the field and th[ose] which try the metal of young men,à he were married." While there are newspaper accounts of the subjects of daguerreotypes, there are very few that refer to the daguerreotype itself! The suggestion is that he is showing himself in his finery in order to please his lady friends, and possibly induce one to marry him despite his age. His hunting itself is meant to be seen as a sign of virility. Whitehurst had galleries in several cities, but perhaps the "Light Gallery" or other details can provide a clue as to where this was taken. It would appear to be Southern, likely Virginia.[MARK WHITE, WHO WITH HIS WIFE LYNN IS A SPECIALIST IN WHITEHURST, PROVIDED THIS INFORMATION: "You are correct that this Whitehurst image is Southern because Whitehurst did not open any galleries outside of Virginia until 1849 and this is an earlier image. The Richmond studio is the only one that we know of that was referred to as the "Skylight Gallery". We believe that this velvet pad was used exclusively at the Richmond studio in the 1840s."] Sticking up from Phil's breast pocket is a leather-covered drinking flask. Horizontally above his waist is a double shot shake. The powder flask with its adjustable throw spout has been pricked to show its surface. His hunting bag, covered with netting is on his lap. |
| 6. |  | Unidentified photographer n.d. Young Hunter with Dog, Rifle and Rabbit Daguerreotype, 1/6 plate Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (50 / 8) 1/6 plate daguerreotype in a decorated oval mat. The surface is still bright , but there are spots on the plate. In contrast to the older man of the previous lot, this hunter shows youthful fervor, proud to display his catch, his hand on the dog's head. In a thermoplastic case with geometric design. |
| 7. |  | Unidentified photographer 1855 (ca) His Master's Couch Daguerreotype, 1/4 plate Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (ia554) This happy canine has a sleek pampered look perfectly in keeping with the drawing-room couch (probably that of the photographer) on which he makes himself so at home. He is so comfortable that we might hesitate to disturb his rest. |
| 8. |  | Unidentified photographer 1880 (ca, not certain) Nero (?), the Barton family dog Daguerreotype, 1/6 plate American Antiquarian Society Courtesy of the American Antiquarian Society, Gift of Bernard Barton, October 26, 1976. (scan #003580-0007) Shows small dark dog with white markings on neck and chest, seated on top of a table covered with patterned cloth. Dog wears a collar which has been tinted gold. |
| 9. |  | Unidentified daguerreotypist (American) 1854 (ca) [Dog sitting on a table] Daguerreotype, 1/6 plate J. Paul Getty Museum Object number: 84.XT.1582.16 |
| 10. |  | Unidentified photographer 1845-1850 Portrait d'un chien Daguerreotype 14.7 x 18.2 (frame) 8.3 x 11.6 cm (image) Musée français de la Photographie Inventory no: 2007.19.3 |
| 11. |  | Unidentified photographer 1846, April Portrait of a dog Daguerreotype National Science and Media Museum Kodak Collection |
| 12. |  | Studio of André-Adolphe-Eugène Disdéri 1850s [Empress Eugénie's Poodle] Photographic print (uncertain type) 20.7 x 20.8 cm (8 1/8 x 8 3/16 ins) (image) 22.2 x 29 cm (8 3/4 x 11 7/16 ins) (sheet) Metropolitan Museum of Art Gilman Collection, Purchase, The Howard Gilman Foundation Gift, 2007, Accession Number: 2007.71 |
| 13. |  | Unidentified photographer / artist 1858 (ca) [Small white dog] Ambrotype 4.0 x 5.4 cm George Eastman Museum © George Eastman House (GEH NEG: 34194) |
| 14. |  | Henry Piper (Gateshead) n.d. English mastiff Carte de visite Private collection of Laurie Minor Written in period ink on the verso is the name 'WOLF'. |
| 15. |  | Johannes Jaeger (Stockholm) n.d. Terrier on a pedestal Carte de visite Private collection of Laurie Minor See the Swedish Wikipedia page: Johannes Jaeger (1832-1908) |
| 16. |  | Frank Wendt n.d. Girl with a dog Cabinet card Collection Jim Linderman - Dull Tool Dim Bulb |
| 17. |  | Frank Wendt n.d. Girl with two dogs Cabinet card Collection Jim Linderman - Dull Tool Dim Bulb |
| 18. |  | Félix Bonfils 1860-1870 (ca) Hunter with his Dog (Chasseur et Chien) Carte de visite 6.5 x 10 cm Vintage-Photos |
| 19. |  | Jabez Hughes 1860 (ca) Portrait of a man and his Dog Carte de visite 6.5 x 10.5 cm Vintage-Photos |
| 20. |  | W. Blackall (Oxford) n.d. Borzoi Cabinet card Private collection of Laurie Minor By W. Blackall of 33 Cornmarket St. Oxford. |
| 21. |  | Desgranges (France) 1890 (ca) La Même Personne-Nouveauté de la Maison (the same person-Novelty of the house) Cabinet card, collodion print 4 1/8 x 6 3/8 in (10.5 x 18 cm) KaufmaNelson Vintage Photographs With the photographer's name, location and house specialty printed on mount recto, and his ornate, extended imprint on mount verso. |
| 22. |  | Unidentified photographer / artist 1880s (ca) Irish greyhound track, Ireland Carte de visite Private collection of John Toohey |
| 23. |  | H. Garrrett Cocking (London) 1880 (ca) English bulldog Cabinet card 9.25 x 6 cm (image) Private collection of David Allan, Paris The medals awarded to the photographer on the reverse side indicate that the photograph was taken after 1877. |
| 24. |  | Charles Reid 1880s-1890s Untitled, Two young dogs Albumen print 4 1/2 x 7 in (11.5 x 18 cm) KaufmaNelson Vintage Photographs |
| 25. |  | Charles Reid 1880s-1890s Untitled, Puppies and umbrella Albumen print 4 1/2 x 7 in (11.5 x 18 cm) KaufmaNelson Vintage Photographs Initialed and numbered in the negative. |
| 26. |  | Charles Reid 1880s-1890s Untitled, Van Houten's Cocoa Albumen print 4 1/2 x 7 1/8 in (11.5 x 18 cm) KaufmaNelson Vintage Photographs Initialed and numbered in the negative. |
| 27. |  | Leon Crémière 1883 Official portrait of the chestnut barbet, A.M. Peuch, prize winner, Tuileries dog show Woodburytype 4 1/2 x 6 3/4 in (11.5 x 17 cm) KaufmaNelson Vintage Photographs With the title, in French, and date printed on mount recto. |
| 28. |  | Leon Crémière 1881 (ca) Untitled Woodburytype 4.75 x 7 in (12 x 18 cm) Christopher Wahren Fine Photographs Titled "X / 2e Prix Classe 20 … Exposition Canine des Tuileries 1881.". On mount with decorative border and CremiÞre studio imprint. |
| 29. |  | Leon Crémière 1875 (ca) Hunter and Dogs Woodburytype 7.75 x 5.25 in (19 x 13 cm) Christopher Wahren Fine Photographs Showing man in hunting garb with two hound dogs On mount with decorative border and studio credit "CremiÞre 2. Boulevard Pereire." |
| 30. |  | Robert K. Bonine 1889 (ca) 25 this is the famous dog, Romey, owned by the Kress family of Johnstown Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 672) Full title: "This is the famous dog, Romey, owned by the Kress family of Johnstown. During the flood this dog performed the wonderful feat of saving the lives of three people, Mrs. Kress, child, and domestic. After they had fallen from the house top the dog pulled them to floating logs and boards and saved their lives." |
| 31. |  | Robert K. Bonine 1889 (ca) 25 this is the famous dog, Romey, owned by the Kress family of Johnstown (Detail) Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 672) Full title: "This is the famous dog, Romey, owned by the Kress family of Johnstown. During the flood this dog performed the wonderful feat of saving the lives of three people, Mrs. Kress, child, and domestic. After they had fallen from the house top the dog pulled them to floating logs and boards and saved their lives." |
| 32. |  | Tomas Romo 1898 Untitled [Madam Candelaria, 113 years old, survivor of the Alamo] Cabinet card 17 x 11 cm DeGolyer Library, South Methodist University - SMU Southern Methodist University, Central University Libraries, DeGolyer Library, Call number: Ag2008.0005 Madam Candelaria's real name was Andrea Castanon Villanueva (1785-1899), but after marrying Mr. Candelario Villanueva in San Antonio, she was known as Madam Candelaria. She claimed to have been in the Alamo during the battle of 1836. In 1891, the State of Texas awarded her a pension for being an Alamo survivor (The Handbook of Texas Online). |
| 33. |  | J. Wentzel (Amersfoort, Holland) 1900 (ca) Girl feeding her dog Private collection of Jan Weijers (Servatius) Courtesy of Jan Weijers |
| 34. |  | Unidentified photographer 1890 Dog with a gun (Chien et Fusil) Albumen print Vintage-Photos |
| 35. |  | Unidentified photographer / artist n.d. Houdini's dog Charlie Private collection of Rena Small |
| 36. |  | Unidentified photographer n.d. American army dog Stubby Gelatin silver print Nationaal Archief of the Netherlands / National Archive of the Netherlands Spaarnestad Photo, SFA022801715 The Great War. First World War, United States of America, the American army dog Stubby, rank of sergeant. Stubby died in 1926. |
| 37. |  | Jacques-Henri Lartigue 1912 M. Folletête with his dog Gelatin silver print 16.9 x 19.2 cm (7 x 8 ) Galerie Johannes Faber |
| 38. |  | André Kertész 1918 Transport [Braila-Romania] Gelatin silver print 18 x 24.5 cm (7 x 10 ) Galerie Johannes Faber |
| 39. |  | André Kertész 1928 The Puppy, Paris Gelatin silver print Peter Fetterman Gallery |
| 40. |  | Herbert List 1936 Man and Dog, Portofino Gelatin silver print 30.1 x 25.7 cm (12 x 10 ) Galerie Johannes Faber |
| 41. |  | Unidentified photographer / artist 1930s (ca) Greyhound, Australia Snapshot Private collection of John Toohey |
| 42. |  | Thurston Hopkins 1953 La Dolce Vita, Knightsbridge, London Gelatin silver print 11 x 14 / 16 x 20 Peter Fetterman Gallery |
| 43. |  | DIM 1950 (ca) Dog (Chien) Gelatin silver print 14.9 x 19.9 cm AnamorFose |
| 44. |  | Neil Leifer n.d. Ali with Dog Gelatin silver print 16 x 20 Peter Fetterman Gallery |
| 45. |  | Henry Horenstein 1972 Chammie, Backyard, Newton, MA [Close Relations] Gelatin silver print Provided by the artist - Henry Horenstein This photograph is included in the book "Close Relations" by Henry Horenstein (powerHouse Books, 2007) |
| 46. |  | Elliott Erwitt 1946 New York Dog and Sandals Gelatin silver print 16 x 20 Peter Fetterman Gallery |
| 47. |  | Elliott Erwitt 1974 New York City Gelatin silver print Etherton Gallery |
| 48. |  | Elliott Erwitt 1953 Wyoming Gelatin silver print 16 x 20 Candace Dwan Gallery |
| 49. |  | Elliott Erwitt 2000 New York Pug Gelatin silver print 16 x 20 Peter Fetterman Gallery David Allan has pointed out (pers. Comm. Aug 3, 2009) that the dogs shown in this photograph are English bulldogs rather than pugs. The photograph at the Peter Fetterman Gallery has the title "New York Pug" (Aug 2009). |
| 50. |  | Elliott Erwitt 1989 Paris Gelatin silver print 16 x 20 Peter Fetterman Gallery |
| 51. |  | William Wegman n.d. Untitled Australian Centre for Photography Courtesy of Conny Dietzschold Gallery, Sydney/Köln |
| 52. |  | William Wegman 1982 Contemplating the Bust of Man Ray [Man Ray Portfolio] Silver print Swann Galleries - New York Courtesy of Swann Galleries (Auction, Oct 15, 2007, #2124, Lot 161) (Alan Griffiths, 2 December 2019) A copy of this print at the Yale University Art Gallery (1994.113.34.6) is dated to 1978, printed 1982. |
| 53. |  | William Wegman 2001 Covered Bridge Candace Dwan Gallery |
| 54. |  | William Wegman 1988 Fay Ray Gelatin silver print 6 1/4 x 6 1/4 in an 18 x 14 mat Afterimage Gallery |
| 55. |  | William Wegman 1999 Reader Polaroid, unique 50.8 x 61 cm (20 x 24 in) Fabien Fryns Fine Arts (CLOSED) |
| 56. |  | Tony Mendoza 1979 Untitled [Leela] Gelatin silver print 14 x 21 in Provided by the artist - Tony Mendoza |
| 57. |  | Tony Mendoza 1979 Untitled [Leela] Gelatin silver print 14 x 21 in Provided by the artist - Tony Mendoza |
| 58. |  | Tony Mendoza 1979 Untitled [Leela] Gelatin silver print 14 x 21 in Provided by the artist - Tony Mendoza |
| 59. |  | Tony Mendoza 1979 Untitled [Leela] Gelatin silver print 14 x 21 in Provided by the artist - Tony Mendoza |
| 60. |  | Tony Mendoza 1979 Untitled [Leela] Gelatin silver print 14 x 21 in Provided by the artist - Tony Mendoza |
| 61. |  | Tony Mendoza 2007 Untitled [Bob] Inkjet print 24 x 36 in Provided by the artist - Tony Mendoza |
| 62. |  | Tony Mendoza 2007 Untitled [Bob] Inkjet print 24 x 36 in Provided by the artist - Tony Mendoza |
| 63. |  | Tony Mendoza 2007 Untitled [Bob] Inkjet print 24 x 36 in Provided by the artist - Tony Mendoza |
| 64. |  | Tony Mendoza 2007 Untitled [Bob] Inkjet print 24 x 36 in Provided by the artist - Tony Mendoza |
| 65. |  | Tony Mendoza 2007 Untitled [Bob] Inkjet print 24 x 36 in Provided by the artist - Tony Mendoza |
| 66. |  | Larry Towell 1991 Perquin, Morazan [El Salvador] Gelatin silver print Stephen Bulger Gallery |
| 67. |  | Keith Carter 1992 Lost Dog Gelatin silver print 15 x 15 Peter Fetterman Gallery |
| 68. |  | Shelby Lee Adams 1993 The Holy Van Gelatin silver print Stephen Bulger Gallery |
| 69. |  | Michael Kenna 1993 Running Dog, Taos Pueblo, New Mexico 8 x 7 7/16 Barry Singer Gallery |
| 70. |  | Keith Carter 1995 Isabel Gelatin silver print 15 x 15 Peter Fetterman Gallery |
| 71. |  | Pentti Sammallahti 1992 Solovki, White Sea, Russia (dog on vehicle) Gelatin silver print 16.4 x 35 cm Candace Dwan Gallery |
| 72. |  | Richard Billingham 1996 Untitled (NRAL 8) Color coupler print 47 1/4 x 31 1/2 in (120 x 80 cm) Phillips de Pury - New York Phillips de Pury & Company, NY (Photographs, Oct 17, 2007, #192) Signed, dated and numbered 3/7 in ink on the reverse of the aluminum flush-mount. |
| 73. |  | Keith Carter 1997 Black and White Gelatin silver print 15 x 15 Peter Fetterman Gallery |
| 74. |  | Roger Ballen 2000 Puppies in Fish Tanks Catherine Edelman Gallery |
| 75. |  | Murray Rockowitz 2001 Psyche and Lucy Barry Singer Gallery |
| 76. |  | Stan Askew 2001 Sisters 6 5/16 x 9 1/2 Barry Singer Gallery |
| 77. |  | Giacomo Brunelli 2005-2007 Untitled [Creatures] Gelatin silver print 20 x 25 cm Provided by the artist - Giacomo Brunelli |
| 78. |  | Brad Temkin n.d. Freda Allen with Gra, Jack and Judy Toormore, County Cork [Ireland] Gelatin silver print Stephen Bulger Gallery |
| 79. |  | Alexandre Orion 2003 Metabiotica 6 [Metabiotica] Chromogenic print 50 x 50 in Foley Gallery Urban intervention followed by photographic recording. |