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| 1. |  | Marcus Aurelius Root 1856 Panorama of Philadelphia. Chestnut Street, East of Fifth - Collins and Autenrieth (Artists) Lithograph 6 3/4 x 10 1/4 in Archives of Modern Conflict OR National Gallery of Canada Courtesy of Nick and Lynn Heckett |
| 2. |  | Samuel Broadbent 1856 Panorama of Philadelphia. Chestnut Street, East of Fifth (Detail showing the Daguerreotype Gallery of Broadbent) - Collins and Autenrieth (Artists) Lithograph 6 3/4 x 10 1/4 in (complete lithograph) Archives of Modern Conflict OR National Gallery of Canada Courtesy of Nick and Lynn Heckett Printed by Schnabel, Finkeldey & Demme, Lithograph Institute of Philadelphia |
| 3. |  | Samuel Broadbent 1856 Panorama of Philadelphia. Chestnut Street, East of Fifth (Detail showing the Daguerreotype Gallery of Broadbent) - Collins and Autenrieth (Artists) Lithograph 6 3/4 x 10 1/4 in (complete lithograph) Archives of Modern Conflict OR National Gallery of Canada Courtesy of Nick and Lynn Heckett Printed by Schnabel, Finkeldey & Demme, Lithograph Institute of Philadelphia |
| 4. |  | Marcus Aurelius Root 1856 Panorama of Philadelphia. Chestnut Street, East of Fifth (Detail showing the Daguerreotype Gallery of M.A, Root) - Collins and Autenrieth (Artists) Lithograph 6 3/4 x 10 1/4 in (complete lithograph) Archives of Modern Conflict OR National Gallery of Canada Courtesy of Nick and Lynn Heckett Printed by Schnabel, Finkeldey & Demme, Lithograph Institute of Philadelphia |
| 5. |  | Nadar 1860 Studio of Nadar at 35 Boulevard des Capucines, Paris Albumen print Creative Commons - Wikipedia |
| 6. |  | Nadar 1860 Studio of Nadar at 35 Boulevard des Capucines, Paris (detail) Albumen print Creative Commons - Wikipedia |
| 7. |  | William A. Pratt (Richmond, VA) 1851 Mr. Pratt's Gallery at Richmond, VA - Coloring Daguerreotypes Magazine page Google Books Published in "The Photographic Art Journal, Volume 2, 1851, p.235-236. MR. PRATT'S GALLERY AT RICHMOND, VA COLORING DAGUERREOTYPES. Richmond, October 10th, 1851. Mr. H. H. Snelling : Dear Sir: I at length have found a few moments to devote to you, and I assure you that it is at the earliest period, as you may be sure the cares of so extensive an establishment as ours, after three months-absence, preclude the possibility of giving much time to any other purpose. You already have published a description of the interior of our establishment, and I will now give the best I can of its outside, but the illustration itself affords almost all that could be desired. The object was to obtain as much boauty as possible, consistent with utility, and to make the alterations without disturbing the original building more than I could avoid. The immense bay window which forms the principal ornament in front, is eight feet wide by about 16 feet in height, and in combination with the gothic screen work above, also filled with glass, forms our operating light, which is about thirty feet from the floor of the room and runs back about ten feet. This window projects two feet into the street, and forms a conspicuous object in connection with the parapet above from nearly every part of the city. The entire front has been remodelled and painted so as to present the hall-like appearance which the illustration portrays, and as it forms the centre of the finest row of buildings in Richmond, we think that we have obtained the objects most to be desired in a Daguerrean establishment, viz.: Publicity, an immense northern window in combination with a sky-light, a fine operating room in the third-story, surrounded with the necessary offices for cleaning, buffing, &c., and a show room, which in all my travels I have not yet seen surpassed except in point of size. I would take the opportunity here to mention that no attention has been paid to either convenience or beauty of arrangement in the European galleries. I visited nearly all in England and in Paris, and found them, generally speaking, below mediocrity. Their pictures, too, were so inferior to those of America, with two exceptions, (Thomson and Mayall, both formerly of Philadelphia,) as to occasion no surprise at the great want of popularity of the daguerreotype in England. Their great object seems to be to disguise it by colors, varnishes, &c., to hide all the beauty of the original proof, and to produce instead an inferior specimen of miniature painting; true, some of the French have, by the exquisite pencil of their finest artists, produced pictures which both astonish and delight, but these alas ! Are, from their very nature, (viz.: being worked up with gum colors,) liable to turn of a rusty hue, which destroys their beauty, and leaves them with the aspect of a faded engraving after being exposed in a shop window. Mr. Beard claims to have discovered a method by which these difficulties are obviated, but unless I am much deceived, it is the same as that practised by me, and of which I have specimens four years old. For the information of your readers I will detail it. After your picture- is gilded and dry, pour over it quickly and steadily, a thin solution of bright copal varnish, and let it drain off either in the sun or before a gentle fire a stove is best; when perfectly hard, which it will be in the course of a day, color it as usual with dry colors. An exposure to the gentle heat of a spirit lamp will cause them to sink in and become permanent, thus giving all the effect of enamel. After this is completed you may coat it over with varnish, until you get sufficient to rub down, and you will obtain an imperishable enamelled daguerreotype. This has probably been tried by more than one besides Mr. Beard, and only proves that "there is nothing new under the sun," in coloring daguerreotypes, at least, for where such a host of operators are engaged, the probability is, that nearly everything has been attempted of this kind that afforded any chance of success. Very respectfully yours, William A. Pratt. |
| 8. |  | James M. Ford 1854-1857 (ca) Exterior view of Ford's Daguerrean Gallery, 202 and 203 Clay Street, San Francisco Archives of Modern Conflict OR National Gallery of Canada On January 16, 1853 the following item was posted in the Daily Alta California (San Francisco; Vol. IV, No. 16): F O R D ' S D A G U E R R E A N G A L L E R Y D on't you remember "The Old Folks at Home," A nd the young ones--the wives and the fair ones so dear? G rey hairs, rosy cheeks, deep sighs and the tear, U nbidden that fell when you left far to roam? E ach kind word, that they spoke, and each uplifted prayer, R evoked, for thy safety and final success, R eprinted kisses! the hands gentle press! E ach long, loving look! the last words of the fair! O h! yes, you remember; then do not forget T o procure a memento, to please young and old, Y ou know they expect it from the land of gold. P er express or by post, neither seldom do fail, E xpress is the surest, but cheaper by mail. M ementos are numerous, from which to select, I ntrinsic their value, may dazzle the eye, N or do they lack richness, may've been drawn as a prize I n a raffle or lott'ry, and not a defect. A ll different opinions, we give them a place, T ho' in our opinion, and we think we are right, U ndoubtedly best is a DAGUERREOTYPE: R emember, FORD'S Gallery's by odds the best place, E ver there, ever ready, he invites you, come and see, S outh side of Clay street, 202 and 3. N.B. Don't forget the place, 202 and 203 Clay street. En- trance first door below the new Post Office. de25-1m [This was originally posted by Gary W. Ewer to the DagNews website - 01-16-97] www.daguerre.org The dating of this photograph is based upon the information provided in Craig's Daguerreian Registry (www.daguerreotype.com) that James M. Ford opened this gallery in September 1854 and sold it "probably as early as 1857" to Samuel P. Howes. |
| 9. |  | Unidentified photographer n.d. Street view showing a sign for the Skylight Daguerrean Rooms Albumen print Archives of Modern Conflict OR National Gallery of Canada |
| 10. |  | Unidentified photographer n.d. Street view showing a sign for the Skylight Daguerrean Rooms (Detail) Albumen print Archives of Modern Conflict OR National Gallery of Canada |
| 11. |  | Unidentified photographer n.d. Exterior view of Crocker's Ambrotype Rooms Albumen print Archives of Modern Conflict OR National Gallery of Canada |
| 12. |  | Unidentified photographer n.d. Exterior view of Crocker's Ambrotype Rooms (Detail) Albumen print Archives of Modern Conflict OR National Gallery of Canada |
| 13. |  | O.B. Silver 1861 (ca) O.B. Silver's Ambrotype Gallery Ambrotype, 1/2 plate California State Library Record no: 001379275 Dutch Flat, California. |
| 14. |  | Marcus Aurelius Root 1866 Root Gallery, Daguerreotype studio Albumen print Historical Society of Pennsylvania Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139] Photographer: C. Cohill. Address: 5th and Chestnut Streets, Philadelphia, PA USA |
| 15. |  | Marcus Aurelius Root 1866 Root Gallery, Daguerreotype studio (detail) Albumen print Historical Society of Pennsylvania Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139] Photographer: C. Cohill. Address: 5th and Chestnut Streets, Philadelphia, PA USA |
| 16. |  | Marcus Aurelius Root 1866 Root Gallery, Daguerreotype studio (detail) Albumen print Historical Society of Pennsylvania Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139] Photographer: C. Cohill. Address: 5th and Chestnut Streets, Philadelphia, PA USA Note the display cases for photographs. |
| 17. |  | Marcus Aurelius Root 1866 Root Gallery, Daguerreotype studio (detail) Albumen print Historical Society of Pennsylvania Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139] Photographer: C. Cohill. Address: 5th and Chestnut Streets, Philadelphia, PA USA Note the display cases for photographs. |
| 18. |  | Marcus Aurelius Root 1866 Root Gallery, Daguerreotype studio (detail) Albumen print Historical Society of Pennsylvania Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139] Photographer: C. Cohill. Address: 5th and Chestnut Streets, Philadelphia, PA USA Note the photographs displayed in the windows of the gallery. |
| 19. |  | J. Thurlow n.d. No. 85 Cameron's Cone - Cloud Effect (Detail) [Manitou and Vicinity] Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. May 23rd & Thurs. May 25th, 2006, # 06-2, Lot 199) As John Saddy says "It is a beautiful effect, the cone peering out above the clouds, but more important, down below is Thurlow's studio with skylights and sign 'PHOTOGRAPHS' on it." |
| 20. |  | G.A. Flach 1880 (ca) - 1950s (print) Flach's Photo Studio Gelatin silver print 17 x 12 in (432 x 305 mm) Carl Mautz Vintage Photographs Courtesy of Carl Mautz This photograph was printed by Wyland Stanley, San Francisco collector of negatives and photographic printer. |
| 21. |  | J.J. Reilly n.d. #150 Montgomery Street from Clay Street Stereoview Jefferson Stereoptics Courtesy of John Saddy (Auction, Tues. August 29th & Thurs. August 31st, 2006, # 06-3, Lot 68) Bradley and Rulofson Gallery seen near foreground. |
| 22. |  | William Shew n.d. Untitled image showing the exterior of Shew's establishment, with a man and two ladies seen in a window, possibly, or perhaps, Shew with wife and daughter. Stereocard Jefferson Stereoptics Courtesy of John Saddy (Auction, Tue, Dec 12, 2006 & Thu, Dec 14, 2006, # 06-4, Lot 358) |
| 23. |  | William Shew n.d. Untitled image showing the exterior of Shew's establishment, with a man and two ladies seen in a window, possibly, or perhaps, Shew with wife and daughter. Stereocard, detail Jefferson Stereoptics Courtesy of John Saddy (Auction, Tue, Dec 12, 2006 & Thu, Dec 14, 2006, # 06-4, Lot 358) |
| 24. |  | Mayall & Co 1870-1875 Exterior view of the premises of Mayall & Co. Albumen print Private collection of Lisa Tao |
| 25. |  | Negretti & Zambra 1885-1886 (ca) Frontispiece for "Negretti & Zambra's encyclopaedic illustrated and descriptive reference catalogue of optical, mathematical, physical, photographic, and standard meteorological instruments, manufactured and sold by them. Revised edition" (London) Frontispiece Stockholms Auktionsverk Photographica, 4 April 2011, Lot: 4409 |
| 26. |  | Negretti & Zambra 1885-1886 (ca) Negretti & Zambra - 45, Cornhill [London] Frontispiece, detail Stockholms Auktionsverk Photographica, 4 April 2011, Lot: 4409 Frontispiece detail from "Negretti & Zambra's encyclopaedic illustrated and descriptive reference catalogue of optical, mathematical, physical, photographic, and standard meteorological instruments, manufactured and sold by them. Revised edition" (London) |
| 27. |  | Negretti & Zambra 1885-1886 (ca) Negretti & Zambra - Holborn Viaduct [London] Frontispiece, detail Stockholms Auktionsverk Photographica, 4 April 2011, Lot: 4409 Frontispiece detail from "Negretti & Zambra's encyclopaedic illustrated and descriptive reference catalogue of optical, mathematical, physical, photographic, and standard meteorological instruments, manufactured and sold by them. Revised edition" (London) |
| 28. |  | Negretti & Zambra 1885-1886 (ca) Negretti & Zambra - 122 Regent Street [London] Frontispiece, detail Stockholms Auktionsverk Photographica, 4 April 2011, Lot: 4409 Frontispiece detail from "Negretti & Zambra's encyclopaedic illustrated and descriptive reference catalogue of optical, mathematical, physical, photographic, and standard meteorological instruments, manufactured and sold by them. Revised edition" (London) |
| 29. |  | T.J. Trapp n.d. T.J. Trapp's Photograph Gallery Stereoview Jeffrey Kraus Antique Photographics There is a large sign on the building as well as well as a sign on a kiosk on the street. There appears to be a photo display hung by one of the upstairs windows. Trapp was located in Williamsport, Pa. |
| 30. |  | T.J. Trapp n.d. T.J. Trapp's Photograph Gallery Stereoview, detail Jeffrey Kraus Antique Photographics There is a large sign on the building as well as well as a sign on a kiosk on the street. There appears to be a photo display hung by one of the upstairs windows. Trapp was located in Williamsport, Pa. |
| 31. |  | Peabody & Weed (Yorkville, Ill.) 1860s (ca) Exterior of the studio of Peabody & Weed, Yorkville, Ill. Carte de visite Private collection of Laddy Kite |
| 32. |  | Unidentified photographer / artist 1860s (ca) Exterior of a Photographic Gallery Carte de visite Private collection of Laddy Kite |
| 33. |  | Unidentified photographer / artist 1860s (ca) Exterior of a Photographic Shack Carte de visite Private collection of Laddy Kite |
| 34. |  | Wm. McIntyre (Lexington, MI) 1860s (ca) Exterior of the propped up photographic building of Wm. McIntyre, Lexington, MI. Carte de visite Private collection of Laddy Kite |
| 35. |  | Unidentified photographer 1860s-1870s A photographic studio on wheels, with a tripod mounted camera and a photographic van Carte de visite 2.25 x 3.75 in (image) 2.5 x 4.125 in (mount) Private collection of Dan Weinstock |
| 36. |  | R. Fitzpatrick 1860s (ca) Exterior of R. Fitzpatrick's Photograph Rooms Carte de visite Private collection of Laddy Kite |
| 37. |  | R. Fitzpatrick 1860s (ca) Exterior of R. Fitzpatrick's Photograph Rooms Carte de visite, detail Private collection of Laddy Kite |
| 38. |  | Unidentified photographer / artist n.d. "Entrance to Gallery," over door. Stereoview Jeffrey Kraus Antique Photographics Photo displays on the sides. View is pseudoscopic. |
| 39. |  | Unidentified photographer / artist n.d. "Entrance to Gallery," over door. Stereoview, detail Jeffrey Kraus Antique Photographics Photo displays on the sides. View is pseudoscopic. |
| 40. |  | George Schuwirth (Austin, Texas) 1882 (ca) Untitled [George Schuwirth photography gallery, Austin, Texas] Cabinet card, detail 11 x 17 cm DeGolyer Library, South Methodist University - SMU Southern Methodist University, Central University Libraries, DeGolyer Library, Call number: Ag2008.0005 The primary portions of the former photographic studio of George Schuwirth can be seen in Austin today at the southwest corner of 6th Street and Neches. Verso: stamped imprint Geo. Schuwirth, Photographer, 423 E. Pecan, 6th Street, Corner Neches Street, Austin, Texas. Duplicates of this picture can be had any time. |
| 41. |  | George K. Miller (Cooper, Texas) 1910 (ca) Untitled [Miller Picture Taker, photography studio] Cabinet card, detail 17 x 11 cm DeGolyer Library, South Methodist University - SMU Southern Methodist University, Central University Libraries, DeGolyer Library, Call number: Ag2008.0005 Verso: Inscribed Compliments of Miller Studio Photographer s Cooper, Texas. |
| 42. |  | W.P. Floyd 1869 (ca) Queens Road, Hongkong Albumen print 24.8 x 19 cm Tonpeek Photography |
| 43. |  | Unidentified photographer / artist 1880 (ca) The exterior of a photographic studio in Genoa, Italy Stereocard Private collection of Adriano Silingardi The address is near to Piazza Acquaverde and the Porta Principe Railway Station in Genova, Italy. |
| 44. |  | Unidentified photographer / artist 1880 (ca) The exterior of a photographic studio in Genoa, Italy Stereocard, detail - right Private collection of Adriano Silingardi The address is near to Piazza Acquaverde and the Porta Principe Railway Station in Genova, Italy. |
| 45. |  | Unidentified photographer / artist 1880 (ca) The exterior of a photographic studio in Genoa, Italy Stereocard, detail - right Private collection of Adriano Silingardi The address is near to Piazza Acquaverde and the Porta Principe Railway Station in Genova, Italy. In this enlargement one can see the glass walls of the studio. |
| 46. |  | Hugo Schön (Munich) 1890 (ca) The gallery and studio of Hugo Schön, Marianplatz No.26, Munich Cabinet card, back Private collection of T. Max Hochstetler |
| 47. |  | Hugo Schön (Munich) 1890 (ca) The gallery and studio of Hugo Schön, Marianplatz No.26, Munich Cabinet card, back, detail Private collection of T. Max Hochstetler |
| 48. |  | 1854 Lawrence's Gallery, 381 Broadway, corner White Street, New York Advert Google Books This advert was published in "The Illustrated American Biography" by A.D. Jones, Volume II, (New York: J. Milton Emerson & Co., 1854) |
| 49. |  | Jeremiah Gurney 1854 J. Gurney's Premium Daguerreotype Gallery, (corner Leonard Street,) 349 Broadway, New York Advert Google Books This advert was published in "The Illustrated American Biography" by A.D. Jones, Volume II, (New York: J. Milton Emerson & Co., 1854) |
| 50. |  | Jeremiah Gurney 1854 J. Gurney's Premium Daguerreotype Gallery, (corner Leonard Street,) 349 Broadway, New York Advert Google Books This advert was published in "The Illustrated American Biography" by A.D. Jones, Volume II, (New York: J. Milton Emerson & Co., 1854) |
| 51. |  | Jeremiah Gurney 1854 J. Gurney's Premium Daguerreotype Gallery, (corner Leonard Street,) 349 Broadway, New York Advert Google Books This advert was published in "The Illustrated American Biography" by A.D. Jones, Volume II, (New York: J. Milton Emerson & Co., 1854) |
| 52. |  | Unidentified photographer / artist 1852 (ca) N.E. Sisson's Daguerreotype Establishment Invoice design Archives of Modern Conflict OR National Gallery of Canada This design is on an invoice issued on April 10, 1852 for N.E. Sisson, No. 496 Broadway, Albany, N.Y. |
| 53. |  | Unidentified photographer / artist 1852 (ca) N.E. Sisson's Daguerreotype Establishment Invoice Archives of Modern Conflict OR National Gallery of Canada This design is on an invoice issued on April 10, 1852 for N.E. Sisson, No. 496 Broadway, Albany, N.Y. The publicity lines tell us that the company is an "Importer of French Plates, Manufacturer of Daguerreotype Cases and Chemicals, and Dealer in Daguerrotype Goods of every description, Wholesale and Retail. The list of the items purchased is also significant as it is everything that a photographer would need to go into business. The pricing is given using Spanish system of Bits with eight bits to the dollar. |
| 54. |  | Mathew B. Brady n.d. Exterior view of Brady's Gallery Archives of Modern Conflict OR National Gallery of Canada |
| 55. |  | Clark n.d. [USA] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 56. |  | Appleton & Co n.d. [England] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 57. |  | M. Wacker (Aschaffenburg, Bavaria, Germany) n.d. The studio of M. Wacker Carte de visite, back Private collection of Ken Burkhart |
| 58. |  | Prentice and Vail n.d. [USA] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 59. |  | Prentice and Vail n.d. [USA] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 60. |  | Mr & Mrs Ward n.d. [England] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 61. |  | F.B. Clench n.d. [USA] Carte de visite, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) [Please note that the scan colors may not exactly match those on the original.] |
| 62. |  | Gregor Baldi n.d. Carte de visite back showing the studio of Baldi, Saltzburg Carte de visite, back Private collection of Fr. Gregor |
| 63. |  | R. Heinrich (Troppau) n.d. The studio of R. Heinrich, Johannisgasse 9 Eck Schillerpark 1, Troppau Carte de visite, back Private collection of Fr. Gregor |
| 64. |  | Atelier [A.] Gossauer (Rapperswyl, Switzerland) n.d. Backmark for Atelier Gossauer, Rapperswyl, Obere Bahnhofstrasse Cabinet card, back Private collection of Bill Jones |
| 65. |  | G.F. Gale n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Barber Building Studios, G.F. Gale Photographer, 114 & 116 Chicago St. Joliet, Illls. "Take the Elevator" [Please note that the scan colors may not exactly match those on the original.] |
| 66. |  | Baker's Art Gallery n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Baker's Art Gallery, 106 South High St., Columbus, O. [Please note that the scan colors may not exactly match those on the original.] |
| 67. |  | Baker's Art Gallery n.d. [Detail] Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Baker's Art Gallery, 106 South High St., Columbus, O. [Please note that the scan colors may not exactly match those on the original.] |
| 68. |  | Eskil's Art Gallery n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Eskil's Art Gallery, 215 Hughitt Street, Iron Mountain, Michigan. "The negative of this Photograph is Preserved for Future Orders, and can be reduced for the smallest Locket or enlarged up to Life size, and finished in Crayon, Ink or Water Colors." [Please note that the scan colors may not exactly match those on the original.] |
| 69. |  | L.M. Melander n.d. Melander, Photographer, 208 Ohio St., Cor. Clark, Chicago Cabinet card, back Private collection of Ken Burkhart (Alan Griffiths, 18 March 2021) Confirm which of the Melander Brothers took this photograph. |
| 70. |  | Louis A. Rudolph n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Louis A. Rudolph, 957 Milwaukee Ave. Chicago There are three messages in the windows:
[Please note that the scan colors may not exactly match those on the original.] |
| 71. |  | J.J. Wixson's and Son n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) J.J. Wixson & Son, The Artists Ground Floor Gallery, Corner Wells Avenue and Elmore Street, [Town uncertain] Escanaba and Gladstone, Mich. [Please note that the scan colors may not exactly match those on the original.] |
| 72. |  | Briggs & Co. (Ottumwa, Iowa) 1880 (ca) Backmark for "Briggs & Co., Photographers, The Ground Floor Studio, 311 E. Main St., Ottumwa, Iowa" Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Briggs & Co. Photographers, The Ground Floor Studio, 311E Main St. Ottumwa, Iowa. [Please note that the scan colors may not exactly match those on the original.] |
| 73. |  | Briggs & Co. (Ottumwa, Iowa) n.d. Backmark for "Briggs & Co., Photographers, The Ground Floor Studio, 311 E. Main St., Ottumwa, Iowa" Cabinet card, back, detail Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Briggs & Co. Photographers, The Ground Floor Studio, 311E Main St. Ottumwa, Iowa. [Please note that the scan colors may not exactly match those on the original.] |
| 74. |  | Jacob Berg n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) J. Berg's Photographic Studio. Cor. Bruce Ave. and 4th St. Grand Forks, N.D. [Please note that the scan colors may not exactly match those on the original.] |
| 75. |  | Steffens Atelier (Chicago, Illinois) n.d. The Steffens Atelier Cabinet card, back Private collection of Ken Burkhart |
| 76. |  | James M. White 1892 J.M. White & Co, Photographers, 1102 Military Street, Port Huron, Mich. Cabinet card, back Private collection of Ken Burkhart J.M. White & Co. (Port Huron, Michigan) |
| 77. |  | Ye Rose Studio n.d. Untitled Cabinet card, back Antiq-Photo Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com) Ye Rose Studio, 385 Westminster St. Providence. R.I. The text says that it "Opened June 1886" and that it has an elevator. [Please note that the scan colors may not exactly match those on the original.] |
| 78. |  | Prof. Ehrlich n.d. Prof. Ehrlich's Photograph Gallery, No.160 East 66th Street. Bet. Lexington & 3rd Ave, New York Cabinet card, back Private collection of Ken Burkhart Prof. Ehrlich's Photograph Gallery (New York, NY) |
| 79. |  | Prof. Ehrlich n.d. Prof. Ehrlich's Photograph Gallery, No.160 East 66th Street. Bet. Lexington & 3rd Ave, New York Cabinet card, back, detail Private collection of Ken Burkhart Prof. Ehrlich's Photograph Gallery (New York, NY) |
| 80. |  | Weston (Bangor, Maine) n.d. Cabinet card back showing exterior of studio for Weston (Bangor, Maine) Cabinet card, back Private collection of Laurie Minor |
| 81. |  | Weston (Bangor, Maine) n.d. Cabinet card back showing exterior of studio for Weston (Bangor, Maine) Cabinet card, back, detail Private collection of Laurie Minor |
| 82. |  | Weston (Bangor, Maine) n.d. Cabinet card back showing exterior of studio for Weston (Bangor, Maine) Cabinet card, back, detail Private collection of Laurie Minor |
| 83. |  | Heinemann (Chicago, Illinois) n.d. Heinemann, Photographer - with exterior and interior of the studio Cabinet card, back Private collection of Ken Burkhart |
| 84. |  | Heinemann (Chicago, Illinois) n.d. Heinemann, Photographer - Studio exterior Cabinet card, back, detail Private collection of Ken Burkhart |
| 85. |  | Sigrid Wagman Studio (Upsala) n.d. Carte de visite with exterior of Sigrid Wagman Studio, Upsala Carte de visite, back Private collection of Liese A. Ricketts Upsala is the older spelling for the city of Uppsala in Sweden. |
| 86. |  | Sigrid Wagman Studio (Upsala) n.d. Carte de visite with exterior of Sigrid Wagman Studio, Upsala Carte de visite, back, detail Private collection of Liese A. Ricketts Upsala is the older spelling for the city of Uppsala in Sweden. |
| 87. |  | Edward F. Hartley n.d. Design showing the store of Hartley, 309 Madison Ave., Chicago Cabinet card, back Private collection of Michael Pecosky Hartley, 309 Madison St., Chicago |
| 88. |  | Edward F. Hartley n.d. Design showing the store of Hartley, 309 W. Madison Ave., Chicago Cabinet card, back Private collection of Michael Pecosky Hartley, 309 W. Madison St., Chicago |
| 89. |  | Carleton E. Watkins n.d. View from Glacier Point [Yosemite] (reverse) Albumen print, boudoir mount, back Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (52 / 52) Boudoir mount albumen print by Taber from a negative by Carleton Watkins. Title and number "B 739" at the bottom of the view. |
| 90. |  | Dr. J.C. Mills n.d. Backmark for Dr. Mills, Photographer, Penn Yan, N.Y. Cabinet card, back Private collection of Jim Cantwell "By J. C. Mills, M.D. Penn Yan, NY" is printed on the photo side of the card. |
| 91. |  | A. Denis & Cie. (St. Hyacinthe) n.d. Advertising for A. Denis & Cie., St. Hyacinthe. Tintype, carte de visite mount Private collection of Laurie Minor Engraving of engraving of the exterior of a photographer's studio with the street scene including shoppers and a horse and buggy. |
| 92. |  | W.H. Pearce n.d. The Forest Home Bon Ton Tent Tintype folder Private collection of Ken Burkhart |
| 93. |  | 1859, 21 October An isometrical drawing of a small glass room Magazine illustration Google Books Published in "The construction of glass rooms for photographic purposes" in "The Photographic News", Vol.III, No.59, October 21, 1859, p.73 |
| 94. |  | 1859, 21 October A glass room Magazine illustration Google Books Published in "The construction of glass rooms for photographic purposes" in "The Photographic News", Vol.III, No.59, October 21, 1859, p.74 |
| 95. |  | Unidentified photographer / artist 1884 Glass-roofed studio Book illustration Google Books Published in "La Photographie en Amerique" (Quatrieme Edition) by A. Liebert (Paris: B. Tignol, 1884), fig.21. |
| 96. |  | Unidentified photographer / artist 1884 Glass-roofed studio Book illustration Google Books Published in "La Photographie en Amerique" (Quatrieme Edition) by A. Liebert (Paris: B. Tignol, 1884), fig.23 |
| 97. |  | Unidentified photographer / artist 1888, 23 March "To make it more agreeable under the skylight" by Rudolph Goebel Magazine page Google Books Published in "The Photographic News", Volume 32, No.1542, p.183 |
| 98. |  | Unidentified photographer 1859 [Ordnance Survey Building, Southampton] [The Report of the Committee on the Reduction of Ordnance Plans by Photography] Albumen print Library of Congress, Geography and Maps Division This photograph was included in an online posting to the British Photographic History website (http://britishphotohistory.ning.com/) in "Map Reproductions in Salted Paper by the English Ordnance Survey" by Adrienne Lundgren (November 29, 2011) For background see: Committee on the Reduction of the Ordnance Survey Plans by Photography (Printed by George Edward Eyer and William Spottiswoode, 1859) - 14 pages. A copy is held in the Geography and Maps Division of the Library of Congress. Further details on the location and accession number for this item are requested. |
| 99. |  | 1860, 18 May Perspective view of the Photographic Building constructed by the Ordnance Survey Department, at Southampton, designed by Colonel James, R.E. Magazine illustration Google Books Published in "The construction of glass rooms for photographic purposes" in "The Photographic News", Vol.IV, No.89, May 18, 1860, p.25 |