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James Robertson
Title Introduction Carousel Lightbox Checklist
   
1.James Robertson
1852-1854 (ca)
View of the Faith Mosque, Mosque of Sultan Mehmet II

Salt print, from paper negative
24.5 x 31 cm
 
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4080)
 
Mounted along edges to grey card.
 
LL/33507
2.James Robertson
1852-1854
Panoramic view over the Bosphorus with the Dolmabahce Sarayi (Sultan's Palace), Constantinople

Salt print, from paper negative
25.5 x 32 cm
 
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4079)
 
Mounted along edges to cream card.
 
LL/33506
3.James Robertson
1853
Now ready, Photographic Views of Constantinople

Advert
Google Books
Notes and Queries, No.212, November 19, 1853, p.506.
 
Now ready, Photographic Views of Constantinople. Twenty Views of the most Important Buildings, taken by James Robertson, Esq. Imperial folio, half-bound morocco, price 61. 16s. 6d.
 
Advert placed by Joseph Cundall, 168. New Bond Street.
 
LL/36099
4.James Robertson
1854
Constantinople. Tombeau du sultan Suleiman

Papier salé d'après négatif sur verre au collodion
29.5 x 25.5 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Georges Sirot
 
LL/7779
5.James Robertson
1854
Constantinople. Suleimanieh, côté est

Papier salé d'après négatif sur verre au collodion
32 x 26.5 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Georges Sirot
 
LL/7780
6.James Robertson
1854
Constantinople. Base de l'obélisque [de théodose]

Papier albuminé d'après négatif sur verre au collodion
24.5 x 29.5 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Album du comte de Paris
 
LL/7781
7.James Robertson
1854
Environs de Constantinople. Sultan Selim. Scutari

Papier albuminé d'après négatif sur verre au collodion
26 x 29.5 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Album du comte de Paris
 
LL/7782
8.James Robertson
1854
Constantinople. Mosquée Ahmedieh

Papier salé d'après négatif sur verre au collodion
26 x 30 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Alfred Armand
 
LL/7784
9.James Robertson
1854 (ca)
Mosque of Shah Zaideh, Constantinople

Salt print
10 x 258 mm
 
Dominic Winter Book Auctions
Auction Sale: Sept 3, 2008 - Lot: 136
 
Mosque of Shah Zaideh, Constantinople [so titled on mount], c. 1854, salt print side view of the mosque showing one minaret and seven figures in the foreground, including one of the Biato brothers ?, signed in ink lower left 'Robertson', 310 x 258 mm, mounted on card with pencil frame border and caption beneath, small closed tear to blank area of top right corner of image, mount a little spotted and soiled
 
LL/30079
10.James Robertson
1854 (ca)
Constantinople Seraglio

Salt print
9.6 x 11 in (image) 10 x 12 in (mount)
 
Past to Present: Vintage Photo Gallery
LL/39351
11.James Robertson
1855
Imperial Gate of the Seraglio, view of the entrance of the Serail, Constantinople

Albumenized salt print
29.8 x 25.6 cm
 
Bassenge Photography Auctions
Auction (17 June 2009, Sale 93, Lot 4264)
 
Signed by the photographer in lower right corner in the negative as well as inscribed in lower edge in the negative, mounted along edges to cream card.
 
Sylvie Aubenas/Jacques LacarriÞre. Voyage en Orient. Editions Hazan Paris 2001, ill. p. 185 (similar image).
 
LL/32471
12.James Robertson
1855
Mosque of Soliman the Magnificent (Solimanyah, Constantinople)

Albumen print
25 x 30,4 cm
 
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4125, Dec 5, 2007)
 
Signed by the photographer in lower left corner and title in lower right in the negative, flush-mounted to original board (minimally soiled, slight traces of use in edges), titled in ink in lower right corner of mount.
 
Lit.: Sylvie Aubenas/Jacques LacarriÞre. Voyage en Orient. Editions Hazan Paris 2001, ill. p. 182 (image from same period).
 
LL/25257
13.James Robertson
1855 (ca)
Mosque of Sultan Mahmoud in Tophana [Istanbul]

Albumen print
255 x 295 mm
 
Dominic Winter Book Auctions
Courtesy of Dominic Winter Book Auctions (sale: Thursday 6th March 2009, Lot: 1058)
 
Signed 'Robertson' in ink lower left, mounted on a large album leaf.
 
LL/31604
14.James Robertson
1850s (early)
A Turkish Man, Constantinople

Salt print, overpainted
155 x 200 mm
 
Daniella Dangoor
LL/22737
15.James Robertson
1853 (ca)
Woman in outdoor costume, Constantinople

Partially albumenized, hand-coloured salt print
18 x 14 cm
 
Bassenge Photography Auctions
Auction (17 June 2009, Sale 93, Lot 4261)
 
Ken Jacobson. Odalisques and Arabesques: Orientalist Photography 1839 - 1925. London 2007, see p. 192 (similar image).
 
LL/32470
16.James Robertson
1850s (late)
Street merchant, Constantinople

Partially coated hand-coloured salt print
19.5 x 15 cm
 
Bassenge Photography Auctions
Auction (17 June 2009, Sale 93, Lot 4266)
 
Sylvie Aubenas/Jacques LacarriÞre. Voyage en Orient. Editions Hazan Paris 2001, ill. p. 199 (image from same series).
 
LL/32472
17.James Robertson
1856
Photographic Establishment, Pera, Constantinople, under the Immediate Superintendence of James Robertson

Advert
Google Books
Murray's Handbook Advertiser, 1856, p.30. bound with A Handbook for Travellers on the Continent: Being a Guide to Holland, Belgium, Prussia, Northern Germany, and the Rhine from Holland to Switzerland, Eleventh Edition (London: John Murray, 1856)
 
PHOTOGRAPHIC ESTABLISHMENT,
PERA,
CONSTANTINOPLE,
UNDER THE IMMEDIATE SUPERINTENDENCE OF
JAMES ROBERTSON,
CHIEF ENGRAVER TO THE IMPERIAL OTTOMAN MINT.
 
VIEWS OF SEBASTOPOL, BALACLAVA, AND KAMIESCH.
 
CHARACTERISTIC GROUPS OF THE OFFICERS AND MEN.
Taken during the Siege.
 
VIEWS AND PUBLIC BUILDINGS OF CONSTANTINOPLE.
 
GROUPS AND ORIENTAL COSTUMES.
Coloured from the Life.
 
ANTIQUITIES OF ATHENS.
 
This Establishment is situated in the main Street of Pera, and is open every Day (Sundays excepted) from Nine till Dusk.
 
LL/36098
18.James Robertson
1855
Port de Balaklava pendant la guerre de Crimée (View of Balaklava Harbour during the Crimean War) [Title incorrect: View of Kamiesch]

Salted paper print from wet collodion on glass negative, Mounted on paper
Rijksmuseum
Copyright © Rijksmuseum Amsterdam (RP-F-F00108)
 
This print has the handwritten French caption "Port de Balaklava pendant la guerre de Crimée" on the mount which is incorrect. The view is not of Balaklava, which is surrounded by steep hills, but of the French-controlled port of Kamiesch to the west of Sevastopol.
 
[pers. email, David Jones to Alan Griffiths, 4 April 2013]
 
LL/25782
19.James Robertson
1855, September (ca)
Balaklava
[Crimean War]

Photographic print
University of Nottingham
Manuscripts and Special Collections, Newcastle (Clumber), Reference number: 2006-12/06-3114m
 
Image cleaned and adjusted.
 
LL/47292
20.James Robertson
1855
Balaklava Harbour

Albumen print
National Army Museum
Negative No. 71293, Accession No. NAM. 1968-10-73
 
LL/41362
21.James Robertson
1855
The Leander in the Port of Balaclava

Salt print
21,8 x 15,1 cm
 
Bloomsbury Auctions - Rome
Bloomsbury, Rome (Nov 10, 2008, Sale 17, Lot 19)
 
Taken during the Crimean War. Published in in James Lawrence, 1854-56 Crimea. The war with Russia from Contemporary Photographs, Van Nostrand, 1981, pag.71.
 
LL/31181
22.James Robertson
1856, May
Officers of the 18th Royal Irish Regiment, Camp Sebastopol

Salt print
Pennsylvania State University Library
Special Collections Library, Henisch Collection,
 
Some of the last British troops in the Crimea, left there to destroy the captured Russian fortifications in Sebastopol. This print has been carefully annotated by someone who knew all the people shown, and is inscribed: "18th Royal Irish Regiment. Camp Sebastopol, May 1856."
 
LL/41962
23.James Robertson
1854
The camp of the 3rd Grenadier Guards
Private collection
http://www.florence-nightingale-avenging-angel.co.uk/scutari.htm (Accessed: 1 April 1854 - the website "Florence Nightingale Historical Bulletin" is run by author Hugh Small. The photograph is credited to the collection of Keith Smith.)
 
"…shows the camp of the 3rd Grenadier Guards with the barracks (later the Barrack Hospital and now the Selimiye Barracks) in the background. Lines to the Selimiye mosque and to the General Hospital (the building on the left) locate the site … This would now be on the railway tracks and has presumably been excavated. Even if it were possible now to stand in the same spot, the new Marmara University building would probably obscure the view of the barracks."
 
LL/36104
24.James Robertson
1855, Autumn
British graves at Cathcart's Hill

Salt print
Pennsylvania State University Library
Special Collections Library, Henisch Collection
 
Battle of Inkerman, Sebastopol, in the Crimean War. Cathcart's Hill, a promontory overlooking Sebastopol, was used as an observation post and as a graveyard for British officers killed at the battle of Inkerman (5 Nov. 1854). It was named after a British general who died in that engagement. At the center of the picture is a large gravestone on which a Russian inscription has been carved -- an appeal to Russians not to desecrate the site.
 
LL/41963
25.James Robertson
1855
Interior of the Malakoff Fortress

Salt print
Pennsylvania State University Library
Special Collections Library, Henisch Collection
 
Interior of the Malakoff, one of the main defenses of Sebastopol, after its capture by the French on 8 Sept. 1855. One of the best-known photographs by James Robertson,this was used as the source of many engravings, exhibited in London, and reviewed in the Illustrated London News. The capture of the Malakoff fort marked the climax of the Crimean War, although the Peace Treaty was not signed until the end of March 1856.
 
LL/41964
26.James Robertson
1855 (ca)
View of Sebastopol from Studies of the Crimean War

Salt print
Charles Schwartz Ltd
Courtesy of Charles Schwartz
 
LL/7321
27.James Robertson
1855 (ca)
View of Sebastopol from Studies of the Crimean War

Salt print
9 x 11.75 in (229 x 298 mm)
 
Charles Schwartz Ltd
Courtesy of Charles Schwartz
 
LL/7322
28.James Robertson
1855
The Vorontsov Ravine: 'The Valley of Death'

Albumen print
National Army Museum
Negative No. 4448, Accession No. NAM. 1972-03-3-12
 
LL/41363
29.James Robertson
1855
Part of the French attack Sevastopol

Salted paper print from wet collodion on glass negative, Mounted on paper
Rijksmuseum
Copyright © Rijksmuseum Amsterdam (RP-F-F00642)
 
Different sources give this print the title "Interior of the Mamelon Vert". The Mamelon Vert, near Sebastopol, was captured by the French army on 7th June 1855 during the Crimean War. On the 8th September the French took the Malakhov bastion and presumably this photograph was taken around this time.
 
LL/25783
30.James Robertson
1855
Interior of the Redan, Sevastopol

Albumen print
National Army Museum
Negative No. 4450, Accession No. NAM. 1980-11-27-8
 
LL/41364
31.James Robertson
1858 (published)
The Guards at Scutari

Book plate
Google Books
W.H. Russell The British Expedition to the Crimea Revised edition (London: G. Routledge & Co., 1858), Frontispiece.
 
In a contemporary advertisement for this book one of the promotional lines was that the picture of "The Guards at Scutari" was based upon a photograph by Robertson. Interestingly in the book James Robertson or Roger Fenton are never mentioned.
 
LL/36103
32.James Robertson
1856, 1 January
Crimean Photographs - James Robertson

Magazine page
Google Books
Photographic Notes - Journal of the Photographic Society of Scotland and the Manchester PHotographic Society, Vol.I, No.I, January 1, 1856, p.10.
 
Crimean Photographs
 
Messrs. Sutton and Blanquart-Evrard, beg to announce that they are in correspondence with Mr. James Robertson, of Constantinople on the subject of publishing a series of sixty Crimean Photographs, recently taken by him.
 
The specimens which he has forwarded to them are from magnificent Negatives.
 
They have proposed to publish them at al extremely moderate price, which will place these valuable works within the reach of a large circle of purchasers.
 
More of this matter on the receipt of Mr Robertson's reply; which they trust may be favorable to the project.
 
LL/36100
33.James Robertson
1860, 1 May
Panoramic view of Sebastopol by Mr. Robertson of Constantinople

Magazine page
Google Books
"Plan and Panoramic Perspective", p.120-122 in Photographic Notes, Vol.V, No.98, May 1, 1860, p.121.
 
Towards the close of the Crimean war Mr. Robertson, of Constantinople, took from the same station three views of Sebastopol, so as to form when mounted side by side a sort of panoramic view, including an angle of 120¦. Although this triple picture possessed extraordinary interest, one could not help regretting the defects introduced by joining three separate prints; for these being better in definition and also lighter in the centre than at the sides the three patches of light and two dark joinings did not look well. This triple picture could have been taken at one operation by a panoramic lens, and the definition would then have been equally good and the light equally distributed along the horizontal line; the effect in other respects remaining the same.
 
LL/36101
34.James Robertson
1850-1875 (ca, check)
L' Acropole d'Athenes

Photographic print
28.8 x 38.4 cm (image) 46.3 x 61.2 (mount)
 
Musée Condé
© direction des musées de France, © musée Condé, 1999, Inventory No: PH No 866, Joconde: 00000105923
 
The attribution to James Robertson is not certain.
 
LL/33760
35.James Robertson
1854
[Acropolis, Athens]

Salted paper print from wet collodion negative
25.9 x 29.1 cm (image) 31.4 x 35.3 cm (mount)
 
J. Paul Getty Museum
Getty Research Library, Special Collections and Visual Resources, Gary Edwards collection of photographs of Greece, 1842-1959, Id: 92.r.84_03-01
 
View of the Acropolis showing the Frankish Tower and the Beulé Gate.
 
LL/41628
36.James Robertson
1854 (ca)
Porch of the Caryatids, Athens, Greece

Albumen print
9 x 11 in
 
Private collection of Steven Evans
LL/32688
37.James Robertson
n.d.
Peristyles (colonnades), Temple of Jupiter Olympius, Athens, Greece

Albumen print
28 x 24.5 cm
 
The Courtauld Institute of Art
Copyright: © Courtauld Institute of Art , Conway Collections
 
LL/36654
38.James Robertson
1855 (ca)
A ruined temple, Greece [The Propylaea of the Acropolis, Athens]

Albumen print
23.7 x 25.9 cm
 
National Science and Media Museum
LL/39423
39.James Robertson
1853-1854
View from the northeast of the northern atrium of the Erechteion, Athens

Albumen print
37 x 27 cm
 
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4081)
 
Lit.: Dorothea Ritter. Im Lichte des Helios. Griechenland in fruhen Photographien aus der Sammlung Siegert. Munich 1999.
 
LL/33508
40.James Robertson
1853 (ca)
Temple of Jupiter Olympius

Albumen print
31.90 x 25.00 cm (12 1/2 x 9 13/16 ins) (image)
 
Cleveland Museum of Art
Gift of Paula and Robert Hershkowitz in honor of Tom Hinson, Accession No.: 2009.421
 
LL/40914
41.James Robertson
n.d.
Temple of Athena Aphaia, Aegina, Attica, Greece

Albumen print
23 x 30 cm
 
The Courtauld Institute of Art
Copyright: © Courtauld Institute of Art , Conway Collections
 
LL/36672
42.James Robertson
1855 (ca)
The wailing wall, Jerusalem

Albumen print
30.2 x 24.5 cm
 
Pierre Spake Fine Art
LL/41937
43.James Robertson
1857
Damascus gate. Jerusalem [Porte de Damas]

Papier salé d'après négatif sur verre au collodion
25 x 31 cm
 
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Album du comte de Paris
 
LL/7822
44.James Robertson
1857 (ca)
Bethlehem from the convent of the nativity

Albumen print
25 x 30 cm
 
Dominic Winter Book Auctions
Courtesy of Dominic Winter Book Auctions (sale: Thursday 6th March 2009, Lot: 1057)
 
Requires confirmation of the full title.
 
LL/31603
45.James Robertson
1860 (ca)
Street Scene, Cairo

Salt print
12 x 10 1/4
 
Charles Nes Photography LLC New York - Paris
LL/5908
   
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