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Trends

 

LL/51196

 

Contents

Contents
Introduction
1Introduction to photographic trends
Geographical spread of photography
2The global spread of photography
Geographical spread of photography
3Cartes de visite: Backs: Geographical spread
The end of commercial analog photography
4The end of commercial analog photography
5Robert Burley: The Disappearance of Darkness - Photography at the End of the Analogue Era
6John Cyr: Developer Trays
The rise of digital photography
7The rise of digital photography
The rise of photography departments within museums and art galleries
8A history of photographic galleries
Museums
9Museums and photography
10Museums and the amateur
Challenges to professional photography
11Reasons Why Professional Photographers Cannot Work for Free
Stock photography
12Challenges to stock photography
Facial recognition
13Facial recognition and historical photographs
The New Pictorialism
14Examples of the New Pictorialism
The fragmentation of genre
15Genre studies: Introduction
16The fragmentation of genre
17Photographic genres and intention
Aesthetics and photography
18The aesthetics of conflict
Disjunctions
19Temporal disjunctions
20Technical disjunctions
21Periods, styles, movements and disjunctions
Gradations of content
22Observation, intervention and creation
Non-canonical photography
23Non-canonical photography
Series
24The tyranny of series, typologies and editions
The ubiquitous camera
25Ubiquitous Photography
26The contemporary street and surveillance
27Trevor Paglen: Aerial photographs of US government agencies (2014)
28Drone-borne photography
29Introduction to EXIF and C2PA
The quest for novelty
30The continual quest for novelty
31Intentions and motivations
Photographers
Robert Burley (1957-), Lewis Bush (1988-), Trevor Paglen (1974-)
     
Contents     
Subscribers have access to the thirty one informative Fragments on this Theme, Online Exhibitions, Visual Indexes and References.
Introduction
1Introduction to photographic trends
Geographical spread of photography
2The global spread of photography
Geographical spread of photography
3Cartes de visite: Backs: Geographical spread
The end of commercial analog photography
4The end of commercial analog photography
5Robert Burley: The Disappearance of Darkness - Photography at the End of the Analogue Era
6John Cyr: Developer Trays
The rise of digital photography
7The rise of digital photography
The rise of photography departments within museums and art galleries
8A history of photographic galleries
Museums
9Museums and photography
10Museums and the amateur
Challenges to professional photography
11Reasons Why Professional Photographers Cannot Work for Free
Stock photography
12Challenges to stock photography
Facial recognition
13Facial recognition and historical photographs
The New Pictorialism
14Examples of the New Pictorialism
The fragmentation of genre
15Genre studies: Introduction
16The fragmentation of genre
17Photographic genres and intention
Aesthetics and photography
18The aesthetics of conflict
Disjunctions
19Temporal disjunctions
20Technical disjunctions
21Periods, styles, movements and disjunctions
Gradations of content
22Observation, intervention and creation
Non-canonical photography
23Non-canonical photography
Series
24The tyranny of series, typologies and editions
The ubiquitous camera
25Ubiquitous Photography
26The contemporary street and surveillance
27Trevor Paglen: Aerial photographs of US government agencies (2014)
28Drone-borne photography
29Introduction to EXIF and C2PA
The quest for novelty
30The continual quest for novelty
31Intentions and motivations

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