Introduction | |
1 | Introduction to itinerant photographers and showmen |
Hand bills and broadsides | |
2 | Handbills, broadsides and paper-based promotional material |
Tents | |
3 | Studios in tents |
Photographic vans, wagons and cars | |
4 | Photographs of photographic vans |
Barges and boats | |
5 | Studios on boats and barges |
Railroad studios | |
6 | Railroad photograph cars and studios on trains |
7 | J.B. Silvis: Photograph car |
8 | Backmarks for railroad photograph cars |
Travelling showmen | |
9 | Hunter S. Smith: Autobiography of a photographic showman |
10 | Hugh Mangum (1877-1922): Itinerant photographer |
11 | Jean-Philippe Charbonnier: The Biter Bit |
12 | Ann Parker: Itinerant photographers of Guatemala (1970s) |
Introduction | |
1 | Introduction to itinerant photographers and showmen |
Hand bills and broadsides | |
2 | Handbills, broadsides and paper-based promotional material |
Tents | |
3 | Studios in tents |
Photographic vans, wagons and cars | |
4 | Photographs of photographic vans |
Barges and boats | |
5 | Studios on boats and barges |
Railroad studios | |
6 | Railroad photograph cars and studios on trains |
7 | J.B. Silvis: Photograph car |
8 | Backmarks for railroad photograph cars |
Travelling showmen | |
9 | Hunter S. Smith: Autobiography of a photographic showman |
10 | Hugh Mangum (1877-1922): Itinerant photographer |
11 | Jean-Philippe Charbonnier: The Biter Bit |
12 | Ann Parker: Itinerant photographers of Guatemala (1970s) |