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| 1. |  | Man Ray 1929 Seated Nude Gelatin silver print, solarized 11 5/8 x 9 in Edwynn Houk Gallery |
| 2. |  | Man Ray 1931 Solarized Portrait of Mary Gill Gelatin silver print 9 x 6 3/4 in Edwynn Houk Gallery |
| 3. |  | Maurice Tabard 1950 Composition Gelatin silver print 6 3/4 x 3 1/4 in Edwynn Houk Gallery |
| 4. |  | Maurice Tabard 1928 (ca) Magraitis--Negative Solarisation - [Homme a la guitare] Silver print from a solarized negative 9 1/2x7 in (24.1x17.7 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, May 15, 2008, #2146, Lot 313) With Tabard's hand stamp and handwritten title on verso. Maurice Tabard (Photo Poche), 8. Maurice Tabard (Contrejours), 76. Aesthetic exploration of the guitar appears throughout the history of 20th-century art, particularly in Cubism. Picasso, for example, painted (and sculpted) this everyday musical instrument from 1913 through 1924, each time deepening his interpretation of the shallow and ambiguous painterly space. Tabard''s interpretation of the guitarist is no less ambitious in its execution. He combines both the technique of solarization and exploration of positive/negative space as the language of his image. In much the same way Picasso''s Cubist paintings deconstructed picture planes to create a new sense of time and space, Tabard''s photograph is a visual puzzle. Although the subject''s patterned jacket is rendered in the reverse tones of a negative. The solarization effect appears to be highlighted in the man''s fingers and face, which are rendered in a distinct tonality. Tabard returned to the theme again in "Composition aux guitares" (1929), a less elaborate construction. |
| 5. |  | Maurice Tabard 1936 Solarized portrait Print, solarized 231 x 165mm Source requested |
| 6. |  | Maurice Tabard 1930s (late ?) Statue and Trees Gelatin silver print, solarized 4-1/2 x 3-3/4 in (114 x 95 mm) Charles Isaacs Photographs, Inc Courtesy of Charles Isaacs (L1064) On original mount with Paris stamp on reverse. |
| 7. |  | Maurice Tabard 1929-1932 Composition aux guitares Tirage argentique, solarisé 39.7 x 29 cm Bibliothèque Nationale de France, Département des Estampes et de la Photographie Estampes et Photographie. Ep 217 (1) Fol. Don de Maurice Tabard, 1971 |
| 8. |  | Ch. Hurault (Paris) 1934 [Bleuets] Gelatin silver print, solarized Private collection of Jan Weijers (Servatius) |
| 9. |  | Pierre Adam (Paris) 1934 (ca) untitled [Apple in the hand] Gelatin silver print, solarized Private collection of Jan Weijers (Servatius) |
| 10. |  | Erwin Blumenfeld 1945 Femme accoudée Gelatin silver print, solarized 32.5 x 26 cm Galerie Sonia Zannettacci |
| 11. |  | André Thevenet (France) 1948 (ca) Untitled [Portrait of a woman] Gelatin silver print, solarized Private collection of Thomas Weynants |
| 12. |  | Unidentified photographer 1950 (ca) [A portrait] Gelatin silver print, solarized Select Vernacular Photographs / Norman Kulkin |
| 13. |  | Carl Strüwe 1950 Water Flea (Humoreske im Wassertropfen) Gelatin silver print, Microphotograph, multiple exposure, solarization 23.7 x 17.7 cm Carl-Strüwe-Archiv © Carl-Struwe-Archiv, Bielefeld, Germany (STR-1-160) |
| 14. |  | Edmund Teske 1952 Kenneth Anger overlaid with Gustave Dore Gelatin silver print, duotone solarization Barry Singer Gallery © Edmund Teske Archives / Laurence Bump and Nils Vidstrand |
| 15. |  | Edmund Teske 1940s (mid) Woman in Forest (Margaret van Fossen) Gelatin silver print, duotone solarization 13 15/16 x 11 Barry Singer Gallery © Edmund Teske Archives / Laurence Bump and Nils Vidstrand |
| 16. |  | Edmund Teske 1976 Mono Lake-Jeffrey Harris-Shiva Composite Duotone Solarization Barry Singer Gallery © Edmund Teske Archives / Laurence Bump and Nils Vidstrand |
| 17. |  | Edmund Teske 1970s Photogram, Los Angeles Gelatin silver print, duotone solarization Barry Singer Gallery © Edmund Teske Archives / Laurence Bump and Nils Vidstrand |
| 18. |  | Edmund Teske 1965 George Herms, Topanga Canyon, Calif Gelatin silver print, duotone solarization Barry Singer Gallery © Edmund Teske Archives / Laurence Bump and Nils Vidstrand |
| 19. |  | Edmund Teske 1943 Cactus, Taliesin West, Scottsdale, Arizona Duotone solarized Gelatin silver print 13 5/16 x 9 13/16 J. Paul Getty Museum © Edmund Teske Archives / Laurence Bump and Nils Vidstrand, 2001 [Getty: 94.XM.29.2] |
| 20. |  | Edmund Teske 1936 Robert Schrewsbury as Mephisto in Faust, Chicago Gelatin silver print, solarized 12 7/16 x 9 13/16 J. Paul Getty Museum © Edmund Teske Archives / Laurence Bump and Nils Vidstrand, 2001 [Getty: 2001.53.30] |
| 21. |  | Edmund Teske 1944-1949 North Wing of Studio Residence B, Hollyhock House, Hollywood Gelatin silver print, solarized 9 5/16 x 13 1/4 J. Paul Getty Museum © Edmund Teske Archives / Laurence Bump and Nils Vidstrand, 2001 [Getty: 2002.27.2] |
| 22. |  | Edmund Teske 1945 (negative) 1960s (print) Olive Hill, California Duotone solarized Gelatin silver print J. Paul Getty Museum © Edmund Teske Archives / Laurence Bump and Nils Vidstrand, 2001, The J. Paul Getty Trust (93.XM.5.10) |
| 23. |  | Irina Ionesco 1970 Fafa with Feathers Gelatin silver print, solarized 405 x 304mm Source requested |
| 24. |  | James Fee 1998 A false sense of well being Print, solarized 8 x 10 Seraphin Gallery |
| 25. |  | James Fee 1999 Hand To Hand Print, solarized 8 x 10 Seraphin Gallery |
| 26. |  | Don Jim 1985 (ca) Lola Luna [Lavish "L"] Gelatin silver print, solarized 16 x 20 in Private collection of Margo Jim - Estate of Don Jim The Lavish "L'' series was the last significant series that photographer Don Jim completed in his lifetime. Despite her size, the model seems almost weightless. She often appears to be floating. Don accomplished this by building scaffolding above her and spending days lighting her to his satisfaction. There are several "Lavish "L" series. They range from straight gelatin silver prints to those with various degrees of solarization (Margo Jim, July 2008) |
| 27. |  | Don Jim 1985 (ca) Lustrous Lola [Lavish "L"] Gelatin silver print, solarized 16 x 20 in Private collection of Margo Jim - Estate of Don Jim The Lavish "L'' series was the last significant series that photographer Don Jim completed in his lifetime. Despite her size, the model seems almost weightless. She often appears to be floating. Don accomplished this by building scaffolding above her and spending days lighting her to his satisfaction. There are several "Lavish "L" series. They range from straight gelatin silver prints to those with various degrees of solarization (Margo Jim, July 2008) |
| 28. |  | Don Jim 1985 (ca) Lola‘s Lament [Lavish "L"] Gelatin silver print, solarized 16 x 20 in Private collection of Margo Jim - Estate of Don Jim The Lavish "L'' series was the last significant series that photographer Don Jim completed in his lifetime. Despite her size, the model seems almost weightless. She often appears to be floating. Don accomplished this by building scaffolding above her and spending days lighting her to his satisfaction. There are several "Lavish "L" series. They range from straight gelatin silver prints to those with various degrees of solarization (Margo Jim, July 2008) |
| 29. |  | Josephine Sacabo n.d. Reposo Print, solarized Provided by the artist - Josephine Sacabo |