Introduction | |
1 | Introduction to fabricated realities |
2 | Introduction to backgrounds and foregrounds |
3 | Studio backgrounds and foregrounds: Aircraft |
4 | Backgrounds: Landscapes |
5 | Mimicing art within Pictorialism |
6 | Dioramas in Natural History Museums |
7 | Landscapes: Fantasy |
Cartes de visite | |
8 | Cartes de visite: Backgrounds and foregrounds |
Stereoviews | |
9 | Stereoviews: Diableries |
Incongruous backgrounds and inappropriate props | |
10 | Backgrounds: Incongruous |
11 | Inappropriate studio props |
Legal implcations | |
12 | The Death of Chatterton |
Breaking the illusion | |
13 | The all to visible background |
Photographers | |
14 | Louis Jacques Mandé Daguerre: Dioramas |
15 | Bamforth & Co.: The Quarryman's Resolve (1900) |
16 | Joan Fontcuberta: Fabricated sciences and alternative histories |
17 | John Divola: Zuma |
18 | John Divola: Continuity - Film set photographs of bars |
19 | Sandy Skoglund: Installations and visions |
20 | Laurie Simmons: Fabicated realities and the exploration of gender |
21 | Roger Ballen: Shadow Chamber |
22 | Julie Blackmon: Domestic Vacations and other series |
23 | Thomas Demand: Three dimensional sculptural forms |
24 | David Levinthal: Series |
25 | Oliver Boberg: Distilled realities |
26 | Carl Zimmerman: Cold City |
27 | Lori Nix: Accidentally Kansas |
28 | Paolo Ventura: Italian fabricated realities |
29 | Thomas Allen: Uncovered |
30 | Arthur Tress: The Teapot Opera |
31 | Sarah Hobbs: Small Problems in Living |
32 | Cortis & Sonderegger: Fabricated realities |
An early case of fraud using models | |
33 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |
Introduction | |
1 | Introduction to fabricated realities |
2 | Introduction to backgrounds and foregrounds |
3 | Studio backgrounds and foregrounds: Aircraft |
4 | Backgrounds: Landscapes |
5 | Mimicing art within Pictorialism |
6 | Dioramas in Natural History Museums |
7 | Landscapes: Fantasy |
Cartes de visite | |
8 | Cartes de visite: Backgrounds and foregrounds |
Stereoviews | |
9 | Stereoviews: Diableries |
Incongruous backgrounds and inappropriate props | |
10 | Backgrounds: Incongruous |
11 | Inappropriate studio props |
Legal implcations | |
12 | The Death of Chatterton |
Breaking the illusion | |
13 | The all to visible background |
Photographers | |
14 | Louis Jacques Mandé Daguerre: Dioramas |
15 | Bamforth & Co.: The Quarryman's Resolve (1900) |
16 | Joan Fontcuberta: Fabricated sciences and alternative histories |
17 | John Divola: Zuma |
18 | John Divola: Continuity - Film set photographs of bars |
19 | Sandy Skoglund: Installations and visions |
20 | Laurie Simmons: Fabicated realities and the exploration of gender |
21 | Roger Ballen: Shadow Chamber |
22 | Julie Blackmon: Domestic Vacations and other series |
23 | Thomas Demand: Three dimensional sculptural forms |
24 | David Levinthal: Series |
25 | Oliver Boberg: Distilled realities |
26 | Carl Zimmerman: Cold City |
27 | Lori Nix: Accidentally Kansas |
28 | Paolo Ventura: Italian fabricated realities |
29 | Thomas Allen: Uncovered |
30 | Arthur Tress: The Teapot Opera |
31 | Sarah Hobbs: Small Problems in Living |
32 | Cortis & Sonderegger: Fabricated realities |
An early case of fraud using models | |
33 | Mrs. Gladys Maud Cockburn-Lange and her faked First World War dogfight photographs |