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| 1. |  | Emile Joachim Constant Puyo 1914 Tree study Gum print 10 7/8 x 8 1/2 Charles Nes Photography LLC New York - Paris |
| 2. |  | Anne Brigman 1923 Elegie Gelatin silver print 9 5/8 x 7 3/4 in Lee Gallery Image courtesy of the Lee Gallery (www.leegallery.com) |
| 3. |  | André Kertész 1923 Tree study against a riveted metal tank, Hungary Gelatin silver print 2 3/4 x 1 1/2 ins (5.7 x 3.8 cm) Swann Galleries - New York Fine Photographers, 19 February 2015, Sale 2374, Lot 26 An early, lyrical vintage print that foreshadows Kertész's interest in modernist urban abstraction. According to Kertész expert and historian Robert Gurbo, "This print, along with a number of others had rested in an unassuming corner of André's apartment for many years in stacks of small negative boxes that had once held his 4x5-inch glass plates from the 1920s-30s. These prints and negatives form the core of one of the great photographic archives of the 20th century. And, like so many other important works of art, they did not emerge unscathed from the two world wars. Many photographs that André created while he was a soldier during World War I did not survive. André claimed that they had disappeared or were destroyed while he was separated from his company after being wounded and after his fellow soldiers had later been captured. These and others of André's artworks barely survived World War II. When André and his wife Elizabeth left Paris for America in 1936, he left many negatives and prints behind with a journalist and colleague, Jacqueline Paouillac. Acting as his agent, she continued to make André's material available to the European market." |
| 4. |  | Brett Weston 1974 Tree Trunks, Mexico Silver print 9 1/4 x 7 1/2 ins (23.5 x 19.1 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, "Important Photograms & Photobooks", Dec 9, 2010, #2233, Lot 144) With Weston's signature and date, in pencil, on mount recto. |
| 5. |  | Albert Renger-Patzsch 1929 Eifellandschaft Gelatin silver print 23 x 17.1 cm Sotheby's - Paris Courtesy of Sotheby's Paris (Photographs, Fri, 20 Nov 09, 4:00 PM, PF9027, Lot 36) Au verso, avec numéro du négatif L 196 au crayon par le photographe, avec tampons 'Renger-Foto D.W.B. Essen, Goethestr. 41' et 'Jede Reproduktion verboten'. Albert Renger-Patzsch, Bestõndige Welt, Munster, Verlag Der Quell, 1947, ill. P. 17. La photographie de Renger-Patzsch probablement la plus connue, intitulée Das Bõumchen, date du printemps 1929 et porte le numéro du négatif L148. Il est donc a supposer que l'image Eifellandschaft portant le numéro L196 fut prise un peu plus tard. La composition des deux photographies est trÞs semblable; Eifellandschaft se distingue pourtant par son graphisme plus contrasté et par sa vue plus plongeante sur le paysage. |
| 6. |  | Max Baur 1930s (taken) 1950s (print) Untitled [Parc Sassouci] Gelatin silver print, ferrotyped 17 x 23.3 cm (17.3 x 23.6 cm) Lempertz - Cologne Auction 1021, November 26, 2013, Lot: 59 |
| 7. |  | Minor White 1951 Cypress Grove Trail, Point Lobos, California Gelatin silver print 23.7 x 16.5 cm Princeton University Art Museum The Minor White Archive, bequest of Minor White (MWA 51-61) |
| 8. |  | Michael Kenna 2002 Tree and Mountain, Suizenji Joju-en Garden, Japan Catherine Edelman Gallery |
| 9. |  | Arnold Newman 1941 Tree and Wall, Philadelphia Gelatin silver print 14,5 x 15,4 cm (23 x 17,9 cm) (5 ¾ x 6 ? ins (9 x 7 ins)) Villa Grisebach Auktionen GmbH - Berlin Auction 230, 26 November 2014, Photographs, Lot: 2125 Literature and Illustration: Arnold Newman, ed. Simone Philippi, Cologne 2000, p. 42 |
| 10. |  | Alfred Stieglitz 1927 (ca) Life and Death Gelatin silver print 9.25 x 6.1 Andrew Smith Gallery |
| 11. |  | Ansel Adams 1948 Aspen, North Rim, Grand Canyon National Park, Arizona Gelatin silver print 9.3 x 7 Galerie Zur Stockeregg |
| 12. |  | Frances Benjamin Johnston 1926-1944 Wormsloe Plantation, Savannah vic., Chatham County, Georgia Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-00901 (digital file from original negative) |
| 13. |  | Frances Benjamin Johnston 1938 Middleton Place, Ashley River vic., Dorchester County, South Carolina Negative, safety film 8 x 10 ins Library of Congress, Prints and Photographs Division Reproduction Number: LC-DIG-csas-03856 (digital file from original negative) Published in: Stoney, Samuel Gaillard, Plantations of the Carolina Low Country (Charleston, S.C.: Carolina Art Association, 1938) |
| 14. |  | Michael Kenna 2003 Autumn Leaves, Unpenji, Shikoku, Japan Gelatin silver print 7 x 7 HackelBury Fine Art Ltd |
| 15. |  | Wynn Bullock 1956 The Forest Silver print 9 1/2 x 7 1/2 in (24.1 x 19.1 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 244) With Bullock's signature, in pencil, on mount recto and his hand stamp and the title on mount verso. Wynn Bullock Photography: A Way of Life, 57 Wynn Bullock: The Enchanted Landscape, 19. |
| 16. |  | August Sander n.d. Am Stadtwaldweiher (Pond in the City Park) Gelatin silver print 29.3 x 23 cm (11 9/16 x 9 1/16 ins) Museum of Fine Arts, Boston Gift of David Bakalar, Accession number: 1976.728, August Sander Archiv, Köln; VG-Bild Kunst, Bonn, 2011 |
| 17. |  | Russell Lee 1937, June New growth of pine forest in Black River Falls project, Wisconsin. Gelatin silver print 8 x 10 ins (20.3 x 25.4 cm) NYPL - New York Public Library Farm Security Administration Collection, Catalog Call Number: 030532-A, Digital ID: 3969623, Record ID: 2034784 |
| 18. |  | Edward Weston 1938 Untitled (Barn) Gelatin silver print h: 7.5 x w: 9.5 in / h: 19 x w: 24.1 cm (image) Mounted on board (14 x 17 in) Etherton Gallery Initialed, dated recto on mount, pencil; Brett Weston's signature with notation: "Printed by Edward Weston" verso on mount, pencil. |
| 19. |  | Édouard Boubat 1950 L'arbre et la poule Gelatin silver print Galerie Agathe Gaillard |
| 20. |  | Brett Weston 1950s (early) Pine Forest, Yosemite Gelatin silver print J. Paul Getty Museum © The Brett Weston Archive [Getty: 2000.77.226 - Gift of Christian K. Keesee] |
| 21. |  | Albert Renger-Patzsch 1929 Landschaft (Landscape in Germany) Gelatin silver print Private collection of Jan Weijers (Servatius) |
| 22. |  | Albert Renger-Patzsch 1947 Schwarzkiefern im Park von Wilhelshohe Gelatin silver print 6 9/16 x 8 1/2 in Zabriskie Gallery Courtesy of the Zabriskie Gallery [ARP002294] |
| 23. |  | Harry Callahan 1949 (taken, later print) Eleanor, Chicago Gelatin silver print h: 7.6 x w: 9.6 in / h: 19.3 x w: 24.4 cm Etherton Gallery Signed recto and verso |
| 24. |  | Harry Callahan 1950 Chicago Gelatin silver print h: 12.2 x w: 9.6 in / h: 31 x w: 24.4 cm Etherton Gallery Signed recto, pencil |
| 25. |  | Michael Kenna 2002 Three Trees, Muriyama, Honshu, Japan Catherine Edelman Gallery |
| 26. |  | Albert Renger-Patzsch 1961 Olive Trees, Apulia Gelatin silver print 163 x 220mm Source requested |
| 27. |  | Albert Renger-Patzsch 1930s (taken) 1940-1955 (print) Woodland Orchard in Winter Gelatin silver print 11x15 ins (27.9x38.1 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Photographs and other Properties from the Estate of Filmmaker Gary Winick, April 04, 2012, Sale: 2274, Lot: 342) With Renger-Patzsch's hand stamp, a Jubileum Tentoonstelling label, and the title, in ink, and various notations, in pencil and in ink, in an unknown hand, on verso. |
| 28. |  | Otto Steinert 1956 The Trees in front of my Window Gelatin silver print, ferrotyped 28.8 x 35.7 cm Lempertz - Cologne Auction 1021, November 26, 2013, Lot: 156 Literature: Utes Eskildsen (ed.), Der Fotograf Otto Steinert, exhib.cat. Museum Folkwang, Essen et al., Göttingen 2000, ill. p. 173 |
| 29. |  | Albert Renger-Patzsch 1960 Pappeln Gelatin silver print 16,5 x 22,6 cm Bassenge Photography Auctions (88 / 4307) |
| 30. |  | Wynn Bullock 1957 Florence, Trees and Sand Dunes Gelatin silver print 7 9/16 x 9 7/16 in (19.21 x 23.97 cm) (image) Minneapolis Institute of Art - MIA Minneapolis Institute for the Arts, The Ethel Morrison Van Derlip Fund (76.50.2) |
| 31. |  | John Sexton 1980 Trees, Valley Fog, Dusk, Yosemite Vallery, California Gelatin silver print 10 x 13 1/2 in a 16 x 20 mat Afterimage Gallery |
| 32. |  | Brett Weston 1971 Sierra Lake Gelatin silver print 10 3/4 x 12 1/2 ins (27.3 x 31.8 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Dec 13, 2011, #2265, Lot 277) With Weston's signature and date, in pencil, on mount recto. |
| 33. |  | Elliott Erwitt 1975 Seagull and Crossed Trees, Florida Gelatin silver print 10 3/4 x 16 ins (27.3 x 40.6 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Dec 13, 2011, #2265, Lot 310) With Erwitt's signature, in pencil, on verso. |
| 34. |  | Sally Mann 2000 Untitled [Manassas #1] [Last Measure] Gelatin silver enlargement, made from 8 by 10 inch wet-plate collodion negative; dry-mounted, and coated with custom matte-surface varnish. 40 x 50 in Edwynn Houk Gallery |
| 35. |  | Mark Osterman 1998 The Orchard [Ethereality: Memories of Places You've Never Been] Gelatin silver print, wet-plate collodion negative 16 x 20 in Tilt Gallery Mark Osterman and France Scully Osterman made negatives of landscapes while traveling through Ireland, northern Spain, Japan and the U.S. over the past 10 years. They used vintage equipment and a portable darkroom to make wet-plate collodion negatives on glass plates. The split-toned prints from these negatives are made on 16" x 20" silver gelatin paper, a synergy of old and new technologies. |
| 36. |  | Neil Folberg 2003-2005 Cezanne: Rocher Rouge, Bibemus [The French Impressionists] Color print Provided by the artist - Neil Folberg © Neil Folberg, courtesy of the artist This concentrates on the work Neil Folberg completed in France from 2003-2005. |
| 37. |  | Lisa M. Robinson 2005 Bound [Snowbound] C-print 28 x 36 in Provided by the artist - Lisa M. Robinson Included in the monograph Lisa M. Robinson Snowbound (Kehrer Verlag, 2007). Photograph was made using a 4 x 5 in field camera. |
| 38. |  | John Pfahl 1977, February Australian Pines, Fort Desoto Fla. Ektacolor 8 x 10 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (45 / 210) |
| 39. |  | Jo Babcock n.d. Joshua Tree Pinhole camera Provided by the artist - Jo Babcock |
| 40. |  | Sarah Hobbs 2006 Sublimination Chromogenic print 48 x 60 ins Provided by the artist - Sarah Hobbs Sublimation - order and focus central to maintaining mental state, and effort to order mental space so that unwanted thoughts/desires do not enter, Putting something in you life that so consumes you that it replaces (at least for a while) something you lack, miss, or has gone and left a gap in your life. Raising bonsai trees takes a lot of time and effort, caring for 38 of them, well, that can certainly take the place of a lost relationship, job, or dream (at least for a little while) Source: From a lecture given by Sarah Hobbs at Augusta State University (29 September 2011) |
| 41. |  | Jerry Spagnoli 2004 Tree study (triptych) Daguerreotypes, full plates, (x3) 19 x 8 1/4 ins (48.3 x 21 cm) Swann Galleries - New York Fine Photographers, 19 February 2015, Sale 2374, Lot 168 |