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| 1. |  | Unidentified photographer n.d. View from top of Nelson's Pillar, Sackville Street (O'Connell Street), Dublin Photograph National Library of Ireland NLI Ref.: HOG213 |
| 2. |  | Unidentified photographer 1880 (ca) Grenoble vue d'un ballon Albumen print 16.8 x 12 cm Tajan Vente 9930, Lot 75 |
| 3. |  | George Silk 1948 Brooklyn Dodger rookies train at Vero Beach, Florida Gelatin silver print 16 x 20 Candace Dwan Gallery |
| 4. |  | George Rodger 1965 Soldiers marching towards St. Paul Cathedral at the funeral of Sir Winston Churchill, London Barry Singer Gallery |
| 5. |  | Marte Previti 1940 Extension of power Gelatin silver print 8 x 10 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (45 / 138) Vintage 1940 print made in Lima Peru on the occasion of a visit to Peru of then U.S. Vice President Henry Wallace. The poetic title has many dimensions. |
| 6. |  | Margaret Bourke-White 1930 (taken) 1996 (print) Hats in the Garment District, New York City Silver print 14 3/4 x 20 in (37.5 x 50.8 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Oct 15, 2007, #2124, Lot 92) With Bourke-White's embossed hand stamp and the edition notations, "2/250," in ink, on recto, and the LIFE Gallery hand stamp, and Time Inc. copyright, title, and date, in pencil, on verso; in a Bark frame. |
| 7. |  | Alexander Rodchenko 1935 Column of Sports Society "Dinamo" Moscow House of Photography |
| 8. |  | Umbo 1928 [Mystery of the Street] Gelatin silver print 29 x 23.5 cm (11 7/16 x 9 1/4 in) Metropolitan Museum of Art Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.49) Galerie Rudolf Kicken, Cologne and Phyllis Umbehr, Frankfurt/M. |
| 9. |  | Walker Evans 1929 New York City Street Corner Gelatin silver print 18.4 x 12.7 cm (7 1/4 x 5 in) J. Paul Getty Museum Object number: 84.XM.956.47, © Walker Evans Archive, The Metropolitan Museum of Art |
| 10. |  | André Kertész 1928 Study of People and Shadows, Paris Gelatin silver print 15.9 x 22.1 cm (6 1/4 x 8 11/16 in) J. Paul Getty Museum Object number: 84.XP.909.1, © Estate of André Kertész |
| 11. |  | Lev Borodulin 1957 Broke away Moscow House of Photography |
| 12. |  | Arnos Pikart 1926 Banks of the Vltava, Prague Gelatin silver print, enlargement, on warm-toned, matte surface bromide paper 9 x 11.7 Galerie Zur Stockeregg |
| 13. |  | Paul Strand 1916 (ca) New York [Camera Work, no. 48, pl. 07] Photogravure Lee Gallery Image courtesy of the Lee Gallery (www.leegallery.com) |
| 14. |  | André Kertész 1931 (ca) Ecoliers Gelatin silver print, enlargement 9.2 x 6.9 Galerie Zur Stockeregg |
| 15. |  | Cristiano Mascaro 1978 Rua Santo Antonio, Sao Paulo Gelatin silver print 20 x 20 in Tepper Takayama Fine Arts |
| 16. |  | Elliott Erwitt 1972 Amboise, France Gelatin silver print Candace Dwan Gallery |
| 17. |  | Stanko Abadic 2005 Skater [Prague] Gelatin silver print Provided by the artist - Stanko Abadic |
| 18. |  | Herbert Bayer 1928 Milan. piazza del duomo Gelatin silver print 11 x 7.2 Galerie Zur Stockeregg |
| 19. |  | André Kertész 1965 New York (Boy on Bicycle) Gelatin silver print 9 11/16 x 6 5/8 Barry Singer Gallery |
| 20. |  | Ilse Bing 1947 Quatre Balayeurs Gelatin silver print 8.9 x 7.4 Galerie Zur Stockeregg |
| 21. |  | Ralston Crawford 1939 (ca) Untitled (street scene from window) Silver print 7 x 9 1/4 in (17.8 x 23.5 cm) Swann Galleries - New York Courtesy of Swann Galleries (Auction, Feb 7, 2008, #2135, Lot 70) A letter accompanying the lot notes the provenance of the print: Ralston Crawford to his son John Crawford; to the Laurence Miller Gallery; to Mack Lee; to the present owner in 1996. This print is believed to be unique. |
| 22. |  | André Kertész n.d. Untitled Private collection of W.J. Coville Courtesy of W.J. Coville (#999) |
| 23. |  | Alexander Rodchenko 1928-1930 Assembling for a Demonstration Gelatin silver print 19 1/2 x 13 7/8 (49.5 x 35.3 cm) MoMA - Museum of Modern Art, New York Mr. and Mrs. John Spencer Fund |
| 24. |  | Henri Cartier-Bresson 1932 Hyeres Gelatin silver print 11 x 14 / 16 x 20 Peter Fetterman Gallery |
| 25. |  | Margaret Bourke-White 1952 (ca) Showboat Tokyo Gelatin silver print 12 7/16 x 10 9/16 Barry Singer Gallery |
| 26. |  | André Kertész 1966, 24 February Washington Square Arch Gelatin silver print 9 7/16 x 6 3/16 Charles Isaacs Photographs, Inc |
| 27. |  | Klavdij Sluban 2001 Finland [Other Shores - The Baltic Sea (2001-2005)] Gelatin silver print Provided by the artist - Klavdij Sluban |
| 28. |  | André Kertész 1929 Shadows, Eiffel Tower Gelatin silver print Peter Fetterman Gallery |
| 29. |  | Irving Canner (1924-1998) 1950s Untitled [Rue / Street] Gelatin silver print 35.3 x 27.8 cm Piasa Photographs, 25 May 2012, Lot: 135 |
| 30. |  | Gabriele Basilico 2008 San Francisco Black & white photograph 100 x 120 cm Galería Oliva Arauna |
| 31. |  | André Kertész 1966, 24 February Washington Square Gelatin silver print 9 5/8 x 6 3/8 Barry Singer Gallery |
| 32. |  | David Maisel 2004 Oblivion 1382-52p Kopeikin Gallery (CLOSED - 2020) © David Maisel, Courtesy Paul Kopeikin Gallery, Los Angeles Photo Synthesis Colin Westerbeck There's nothing like a good education to give you a unique perspective on the world. David Maisel graduated from Princeton summa cum laude in 1984, so it's not surprising that his work is brainy. He's aware that we live in a time when the economies are global, ideologies are not just political but geopolitical, science can look back beyond Noah's ark to the Big Bang, and nature itself is in danger of being extinguished. It's also true that "eye in the sky" satellites are keeping a close watch on us all the time. This photograph might be taken for a digital enhancement of such surveillance, but in fact, it's a low-tech image, though made from a high altitude. Maisel wants to disconcert us, but his interest is in the metaphorical rather than the actual revelations that his point of view makes possible. He wants his aerial photographs to "create their own cosmologies," not just map objective reality. His flyover of L.A. has yielded pictures that have this effect. They create a vision of a city more gothic than Gotham. This photograph of tract housing looks like an X-ray of the intestines of a giant beast that has eaten something it shouldn't have and is having trouble digesting it. [Originally published in West Magazine : January 28, 2007, p.11] |
| 33. |  | William A. Garnett 1950 Foundations and Slabs, Lakewood, California Gelatin silver print J. Paul Getty Museum © William A. Garnett [Getty: 2000.32.26] |
| 34. |  | Mario Giacomelli 1970s (ca) Storie Della Terra Silver print Camera Obscura Gallery |
| 35. |  | Reem Al Faisal 2001-2003 Afternoon Prayer in Mekkah [Haj / Pilgrimage in Mekkah] Black and white print 30 x 40 cm / 60 x 80 cm Provided by the artist - Reem Al Faisal |
| 36. |  | Unidentified photographer / artist 1962 (before) Aerial photograph illustrating typical drainage pattern developed in area underlain by Gila conglomerate. Gila County, Arizona United States Geological Service US Geological Service (Digital File:pnp00001) |
| 37. |  | Unidentified photographer 1917, 14 February Route de Reims à pont Gérard, Alt: 3800 (320-913) Gelatin silver print 17.4 x 23 cm AnamorFose Aerial photograph taken by the French Army during WW1 in the vicinity of Verdun. |
| 38. |  | Unidentified photographer 1917, 10 February Festieux, Alt: 2900 (113-089) Gelatin silver print 17.4 x 23 cm AnamorFose Aerial photograph taken by the French Army during WW1 in the vicinity of Verdun. |
| 39. |  | Unidentified photographer 1940-1944 (ca) America bombs Europe, WWII Gelatin silver print 10 x 10 in Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim - Be-Hold (50 / 78) 104 original gelatin silver prints, mostly 10" x 10", some slightly smaller. These were taken looking down from the open bays of American bombers as the bombs dropped on targets in Europe. They are original contact prints of the film frames, often showing the film edges. The negatives have hand-written notations of the target, with exact location and coordinates. In some we see bombs falling. Others show the clouds and craters from previous bomb strikes. Some of the cities are Budapest, Vienna, Bucharest, Verona and others. These are bird's eye views of cities and landscapes just seconds before their pre-war topography was destroyed. But they also have a kind of abstract beauty. There are 104 in all, 39 of Italian targets, 14 Austrian, 19 Romanian, 16 Hungarian, 2 Bulgarian, 2 Czech, 7 others. |
| 40. |  | Unidentified photographer 1917, 10 February Sainte-Croix, Alt: 2700 (124-060) Gelatin silver print 17.4 x 23 cm AnamorFose Aerial photograph taken by the French Army during WW1 in the vicinity of Verdun. |
| 41. |  | Unidentified photographer 1916, 31 July Ouest des Cavaliers de Courcy, Alt: 2000 (291-855) Gelatin silver print 17.4 x 23 cm AnamorFose Aerial photograph taken by the French Army during WW1 in the vicinity of Verdun. |
| 42. |  | Unidentified photographer / artist 2005, 31 August Grand Isle, La., two days after Hurricane Katrina struck the U.S. Gulf Coast. Aerial photograph National Oceanic & Atmospheric Administration (NOAA) Courtesy of US Government: National Oceanic & Atmospheric Administration (NOAA) |
| 43. |  | Unidentified photographer / artist 2005, 31 August Grand Isle, La., two days after Hurricane Katrina struck the U.S. Gulf Coast. [Enlarged section] Aerial photograph National Oceanic & Atmospheric Administration (NOAA) Courtesy of US Government: National Oceanic & Atmospheric Administration (NOAA) |
| 44. |  | Unidentified photographer n.d. WWII Bombing Photograph Gelatin silver print Larry Gottheim, Be-hold, Inc Courtesy of Larry Gottheim (Auction: March 13, 2008, 51, part 2 / lot 98) |
| 45. |  | Esteban Pastorino 2006 Untitled (distribuidor) C-print, digital PDNB Photographs Do Not Bend Gallery |
| 46. |  | 2000, 17 February Radar Image, Hokkaido, Japan NASA Radar image NASA NASA/JPL/NIMA (Visible Earth v1 ID 1070) |
| 47. |  | 2000, 6 October Washington, D.C. NASA Terra/ASTER image NASA NASA GSFC, MITI, ERSDAC, JAROS, and U.S./Japan ASTER Science Team (Visible Earth v1 ID 5369) |
| 48. |  | Staff Sgt. Aaron Allmon II 2004, 17 May A Black Hawk helicopter is transported by a CH-47 Chinook during a sling-load mission to Logistics Support Area Anaconda in Iraq. Digital photograph U.S. Army Photo Courtesy of U.S. Army |
| 49. |  | Brassaï 1935 (ca) Pont Transbordeur, Marseilles Gelatin silver print, ferrotyped paper 9.1 x 6.9 Galerie Zur Stockeregg |
| 50. |  | Owen Kanzler 1985 Self Portrait, Seaside Heights, New Jersey Chromogenic print Afterimage Gallery |
| 51. |  | Unidentified photographer / artist n.d. Indiana Dunes National Lakeshore, Indiana. this color infrared aerial photograph shows a major part of the lakeshore. Vegetation is shown in red. United States Geological Service US Geological Service (Hill, C.L. 24cp) |