Introduction | |
1 | Philip Henry Delamotte: The Crystal Palace (1854-1855) |
2 | Posters for photographic exhibitions and competitions |
3 | Labels on photographs at photographic exhibitions and competitions |
4 | Photographic passes for international exhibitions |
5 | Room and wall hangings for photographic exhibitions |
6 | Thomas Smillie: Installation views of an exhibition of photography |
7 | National Museum of History and Technology: Hall of Photography (1973) |
8 | Documenting the quality of roads in the USA (1891) |
9 | French photographic competitions during the First World War (1914-1918) |
Awards | |
10 | Awards at photographic exhibitions and competitions |
11 | Cartes de visite: Backs: Awards |
12 | Cabinet cards: Backs: Awards |
Exhibitions | |
13 | Seminal exhibitions |
14 | reGeneration |
Connections between art and photography | |
15 | Exhibitions on the relationships between art and photography |
Introduction | |
1 | Philip Henry Delamotte: The Crystal Palace (1854-1855) |
2 | Posters for photographic exhibitions and competitions |
3 | Labels on photographs at photographic exhibitions and competitions |
4 | Photographic passes for international exhibitions |
5 | Room and wall hangings for photographic exhibitions |
6 | Thomas Smillie: Installation views of an exhibition of photography |
7 | National Museum of History and Technology: Hall of Photography (1973) |
8 | Documenting the quality of roads in the USA (1891) |
9 | French photographic competitions during the First World War (1914-1918) |
Awards | |
10 | Awards at photographic exhibitions and competitions |
11 | Cartes de visite: Backs: Awards |
12 | Cabinet cards: Backs: Awards |
Exhibitions | |
13 | Seminal exhibitions |
14 | reGeneration |
Connections between art and photography | |
15 | Exhibitions on the relationships between art and photography |