Improving content | |
1 | Improving content on Filmmaking and Cinema |
Film stills | |
2 | Film stills |
Continuity shots | |
3 | John Divola: Continuity - Film set photographs of bars |
Films | |
4 | Georges Méliès: Voyage dans la Lune (1902) |
5 | Use of a cased photograph in the film "The Birth of a Nation" (1915) |
6 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
7 | Sergei Eisenstein: Strike (1925) |
8 | Dziga Vertov:The Man with a Movie Camera (1929) |
9 | Fritz Lang: M (1931) |
10 | German Expressionism: Vampyr (1932) |
11 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
12 | Leni Riefenstahl: Triumph of the Will (1935) |
13 | Leni Riefenstahl: Day of Freedom (1935) |
Improving content | |
1 | Improving content on Filmmaking and Cinema |
Film stills | |
2 | Film stills |
Continuity shots | |
3 | John Divola: Continuity - Film set photographs of bars |
Films | |
4 | Georges Méliès: Voyage dans la Lune (1902) |
5 | Use of a cased photograph in the film "The Birth of a Nation" (1915) |
6 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
7 | Sergei Eisenstein: Strike (1925) |
8 | Dziga Vertov:The Man with a Movie Camera (1929) |
9 | Fritz Lang: M (1931) |
10 | German Expressionism: Vampyr (1932) |
11 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
12 | Leni Riefenstahl: Triumph of the Will (1935) |
13 | Leni Riefenstahl: Day of Freedom (1935) |