Introduction | |
1 | American influences on Pictorialism |
Alfred Stieglitz and the Photo-Secession | |
2 | Alfred Stieglitz and the Photo-Secession |
3 | The influence of Alfred Stieglitz on American pictorialism |
4 | Camera Notes |
5 | Camera Work |
6 | Little Galleries of the Photo-Secession, 291 Fifth Avenue, New York City |
7 | The links between Camera Work and contemporary art |
Photographers | |
8 | Alvin Langdon Coburn: New York (1910) |
9 | Clarence H. White School of Photography |
10 | William Dassonville: Trees |
11 | Anne Brigman: Pictorialist nudes |
12 | Edward Steichen: Pictorialist portraits |
13 | Edward Weston: Pictorialist portraits |
Introduction | |
1 | American influences on Pictorialism |
Alfred Stieglitz and the Photo-Secession | |
2 | Alfred Stieglitz and the Photo-Secession |
3 | The influence of Alfred Stieglitz on American pictorialism |
4 | Camera Notes |
5 | Camera Work |
6 | Little Galleries of the Photo-Secession, 291 Fifth Avenue, New York City |
7 | The links between Camera Work and contemporary art |
Photographers | |
8 | Alvin Langdon Coburn: New York (1910) |
9 | Clarence H. White School of Photography |
10 | William Dassonville: Trees |
11 | Anne Brigman: Pictorialist nudes |
12 | Edward Steichen: Pictorialist portraits |
13 | Edward Weston: Pictorialist portraits |