Introduction | |
1 | The aftermath of the First World War in Germany |
2 | Cultural innovation in Weimar Germany |
Cinema | |
3 | German expressionism |
4 | Fritz Lang: M (1931) |
5 | German Expressionism: Vampyr (1932) |
6 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
7 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
Photojournalism | |
8 | German illustrated magazines during the First World War |
9 | AIZ - Arbeiter Illustrierte Zeitung |
10 | Photojournalists in Weimar Germany |
11 | Erich Salomon on press photography |
Bauhaus | |
12 | Bauhaus |
13 | László Moholy-Nagy: Photograms |
14 | Laszlo Moholy-Nagy: Viewpoints |
New Objectivity | |
15 | Introduction to New Objectivity |
16 | August Sander: Portraits |
Legacy | |
17 | The legacy of Weimar as photojournalists left Germany |
Introduction | |
1 | The aftermath of the First World War in Germany |
2 | Cultural innovation in Weimar Germany |
Cinema | |
3 | German expressionism |
4 | Fritz Lang: M (1931) |
5 | German Expressionism: Vampyr (1932) |
6 | Fritz Lang: The Testament of Dr. Mabuse (1933) |
7 | Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920) |
Photojournalism | |
8 | German illustrated magazines during the First World War |
9 | AIZ - Arbeiter Illustrierte Zeitung |
10 | Photojournalists in Weimar Germany |
11 | Erich Salomon on press photography |
Bauhaus | |
12 | Bauhaus |
13 | László Moholy-Nagy: Photograms |
14 | Laszlo Moholy-Nagy: Viewpoints |
New Objectivity | |
15 | Introduction to New Objectivity |
16 | August Sander: Portraits |
Legacy | |
17 | The legacy of Weimar as photojournalists left Germany |