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Weimar Germany (1919-1933)

 

LL/47981

 

Contents

Contents
Introduction
1The aftermath of the First World War in Germany
2Cultural innovation in Weimar Germany
Cinema
3German expressionism
4Fritz Lang: M (1931)
5German Expressionism: Vampyr (1932)
6Fritz Lang: The Testament of Dr. Mabuse (1933)
7Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920)
Photojournalism
8German illustrated magazines during the First World War
9AIZ - Arbeiter Illustrierte Zeitung
10Photojournalists in Weimar Germany
11Erich Salomon on press photography
Bauhaus
12Bauhaus
13László Moholy-Nagy: Photograms
14Laszlo Moholy-Nagy: Viewpoints
New Objectivity
15Introduction to New Objectivity
16August Sander: Portraits
Legacy
17The legacy of Weimar as photojournalists left Germany
Photographers
Herbert Bayer (1900-1985), Irene Bayer-Hecht (1898-1991), Alfred Eisenstaedt (1898-1995), Andreas Feininger (1906-1999), T. Lux Feininger (1910-2011), John Heartfield (1891-1968), Hannah Höch (1889-1978), E.O. Hoppé (1878-1972), Stefan Lorant (1901-1997), Felix H. Man (1893-1985), Lucia Moholy (1894-1989), Martin Munkácsi (1896-1963), Walter Peterhans (1897-1960), Erich Salomon (1886-1944), August Sander (1876-1964), Hugo Schmölz (1879-1938), Gerty Simon
     
Contents     
Subscribers have access to the seventeen informative Fragments on this Theme, Online Exhibitions, Visual Indexes and References.
Introduction
1The aftermath of the First World War in Germany
2Cultural innovation in Weimar Germany
Cinema
3German expressionism
4Fritz Lang: M (1931)
5German Expressionism: Vampyr (1932)
6Fritz Lang: The Testament of Dr. Mabuse (1933)
7Carl Mayer & Hans Janowitz: The Cabinet of Dr. Caligari (1920)
Photojournalism
8German illustrated magazines during the First World War
9AIZ - Arbeiter Illustrierte Zeitung
10Photojournalists in Weimar Germany
11Erich Salomon on press photography
Bauhaus
12Bauhaus
13László Moholy-Nagy: Photograms
14Laszlo Moholy-Nagy: Viewpoints
New Objectivity
15Introduction to New Objectivity
16August Sander: Portraits
Legacy
17The legacy of Weimar as photojournalists left Germany

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