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| 1. |  | Jo Babcock 1989 (camera), (photograph) a) VW Van Camera (NYSCA - Lightwork Grant) pinhole in side door, lens/mirror in roof b) Eastman House, Rochester, N.Y. Paper negative 77 x 170 x 69 (VW) 40 x 54 (image) Provided by the artist - Jo Babcock |
| 2. |  | Jo Babcock 1988 (camera), 1989 (photograph) a) Bell & Howell Projector Case, metal with pinhole and lens hood b) The Roxie Theater, San Francisco Color coupler print 15 x 7 x 13 (case) 40 x 30 (image) Provided by the artist - Jo Babcock |
| 3. |  | Jo Babcock 1989 (camera), (photograph) a) Coffee Maker from Visual Studies Workshop stainless steel, pinhole, plastic b) Good Coffee Color coupler print 20 x 13 x 13 (coffee maker) 40 x 30 (image) Provided by the artist - Jo Babcock |
| 4. |  | Jo Babcock 1988 (camera), (photograph) a) Ammunition Box, metal with pinhole b) Sniper: War Monument, Syracuse, NY Gelatin silver print 7 x 11 x 4 (ammunition box) 20 x 16 (image) Provided by the artist - Jo Babcock |
| 5. |  | Jo Babcock 1994 (camera), (photograph) a) Ansel Adams Coffee Can, metal, pinhole, glass, wood, plastic b) Yosemite Valley Gelatin silver print 9 x 6 x 6 (coffee can) 28 x 36 (image) Provided by the artist - Jo Babcock |
| 6. |  | Jo Babcock n.d. VW Van Camera used by Jo Babcock (NYSCA - Lightwork grant) Color image Provided by the artist - Jo Babcock |
| 7. |  | Jo Babcock n.d. VW Van Camera used by Jo Babcock (NYSCA - Lightwork grant) Color image Provided by the artist - Jo Babcock |
| 8. |  | Jo Babcock n.d. Airstream RV Camera used by Jo Babcock (NEA Fellowship project) Color image Provided by the artist - Jo Babcock |
| 9. |  | Aaron Anderson (San Francisco) 2011 (or earlier) Alyson Belcher Color image Provided by the artist - Aaron Anderson (pers. email - Alyson Belcher - 14 Dec 2011) The camera that I used for the self-portraits is a handmade wooden pinhole camera that I got from the Lenseless Camera Mfg. Co. (http://www.pinholecamera.com/) about 13 years ago. However, the pinhole that was made for the camera didn't work for me--it was too small. So I removed it and made my own "pinhole" using a nail. I am attaching a recent photo taken of me holding that camera along with some of the tin can cameras I've been using to shoot landscapes lately. |
| 10. |  | Alyson Belcher 2002 Self-portrait #2B [Pinhole Self-portraits] Gelatin silver print 5 x 4 in Provided by the artist - Alyson Belcher |
| 11. |  | Alyson Belcher 2002 Self-portrait #81A [Pinhole Self-portraits] Gelatin silver print 4 x 5 in Provided by the artist - Alyson Belcher |
| 12. |  | Wayne Martin Belger n.d. Yama, Front [Yama camera] Color image Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 13. |  | Wayne Martin Belger n.d. Yama, Side [Yama camera] Color image Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 14. |  | Wayne Martin Belger n.d. Yama, detail of the Eyes [Yama camera] Color image Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 15. |  | Wayne Martin Belger n.d. Yama, installation view [Yama camera] Color image Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 16. |  | Wayne Martin Belger 2006 Kali [Yama camera] Gelatin silver print, hand-painted with cactus tea 11 x 14 ins Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 17. |  | Wayne Martin Belger n.d. Brahma [Yama camera] Gelatin silver print, hand-painted with cactus tea 11 x 14 ins Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 18. |  | Wayne Martin Belger n.d. St. Marguerite Bourgeoys [Yama camera] Gelatin silver print, hand-painted with cactus tea 30 x 36 ins Provided by the artist - Wayne Martin Belger Yama is 4x5 in stereo camera made from Aluminum, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies, Asian and American Turquoise, Sand, Blood, and 9 Opals and a 500 year old human Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw. Designed for the study of exodus and for the research of modern incarnations of historical iconic figures. Yama is the Tibetan God of Death. In Tibetan Buddhism, Yama will see all of life and Karma is the "judge" that keeps the balance. The skull was blessed by a Tibetan Lama for its current journey and I'm working with a Tibetan legal organization that is sending me to photograph the refugee cities in India with Yama. Yama's eyes are cast from bronze and silver with a brass pinhole in each. A divider runs down the middle of the skull creating two separate cameras. A finished contact print mounted on copper is inserted in to the back of the camera to view what Yama saw in 3D. Designed for two photo series. First series is of my interpretation of the modern incarnation of Saint, icons and deities. Second will take place in the Tibetan refugee cities of India, a home coming through the eyes of a 500 year old Tibetan. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 19. |  | Wayne Martin Belger n.d. Heart camera [Heart camera] Color image Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 20. |  | Wayne Martin Belger n.d. Heart camera, installation view [Heart camera] Color image Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 21. |  | Wayne Martin Belger n.d. Our Lady of Sorrows [Heart camera] Gelatin silver print, hand-painted with cactus tea 11 x 14 ins Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 22. |  | Wayne Martin Belger n.d. St. Suz [Heart camera] Gelatin silver print, hand-painted with cactus tea 11 x 14 ins Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 23. |  | Wayne Martin Belger n.d. Tina [Heart camera] C-print 25 x 30 ins Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 24. |  | Wayne Martin Belger n.d. Diana [Heart camera] Gelatin silver print, hand-painted with cactus tea 30 x 36 ins Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 25. |  | Wayne Martin Belger n.d. Heart photoshoot [Heart camera] Color image Provided by the artist - Wayne Martin Belger 4x5 in camera made from Aluminum, Titanium, Acrylic, Formaldehyde and an infant human heart. Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 26. |  | Wayne Martin Belger n.d. Yemaya camera, front [Yemaya camera] Color image Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 27. |  | Wayne Martin Belger n.d. Yemaya camera, back [Yemaya camera] Color image Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 28. |  | Wayne Martin Belger n.d. Catalina [Yemaya camera] C-print 20 x 24 in Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 29. |  | Wayne Martin Belger n.d. The Valiant [Yemaya camera] C-print 20 x 24 in Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 30. |  | Wayne Martin Belger n.d. Monterey 2 [Yemaya camera] C-print 20 x 24 in Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 31. |  | Wayne Martin Belger n.d. SCRIPPS 3 [Yemaya camera] C-print 20 x 24 in Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 32. |  | Wayne Martin Belger n.d. Yemaya shooting at 50ft deep off the coast of Catalina [Yemaya camera] Color image Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 33. |  | Wayne Martin Belger n.d. Yemaya and I shooting in the Monterey Bay Aquarium [Yemaya camera] Color image Provided by the artist - Wayne Martin Belger 4x5 inch underwater pinhole camera made from Aluminum, Titanium, Brass, Acrylic and Sea creatures. First photo I ever shot with Yemaya was off the coast of California. I photographed "The Valiant", a ship that sunk 80 years ago, that was 105 feet deep and a quarter mile off the coast. Because the light was so limited, the exposure time was an hour and a half. I had to come up in the middle of the shoot to get an other tank of air, then go back down to end the exposure. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 34. |  | Wayne Martin Belger n.d. Untouchable - HIV+ blood camera [Untouchable - HIV+ blood camera] Color image Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Inspired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 35. |  | Wayne Martin Belger n.d. Untouchable - HIV+ blood camera, installation shot [Untouchable - HIV+ blood camera] Color image Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Inspired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 36. |  | Wayne Martin Belger n.d. Photoshoot with the Untouchable camera at UICA [Untouchable - HIV+ blood camera] Color image Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Inspired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 37. |  | Wayne Martin Belger n.d. Bloodworks 5 [Untouchable - HIV+ blood camera] C-print 30 x 36 ins Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Ispired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 38. |  | Wayne Martin Belger n.d. Bloodworks 7 [Untouchable - HIV+ blood camera] C-print 30 x 36 ins Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Ispired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 39. |  | Wayne Martin Belger n.d. Bloodworks 6 [Untouchable - HIV+ blood camera] C-print 30 x 36 ins Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Ispired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 40. |  | Wayne Martin Belger n.d. Bloodworks 3 [Untouchable - HIV+ blood camera] Gelatin silver print, hand-painted with cactus tea 11 x 14 ins Provided by the artist - Wayne Martin Belger Untouchable camera. Made from aluminum, titanium, copper, acrylic and HIV+ blood. The HIV+ blood is the filter in front of the pinhole and all the photographs are shot through it. I only photograph people living with HIV and AIDS with this camera. Ispired by one of my best friends who is HIV+, I created the project to photograph a global view of people living with HIV and how your location makes all the difference in your well-being. In 2012 I will be shooting with this camera in The Democratic Republic of the Congo, Sierra Leona, Liberia, Uganda and Ethiopia. If the camera is sold before the Africa trip, the owner will receive every #2 print, from every shoot in Africa for free. This makes this camera one of the best deals because the owner, if bought before the trip, could end up with over 100 photos from the camera for free. Also the proceeds from the sale will go to the HIV organizations I'm working with on this project. [pers. email, 26 Nov 2011, Wayne Martin Belger to Alan Griffiths] |
| 41. |  | Steve Irvine n.d. Camera 11b Colour image Provided by the artist - Steve Irvine |
| 42. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with ceramic pinhole Camera 11b crafted by Steve Irvine. |
| 43. |  | Steve Irvine n.d. Camera 11c Colour image Provided by the artist - Steve Irvine |
| 44. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with ceramic pinhole Camera 11c crafted by Steve Irvine. |
| 45. |  | Steve Irvine n.d. Copper camera Colour image Provided by the artist - Steve Irvine |
| 46. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with Copper ceramic pinhole camera crafted by Steve Irvine. |
| 47. |  | Steve Irvine n.d. Earl's camera Colour image Provided by the artist - Steve Irvine |
| 48. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with Earl's ceramic pinhole camera crafted by Steve Irvine. |
| 49. |  | Steve Irvine n.d. Green-eyed camera Colour image Provided by the artist - Steve Irvine |
| 50. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with Green-eyed ceramic pinhole camera crafted by Steve Irvine. |
| 51. |  | Steve Irvine n.d. Old blue camera Colour image Provided by the artist - Steve Irvine |
| 52. |  | Steve Irvine 2010 Untitled [Old Blue ceramic pinhole camera - Untitled series] Gelatin silver print, photo paper negative 5 x 8 ins Provided by the artist - Steve Irvine This photograph was taken with Old Blue a ceramic pinhole camera crafted by Steve Irvine. |
| 53. |  | Steve Irvine 2010 Untitled [Old Blue ceramic pinhole camera - Untitled series] Gelatin silver print, photo paper negative 5 x 8 ins Provided by the artist - Steve Irvine This photograph was taken with Old Blue a ceramic pinhole camera crafted by Steve Irvine. |
| 54. |  | Steve Irvine 2010 Untitled [Old Blue ceramic pinhole camera - Untitled series] Gelatin silver print, photo paper negative 5 x 8 ins Provided by the artist - Steve Irvine This photograph was taken with Old Blue a ceramic pinhole camera crafted by Steve Irvine. |
| 55. |  | Steve Irvine n.d. Peter's camera Colour image Provided by the artist - Steve Irvine |
| 56. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with Peter's ceramic pinhole camera crafted by Steve Irvine. |
| 57. |  | Steve Irvine n.d. Small blue camera Colour image Provided by the artist - Steve Irvine |
| 58. |  | Steve Irvine n.d. Untitled Black and white image Provided by the artist - Steve Irvine This photograph was taken with the Small Blue ceramic pinhole camera crafted by Steve Irvine. |
| 59. |  | Donald Lawrence 1997 Underwater Pinhole Camera II [Underwater Pinhole Photography Project] Colour image h13 x w11 x d7.5 ins (camera) Provided by the artist - Donald Lawrence This camera allows for the processing of films inside the camera - the handle-like arrangement on top in fact being a light-tight means of pouring chemistry in and out of the camera. |
| 60. |  | Donald Lawrence 1998 Starfish in Tidal Surge [Underwater Pinhole Photography Project] Gelatin silver print 5 x 4 ins (image) 10 x 8 ins (paper) Provided by the artist - Donald Lawrence "The negative for Starfish in Tidal Surge is taken below Horsewell Bluffs, at the entrance to Nanaimo Harbour, and results from my first attempt at using the camera in the ocean environment. I estimated an exposure time of seven seconds, during which time the camera was wedged within a rocky crevice, the tide surging in and out. I simply waited for the water to be as still as possible before slackening the rope that activates the shutter. It was fortunate that this first photograph worked well, as I then took the cameras to Wickaninnish at Long Beach where it took upwards of twenty exposures to obtain a second reasonable negative!" (excerpted from: Corry, Corrine; Susan Gibson Garvey and Karen Ruet, "Interview with the Artist," Donald Lawrence: The Underwater Pinole Photography Project. Katy McCormick (ed.), Toronto, Gallery 44 Centre for Contemporary Photography; Gallery ConneXion (Fredericton); Dalhousie Art Gallery (Halifax); Richmond Art Gallery (Richmond), 2002., p.39) Had this first negative not worked I may have determined that the entire endeavour was not workable. |
| 61. |  | Donald Lawrence 1998 Feeding Sea Anemone and Starfish (left image of diptych) [Underwater Pinhole Photography Project] Gelatin silver print 4 x 5 ins (image) 8 x 10 ins (paper) Provided by the artist - Donald Lawrence Created With: Underwater Pinhole Camera II. |
| 62. |  | Donald Lawrence 1998 Feeding Sea Anemone and Starfish (right image of diptych) [Underwater Pinhole Photography Project] Gelatin silver print 4 x 5 ins (image) 8 x 10 ins (paper) Provided by the artist - Donald Lawrence Created With: Underwater Pinhole Camera II. |
| 63. |  | Donald Lawrence 2002 Bed of Sea Anemones [Underwater Pinhole Photography Project] Gelatin silver print 4 x 5 ins (image) 8 x 10 ins (paper) Provided by the artist - Donald Lawrence This photograph is the best of several negatives taken during very stormy conditions off Long Beach. Though the wind and rain made the changing and processing of films challenging they did not adversely affect the underwater subject itself. Created With: Underwater Pinhole Camera II. |
| 64. |  | Donald Lawrence 1999 Underwater Polaroid Pinhole Camera [Underwater Pinhole Photography Project] Colour image h17 x w12.5 x d11 ins (camera) Provided by the artist - Donald Lawrence |
| 65. |  | Donald Lawrence 1998 Locations Journal (for Underwater Polaroid pinhole Photographs) [Underwater Pinhole Photography Project] Colour image, showing three polaroids in a journal 6 x 9 ins (open journal) Provided by the artist - Donald Lawrence |
| 66. |  | Donald Lawrence 2002 Underwater Pinhole Camera B/W Model III [Underwater Pinhole Photography Project] Colour image h13 x w11.5 x d8.5 ins (camera) Provided by the artist - Donald Lawrence |
| 67. |  | Donald Lawrence 2002 Sober Island [Underwater Pinhole Photography Project] Gelatin silver print 4 x 5 ins (image) 8 x 10 ins (paper) Provided by the artist - Donald Lawrence This image was taken from my Hammer double folding kayak in the Deer Group, Barkley Sound. Created With: Underwater Pinhole Camera B/W Model III. |
| 68. |  | Donald Lawrence 2006 Sepping Island [Underwater Pinhole Photography Project] Gelatin silver print 4 x 5 ins (image) 8 x 10 ins (paper) Provided by the artist - Donald Lawrence This image was taken from my Rip whitewater kayak off Sober Island in Nova Scotia. Created With: Underwater Pinhole Camera B/W Model III. |
| 69. |  | Donald Lawrence 2002 Anemone Pool (triptych) [Underwater Pinhole Photography Project] Gelatin silver prints 6 x 12.75 x 5 ins (overall) Provided by the artist - Donald Lawrence This triptych is a section from a larger nine-negative panorama created over a three-day period the three days necessary for there being tidal and lighting conditions reasonably consistent from one negative to the next. Created With: Underwater Pinhole Camera B/W Model III. |
| 70. |  | Justin Quinnell n.d. Justin Quinnell with his Wheelie Bin camera [Wheelie Bin camera] Black and white image Provided by the artist - Justin Quinnell |
| 71. |  | Justin Quinnell n.d. Bridge nuts [Wheelie Bin camera] Black and white image Provided by the artist - Justin Quinnell |
| 72. |  | Justin Quinnell n.d. Bridge tower [Wheelie Bin camera] Black and white image Provided by the artist - Justin Quinnell |
| 73. |  | Justin Quinnell n.d. Rubber Chicken [Wheelie Bin camera] Black and white image Provided by the artist - Justin Quinnell |
| 74. |  | Justin Quinnell 1990 Beer can camera in pub [Beer can camera] Black and white image Provided by the artist - Justin Quinnell |
| 75. |  | Justin Quinnell 1992 8th army and toothpaste [Beer can camera] Black and white image Provided by the artist - Justin Quinnell Originally titled "The Western Star Domino Club". |
| 76. |  | Justin Quinnell 1992 Beach [Beer can camera] Black and white image Provided by the artist - Justin Quinnell |
| 77. |  | Justin Quinnell 1994 Duck and foot [Beer can camera] Black and white image Provided by the artist - Justin Quinnell Underwater pinhole photo taken with the camera full of water. |
| 78. |  | Justin Quinnell 1999 Smiley cam [Smiley camera] Color image Provided by the artist - Justin Quinnell |
| 79. |  | Justin Quinnell 2000 Bathtime [Smiley camera] Color image Provided by the artist - Justin Quinnell Camera held in my mouth whilst having a bath (with my toes up the taps) |
| 80. |  | Justin Quinnell 2000 Lincoln Memorial [Smiley camera] Color image Provided by the artist - Justin Quinnell Camera held in mouth for a minute whilst staring 'open mouthed' at the Lincoln Memorial. |
| 81. |  | Justin Quinnell 2006 Louis (Getting to know dad) [Smiley camera] Color image Provided by the artist - Justin Quinnell Louis Ramone Quinnell aged 1, taken using electronic flash. |
| 82. |  | Benjamin Wooten 2008-2011 Camera for chronophotography Colour image Provided by the artist - Benjamin Wooten Camera is made from mahogany and aluminum, shoots 12 sequential 6x6 cm. images, or multiple images on 6x6 cm. or 6x18 cm. frames. |
| 83. |  | Benjamin Wooten 2010-2011 Motion study TK-421 A [Chronophotography] Digital image, scanned from a 6x18 cm negative Provided by the artist - Benjamin Wooten The camera used is made from mahogany and aluminum, shoots 12 sequential 6x6 cm. images, or multiple images on 6x6 cm. or 6x18 cm. frames. |
| 84. |  | Benjamin Wooten 2010-2011 Motion study TK-421 B [Chronophotography] Digital image, scanned from a 6x18 cm negative Provided by the artist - Benjamin Wooten The camera used is made from mahogany and aluminum, shoots 12 sequential 6x6 cm. images, or multiple images on 6x6 cm. or 6x18 cm. frames. |
| 85. |  | Benjamin Wooten 2010 Motion study GI A [Chronophotography] Archival inkjet print, scanned from a full roll of 120 film Provided by the artist - Benjamin Wooten The camera used is made from mahogany and aluminum, shoots 12 sequential 6x6 cm. images, or multiple images on 6x6 cm. or 6x18 cm. frames. |
| 86. |  | Benjamin Wooten 2010 Motion study GI B [Chronophotography] Archival inkjet print, scanned from a full roll of 120 film Provided by the artist - Benjamin Wooten The camera used is made from mahogany and aluminum, shoots 12 sequential 6x6 cm. images, or multiple images on 6x6 cm. or 6x18 cm. frames. |
| 87. |  | Benjamin Wooten 2008-2011 Camera for An-My Lê Colour image Provided by the artist - Benjamin Wooten Camera is made from a Chi-Comm AK-47 ammunition bandolier - Vietnam War military surplus. |
| 88. |  | Benjamin Wooten 2008-2011 Camera for An-My Lê Colour image Provided by the artist - Benjamin Wooten Camera is made from a Chi-Comm AK-47 ammunition bandolier - Vietnam War military surplus. |
| 89. |  | Benjamin Wooten 2008-2011 Camera for Christopher Isherwood Colour image Provided by the artist - Benjamin Wooten Shows camera worn on-body, ambulatory mode. |
| 90. |  | Benjamin Wooten 2008-2011 Camera for Christopher Isherwood Colour image Provided by the artist - Benjamin Wooten Shows camera worn on-body, shooting mode. |
| 91. |  | Benjamin Wooten 2011 Camera for industrial accidents Colour image Provided by the artist - Benjamin Wooten Camera is built into a set of 4 ?lter canisters. The photographer breathes through the pinhole aperture. |
| 92. |  | Benjamin Wooten 2011 Camera for industrial accidents Colour image Provided by the artist - Benjamin Wooten Camera is built into a set of 4 ?lter canisters. The photographer breathes through the pinhole aperture. |
| 93. |  | Benjamin Wooten 2008-2011 Camera for personal tragedy Colour image Provided by the artist - Benjamin Wooten Camera is made from solid aluminum, and accepts medium format roll ?lm. |
| 94. |  | Benjamin Wooten 2008-2011 Camera for personal tragedy Colour image Provided by the artist - Benjamin Wooten Shows the camera held in-hand. Camera is made from solid aluminum, and accepts medium format roll ?lm. |
| 95. |  | Benjamin Wooten 2010-2011 Untitled jumper #2 [The slow fall] Digital image, scanned from a 6x6 cm. negative Provided by the artist - Benjamin Wooten Taken with the "Camera for personal tragedy" which is made from solid aluminum, and accepts medium format roll ?lm. |
| 96. |  | Benjamin Wooten 2007-2010 Camera for documentary war photography Colour image Provided by the artist - Benjamin Wooten The pinhole camera is made from a steel ammunition crate. |
| 97. |  | Benjamin Wooten 2007-2010 Fox Co. charges after the barrage [This is for real war!] Archival inkjet print 20 x 26 ins, scanned from 5 x 7 in paper negative Provided by the artist - Benjamin Wooten The pinhole camera used is made from a steel ammunition crate. |
| 98. |  | Benjamin Wooten 2007-2010 Easy Co. returns ?re [This is for real war!] Archival inkjet print 20 x 26 ins, scanned from 5 x 7 in paper negative Provided by the artist - Benjamin Wooten The pinhole camera used is made from a steel ammunition crate. |
| 99. |  | Benjamin Wooten 2007-2010 Delta Co. retreats under ?re [This is for real war!] Archival inkjet print 20 x 26 ins, scanned from 5 x 7 in paper negative Provided by the artist - Benjamin Wooten The pinhole camera used is made from a steel ammunition crate. |
| 100. |  | Benjamin Wooten 2007-2010 Bravo Co. takes ground [This is for real war!] Archival inkjet print 20 x 26 ins, scanned from 5 x 7 in paper negative Provided by the artist - Benjamin Wooten The pinhole camera used is made from a steel ammunition crate. |