This image is from Hoinkis' very productive period between 1924 - 1929 in Görlitz, when his work was influenced by more modern concepts in photography with strong allusions to film.
Lit.: Ute Eskildsen (concept and text). Ewald Hoinkis. Fotografien 1924-60. Berlin 1988, ill. p. 39.
Welt-Magazin, Berlin August, 1927.
