Henry Fox Talbot, 1840s (early), [Trees with Reflection], Salted paper print from paper negative, 16.5 x 19.2 cm (6 1/2 x 7 9/16 in), Metropolitan Museum of Art, Gilman Collection, Gift of The Howard Gilman Foundation, 2005 (2005.100.2),
LL/7439
Henry Fox Talbot, 1843, Cloisters, Lacock Abbey, Salt print, calotype negative, Source requested,
LL/1905
Henry Fox Talbot, 1841, Oak Tree in Winter, Salt print, 7 5/8 x 6 9/16 in, J. Paul Getty Museum, The J. Paul Getty Trust (84.XM.893.1),
LL/7514
Henry Fox Talbot, 1845, [Lace], Salted paper print, 23.0 x 18.8 cm (irregular), George Eastman Museum, © 2004 George Eastman House,
LL/6406
Henry Fox Talbot, 1839, Wrack, [Album di disegni fotogenici - The Bertoloni Album, Leaf 29 Recto], Salted paper print, 22 x 17.5 cm (8 11/16 x 6 7/8 in), Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1936 (36.37.20),
LL/6302
Nicolaas Henneman, 1843-1844, Nevil Story-Maskelyne, Salt print, Private collection of Steffen Wolff,
LL/44216
Nicolaas Henneman, 1840s (late) - 1850s (early), Portrait of the painter William Henry Hunt (1790-1864), Calotype, Museum of the History of Science,
LL/39612
Roger Fenton, 1855, The artist's van [The photographic van with Sparling on the box], Salt paper print, 17.5 x 16.5 cm, Library of Congress, Prints and Photographs Division, LC-USZC4-9240 - PH - Fenton (R.), no. 122 (A size) [P&P],
LL/8175
Roger Fenton, 1855, The Old Post Office, Balaklava, Salt print, 8 x 10 in, Lee Gallery, Image courtesy of the Lee Gallery (www.leegallery.com),
LL/3211
Roger Fenton, 1855, William H. Russell, Esqr., the Times special correspondent, Salt paper print, 20 x 17 cm, Library of Congress, Prints and Photographs Division, LC-USZC4-9183 - PH - Fenton (R.), no. 67 (A size) [P&P],
LL/8176
, 1855, Cottages at Balaklava, Salt print, 8 x 10 in, Lee Gallery, Image courtesy of the Lee Gallery (www.leegallery.com),
LL/3209
Roger Fenton, 1856, The Sanitary Commission, Salt print, 7 7/16 x 6 3/16 in, Lee Gallery, Image courtesy of the Lee Gallery (www.leegallery.com),
LL/3210
Hill & Adamson, 1846 (ca), Mrs. Elizabeth (Johnstone) Hall, Salt print, J. Paul Getty Museum, © J. Paul Getty Trust [84.XO.734.4.5.2],
LL/5962
Hill & Adamson, 1845 (ca), Rev. Dr. James Julius Wood of Greyfriars' Church, Edinburgh, Salt print, calotype negative, 8 x 5 5/8 in, Lee Gallery, Image courtesy of the Lee Gallery (www.leegallery.com),
LL/3226
Hill & Adamson, 1844-1845, James Linton, Salt print, calotype negative, 7 3/4 x 5 11/16, Charles Isaacs Photographs, Inc,
LL/4135
Hill & Adamson, 1843-1847, David Maitland M. Crichton, Salt print, calotype negative, 7 13/16 x 5 3/16 in, Lee Gallery, Image courtesy of the Lee Gallery (www.leegallery.com),
LL/3225
Hill & Adamson, 1843-1847, John Gibson Lockhart, Salt print, calotype negative, 7 3/4 x 5 9/16, Charles Isaacs Photographs, Inc,
LL/4136
Louis de Clercq, 1860, VIe station. Sainte Véronique essuie la face sanglante de Jésus. Aucune marque extérieure n'indique cette station. La tradition la place au pied du petit escalier, [Voyage en Orient, tome IV, pl. 8], Papier salé d'après négatif papier, 27.5 x 21.5 cm, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, Ancienne collection impériale,
LL/7820
Auguste Salzmann, 1854, Jérusalem. Vallée de Josaphat. Tombeau de St Jacques, Papier salé d'après négatif papier, 23.5 x 32 cm, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, Don de l'auteur 1859,
LL/7827
John Beasly Greene, 1854, Pyramide de Gizeh, [Le Nil, pl. 2], Papier salé d'après négatif papier, 23.5 x 30.5 cm, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, Acquisition 1943,
LL/7835
Maxime Du Camp, 1850, Louqsor. Grande colonnade du Palais, [Egypte, Nubie, Palestine et Syrie, pl. 25], Papier salé d'après négatif papier, 17 x 22 cm, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, Ancienne collection Prisse d'Avesnes,
LL/7846
Charles Marville, 1852 (ca), La Tour de Bois à Mayence (13th Century), Blanquart-Evrard salt print from waxed paper negative, 9 1/4 x 7 1/2, Charles Isaacs Photographs, Inc,
LL/4177
Thomas Sutton, 1854, Ruined Tower, Jersey, Blanquart-Evrard salt print from waxed paper negative, 11 1/16 x 7 15/16, Charles Isaacs Photographs, Inc,
LL/4210
Édouard Baldus, 1858 (ca), The Louvre, Salt print, 17 1/4 x 13 3/16 in, Lee Gallery, Courtesy of Lee Gallery (www.leegallery.com),
LL/3139
James Anderson, 1856 (ca), Arch of Titus, Expulsion of the Jews, Salt print, 9 x 7, Klotz / Sirmon Gallery (CLOSED),
LL/3354
Achille Quinet, 1860 (ca), Abreuvoir, Salt print, 4 7/8 x 6 5/8, Charles Nes Photography LLC New York - Paris,
LL/5746
F.A. Renard, 1852 (ca), Eglise Notre Dame, Salt print, 6 3/8 x 8 1/2, Charles Nes Photography LLC New York - Paris,
LL/5866
Philippos Margaritis, 1853, Bas relief, Salt print, 7 1/2 x 10, Charles Nes Photography LLC New York - Paris,
LL/5881
James Robertson, 1860 (ca), Street Scene, Cairo, Salt print, 12 x 10 1/4, Charles Nes Photography LLC New York - Paris,
LL/5908
Hippolyte Bayard, 1845-1847 (ca), Construction Worker, Paris, Salt print, J. Paul Getty Museum, © J. Paul Getty Trust [84.XO.968.82],
LL/5966
Gustave Le Gray, 1851-1855, Factory at Terre-Noire, Salt print, 9 5/16 x 13 1/16, J. Paul Getty Museum, © J. Paul Getty Trust [2000.13],
LL/6042
Carleton E. Watkins, 1860, View from Mount Josephine North, Salt print, 13 3/4 x 16 1/8 in, J. Paul Getty Museum, The J. Paul Getty Trust (84.XM.171.15),
LL/7336
André Giroux, 1855, The Ponds at Obtevoz, Rhône, Salt print, 10 1/2 x 13 5/16 in, J. Paul Getty Museum, The J. Paul Getty Trust (84.XP.362.3),
LL/7437
Bisson frères, 1855 (ca), A Ruined Chateau, Salt print, 345 x 390 mm, Antiq-Photo, Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 2ov12),
LL/8115
Charles Nègre, 1853, Mar (before), Organ Grinder at 21, quai Bourbon, Salt print, from paper negative, 3 15/16 x 3 1/4 in, J. Paul Getty Museum, The J. Paul Getty Trust (84.XM.344.1),
LL/7362
Linnaeus Tripe, 1855, No. 67. Amerapoora. Ouk Kyoung, Salt print, waxed paper negative, 9 3/4 x 13 3/4, Charles Isaacs Photographs, Inc,
LL/4216
Frank Chauvassaigne, 1857 (ca), Rural Architecture, Stairways and Buildings, Salt print, wet collodion negative, 8 x 5 3/4, Charles Isaacs Photographs, Inc,
LL/4146
G.B. Gething, 1855 (ca), River Scene, Salt print, wet collodion negative, 7 1/4 x 9 1/4, Charles Isaacs Photographs, Inc,
LL/4159
Charles Hugo, 1850-1855 (ca), The Hand of Madame Hugo, [Victor Hugo Album], Salted paper print, 6.4 x 8.6 cm, George Eastman Museum, Courtesy of George Eastman House, Gift of Eastman Kodak Company: ex-collection Gabriel Cromer, (GEH NEG: 28694),
LL/6909
John Dillwyn Llewelyn, 1854, Aug 25, Lake at Penllergare [View of the Upper Lake at Penllergare], Salted paper print, 14.2 x 16.9 cm, George Eastman Museum, Extended loan from Kodak Ltd. (L74:0045:0006),
LL/7423
Félix Teynard, 1851-1852, Large Speos - View taken from the Sand Slope (Temple of Ramesses II), Abu Simbel (Abou-Sembil. Grand speos - vue prise de la coulée de sables), [Egypte et Nubie, sites et monuments les plus intéressants pour l'étude de l'art et de l'histoire, deuxiÞme partie, pl. 153], Salted paper print from calotype negative, Cleveland Museum of Art, © The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1992.234,
LL/7942
Eugène Cuvelier, 1860s (early), [the Forest of Fontainebleau], Salted paper print from glass negative, 19.8 x 25.8 cm (7 13/16 x 10 3/16 in), Metropolitan Museum of Art, Purchase, The Howard Gilman Foundation and Joyce and Robert Menschel Gifts, 1988 (1988.1031),
LL/6324
Olympe Aguado, 1862 (ca), [Woman Seen from the Back], Salted paper print from glass negative, 30.8 x 25.8 cm (12 1/8 x 10 3/16 in), Metropolitan Museum of Art, Gilman Collection, Purchase, Joyce F. Menschel Gift, 2005 (2005.100.1),
LL/7446
William Marsh, 1860, Abraham Lincoln, Salted paper print from glass negative, 19.9 x 14.5 cm (7 13/16 x 5 11/16 in), Metropolitan Museum of Art, Gilman Collection, Purchase, Joyce F. Menschel Gift, 2005 (2005.100.89),
LL/7456
Louis-Rémy Robert, 1849-1855, Alfred Thompson Gobert, Salted paper print from paper negative, 22.6 x 16.8 cm (8 7/8 x 6 5/8 in), Metropolitan Museum of Art, Purchase, Joyce and Robert Menschel, Mrs. Harrison D. Horblit and Paul F. Walter Gifts, and Rogers Fund, 1991 (1991.1044),
LL/6305
Julien Vallou de Villeneuve, 1853 (ca), Female Nude, Reclining [in Profile], Salted paper print from paper negative, 11.2 x 15.5 cm (4 7/16 x 6 1/8 in), Metropolitan Museum of Art, Purchase, Lila Acheson Wallace Gift, 1993 (1993.69.3),
LL/6310
Henri Le Secq, 1852, [Large Figures on the North Porch, Chartres Cathedral], Salted paper print from paper negative, 32.8 x 22.1 cm (12 15/16 x 8 11/16 in), Metropolitan Museum of Art, Purchase, The Howard Gilman Foundation and Harriette and Noel Levine Gifts, Samuel J. Wagstaff Jr. Bequest, and Rogers Fund, 1990 (1990.1130),
LL/6312
O. von Ostheim, 1859, Divan (palais) d'Abdallah Pacha el-Azem à Damas, Papier salé d'après négatif papier, 26.5 x 35.5 cm, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, Album du comte de Paris,
LL/7803
Louis Crette, 1850s (ca), Man with shovel, and cart in Crette's yard in Nice, Salt print, coated, from a collodion negative, 8 3/4 x 6 1/2 in, Lee Gallery,
LL/12450
Unidentified photographer / artist, 1860 (ca), Male nude, Italy, Salt print, 3 3/4 x 6 1/8, Charles Nes Photography LLC New York - Paris,
LL/5913
Unidentified photographer, 1855, "Closing the Deal", Salt print, 130 x 162 mm, Antiq-Photo, Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 2pe10),
LL/8113
Unidentified photographer, 1850s, Vase, Salt print, 21.2 x 17.6 cm, Ken & Jenny Jacobson,
LL/43194