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| 1. |  | Ingvar Kenne 2000 Wheatfield [Landscapes Deconstructed] C-Type print 1200 x 760 mm Provided by the artist - Ingvar Kenne Courtesy of the artist By initially creating chaos and wildly slicing into his negatives and later trying to mend his impact using various transparent materials as "band aids", Ingvar Kenne's "Landscapes deconstructed" project is starting to tell new stories about the land. |
| 2. |  | Ingvar Kenne 2003 Dam [Landscapes Deconstructed] C-Type print 1200 x 760 mm Provided by the artist - Ingvar Kenne Courtesy of the artist By initially creating chaos and wildly slicing into his negatives and later trying to mend his impact using various transparent materials as "band aids", Ingvar Kenne's "Landscapes deconstructed" project is starting to tell new stories about the land. |
| 3. |  | Ingvar Kenne 2003 Thredbo [Landscapes Deconstructed] C-Type print 1200 x 760 mm Provided by the artist - Ingvar Kenne Courtesy of the artist By initially creating chaos and wildly slicing into his negatives and later trying to mend his impact using various transparent materials as "band aids", Ingvar Kenne's "Landscapes deconstructed" project is starting to tell new stories about the land. |
| 4. |  | Ingvar Kenne 2000 Flood Plains [Landscapes Deconstructed] C-Type print 1200 x 760 mm Provided by the artist - Ingvar Kenne Courtesy of the artist By initially creating chaos and wildly slicing into his negatives and later trying to mend his impact using various transparent materials as "band aids", Ingvar Kenne's "Landscapes deconstructed" project is starting to tell new stories about the land. |
| 5. |  | Ingvar Kenne 2004 Whale Whatching [Landscapes Deconstructed] C-Type print 1200 x 760 mm Provided by the artist - Ingvar Kenne Courtesy of the artist By initially creating chaos and wildly slicing into his negatives and later trying to mend his impact using various transparent materials as "band aids", Ingvar Kenne's "Landscapes deconstructed" project is starting to tell new stories about the land. |
| 6. |  | Ingvar Kenne 1997, 1 February 1997-02-01 [Anni's Wardrobe] C-Type print, mounted on plexiglass 1000 x 1000 mm Provided by the artist - Ingvar Kenne Courtesy of the artist The work centres around the notion of memory, space and identity. There are a few recurrences in each of the images. Anni's presence, a body of water with its horizon, the dateàà By repeating these parameters she becomes as complex as the ocean and as certain as the waves behind her. Sure to happen, constantly changing. She is a traveller, fleetingly passing in front of the solid background. Though you will never know her, you will at least know of her first name. The image moves up and down within the white square depending where the horizon behind Anni is. |
| 7. |  | Ingvar Kenne 1999, 23 January 1999-01-23 [Anni's Wardrobe] C-Type print, mounted on plexiglass 1000 x 1000 mm Provided by the artist - Ingvar Kenne Courtesy of the artist The work centres around the notion of memory, space and identity. There are a few recurrences in each of the images. Anni's presence, a body of water with its horizon, the dateàà By repeating these parameters she becomes as complex as the ocean and as certain as the waves behind her. Sure to happen, constantly changing. She is a traveller, fleetingly passing in front of the solid background. Though you will never know her, you will at least know of her first name. The image moves up and down within the white square depending where the horizon behind Anni is. |
| 8. |  | Ingvar Kenne 2000, 31 May 2000-05-31 [Anni's Wardrobe] C-Type print, mounted on plexiglass 1000 x 1000 mm Provided by the artist - Ingvar Kenne Courtesy of the artist The work centres around the notion of memory, space and identity. There are a few recurrences in each of the images. Anni's presence, a body of water with its horizon, the dateàà By repeating these parameters she becomes as complex as the ocean and as certain as the waves behind her. Sure to happen, constantly changing. She is a traveller, fleetingly passing in front of the solid background. Though you will never know her, you will at least know of her first name. The image moves up and down within the white square depending where the horizon behind Anni is. |
| 9. |  | Ingvar Kenne 2003, 28 July 2003-02-28 [Anni's Wardrobe] C-Type print, mounted on plexiglass 1000 x 1000 mm Provided by the artist - Ingvar Kenne Courtesy of the artist The work centres around the notion of memory, space and identity. There are a few recurrences in each of the images. Anni's presence, a body of water with its horizon, the dateàà By repeating these parameters she becomes as complex as the ocean and as certain as the waves behind her. Sure to happen, constantly changing. She is a traveller, fleetingly passing in front of the solid background. Though you will never know her, you will at least know of her first name. The image moves up and down within the white square depending where the horizon behind Anni is. |
| 10. |  | Ingvar Kenne 2003, 4 January 2003-01-04 [Anni's Wardrobe] C-Type print, mounted on plexiglass 1000 x 1000 mm Provided by the artist - Ingvar Kenne Courtesy of the artist The work centres around the notion of memory, space and identity. There are a few recurrences in each of the images. Anni's presence, a body of water with its horizon, the dateàà By repeating these parameters she becomes as complex as the ocean and as certain as the waves behind her. Sure to happen, constantly changing. She is a traveller, fleetingly passing in front of the solid background. Though you will never know her, you will at least know of her first name. The image moves up and down within the white square depending where the horizon behind Anni is. |
| 11. |  | Ingvar Kenne 1995 Chile [Chasing Summer] C-Type print 500 x 500 mm Provided by the artist - Ingvar Kenne Courtesy of the artist Chasing Summer - Journal from a Global Motorcycle Journey - a photographic book by Ingvar Kenne. With an essay by Paul Theroux. Chasing Summer is the photographic document of a two and a half year, global motorcycle journey. Available in a limited edition of 1500 case bound copies. |
| 12. |  | Ingvar Kenne 1994 Don, Oregon, USA [Chasing Summer] C-Type print 500 x 500 mm Provided by the artist - Ingvar Kenne Courtesy of the artist Chasing Summer - Journal from a Global Motorcycle Journey - a photographic book by Ingvar Kenne. With an essay by Paul Theroux. Chasing Summer is the photographic document of a two and a half year, global motorcycle journey. Available in a limited edition of 1500 case bound copies. |
| 13. |  | Ingvar Kenne 1996 Turkey [Chasing Summer] C-Type print 500 x 500 mm Provided by the artist - Ingvar Kenne Courtesy of the artist Chasing Summer - Journal from a Global Motorcycle Journey - a photographic book by Ingvar Kenne. With an essay by Paul Theroux. Chasing Summer is the photographic document of a two and a half year, global motorcycle journey. Available in a limited edition of 1500 case bound copies. |
| 14. |  | Ingvar Kenne 1994 LeeAnne & Wendell, Nova Scotia, Canada [Chasing Summer] C-Type print 500 x 500 mm Provided by the artist - Ingvar Kenne Courtesy of the artist Chasing Summer - Journal from a Global Motorcycle Journey - a photographic book by Ingvar Kenne. With an essay by Paul Theroux. Chasing Summer is the photographic document of a two and a half year, global motorcycle journey. Available in a limited edition of 1500 case bound copies. |
| 15. |  | Ingvar Kenne 1995 India [Chasing Summer] C-Type print 500 x 500 mm Provided by the artist - Ingvar Kenne Courtesy of the artist Chasing Summer - Journal from a Global Motorcycle Journey - a photographic book by Ingvar Kenne. With an essay by Paul Theroux. Chasing Summer is the photographic document of a two and a half year, global motorcycle journey. Available in a limited edition of 1500 case bound copies. |
| 16. |  | Ingvar Kenne 1989-1991 Reine [On The Side (Swedish Title: Vid Sidan Av)] Gelatin silver print 14 x 11 in Provided by the artist - Ingvar Kenne Courtesy of the artist The project On The Side (Vid Sidan Av in Swedish) was photographed during 1989-1991 in Kortedala, a suburb of Gothenburg, Sweden. The people are drug addicts. Some have a home, others sleep wherever. Heroin is around but not favoured. Most people are abusing alcohol. No one voluntarily stopped using during the five years Ingvar remained close to the "group", though the thirty odd that died did end their addiction. An exhibition toured around Sweden in the early nineties. Twenty five portraits ended up in the book - Vid Sidan Av - published in 1992 by Tidens Forlag, Sweden, in a limited edition of 2000. |
| 17. |  | Ingvar Kenne 1989-1991 Kalle Krycka [On The Side (Swedish Title: Vid Sidan Av)] Gelatin silver print 14 x 11 in Provided by the artist - Ingvar Kenne Courtesy of the artist The project On The Side (Vid Sidan Av in Swedish) was photographed during 1989-1991 in Kortedala, a suburb of Gothenburg, Sweden. The people are drug addicts. Some have a home, others sleep wherever. Heroin is around but not favoured. Most people are abusing alcohol. No one voluntarily stopped using during the five years Ingvar remained close to the "group", though the thirty odd that died did end their addiction. An exhibition toured around Sweden in the early nineties. Twenty five portraits ended up in the book - Vid Sidan Av - published in 1992 by Tidens Forlag, Sweden, in a limited edition of 2000. |
| 18. |  | Ingvar Kenne 1989-1991 Inger [On The Side (Swedish Title: Vid Sidan Av)] Gelatin silver print 14 x 11 in Provided by the artist - Ingvar Kenne Courtesy of the artist The project On The Side (Vid Sidan Av in Swedish) was photographed during 1989-1991 in Kortedala, a suburb of Gothenburg, Sweden. The people are drug addicts. Some have a home, others sleep wherever. Heroin is around but not favoured. Most people are abusing alcohol. No one voluntarily stopped using during the five years Ingvar remained close to the "group", though the thirty odd that died did end their addiction. An exhibition toured around Sweden in the early nineties. Twenty five portraits ended up in the book - Vid Sidan Av - published in 1992 by Tidens Forlag, Sweden, in a limited edition of 2000. |
| 19. |  | Ingvar Kenne 1989-1991 Kjell [On The Side (Swedish Title: Vid Sidan Av)] Gelatin silver print 14 x 11 in Provided by the artist - Ingvar Kenne Courtesy of the artist The project On The Side (Vid Sidan Av in Swedish) was photographed during 1989-1991 in Kortedala, a suburb of Gothenburg, Sweden. The people are drug addicts. Some have a home, others sleep wherever. Heroin is around but not favoured. Most people are abusing alcohol. No one voluntarily stopped using during the five years Ingvar remained close to the "group", though the thirty odd that died did end their addiction. An exhibition toured around Sweden in the early nineties. Twenty five portraits ended up in the book - Vid Sidan Av - published in 1992 by Tidens Forlag, Sweden, in a limited edition of 2000. |
| 20. |  | Ingvar Kenne 1990 (ca) Grundarn - dead May 1990 [On The Side (Swedish Title: Vid Sidan Av)] Gelatin silver print 14 x 11 in Provided by the artist - Ingvar Kenne Courtesy of the artist The project On The Side (Vid Sidan Av in Swedish) was photographed during 1989-1991 in Kortedala, a suburb of Gothenburg, Sweden. The people are drug addicts. Some have a home, others sleep wherever. Heroin is around but not favoured. Most people are abusing alcohol. No one voluntarily stopped using during the five years Ingvar remained close to the "group", though the thirty odd that died did end their addiction. An exhibition toured around Sweden in the early nineties. Twenty five portraits ended up in the book - Vid Sidan Av - published in 1992 by Tidens Forlag, Sweden, in a limited edition of 2000. |