| Planning | |
| 1 | Improving content on Filmmaking and Cinema |
| Study of movement | |
| 2 | Introduction to the study of movement and motion |
| 3 | Etienne Jules Marey: Capturing static shots of movement |
| 4 | Etienne Jules Marey: Physiological Station at Paris |
| 5 | Eadweard Muybridge: Capturing static shots of movement |
| 6 | Eadweard Muybridge: Experimental establishments |
| 7 | Eadweard Muybridge: Animals in motion |
| Film stills | |
| 8 | Film stills |
| 9 | Georges Méliès: Voyage dans la Lune (1902) |
| 10 | German Expressionism: Vampyr (1932) |
| Uses of film stills in conceptual photography | |
| 11 | John Divola: Evidence of Aggression - From Continuity |
| Planning | |
| 1 | Improving content on Filmmaking and Cinema |
| Study of movement | |
| 2 | Introduction to the study of movement and motion |
| 3 | Etienne Jules Marey: Capturing static shots of movement |
| 4 | Etienne Jules Marey: Physiological Station at Paris |
| 5 | Eadweard Muybridge: Capturing static shots of movement |
| 6 | Eadweard Muybridge: Experimental establishments |
| 7 | Eadweard Muybridge: Animals in motion |
| Film stills | |
| 8 | Film stills |
| 9 | Georges Méliès: Voyage dans la Lune (1902) |
| 10 | German Expressionism: Vampyr (1932) |
| Uses of film stills in conceptual photography | |
| 11 | John Divola: Evidence of Aggression - From Continuity |