| Introduction | |
| 1 | American influences on Pictorialism |
| Alfred Stieglitz and the Photo-Secession | |
| 2 | Alfred Stieglitz and the Photo-Secession |
| 3 | The influence of Alfred Stieglitz on American pictorialism |
| 4 | Camera Notes |
| 5 | Camera Work |
| 6 | Little Galleries of the Photo-Secession, 291 Fifth Avenue, New York City |
| 7 | The links between Camera Work and contemporary art |
| Photographers | |
| 8 | Alvin Langdon Coburn: New York (1910) |
| 9 | Clarence H. White School of Photography |
| 10 | William Dassonville: Trees |
| 11 | Anne Brigman: Pictorialist nudes |
| 12 | Edward Steichen: Pictorialist portraits |
| 13 | Edward Weston: Pictorialist portraits |
| Introduction | |
| 1 | American influences on Pictorialism |
| Alfred Stieglitz and the Photo-Secession | |
| 2 | Alfred Stieglitz and the Photo-Secession |
| 3 | The influence of Alfred Stieglitz on American pictorialism |
| 4 | Camera Notes |
| 5 | Camera Work |
| 6 | Little Galleries of the Photo-Secession, 291 Fifth Avenue, New York City |
| 7 | The links between Camera Work and contemporary art |
| Photographers | |
| 8 | Alvin Langdon Coburn: New York (1910) |
| 9 | Clarence H. White School of Photography |
| 10 | William Dassonville: Trees |
| 11 | Anne Brigman: Pictorialist nudes |
| 12 | Edward Steichen: Pictorialist portraits |
| 13 | Edward Weston: Pictorialist portraits |