| Introduction | |
| 1 | Introduction to art and photography | 
| 2 | Photography as an influence on art | 
| Artists and photographers | |
| 3 | Artists at work | 
| 4 | The encounters between the London Daguerreotypist John Jabez Mayall and the artist John Turner (1847-1849) | 
| 5 | John Thomson: A Chinese portrait artist, Hong Kong | 
| 6 | Nineteenth century Japanese artists and colourists | 
| 7 | Honoré Daumier: Prints and cartoons | 
| 8 | Edward Linley Sambourne: Photographs as a source for cartoons and illustrations | 
| 9 | How artists have portrayed lanternists, photographers and photography | 
| 10 | Photographers and photography in Japan depicted in art | 
| Grids | |
| 11 | Using grids to create art | 
| Drawing and optical devices | |
| 12 | Drawing and optical devices | 
| 13 | Camera lucida: Design and use | 
| 14 | The camera lucida | 
| 15 | Camera obscura: Design and use | 
| 16 | Portable camera obscura | 
| Cliché-verre | |
| 17 | Cliché verre | 
| Associating photography with the arts | |
| 18 | Cartes de visite: Backs: Graphics that place photography with the arts | 
| 19 | Cabinet cards: Backs: Graphics that place photography with the arts | 
| Publications that did, or said they did, use daguerreotypes as the basis for their illustrations | |
| 20 | The influence of the daguerreotype upon art | 
| 21 | Paris et ses Environs Reproduits par le Daguerrotype, Sous la Direction de M. Ch. Philipon (Paris: Chez Aubert et Cie, 1840) | 
| 22 | Noël Marie Paymal Lerebours: Excursions daguerriennes : vues et monuments les plus remarquables du globe (1842) | 
| 23 | Adolphe Duperly: Daguerian Excursions in Jamaica (ca 1844) | 
| 24 | Bruges, ses Monuments et ses Tableaux, edited by Daveluy (Bruges, Daveluy, 1855) | 
| Using photography to copy two dimensional artworks | |
| 25 | Joseph Nicéphore Niépce: Cardinal d'Amboise | 
| 26 | Photographing art: Works on paper and canvas | 
| 27 | William Sterling: Annals of the Artists of Spain (1848) | 
| 28 | Charles Piazzi Smyth: Notice of an Illuminated Vellum Manuscript | 
| 29 | Early photographs of American Folk Art from the David A. Schorsch collection | 
| Printing works for photographic reproductions | |
| 30 | Louis-Désiré Blanquart-Evrard: reproductions of works of art | 
| 31 | Adolphe Braun - A Continental Printing Establishment (1874) | 
| Microphotographs of art | |
| 32 | Art and microphotographs | 
| Copyright of photographs of artworks | |
| 33 | International Copyright of Photographs - Messrs. Braun and Co. (17 August 1888) | 
| 34 | International Copyright of Photographs - Messrs. Braun and Co. (24 August 1888) | 
| 35 | International Copyright of Photographs - Judgement - Messrs. Braun and Co. (21 September 1888) | 
| Photographic art | |
| 36 | Cartes de visite: Art | 
| Photographing sculpture | |
| 37 | Photographing art: Sculpture | 
| Use of photography as an aid to art | |
| 38 | Hill & Adamson: Disruption of the Church of Scotland (1843) | 
| 39 | Oil paintings by Gustave Courbet based upon photographs | 
| 40 | Julien Vallou de Villeneuve: Étude d'après nature, modèle pour Les Baigneuses | 
| 41 | Alphonse Marie Mucha: Artist studies - Académies | 
| 42 | Académies and the use of artist studies of models to assist artists | 
| 43 | Artistic studies of nude women | 
| 44 | Eugène Durieu: Artist studies - Académies | 
| 45 | Vincenzo Galdi: Artist studies - Académies | 
| 46 | Artistic studies of nude men | 
| 47 | Jacques de Lalaing: Using photographs to create art | 
| 48 | Giraudon's artist: Rural studies | 
| 49 | Combining a daguerreotype with a miniature to create a painting (1848) | 
| Painting on photographs | |
| 50 | Introduction to painting on photographs | 
| Visual connections between art and photography | |
| 51 | Paintings and prints based on photographs or vice versa | 
| 52 | Photographs based on known paintings | 
| 53 | Painted photographs by known artists | 
| 54 | Aestheticism | 
| 55 | Thomas Eakins: The Swimming Hole | 
| 56 | Edgar Degas: After the Bath | 
| 57 | Georg Hendrik Breitner: Using photography as an aid to painting | 
| 58 | Photographs that are stylistically similar to paintings | 
| 59 | Dora Maar: Photo Report of the Evolution of Guernica (May - June 1937) | 
| 60 | Saul Leiter: Painted nudes | 
| 61 | Neil Folberg: The French Impressionists | 
| 62 | Robert Weingarten: Palettes (2004-2008) | 
| Portraiture and art | |
| 63 | The "artistic" portrait | 
| 64 | Julia Margaret Cameron (1815-1879): Portraits | 
| 65 | Oscar Gustave Rejlander: Two Ways of Life | 
| 66 | Mimicing art within Pictorialism | 
| Paints in tubes | |
| 67 | Preserving paint in collapsible tubes | 
| The connections between photography and landscape art | |
| 68 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) | 
| 69 | Paintings and prints based upon photographs or vice versa - The Bodmer Oak (Forests of Fontainebleau) | 
| Using Autochromes for early colour art photography | |
| 70 | Autochromes: Art | 
| Artists of the twentieth century and photography | |
| 71 | Salvador Dali (1904-1989) | 
| 72 | Photographers who have taken portrait series on artists | 
| Photography as a means of documenting art | |
| 73 | Land art | 
| 74 | Conceptual photography | 
| 75 | Performance art | 
| Looking at art | |
| 76 | Looking at art | 
| Exhibitions | |
| 77 | Exhibitions on the relationships between art and photography | 
| Conclusions | |
| 78 | Conclusions to art and photography | 
| Introduction | |
| 1 | Introduction to art and photography | 
| 2 | Photography as an influence on art | 
| Artists and photographers | |
| 3 | Artists at work | 
| 4 | The encounters between the London Daguerreotypist John Jabez Mayall and the artist John Turner (1847-1849) | 
| 5 | John Thomson: A Chinese portrait artist, Hong Kong | 
| 6 | Nineteenth century Japanese artists and colourists | 
| 7 | Honoré Daumier: Prints and cartoons | 
| 8 | Edward Linley Sambourne: Photographs as a source for cartoons and illustrations | 
| 9 | How artists have portrayed lanternists, photographers and photography | 
| 10 | Photographers and photography in Japan depicted in art | 
| Grids | |
| 11 | Using grids to create art | 
| Drawing and optical devices | |
| 12 | Drawing and optical devices | 
| 13 | Camera lucida: Design and use | 
| 14 | The camera lucida | 
| 15 | Camera obscura: Design and use | 
| 16 | Portable camera obscura | 
| Cliché-verre | |
| 17 | Cliché verre | 
| Associating photography with the arts | |
| 18 | Cartes de visite: Backs: Graphics that place photography with the arts | 
| 19 | Cabinet cards: Backs: Graphics that place photography with the arts | 
| Publications that did, or said they did, use daguerreotypes as the basis for their illustrations | |
| 20 | The influence of the daguerreotype upon art | 
| 21 | Paris et ses Environs Reproduits par le Daguerrotype, Sous la Direction de M. Ch. Philipon (Paris: Chez Aubert et Cie, 1840) | 
| 22 | Noël Marie Paymal Lerebours: Excursions daguerriennes : vues et monuments les plus remarquables du globe (1842) | 
| 23 | Adolphe Duperly: Daguerian Excursions in Jamaica (ca 1844) | 
| 24 | Bruges, ses Monuments et ses Tableaux, edited by Daveluy (Bruges, Daveluy, 1855) | 
| Using photography to copy two dimensional artworks | |
| 25 | Joseph Nicéphore Niépce: Cardinal d'Amboise | 
| 26 | Photographing art: Works on paper and canvas | 
| 27 | William Sterling: Annals of the Artists of Spain (1848) | 
| 28 | Charles Piazzi Smyth: Notice of an Illuminated Vellum Manuscript | 
| 29 | Early photographs of American Folk Art from the David A. Schorsch collection | 
| Printing works for photographic reproductions | |
| 30 | Louis-Désiré Blanquart-Evrard: reproductions of works of art | 
| 31 | Adolphe Braun - A Continental Printing Establishment (1874) | 
| Microphotographs of art | |
| 32 | Art and microphotographs | 
| Copyright of photographs of artworks | |
| 33 | International Copyright of Photographs - Messrs. Braun and Co. (17 August 1888) | 
| 34 | International Copyright of Photographs - Messrs. Braun and Co. (24 August 1888) | 
| 35 | International Copyright of Photographs - Judgement - Messrs. Braun and Co. (21 September 1888) | 
| Photographic art | |
| 36 | Cartes de visite: Art | 
| Photographing sculpture | |
| 37 | Photographing art: Sculpture | 
| Use of photography as an aid to art | |
| 38 | Hill & Adamson: Disruption of the Church of Scotland (1843) | 
| 39 | Oil paintings by Gustave Courbet based upon photographs | 
| 40 | Julien Vallou de Villeneuve: Étude d'après nature, modèle pour Les Baigneuses | 
| 41 | Alphonse Marie Mucha: Artist studies - Académies | 
| 42 | Académies and the use of artist studies of models to assist artists | 
| 43 | Artistic studies of nude women | 
| 44 | Eugène Durieu: Artist studies - Académies | 
| 45 | Vincenzo Galdi: Artist studies - Académies | 
| 46 | Artistic studies of nude men | 
| 47 | Jacques de Lalaing: Using photographs to create art | 
| 48 | Giraudon's artist: Rural studies | 
| 49 | Combining a daguerreotype with a miniature to create a painting (1848) | 
| Painting on photographs | |
| 50 | Introduction to painting on photographs | 
| Visual connections between art and photography | |
| 51 | Paintings and prints based on photographs or vice versa | 
| 52 | Photographs based on known paintings | 
| 53 | Painted photographs by known artists | 
| 54 | Aestheticism | 
| 55 | Thomas Eakins: The Swimming Hole | 
| 56 | Edgar Degas: After the Bath | 
| 57 | Georg Hendrik Breitner: Using photography as an aid to painting | 
| 58 | Photographs that are stylistically similar to paintings | 
| 59 | Dora Maar: Photo Report of the Evolution of Guernica (May - June 1937) | 
| 60 | Saul Leiter: Painted nudes | 
| 61 | Neil Folberg: The French Impressionists | 
| 62 | Robert Weingarten: Palettes (2004-2008) | 
| Portraiture and art | |
| 63 | The "artistic" portrait | 
| 64 | Julia Margaret Cameron (1815-1879): Portraits | 
| 65 | Oscar Gustave Rejlander: Two Ways of Life | 
| 66 | Mimicing art within Pictorialism | 
| Paints in tubes | |
| 67 | Preserving paint in collapsible tubes | 
| The connections between photography and landscape art | |
| 68 | Paintings and prints based upon paintings or vice versa - The road to Chailly (Forests of Fontainebleau) | 
| 69 | Paintings and prints based upon photographs or vice versa - The Bodmer Oak (Forests of Fontainebleau) | 
| Using Autochromes for early colour art photography | |
| 70 | Autochromes: Art | 
| Artists of the twentieth century and photography | |
| 71 | Salvador Dali (1904-1989) | 
| 72 | Photographers who have taken portrait series on artists | 
| Photography as a means of documenting art | |
| 73 | Land art | 
| 74 | Conceptual photography | 
| 75 | Performance art | 
| Looking at art | |
| 76 | Looking at art | 
| Exhibitions | |
| 77 | Exhibitions on the relationships between art and photography | 
| Conclusions | |
| 78 | Conclusions to art and photography |