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The Fallen - Checklist


  
LL/12695
ThumbnailAlexander Gardner 
A Sharpshooter's Last Sleep 
[GardnerÆs Photographic Sketch Book of the War. Incidents of the War, pl. 40] 
1863, July 
Albumen print 
7 x 9 in 
Lee Gallery 
Courtesy of Lee Gallery (Z1376) 
  

  
LL/14028
ThumbnailTimothy H. O'Sullivan 
Field Where General Reynolds Fell, Gettysburg 
[GardnerÆs Photographic Sketch Book of the War. Incidents of the War, pl. 37] 
1863, July 
Albumen print 
7 x 9 in 
Lee Gallery 
Courtesy of Lee Gallery (Z1367) 
  
Feedback Id: EE/581Click on image for details 
[Copyright and Fair Use Issues]
 
  
Contextual notes: 
  
During the American Civil War (1861-1865) the cameras were not able to photograph movement with any fidelity and therefore more static subject were selected. The dead were a natural if macabre choice but there has been considerable discussion about the placement of the dead so that they provided the best visual composition. A contemporary account reveals that Felice Beato (ca.1825-ca.1908) did the same in some of his photographs of the Second Chinese Opium War (1856-1860).
 
Abstract
Behind the Camera 
  
Bill Brandt; David Mellor; & Mark Haworth-Booth (Introduction)
Click here to buy this book from Amazon
 
L'Amour fou: Photography and Surrealism 
  
Jane Livingston; Dawn Ades; & Rosalind E. Krauss
Click here to buy this book from Amazon
 
Nino Migliori: Walls 
  
Nino Migliori (Photographer); Eugenio Riccòmini (Essay); & Marilena Pasquali (Foreword)
Click here to buy this book from Amazon
 
 
  
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