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Peter Henry Emerson (1856-1936) - Checklist


  
LL/12683
ThumbnailPeter Henry Emerson 
The Reed Cutter at Work 
1885 
Platinum print 
11 1/4 x 8 2/16 in 
Lee Gallery 
Courtesy of Lee Gallery (Z1191) 
  

  
LL/12684
ThumbnailPeter Henry Emerson 
Towing the Reed 
1885 
Platinum print 
10 3/4 x 8 3/4 in 
Lee Gallery 
Courtesy of Lee Gallery (Z1192) 
  

  
LL/12685
ThumbnailPeter Henry Emerson 
Ricking the Reed 
1885 
Platinum print 
11 1/4 x 9 1/4 in 
Lee Gallery 
Courtesy of Lee Gallery (Z1193) 
  

  
LL/7368
ThumbnailPeter Henry Emerson 
Gathering Water Lilies 
1886 
Platinum print 
7 13/16 x 11 9/16 in 
J. Paul Getty Museum 
The J. Paul Getty Trust (84.XO.1268.10) 
  
Feedback Id: EE/376Click on image for details 
[Copyright and Fair Use Issues]
 
  
Contextual notes: 
  
Peter Henry Emerson was a highly motivated, argumentative and talented amateur photographer in Victorian England who attacked head on the staged portraiture of Henry Peach Robinson and Julia Margaret Cameron. He argued in his 1889 book Naturalistic Photography for Students of Art for naturalism in photography that took the actual world that was in front of the camera. The image should imitate what the eye actually saw and this was not hard edged but soft and slightly out of focus - this approach had outcomes - firstly it heralded in a type of photography that was distinct from the over sentimental paintings that were in vogue at the time and secondly the softer prints had a profound effect of the pictorialists that followed him.
 
Emerson changed his views on photography the following year and published the black bordered pamphlet The Death of Naturalistic Photography (1890) that shocked the community by stating that "Photography is a very limited art".
 
Nature
Neil Drabble: Tree Tops Tall 
  
Neil Drabble (Photographer); & Michael Mack (Editor)
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Pandas (World Life Library) 
  
Heather Angel
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The Worlds Top Photographers and the Stories Behind Their Greatest Images: Wildlife 
  
Terry Hope
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