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Understanding the terms - Checklist


  
LL/6043
ThumbnailGustave Le Gray 
Large Wave, Mediterranean Sea 
1857 
Albumen print from two negatives 
12 3/4 x 16 1/4 
J. Paul Getty Museum 
Lent by the Bibliothèque Nationale de France, Paris 
  

  
LL/6542
ThumbnailAlexander Rodchenko 
Inside layout for "USSR in Construction" Issue #12, 1933 [White Sea Canal Issue] 
1933 
Magazine layout 
Howard Schickler Fine Art (Closed 2006) 
Image courtesy of Howard Schickler Fine Art LLC. (www.schicklerart.com) 
  

  
LL/6555
ThumbnailEugène Appert 
[Photomontage during the Paris Commune] 
1871 
Photomontage 
Det Kongelige Bibliotek (The Royal Library) 
© Det Kongelige Bibliotek (The Royal Library, Copenhagen, Denmark) 
  

  
LL/6626
ThumbnailMan Ray 
Indestructible Object 
1965 
Wood, fiber, metal, and paper on cardboard 
8 1/2 x 4 1/2 x 4 1/2 in 
American Art Museum, Smithsonian Institution 
Smithsonian American Art Museum, Gift of Samuel M. Greenbaum and Helen Mark families in memory of Helen Mark Greenbaum 1993.43 
  
Feedback Id: EE/367Click on image for details 
[Copyright and Fair Use Issues]
 
  
Contextual notes: 
  
These show the four types:
  • Composite photograph / Combination print - Gustave Le Gray: Two negatives used to create a single image
  • Photomontage - Eugène Appert used this technique during the Paris Commune of 1871 to create political propaganda.
  • Collage - The design work of Alexander Rodchenko in Russian books and magazines of the 1930s merged photographs with graphics and typography.
  • Assemblage - Man Ray combined photographs with other objects and media to create artworks.
 
Fashion
Crowns: Portraits of Black Women in Church Hats 
  
Craig Marberry; & Michael Cunningham
Click here to buy this book from Amazon
 
A Gun for Hire 
  
June Newton (Editor); & Helmut Newton (Photographer)
Click here to buy this book from Amazon
 
Patrick Demarchalier: Exposing Elegance 
  
Patrick Demarchelier (Photographer); & Martin Harrison
Click here to buy this book from Amazon
 
 
  
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