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Photo outlets
Metropolitan Museum of Art
 
1000 Fifth Avenue
New York City, NY 10028-0198
USA

www.metmuseum.org
Tel: 212 535 7710

 
Some random images from this collection.
 
Lightbox > Examples
   
Unknown Artist (American School), 1910 (ca), [Man with Dead Raccoons], Gelatin silver print, Metropolitan Museum of Art, LL/40599
Unidentified photographer, 1910s, Portrait of a woman [Saint Louis, Senegal], Postcard, gelatin silver print, Metropolitan Museum of Art, LL/61687
1897, Book cover for Albert A. Hopkins, 1897, Magic: Stage Illusions and Scientific Diversions Including Trick Photography, (London: Low), Book cover, Metropolitan Museum of Art, LL/54316
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Gournah (Thèbes), Palais Dit le Memnonium, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69174
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79655
J. Wood (American, active 1870s-80s), 1860s, Musical Mokes, Carte de visite, Metropolitan Museum of Art, LL/79691
Louis de Clercq, 1860 (or later), IXe Station. Jésus tombe pour la troisième fois. Le fut de colonne qui se trouve au pied du mur indique cette station., Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78133
E. & H.T. Anthony & Co., 1863, [Specimens of New York Bill Posting], Stereocard, Metropolitan Museum of Art, LL/95719
Francis Frith, 1857 (ca), Distant View of the Cedars of Lebanon, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/67554
Anna Atkins, 1851-1854, Spiraea aruncus (Tyrol), Cyanotype, Metropolitan Museum of Art, LL/79870
Comte Frédéric Flachéron, 1849, Bas Relief from the Arch of Constantine, Rome, Paper negative, Metropolitan Museum of Art, LL/73862
Alphonse Bertillon, 1893 (ca), Notation of Scars, Schematic Drawings, Albumen silver prints, Metropolitan Museum of Art, LL/113478
Unidentified artist, 1916 (ca), Fingers of Fate - The Tightening Grip, Gelatin silver print, postcard, Metropolitan Museum of Art, LL/16995
A.J. Russell, 1863 (ca), [Orange and Alexandria Railroad Bridge, near Union Mills, Virginia], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/7709
Owen Angel, 1880 (ca), Violet seller. Violet Barnes, [Follett Family Album of Children Costumed for a Fancy Dress Ball], Albumen silver print, from glass negative, with applied color, Metropolitan Museum of Art, LL/79536
Linnaeus Tripe, 1855, November, Rangoon: Henzas on the East Side of the Shwe Dagon Pagoda, Albumen silver print, from waxed paper negative, Metropolitan Museum of Art, LL/78025
Louis-Rémy Robert, 1856 (ca), [Table Top Still Life with Model Cathedral and Small Sculptures], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79858
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Abou Sembil, Grand Spéos - Statues Colossales, Vues de Trois-Quarts, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69205
Unidentified photographer, 1855 (ca), [Studio Photographer at Work], Salted paper print, Metropolitan Museum of Art, LL/95715
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 15: Mediation, mental concentration, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79638
Oumar Ka, 1959-1968 (taken) 2015 (print), Man Standing in a Courtyard [Senegal], Inkjet print, Metropolitan Museum of Art, LL/61691
Eugène Atget, 1904-1905, Hôtel de Lauzun, Quai d'Anjou, Albumen silver print, Metropolitan Museum of Art, LL/79688
John Murray, 1856-1857, The Chowk [The Main Street in Agra, India], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/40433
Louis de Clercq, 1860 (or later), Jérusalem. Entrée de l'Église du St. Sépulcre, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78109
Maxime Du Camp, 1850, March, Vue des rapides de la Seconde Cataracte, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79830
Louis de Clercq, 1860 (or later), Ve Station. Jésus aidé par Simon de Cyrène. Une marque dans le mur indique seule cette station. La maison que l'on voit au fond est celle du mauvais riche, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78143
Henry P. Bosse, 1888, Second Ave Rock Island, Ill. during high water, Cyanotype, Metropolitan Museum of Art, LL/79881
André Kertész, 1939, [Four Children on Sidewalk Curb and Street], Gelatin silver print, Metropolitan Museum of Art, LL/48805
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 78: Scene of coquetry, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79652
Charles Clifford, 1853, Principal Doorway of the Carthusian Monastery, Burgos, Albumen silver print, Metropolitan Museum of Art, LL/25996
Charles Alphonse Marlé (French, 1821-after 1867), 1855 (ca), [Standing Male Nude], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/48782
Unidentified photographer / collagist, 1850s-1890s, Collaged portrait, [Album of collaged portraits], Albumen silver print, Metropolitan Museum of Art, LL/95763
Albert Londe, 1890 (ca), [Male Musculature Study], Albumen silver print, Metropolitan Museum of Art, LL/48795
Charles Marville, 1852, [Allegorical Sculpture of Industry, Pont du Carrousel], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/53877
Franck (French), 1871, Colonne Vendôme, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/111358
Gustave Le Gray, 1867, Vue de la Plaine de Thèbes prise du temple de Karnac, Albumen print, Metropolitan Museum of Art, LL/67550
Félix Bonfils, 1880 (ca), Les ponts du fleurs du chien, Albumen print, Metropolitan Museum of Art, LL/115907
Arnold Genthe, 1896-1906, Holiday Visit, Chinatown, San Francisco, Gelatin silver print, Metropolitan Museum of Art, LL/50987
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Karnak (Thèbes), Troisième Pylône - Colosse de Spath Calcaire, en D, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69254
Walker Evans, 1973-1974, [Abandoned House], Instant Color print, Metropolitan Museum of Art, LL/6379
Claude Lorrain (ca. 1600-1682), 1646-1647, Sunrise, Oil on canvas, Metropolitan Museum of Art, LL/62869
Émile Gsell, 1866, Riche Annamite montant à cheval, Cochinchine, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/77978
Martha Rosler, 1967-72 (taken) 1990s (early, print), Red Stripe Kitchen, Chromogenic print, Metropolitan Museum of Art, LL/48201
Unknown artist (American School), 1853-1855, [Chatham Square, New York], Daguerreotype, Metropolitan Museum of Art, LL/40495
Richard Barton Hill, 1850s, [View of the City from the Ochterlony Monument, Calcutta], Albumen silver print, Metropolitan Museum of Art, LL/40375
Maxime Du Camp, 1850 (taken) 1851-1855 (print), Nubie. Grand Temple d'Isis, A Philoe, Salted paper print (Blanquart-Évrard process) from paper negative, Metropolitan Museum of Art, LL/69378
Samuel F.B. Morse, 1836-1837 (ca), Susan Walker Morse (The Muse), Oil on canvas, Metropolitan Museum of Art, LL/87291
Félix Teynard, 1851-1852, Louksor (Thèbes), Vue Générale des Ruines, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69163
Émile Gsell, 1866, Prisonniers conduits par un Mata, Cochinchine [Prisoners Conducted by a Mata, Cochinchina], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40457
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man Carrying Umbrellas], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95594
Hill & Adamson, 1843-1847, Edinburgh. Greyfriars' Churchyard, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/73938
Southworth & Hawes, 1850 (ca), [Students from the Emerson School for Girls], Daguerreotype, Metropolitan Museum of Art, LL/69106
Francis Bedford, 1870s, Colwyn Bay. Rustic Bridge in the Wood, Albumen silver print, Metropolitan Museum of Art, LL/50948
Auguste Mestral, 1852-1853, [Angel of the Passion, Sainte-Chapelle, Paris], Salted paper print from paper negative, Metropolitan Museum of Art, LL/37303
Félix Bonfils, 1860s-1880s (taken) 1870 (ca, print), Cous du Kadisha, Monte Libon, Albumen print, Metropolitan Museum of Art, LL/115902
Auguste Salzmann, 1854, Jérusalem, Saint-Sépulcre, Détails de la porte, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79839
Linnaeus Tripe, 1855, September-October, Colossal Statue of Gautama Close to the North End of the Bridge, Amerapoora, Albumen silver print, Metropolitan Museum of Art, LL/25999
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Assouan (Syène), Carrières de Granit - Ancien Système d'Extraction, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69267
Unidentified photographer / collagist, 1850s-1890s, Collaged portrait, [Album of collaged portraits], Albumen silver print, Metropolitan Museum of Art, LL/95777
Linnaeus Tripe, 1858, January-March, View of the Sacred Tank in the Great Pagoda, Albumen silver print, from waxed paper negative, Metropolitan Museum of Art, LL/78034
Emerson & Goodall, 1884-1886, Book cover for P.H. Emerson and T.F. Goodall "Life and Landscape on the Norfolk Broads" (Printed by Valentine of Dundee, 1884-1886), Book cover, Metropolitan Museum of Art, LL/41718
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 63: Expression of terror, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79667
Charles Fremont (French, 1855-1930), 1894, Chronophotograph, Gelatin silver print, from glass negative, Metropolitan Museum of Art, LL/45179
Cundall & Delamotte, 1850s, Fountains Abbey. The Chapel of the Nine Alters, Interior, Albumen silver print, Metropolitan Museum of Art, LL/77959
Unidentified photographer, 1855 (ca), Rome, So-Called Casa di Rienzi, the Oldest Medieval Private House, Salted paper print, Metropolitan Museum of Art, LL/25993
Cundall & Delamotte, 1850s, Fountains Abbey. The Refectory and Kitchen, Albumen silver print, Metropolitan Museum of Art, LL/77957
Unknown Artist (British School), 1870s, Elizabeth Tappenden, [Insane Asylum Patient], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40608
Baron Raimund von Stillfried, 1870s, Fille de Shanghai [Young Chinese Woman from Shanghai], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40511
Lewis Dowe, 1860s, [Dowe's Photograph Rooms, Sycamore, Illinois], Albumen print, Metropolitan Museum of Art, LL/95722
Unidentified photographer, 1850 (ca), [Hiram Powers's Sculpture of the Greek Slave], Daguerreotype, Metropolitan Museum of Art, LL/121598
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 47: A suggestion of this same weeping, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79654
Unidentified photographer (British), 1855-1860, [Botanical Specimen: Fern], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79715
B.L. Spackman, 1859-1862, [Construction Site with Workers, Visitors, Ladders, and Urn at the 1862 International Exhibition at South Kensington, England], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/51641
Maxime Du Camp, 1850 (taken) 1851-1855 (print), Haute-Égypte. Entrée de la première Cataracte, Salted paper print (Blanquart-Évrard process) from paper negative, Metropolitan Museum of Art, LL/69367
Mathew B. Brady, 1860s, Mathew B. Brady's Studio Camera and Tripod, Camera, Metropolitan Museum of Art, LL/50261
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79631
François-Edmond Fortier, 1910-, [Portrait of a standing unidentified African man], Cabinet card, gelatin silver print, Metropolitan Museum of Art, LL/84796
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Musician Playing Trombone], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95610
Henri Le Secq, 1852, [Large Figures on the North Porch, Chartres Cathedral], Salted paper print from paper negative, Metropolitan Museum of Art, LL/6312
Unidentified photographer / artist, 2012, Publicity for Faking it: Manipulated Photography before Photoshop (New York: The Metropolitan Museum of Art, October 11, 2012-January 27, 2013), Publicity, Metropolitan Museum of Art, LL/49190
W. & F. Langenheim, 1854, 26 May, Eclipse of the Sun, May 26, 1854, Daguerreotype, Metropolitan Museum of Art, LL/33211
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Musical Conductor], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95599
Unidentified photographer, 1850 (ca), [Nude], Daguerreotype, Metropolitan Museum of Art, LL/40477
Carleton E. Watkins, 1861, River View Down Valley, Cathedral Rock on Left, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/105783
Auguste Salzmann, 1854, Jérusalem, Enceinte du Temple, Moulure judaïque formant pied-droit de l'une des portes romaines, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79845
Maxime Du Camp, 1850 (taken) 1851-1855 (print), Nubie. Forteresse D'Ibrym (Ancienne Premmis). Vue prise au sud., Salted paper print (Blanquart-Évrard process) from paper negative, Metropolitan Museum of Art, LL/69370
Paul Strand, 1916, [Pears and Bowls], Silver-platinum print, Metropolitan Museum of Art, LL/7464
Louis Auguste Bisson, 1841-1848, [Profile of a Woman with Necrosis of the Nose], Daguerreotype, Metropolitan Museum of Art, LL/78385
Malick Sidibé, 1956, Self-Portrait, Photograph, original frame of reverse-painted glass, tape, cardboard and string, Metropolitan Museum of Art, LL/112453
Lewis Carroll, 1863, Irene MacDonald, Flo Rankin, and Mary MacDonald at Elm Lodge, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40531
Alphonse Bertillon, 1894, Luce. Maximilien. 36 ans, né le 13/3/58 à Paris VIIe. Artiste-peintre. Anarchiste. 6/7/94., Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/78465
Unidentified photographer (British), 1850s, [Boy in Profile, Face Shown Frontally in Mirror], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79795
Unidentified photographer (German), 1857, Mary Carrick Riggs, Dresden, Albumen silver print, with applied colour, Metropolitan Museum of Art, LL/79685
Unidentified photographer, 1870s-1880s, 549 Beejapoor - The Citadel - The Audience Hall, [Beejapoor], Albumen print, Metropolitan Museum of Art, LL/90418
Walker Evans, 1933, Girl Behind Barred Window (Havana), Gelatin silver print, Metropolitan Museum of Art, LL/78167
Joseph-Philibert Girault de Prangey, 1842, North and East Sides of the Parthenon, Athens, Daguerreotype, Metropolitan Museum of Art, LL/87305
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man Wearing Cross Body Satchel], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95598
George Bridges, 1848, Temple of Wingless Victory, Lately Restored, Paper negative, Metropolitan Museum of Art, LL/40447
Unknown (British), 1870 (ca), Hunting Trophies, Albumen silver print, Metropolitan Museum of Art, LL/40396
Southworth & Hawes, 1850 (ca), Henry Wadsworth Longfellow, Daguerreotype, Metropolitan Museum of Art, LL/84489
John Murray, 1862-1864, The Diwan-i Khas from the Mussaman Burj, Agra Palace, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78011
Unidentified photographer, 1860s-1880s, [Carpenter or Cabinetmaker Standing Before a Sign Advertising His Trade], Tintype, Metropolitan Museum of Art, LL/69134
Carleton E. Watkins, 1878 (ca), The Mother of the Forest From the Father of the Forest - Calavaras Grove, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79621
B.L. Spackman, 1859-1862, [Construction Site Scaffolding Detail at the 1862 International Exhibition at South Kensington, England], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/51643
Cindy Sherman, 1978, Still from an Untitled Film, Gelatin silver print, Metropolitan Museum of Art, LL/6382
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man Sitting at Cocktail Table], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95600
Pierre-Louis Pierson (French, 1822-1913); Aquilin Schad (Austrian, 1817-1866)., 1861-1864, La Frayeur (Fright), Salted paper print, with gouache, Metropolitan Museum of Art, LL/63085
Alphonse Bertillon, 1894, Adnet. Jeanne, Marie. Alphonsine (femme Quesnel). 22 ans, née à Argentan. Couturière. Anarchiste. 8/1/94., Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/78469
Henry Fox Talbot, 1839, Lace (enlarged detail), [Album di disegni fotogenici - The Bertoloni Album, Leaf 13 Recto], Photogenic drawing, solar microscope, detail, Metropolitan Museum of Art, LL/40626
Unknown artist, 1840s-1850s, [Button with hands], Button, Metropolitan Museum of Art, LL/40525
Maxime Du Camp, 1850, 25 March, Djebel-Aboucir - Rive gauche de la Seconde Cataracte, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79829
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Karnak (Thèbes), Enciente du Palais Vue du Point H, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69210
Pierre-Ambroise Richebourg, 1844 (ca), Louis Jacques Mandé Daguerre, Daguerreotype, Metropolitan Museum of Art, LL/35502
Timothy H. O'Sullivan, 1870, Return of Commander Selfridge and his Reconnaissance Party from an Expedition in the Interior of Darien, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79725
Linnaeus Tripe, 1858, May-June, Elliot Marbles and Other Sculpture from the Central Museum Madras: Group 26, Albumen silver print, from waxed paper negative, Metropolitan Museum of Art, LL/78040
   

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