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Gustave Le Gray
The Sun at Zenith, Normandy
1855 (ca)
Albumen print, from paper negative
12 3/4 x 16 3/8 ins
George Eastman Museum
LL/33096
In addition to being fast enough to stop action like breaking waves, the practicality and reproducibility of Le Gray's process also made it excellent for making architectural views and was used by many of the photographers who documented France's endangered national historical sites.
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LuminousLint 
@LuminousLint
