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HomeContentsThemes > Early social commentary

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With the immense changes taking place through the nineteenth century due to increasing industrialization, the flight from the land and the tides of immigration the disparities in society were clear. These were highlighted in the reformist writings of Charles Dickens (1812-1870) in Great Britain both through his novels and the weekly periodical Household Words that he founded in 1850 and which was incorporated into All the Year Round in 1859. This popular and reforming periodical continually attacked the degradations of the poor and injustice. Between February 1837 and April 1839 Dickens published monthly parts of the novel Oliver Twist in the magazine Bentley's Miscellany; popular magazines were widely read and plight of poor orphans left to suffer or work in wretched conditions was brought to the attention of the public.
 
In France Émile Zola (1840-1902), in his twenty Rougon-Macquart novels set in the French Second Empire (1852-1870), also highlighted the conditions of the working and middle classes as did Giovanni Verga (1840-1922) in Southern Italy. Artists such as Gustave Doré (1832-83) showed the appalling slums of London with images that harked back to those of the 1730's in The Rake's Progress by William Hogarth (1697-1764).
 
Social and political thinking was being molded by events; in 1848, the Year of Revolutions, the Communist Manifesto of Karl Marx and Frederick Engels was published. It was a period when power and wealth was in the hands of a few and the vote, where it existed at all, was restricted to men of property. Social inequalities, exploitation and abuses were commonplace in the societies where photography was becoming established and it is in this context that we need to appreciate the photography of the age. Socio-political theory, literature and art provided intermediates for understanding social issues but photographs showed the grim reality.
 
Some of the earliest users of photography used it as a means of documenting social ills as a way of informing the upper classes of society about the needs of the poor - in 1866 Thomas Annan (1829-1887) was commissioned to record alleys and dismal slums for the Glasgow Improvement Trust and these were published in the Old Closes and Streets of Glasgow (1878). Also in Scotland Archibald Burns was commissioned by Edinburgh's City Improvement Trust to photograph the buildings of the closes of the old town prior to their demolition in 1871.
Early examples of using photography to provide a social commentary
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Charles Marville
Rue de la Harpe, partie nord 
1865-1869
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Archibald Burns
Cardinal Beaton's House, the Cowgate, Edinburgh 
[Picturesque Bits from Old Edinburgh] 
1868
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Thomas Annan
[Untitled - Check title] 
[Glasgow City Improvement Trust. Old Closes and Streets - Glasgow, A Series of Photogravures: 1868-1899. Glasgow: T & R Annan & Sons, 1900] 
1868-1899
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Jacob A. Riis
[Untitled] 
[How the Other Half Lives] 
1890 (ca)
Photographic prints have the ability to inform the higher classes of society about the living conditions of the less fortunate poor and homeless. By the 1860s the wretched decaying quarters of cities were revealed and social remedies were required and this became a political objective.
  • Glasgow, Scotland
    Glasgow Improvement Trust - Thomas Annan
  • Edinburgh, Scotland
    Edinburgh‘s City Improvement Trust - Archibald Burns
  • Paris, France
    Recording the architecture prior to the rebuilding of Parisien roads following the plans of Baron Georges-Eugène Haussmann - Charles Marville
  • New York
    Newspaper journalist - Jacob Rees
The examples shown have a mixed effect upon a modern audience - they show the cramped alleys and poverty but at the same time there is a misplaced nostalgia for a world that has gone.
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[Copyright and Fair Use Issues]
Towards the end of the nineteenth century in the United States Jacob Riis (1849-1914) and Lewis Hine (1874-1940) were committed to social change. When Jacob Riis published his first book, 'How the Other Half Lives' on the overcrowded New York slums in 1890 which contained seventeen halftone photographs and a further nineteen hand drawings they were damning statements on societal ills. The journalist and novelist Stephen Crane (1871-1900) published Maggie: A Girl of the Streets in 1893 and the following year he wrote the article Experiment in Misery when he dressed as a bum and spent a night in a flophouse.
 
How the Other Half Lives: Studies Among the Tenements of New York (Penguin Classics) 
  
Jacob A. Riis; & Luc Sante (Introduction)
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The Battle with the Slum 
  
Jacob A. Riis
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The Virtues of the Vicious : Jacob Riis, Stephen Crane and the Spectacle of the Slum 
  
Keith Gandal (Author)
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The Making of an American 
  
Jacob A. Riis (Photographer)
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Later Lewis Hine traveled through the USA as an investigator and a photographer for the 'National Child Labor Committee' (NCLC) and his photographs were an impetus in promoting legislation to restrict child labor. To gain access to factories Hine pretended to be a fire inspector or a salesman as owners had no desire to have proof of their actions, which although legal were morally unjustifiable. The Keating-Owen Child Labor Act of 1916 was the first attempt but subsequent rulings, by powerful industrial lobbies, prevented its effectiveness and it was not until the Fair Labor Standards Act was passed by Congress on 25th June 1938 that minimum ages for the employment of children could be enforced. It was through the efforts of Lewis Hine that society was forced to recognize the injustices and eventually to address them with appropriate laws.
Lewis Hine
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Lewis W. Hine
Telegraph Messengers, Knoxville 
1910
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Lewis W. Hine
Homeworkers 
1910 (ca)
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Lewis W. Hine
Sadie Pfeiffer, Spinner in Cotton Mill, North Carolina 
1910
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Lewis W. Hine
One of Many Young Boys on Night Shift in a West Virginia Glass Factory 
1908
The importance of these photographs is highlighted in a letter that Owen Lovejoy (former director of the NCLC - National Child Labor Committee and Associate Director of the American Youth Commission) wrote to Lewis Hine on 21 July 1938:
 
(excerpt) […] "Beginning in 1905 with your first service to the National Child Labor Committee when you traveled this country from end to end discovering and exhibiting examples of types of children and youth in various forms of labor on through to the more humane days when the littlest ones were emancipated and you and I both felt we might turn our attention in another direction, you would have a pictorial document of rare interest and one which no one can duplicate. In my judgment the work you did under my direction for the National Child Labor Committee was more responsible than any or all other efforts to bring the facts and conditions of child employment to public attention. The evils inherent in the system were intellectually but not emotionally recognized until your skill, earnestness, devotion, vision and artistic finesse focused the camera intelligently, sympathetically and effectively on social problems involved in American industry.
 
Cordially yours, Owen R. Lovejoy"

 
[Cited in: Kaplan, Daile (ed). 1992, Photo Story: Selected Letters and Photographs of Lewis W. Hine (Smithsonian Institution Press ), p. 110]
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[Copyright and Fair Use Issues]
 
Lewis W. Hine: Children at Work 
  
Vicki Goldberg
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Kids at Work: Lewis Hine and the Crusade Against Child Labor 
  
Russell Freedman (Author); & Lewis Hine (Photographer)
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Photo Story: Selected Letters and Photographs of Lewis W. Hine 
  
Lewis Wickes Hine; Daile Kaplan (Editor); & Berenice Abbott
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Lewis Hine: Passionate Journey: Photographs 1905-1937 
  
Karl Steinorth (Editor); Anthony Bannon; Marianne Fulton (Editor); & International Museum of Photography at George Eastman House
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Photojournalism has developed into a respected academic discipline and universities teach both the practical and the ethical aspects of it as a business. Until the camera became a consumer item with the work of George Eastman (1854-1932) it was largely a pastime of the well-to-do (Jean-Gabriel Eynard (1775-1863), Leslie Hamilton Wilson (1883-1968), Jacques-Henri Lartigue (1894-1986) it took photographers of social conviction to document the conditions of the less fortunate.
 
  
 
  
 
  
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