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HomeContents > People > Photographers > Sherrie Levine

Dates:  1947, 17 April -
Born:  US, PA, Hazleton
Gender:  Female
 
  
American photographer and conceptual artist.

Preparing biographies


Biography provided by Focal Press 
  
Levine earned her MFA degree in photo/printmaking at the University of Wisconsin in 1974. She became a lightning rod for charged criticism in the early 1980s after she was thrust into the forefront of the new post-modernist vanguard by an influential essay by Douglas Crimp in October called "The Photographic Activity of Post Modernism" (Winter 1980). She was nominated by Crimp to represent the art gesture of "appropriation" whereby an artist uses (transforms, re-contextualizes, adds text to) existing art or photographs to make a commentary or create "critical discourse." Levine had made photographic copies of well-known images by Edward Weston, Eliot Porter, and Walker Evans (all made from existing book reproductions) and exhibited the copies, uncropped and only altered by the act of photographic reproduction with titles like "After Edward Weston (by Sherrie Levine)." Levine’s intention was to offer her art that questioned originality, the patriarchal system of art "masters," and the fundamental nature of any art that utilized a photographic process to inscribe creativity and aesthetic value onto an art object (as Walter Benjamin had outlined in the 1930s). The debate, carried on in art journals and in universities for the next two decades, influenced a new generation of artists and critics for whom "the gesture" (often informed by Marxist and Feminist theories) superseded the modernist "object." 
  
(Author: Ken White - Rochester Institute of Technology) 
  
Michael Peres (Editor-in-Chief), 2007, Focal Encyclopedia of Photography, 4th edition, (Focal Press) [ISBN-10: 0240807405, ISBN-13: 978-0240807409] 
(Used with permission) 
  

HomeContents > Further research

 
  
Readings on, or by, individual photographers 
  
Levine, Sherrie, 2012, Sherrie Levine: Mayhem, (The Whitney Museum of American Art) isbn-10: 0300175965 isbn-13: 978-0300175967 [Δ
  
Levine, Sherrie; Singerman, Howard & Hentschel, Martin (ed.), 2001, Sherrie Levine: Pairs and Posses, (Hatje Cantz) isbn-10: 3775727752 isbn-13: 978-3775727754 [Δ
  
 
  
If you feel this list is missing a significant book or article please let me know - Alan - alan@luminous-lint.com
 
Portraits 
  
If you have a portrait of this photographer or know of the whereabouts of one we would be most grateful. 
  
alan@luminous-lint.com
 
  
Family history 
  
If you are related to this photographer and interested in tracking down your extended family we can place a note here for you to help. It is free and you would be amazed who gets in touch. 
  
alan@luminous-lint.com
 
  
QR code 
  
 
  

Visual indexes

ThumbnailSherrie Levine: Appropriation
 
 
All photographs by this photographer 
  
 

Internet biographies

Terms and Conditions

 
Wikipedia has a biography of this photographer.Show on this siteGo to website
Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. Go to website
Grove Art Online (www.groveart.com) has a biography of this artist. 
[NOTE: This is a subscription service and you will need to pay an annual fee to access the content.]
Show on this siteGo to website
 

Printed biographies

The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers.

 
• Hoy, Anne H. 1987 Fabrications: Staged, Altered and Appropriated Photographs (New York: Abbeville) p.190 
  
 
  
 
  
 
  
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