Dates: | 1934, 25 February - 2012, 9 June | Born: | Japan, Hokkaido, Bifuka | Active: | Japan | Japanese photographer who drew upon his own life to provide themes for his work.Preparing biographies In the wake of his divorce in 1976, Masahisa Fukase saw by chance a picture of a flock of crows which crystallised images of solitude and death appropriate to his sombre mood at the time. Fukase began to photograph crows in snow and at night, where the birds are either symbolic of death or have died themselves. The pattern of their black silhouettes in the sky resembles a cluster of brushstrokes in a traditional Japanese sumi-e calligraphic painting. Masahisa Fukase’s Ravens series was to occupy him for ten years. This biography is courtesy and copyright of the Victoria & Albert Museum and is included here with permission. Date last updated: 11 Nov 2011.
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| | Portraits If you have a portrait of this photographer or know of the whereabouts of one we would be most grateful. alan@luminous-lint.com |
Family history If you are related to this photographer and interested in tracking down your extended family we can place a note here for you to help. It is free and you would be amazed who gets in touch. alan@luminous-lint.com |
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| Premium content for those who want to understand photography | Visual indexes for this photographer are available for subscribers.There is so much more to explore when you subscribe. Subscriptions Some other suggested books by Masahisa Fukase include:
- Yugi (1971)
- Chichi no kioku (1991)
- Kazoku (1991)
I would welcome more complete details and scans of the covers of these books.
[Suggested by Colin Jago - March 19, 2006]
Wikipedia has a biography of this photographer. | Show on this site | Go to website | Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. | | Go to website |
The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers. |
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