Names: | | Dates: | 1894, 25 October - 1954, 8 December | Born: | France, Nantes | Died: | UK, Channel Islands, Jersey, St Hélier | Active: | France | French woman sculptor, writer and photographer. She changed her name from Lucy Schwob in around 1917 and took a male name that confused photo-historians over her gender for many years. Her lesbian relationship with her lifelong companion Marcel Moore (born: Suzanne Malherbe) perhaps initiated her fascination with self portraits in which she took on alternate personalities. From 1937 onwards they lived in Jersey and stayed there when the Channel Islands were occupied by the Nazis. A considerable amount of her work was destroyed by the Gestapo and she was imprisoned in 1944 but later returned to Jersey.Preparing biographies
| Premium content for those who want to understand photography | References are available for subscribers.There is so much more to explore when you subscribe. Subscriptions
| |
Family history If you are related to this photographer and interested in tracking down your extended family we can place a note here for you to help. It is free and you would be amazed who gets in touch. alan@luminous-lint.com |
|
| Premium content for those who want to understand photography | Visual indexes for this photographer are available for subscribers.There is so much more to explore when you subscribe. Subscriptions
Wikipedia has a biography of this photographer. | Show on this site | Go to website | Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. | | Go to website | Grove Art Online (www.groveart.com) has a biography of this artist. [NOTE: This is a subscription service and you will need to pay an annual fee to access the content.] | Show on this site | Go to website |
The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers. |
If there is an analysis of a single photograph or a useful self portrait I will highlight it here. |
|