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Biography provided by Focal Press
Influenced by futurism, the Bragaglia brothers made photographs of moving figures that blurred the intermediate phases of the motion by having their subjects move while the camera lens remained open. Their blurry depictions connected the science of positivism with transcendental idealism, suggesting that beyond the visible lay a recordable dynamic of continuous movement at play. Anton’s theoretical manifesto, Futurist Photodynamism (1911), claimed to free photography from brutal realism and instantaneity through movementalism — recording "the dynamic sensation of movement and its scientifically true shape, even in dematerialization."
(Author: Robert Hirsch - Independent scholar and writer)
Michael Peres (Editor-in-Chief), 2007, Focal Encyclopedia of Photography, 4th edition, (Focal Press) [ISBN-10: 0240807405, ISBN-13: 978-0240807409]
(Used with permission)
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