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Auguste Salzmann
Jérusalem, Vallée de Josaphat, Tombeau de Zacharie
[Jerusalem]
1854
Salted paper print, from paper negative, Imprimerie photographique de Blanquart-Évrard
23.4 x 31.1 cm (9 3/16 x 12 1/4 ins) (image) 44.8 x 64.3 cm (17 5/8 x 25 5/16 ins) (mount)
Metropolitan Museum of Art
Gilman Collection, Gift of The Howard Gilman Foundation, Accession Number: 2005.100.373.44
LL/69136
Curatorial description (accessed: 3 October 2016)
Salzmann’s photographs were widely considered to be "the rigorous translation of nature herself," free of human intervention. A common conception of photography in the mid-nineteenth century, this idea of objectivity held special significance in regard to representations of sites associated with the Bible—including the Tomb of Zechariah, father of Saint John the Baptist. The dormant tomb is activated by its affiliation with scripture. Salzmann’s works are entangled with notions of biblical infallibility and "geopiety," or the association of holy events with specific geographical sites. His personal religious faith, cultural biases, and inherited traditions all influenced the project.
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