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Étienne Jules Marey 
Chronophotographic study of Man Pole Vaulting 
1890-1891 
  
Albumen silver print 
2 3/4 x 4 3/16 ins 
  
George Eastman Museum 
 
LL/33171 
  
Marey's picturing of the "all at oneness" of time, its flow as a progression of events, broke with the traditional Renaissance representation of a still, solidified moment. His work was indicative of how art and science were combining to change the way people saw the world. 
 

 
  
 
  
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