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Home > People > Photographers > Julia Margaret Cameron

Names:
Born: Julia Margaret Pattle 
Other: Julia Margaret Pattle Cameron 
Dates:  1815, 11 June - 1879, 26 January
Born:  India, Calcutta
Died:  Ceylon, Kalutara
Active:  England
Gender:  Female
 
  
She was every bit the Victorian lady with a strong interest in the arts and literature. She was given a camera when she was 48 and experimented with photography for only about ten years but produced some of the most extraordinary portraits of Victorian England. Her photographs can be divided into two main types: those of famous Victorians (such as Herschel, Carlyle, Alfred Lord Tennyson, Charles Darwin and the actress Ellen Terry) and her recreations of literary, biblical and historical events. Her portrait style, of large head close-ups, is instantly recognisable. During the relatively short period when she was active she produced over 3,000 large format wet collodion negatives. She moved back to India (Ceylon) in 1875 and thereafter produced very few photographs.
 
[With assistance from Pam Roberts]

Preparing biographies

 
Thumbnail
Julia Margaret Cameron
Self Portrait 
1870s
 
  
 

Internet biographies

Terms and Conditions

 
Wikipedia has a biography of this photographer.Show on this siteGo to website
Getty Research, Los Angeles, USA has an ULAN (Union List of Artists Names Online) entry for this photographer. This is useful for checking names and they frequently provide a brief biography. Go to website
Grove Art Online (www.groveart.com) has a biography of this artist. 
[NOTE: This is a subscription service and you will need to pay an annual fee to access the content.]
Show on this siteGo to website
The Cleveland Museum of Art, USA has a biography on this photographer. [Scroll down the page on this website as the biography may not be immediately visible.]Show on this siteGo to website
Robert Leggat in the UK (www.rleggat.com) provides notes on this photographer.Show on this siteGo to website
The International Photographers Hall of Fame has provided a biography.Show on this siteGo to website
 

Internet resources

Terms and Conditions

 
Julia Margaret Cameron 
http://masters-of-photography.com ... 
  
Julia Margaret Cameron 
http://www.geh.org ... 
  
Julia Margaret Cameron 
http://www.rps.org ... 
  
Julia M. Cameron 
http://www.ocaiw.com ... 
  
National Gallery of Art, Washington, DC: Julia Margaret Cameron 
http://www.nga.gov ... 
  
Julia Margaret Cameron, English (b. India, 1815-1879) 
http://albumen.stanford.edu ... 
  
Julia Margaret Cameron 
http://corporate.gettyimages.com ... 
Getty images: Masters gallery 
  
Images of Ceylon 
http://www.imagesofceylon.com 
A wonderful resource for showing the range of 19th and early 20th century photographs of Ceylon. 
  
 

Printed biographies

The following books are useful starting points to obtain brief biographies but they are not substitutes for the monographs on individual photographers.

 
• Auer, Michele & Michel 1985 Encyclopedie Internationale Des Photographes de 1839 a Nos Jours / Photographers Encylopaedia International 1839 to the present (Hermance, Editions Camera Obscura) 2 volumes [A classic reference work for biographical information on photographers.] 
  
• Beaton, Cecil & Buckland, Gail 1975 The Magic Eye: The Genius of Photography from 1839 to the Present Day (Boston and Toronto: Little, Brown & Company) p.62 [Useful short biographies with personal asides and one or more example images.] 
  
• Capa, Cornell (ed.) 1984 The International Center of Photography: Encyclopedia of Photography (New York, Crown Publishers, Inc. - A Pound Press Book) p.94-95 
  
• International Center of Photography 1999 Reflections in a Glass Eye: Works from the International Center of Photography Collection (New York: A Bulfinch Press Book) p.210-211 [Includes a well written short biography on Julia Margaret Cameron with example plate(s) earlier in book.] 
  
• Lenman, Robin (ed.) 2005 The Oxford Companion to the Photograph (Oxford: Oxford University Press)  [Includes a short biography on Julia Margaret Cameron.] 
  
• Weaver, Mike (ed.) 1989 The Art of Photography 1839-1989 (New Haven and London: Yale University Press) p.453 [This exhibition catalogue is for the travelling exhibition that went to Houston, Canberra and London in 1989.] 
  
• Witkin, Lee D. and Barbara London 1979 The Photograph Collector’s Guide (London: Secker and Warburg) p.106-107 [Long out of print but an essential reference work - the good news is that a new edition is in preparation.] 
  
 

Useful printed stuff

If there is an analysis of a single photograph or a useful self portrait I will highlight it here.

 
• Gruber, Renate and L. Fritz Gruber 1982 The Imaginary Photo Museum (New York: Harmony Books) p.243 
  
• Naef, Weston 1995 The J. Paul Getty Museum - Handbook of the Photographic Collection (Los Angeles: J. Paul Getty Museum) p.72-73 
  
• Naef, Weston 2004 Photographers of Genius at the Getty (Los Angeles: J. Paul Getty Museum) [For this photographer there is a description and three sample photographs from the Getty collection. p.48-51] 
  
• Newhall, Beaumont 1982 The History of Photography - Fifth Edition (London: Secker & Warburg) [One or more photographs by Julia Margaret Cameron are included in this classic history.] 
  
• Szarkowski, John 1973 Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art (New York: The Museum of Modern Art) p.30 [Analyzes a single photograph by Julia Margaret Cameron.] 
  

Collections

Photographic collections are a useful means of examining large numbers of photographs by a single photographer on-line. 
  

 
In the 1990 survey of 535 American photographic collections Julia Margaret Cameron was represented in 64 of the collections. Source: Andrew H. Eskind & Greg Drake (eds.) 1990 Index to American Photographic Collections [Second Enlarged Edition] (Boston, Massachusetts: G.K. Hall & Co.) 
  
 

Quotations

The wit and wisdom.

 
"From the first moment I handled my lens with a tender ardor."
"I longed to arrest all beauty that came before me, and at length the longing has been satisfied."
"When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer."
 
  
 
  
 
  
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