Introduction |
987.01 | Introduction to experimental and manipulated photography |
Removal of distracting elements |
987.02 | Manipulating negatives |
Trick photography |
987.03 | Bust or statuette portraits |
987.04 | Multiple portraits taken using mirrors (Multigraphs or mirror portraits) |
987.05 | Decapitated heads |
987.06 | Spirit photography |
987.07 | Reduction |
987.08 | People in bottles |
987.09 | Photo caricatures |
987.10 | Photograms of seaweed |
987.11 | Stamps and stamp portraits |
987.12 | Electrical photographs |
987.13 | Crayon daguerreotypes and vignettes |
987.14 | The simulation of night |
Composite and combination prints |
987.15 | Composite and combination prints: Defined |
987.16 | C.W. Applegreen creates a composite photograph |
Distortions |
987.17 | Introduction to distortions |
987.18 | Louis Ducos du Hauron: Transformiste (Distortions) |
Reflections |
987.19 | Reflections in water |
Softening portraits |
987.20 | The softening technique of Andrei Denier |
Composite portraits |
987.21 | Composite and combination prints: Portraits |
Cliché verre |
987.22 | Cliché verre |
Painting on photographs |
987.23 | Introduction to painting on photographs |
987.24 | Nineteenth century Japanese artists and colourists |
987.25 | John Thomson: A Chinese portrait artist, Hong Kong |
Photojournalism and painting on photographs |
987.26 | Press photographs with paint or instructions |
Photograms |
987.27 | Photograms |
Solarization |
987.28 | Introduction to solarization |
987.29 | Examples of solarization |
987.30 | Edmund Teske: Duotone solarizations |
Mordançage |
987.31 | Mordançage examples |
Sculptural forms |
987.32 | Working with paper and card |
Exaggeration photo postcards |
987.33 | Exaggeration postcards |
987.34 | William H. Martin: Exaggeration photo postcards |
Polaroids |
987.35 | Experimental and manipulated Polaroids |
987.36 | Ellen Carey: Pulls |
Photographers |
987.37 | Juan Pedro Chabalgoity: Photo-collages on cartes de visite (ca 1875) |
987.38 | Hannah Maynard: Self portraits |
987.39 | Alexander Rodchenko: Using different viewpoints |
987.40 | Francis Bruguière: Cathedral montages |
987.41 | Roger Parry: Banalité (1930) |
987.42 | Frederick R. Archer: Experimental works |
987.43 | Francis Bruguière: Cut-paper abstractions |
987.44 | Man Ray: Solarized nudes |
987.45 | Man Ray: Les vois lactées (1974) |
987.46 | Lotte Jacobi: Photogenics |
987.47 | Carl-Heinz Chargesheimer: Experimental photography |
987.48 | Heinz Hajek-Halke: Experimental photography |
987.49 | Kurt Wendlandt: Lichtgraphik |
987.50 | Jaroslav Rössler: Abstractions |
987.51 | Milos Korecek: Abstractions (Fokalke) |
987.52 | Edmund Kesting: Ein Maler sieht durch's Objektiv (1958) |
987.53 | Weegee: Kaleidoscopic photographs |
987.54 | Frederick Sommer: Cut paper |
987.55 | Henry Holmes Smith: Portfolio Two, Center for Photographic Studies |
987.56 | Ladislav Postupa: Experimental vision |
Cinema and experimental photography |
987.57 | Dziga Vertov:The Man with a Movie Camera (1929) |
Integrity |
987.58 | Image integrity in documentary photography and photojournalism |