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HomeContents > Experimental and manipulated photography

 
 
Louis Faurer, 42nd St. Collage, New York, N.Y. (Rat Race), 1948 (taken, later print), Gelatin silver print, Bassenge Photography Auctions, 1 June 2016, Photographs, Lot 4199, LL/67256
 
Experimental and manipulated photography
Contents
Introduction
987.01   Introduction to experimental and manipulated photography
Removal of distracting elements
987.02   Manipulating negatives
Trick photography
987.03   Bust or statuette portraits
987.04   Multiple portraits taken using mirrors (Multigraphs or mirror portraits)
987.05   Decapitated heads
987.06   Spirit photography
987.07   Reduction
987.08   People in bottles
987.09   Photo caricatures
987.10   Photograms of seaweed
987.11   Stamps and stamp portraits
987.12   Electrical photographs
987.13   Crayon daguerreotypes and vignettes
987.14   The simulation of night
Composite and combination prints
987.15   Composite and combination prints: Defined
987.16   C.W. Applegreen creates a composite photograph
Distortions
987.17   Introduction to distortions
987.18   Louis Ducos du Hauron: Transformiste (Distortions)
Reflections
987.19   Reflections in water
Softening portraits
987.20   The softening technique of Andrei Denier
Composite portraits
987.21   Composite and combination prints: Portraits
Cliché verre
987.22   Cliché verre
Painting on photographs
987.23   Introduction to painting on photographs
987.24   Nineteenth century Japanese artists and colourists
987.25   John Thomson: A Chinese portrait artist, Hong Kong
Photojournalism and painting on photographs
987.26   Press photographs with paint or instructions
Photograms
987.27   Photograms
Solarization
987.28   Introduction to solarization
987.29   Examples of solarization
987.30   Edmund Teske: Duotone solarizations
Mordançage
987.31   Mordançage examples
Sculptural forms
987.32   Working with paper and card
Exaggeration photo postcards
987.33   Exaggeration postcards
987.34   William H. Martin: Exaggeration photo postcards
Polaroids
987.35   Experimental and manipulated Polaroids
987.36   Ellen Carey: Pulls
Photographers
987.37   Juan Pedro Chabalgoity: Photo-collages on cartes de visite (ca 1875)
987.38   Hannah Maynard: Self portraits
987.39   Alexander Rodchenko: Using different viewpoints
987.40   Francis Bruguière: Cathedral montages
987.41   Roger Parry: Banalité (1930)
987.42   Frederick R. Archer: Experimental works
987.43   Francis Bruguière: Cut-paper abstractions
987.44   Man Ray: Solarized nudes
987.45   Man Ray: Les vois lactées (1974)
987.46   Lotte Jacobi: Photogenics
987.47   Carl-Heinz Chargesheimer: Experimental photography
987.48   Heinz Hajek-Halke: Experimental photography
987.49   Kurt Wendlandt: Lichtgraphik
987.50   Jaroslav Rössler: Abstractions
987.51   Milos Korecek: Abstractions (Fokalke)
987.52   Edmund Kesting: Ein Maler sieht durch's Objektiv (1958)
987.53   Weegee: Kaleidoscopic photographs
987.54   Frederick Sommer: Cut paper
987.55   Henry Holmes Smith: Portfolio Two, Center for Photographic Studies
987.56   Ladislav Postupa: Experimental vision
Cinema and experimental photography
987.57   Dziga Vertov:The Man with a Movie Camera (1929)
Integrity
987.58   Image integrity in documentary photography and photojournalism
 
  
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HomeThemes > Experimental and manipulated photography 
A wider gazeA closer lookRelated topics 
  
Abstract 
Abstraction of light 
Abstraction of scale 
Abstraction of the real 
Alternative process movement 
Appropriation 
Avant-garde 
Bauhaus 
Cliché-verre 
Collage 
Composite and combination prints 
Composite portraits 
Distortions 
Equivalents, similes and visual metaphors 
Fakes, forgeries, tricks and deceptions 
Fotoform 
Mordançage 
Painting on photographs 
Photograms 
Photomontage 
Solarization 
Subjective photography - Subjektive fotografie 
Surrealism 
 
  
 
  
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