Luminous-Lint - for collectors and connoisseurs of fine photography
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER

Getting around

 

HomeContentsVisual IndexesOnline ExhibitionsPhotographersGalleries and DealersThemes
AbstractEroticaFashionLandscapeNaturePhotojournalismPhotomontagePictorialismPortraitScientificStill lifeStreetWar
CalendarsTimelinesTechniquesLibrarySupport 
 

HomeContents > Filmmaking and cinema

 
Contents
Planning
983.01   Improving content on Filmmaking and Cinema
Study of movement
983.02   Introduction to the study of movement and motion
983.03   Etienne Jules Marey: Capturing static shots of movement
983.04   Etienne Jules Marey: Physiological Station at Paris
983.05   Eadweard Muybridge: Capturing static shots of movement
983.06   Eadweard Muybridge: Experimental establishments
983.07   Eadweard Muybridge: Animals in motion
Film stills
983.08   Film stills
983.09   Georges Méliès: Voyage dans la Lune (1902)
983.10   German Expressionism: Vampyr (1932)
Uses of film stills in conceptual photography
983.11   John Divola: Evidence of Aggression - From Continuity
 
  
 Premium content for those who want to understand photography
 
Subscribe  Try Luminous-Lint for Free  Login 
  
With a subscription to Luminous-Lint you get: 
Texts 
Footnotes 
Further research (Books, articles) 
Photographers worth investigating 
Significant excerpts and quotations 
Online exhibitions 
Visual indexes 
Slideshows 
Videos
and this is just the beginning... 
  
 As a subscriber you have access to all these topics. 
  
Subscriptions 
Login 
  

 
HomeFilmmaking and cinema 
A wider gazeA closer lookRelated topics 
  
Actors 
Dioramas 
Film stills 
Filmmaking 
Magic lanterns 
Movement and motion 
 
  
 
  
HOME  BACK>>> Subscriptions <<< | Testimonials | Login | FREE NEWSLETTER
 Facebook LuminousLint 
 Twitter @LuminousLint