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HomeContents > Conceptual

 
 
Andres Serrano, Piss Christ, 1987, Dye-destruction print, Location and source information requested, © Andres Serrano. Courtesy Yvon Lambert New York, Paris, LL/33401
 
Conceptual
Contents
Introduction
929.01   Conceptual photography
Questions of identity
929.02   Helmar Lerski: Portraits
Questions of identity
929.03   Claude Cahun: Self portraits
929.04   Cindy Sherman: Untitled Film Stills
929.05   Samuel Fosso: Self portraits
929.06   Lucas Samaras: Unpentant Ego / Photo-transformations
929.07   Gillian Wearing: Album (2003)
929.08   Nikki S. Lee: Projects
929.09   Annu Palakunnathu Matthew: An Indian from India
929.10   Sophie Calle: The intimacy of human behaviour
Politcs and the message
929.11   The relationships between photographs and text
Appropriation and originality
929.12   Introduction to appropriation
929.13   Andy Warhol: Appropriation
929.14   Sherrie Levine: Appropriation
929.15   Richard Prince: Appropriation
929.16   Robert Heinecken: Appropriation
929.17   Questioning truth through appropriation
Juxtaposing realities
929.18   Martha Rosler: Bringing the War Home
929.19   William Laven: War Models
929.20   John Divola: Evidence of Aggression - From Continuity
Spatial forms
929.21   Serge Tousignant: Spatial geometries
929.22   John Pfahl: Landscapes
Examinations of photohistory
929.23   James Welling: Conceptual photography
Narratives
929.24   Duane Michels: The Spirit Leaves the Body (1968)
 
  
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