Introduction |
929.01 | Conceptual photography |
Questions of identity |
929.02 | Helmar Lerski: Portraits |
Questions of identity |
929.03 | Claude Cahun: Self portraits |
929.04 | Cindy Sherman: Untitled Film Stills |
929.05 | Samuel Fosso: Self portraits |
929.06 | Lucas Samaras: Unpentant Ego / Photo-transformations |
929.07 | Gillian Wearing: Album (2003) |
929.08 | Nikki S. Lee: Projects |
929.09 | Annu Palakunnathu Matthew: An Indian from India |
929.10 | Sophie Calle: The intimacy of human behaviour |
Politcs and the message |
929.11 | The relationships between photographs and text |
Appropriation and originality |
929.12 | Introduction to appropriation |
929.13 | Andy Warhol: Appropriation |
929.14 | Sherrie Levine: Appropriation |
929.15 | Richard Prince: Appropriation |
929.16 | Robert Heinecken: Appropriation |
929.17 | Questioning truth through appropriation |
Juxtaposing realities |
929.18 | Martha Rosler: Bringing the War Home |
929.19 | William Laven: War Models |
929.20 | John Divola: Evidence of Aggression - From Continuity |
Spatial forms |
929.21 | Serge Tousignant: Spatial geometries |
929.22 | John Pfahl: Landscapes |
Examinations of photohistory |
929.23 | James Welling: Conceptual photography |
Narratives |
929.24 | Duane Michels: The Spirit Leaves the Body (1968) |