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HomeContents > Pictorialism

Topics included in this theme

 
Introduction to Pictorialism
8.01   Introduction to Pictorialism
8.02   The roots of Pictorialism
Naturalism and Pictorialism
8.03   Naturalism and Pictorialism
8.04   Peter Henry Emerson (1856-1936)
8.05   Peter Henry Emerson: Marsh Leaves (1895)
Photo-Club de Paris
8.06   Photo-Club de Paris: Première Exposition d'Art Photographique - 1894
8.07   Photo-Club de Paris: Deuxième Exposition d'Art Photographique - 1895
8.08   Photo-Club de Paris: Troisième Exposition d'Art Photographique - 1896
8.09   Photo-Club de Paris: Quatrième Année Salon de Photographie - 1897
8.10   Clarence H. White: Portraits
Key subjects for Pictorialism
8.11   Pictorialism and trees
8.12   Flowers: A Pictorialist perspective
8.13   Pictorialism: Landscapes of ice and snow
8.14   Pictorialism and the innocence of children
8.15   Pictorialism and the portrait
8.16   Pictorialism, the nude and erotica
8.17   Pictorialism and architecture
8.18   Pictorialism: Still lifes
Case studies
8.19   Robert Demachy: Struggle
8.20   Edward Steichen: The Flatiron
8.21   Edward Steichen: Rodin's statue of Balzac (1908)
8.22   Clarence H. White: Ring Toss (1899)
8.23   Edward S. Curtis and Pictorialism
8.24   William Dassonville: Trees and the San Francisco skyline
8.25   Adelaide Hanscom Leeson: Sonnets from the Portuguese (ca. 1916)
8.26   Anne Brigman: Pictorialist nudes
8.27   Edward Weston: Pictorialist portraits
8.28   Fred Judge: UK: Postcards
8.29   Japanese Art Photography preserved on Postcards
Concluding remarks
8.30   Concluding thoughts on Pictorialism
 
  
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