Introduction |
782.01 | Introduction to backgrounds and foregrounds |
782.02 | Manufacturers and painters of studio backgrounds |
Daguerreotypists and painted studio backgrounds |
782.03 | Studio painted backgrounds for daguerreotypes |
782.04 | Antoine Claudet: Backgrounds for daguerreotypes |
782.05 | Salt prints: Backgrounds |
782.06 | Ambrotypes: Backgrounds |
782.07 | Cartes de visite: Backgrounds and foregrounds |
782.08 | Cabinet cards: Backgrounds and foregrounds |
782.09 | Tintypes: Backgrounds and foregrounds |
782.10 | Real Photo Postcards: Backgrounds and foregrounds |
Contemporary accounts |
782.11 | Backgrounds |
782.12 | Studio backgrounds |
782.13 | How Nineteenth Century Studios used backgrounds |
Examples of studio backgrounds |
782.14 | Backgrounds used in nineteenth century photographic studios |
Use of painted external walls as backgrounds |
782.15 | William Notman: Use of the painted exterior wall of his Montreal Studio as a background |
Designs for backgrounds |
782.16 | Backgrounds - how to paint and arrange them (1859) |
782.17 | David Knights-Whittome: Photographic backgrounds |
782.18 | Surviving photographic backgrounds |
Background holders and supports |
782.19 | Background holders and supports |
Revolving backgrounds |
782.20 | Revolving backgrounds |
Suppliers of backgrounds |
782.21 | Advertising for manufacturers and suppliers of backgrounds |
Paintings showing backgrounds in photographic studios |
782.22 | Paintings showing backgrounds in use |
Foreground and background themes |
782.23 | Backgrounds: Transportation |
782.24 | Studio backgrounds and foregrounds: Carts |
782.25 | Studio backgrounds and foregrounds: Cars |
782.26 | Studio backgrounds and foregrounds: Railways |
782.27 | Studio backgrounds and foregrounds: Balloons |
782.28 | Studio backgrounds and foregrounds: Aircraft |
782.29 | Studio backgrounds and foregrounds: Space Age and missiles |
782.30 | Studio backgrounds and foregrounds: Boats |
782.31 | Studio backgrounds and foregrounds: Bars |
782.32 | Studio backgrounds and foregrounds: Prisons and prisoners |
782.33 | Backgrounds: Landscapes |
782.34 | Water as an element in studio backgrounds and foregrounds |
782.35 | Patriotic and military backgrounds for portraits during the American Civil War (1861-1865) |
782.36 | Martinique: Studio portraits |
Foregrounds |
782.37 | Foregrounds |
782.38 | Foregrounds: Windows |
782.39 | Mummies and Sphinxes as foreground props |
Incongruous backgrounds |
782.40 | Backgrounds: Incongruous |
Street photographers |
782.41 | Backgrounds: Street photographers |
Case studies |
782.42 | Jean-Philippe Charbonnier: The Biter Bit |
782.43 | Ann Parker: Itinerant photographers of Guatemala (1970s) |
782.44 | Philip K. Apagya: Aspirational backgrounds in studio portraiture |
782.45 | Clarisse d'Arcimoles: Forget Nostalgia - A Little Theatre of Self (2012) |
782.46 | Martin Parr: Autoportrait |
Patents for backgrounds |
782.47 | Patents for photographic backgrounds and foregrounds |
782.48 | C.M. Coolidge: US patent No. 149,724, Processes of Taking Photographic Pictures (1874) |
Conclusions |
782.49 | Conclusions to backgrounds and foregrounds |